ramon casas (1866–1932)4
DESCRIPTION
YOU CAN WATCH this presentation with MUSIC on the link: http://www.authorstream.com/Presentation/sandamichaela-2341546-casas4/ Thank you! Ramon Casas i Carbó (1866–1932) was a Catalan Spanish artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond; he was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets. Also a graphic designer, his posters and postcards helped to define the Catalan art movement known as modernism. Please see also: http://www.slideshare.net/michaelasanda/ramon-casas3 http://www.slideshare.net/michaelasanda/ramon-casas2 http://www.slideshare.net/michaelasanda/ramon-casas1TRANSCRIPT
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Together with Rusiñol, Casas was one of the founding members of the Els Quatre Gats circle of artists in Barcelona, and a leading representative of the Catalan Modernista movement. Casas abandoned his studies when he was 11 years old in order to pursue his vocation as a painter. In 1882, aged sixteen, and with the financial support of his father, he travelled to Paris with Santiago Rusiñol. There he studied under Carolus Duran and at the Académie Gervex, where Eugène Carrière and Puvis de Chavannes taught. His talent did not go unnoticed, and just a year later he exhibited at the Salon des Champs Elysées. In 1900 Casas held a solo show at the Sala Parés in Barcelona, establishing him as the leading Catalan portrait painter of the day.Casas' mother purchased the monastery of Sant Benet de Bages in 1907 and hired Puig i Cadafalch to restore it. Casas would spend much time there, and would repeatedly depict the monastery and its surroundings. Five years later, when his mother died, he inherited the monastery. In 1913 he acquired an architecturally notable home in Barcelona, a tower on Carrer de San Gervasi (now Carrer de les Carolines). By the 1920s, Casas had fallen far away from the avant-gardiste tendencies of his youth. If anything, his work from this period looks like it came from an academic painter of an earlier time than his work of the 1890s. He continued painting landscapes and portraits, as well as anti-tuberculosis posters and the like, but by the time of his death in 1932, shortly after the emergence of the Second Spanish Republic, he was already more a figure of the past than the present.
Ramon Casas i Carbó (1866–1932) was a Catalan Spanish artist
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Bo
ceto
co
n d
ibu
jo f
an
tasí
aF
un
da
ció
n C
ultu
ral P
riva
da
Ma
nu
el R
oca
mo
ra,
Ba
rce
lon
a
Coro de monjasCirculo del Liceo, Barcelona
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Ballerinas Resting, 1900-1902Circulo del Liceo, Barcelona
AntesalaCirculo del Liceo, Barcelona
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Chula con panuelo amarillo
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Ch
ica
de
pe
rfil
Dibujo Fundación Amyc, Aravaca, Madrid
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El Puerto de Rosas (36 x 66 cm) Colección Alberto Corral, Santande
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Be
twe
en
Tw
o C
ha
pte
rs,
18
90
Mu
seu
Na
cio
na
l d'A
rt d
e C
ata
lun
ya -
MN
AC
, B
arc
elo
na
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Po
rtra
it
Ple
n a
ir (1
5 x
13
cm
) C
ole
cció
n p
art
icu
lar
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Yo
un
g w
om
an
19
00
M
use
u N
aci
on
al d
'Art
de
Ca
talu
nya
- M
NA
C,
Ba
rce
lon
a
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Re
tra
to d
e u
na
jove
n (
Po
rtra
it O
f A
La
dy)
Retrato de una joven (Portrait of a Young Woman)
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Ch
ula
co
n p
añ
ue
lo a
zul (
girl
with
a b
lue
sca
rf)
Jove
n c
on
pa
ñu
elo
azu
l, 1
90
3 (
44
x 3
7 c
m)
An
tigu
a C
ole
cció
n S
alv
ad
or
Rie
ra,
Ge
ne
ralit
at
de
Ca
talu
nya
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Sculptures of Ramón Casas and Santiago Rusiñol, by Ramón Cuello, in Sitges, Barcelona
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Figura desnuda, 1893Museu del Cau Ferrat
Sitges
Ramón Casas and Santiago Rusiñol
continue talking facing the sea in Sitges
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Museu del Cau Ferrat, Sitges, Barcelona
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Desnudo femenino,1894 Museu del Cau Ferrat, Sitges, Barcelona
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Desnudo femeninoMuseu Nacional d'Art de Catalunya - MNAC, Barcelona
Museu Nacional d'Art de Catalunya (MNAC), Barcelona
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Flores deshojadas, 1894óleo sobre lienzo, 101 x 80 cm, colección particular
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Escorzo de Desnudo, 1909
Desnudo Femenino (Nude)
Desnudo (Nude)
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An
tes
de
l ba
ño
, 1
89
5 (
72
,5 x
60
cm
) A
ba
día
de
Mo
nts
err
at
El baño. Paris, 1895
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Do
na
re
ra p
ers
ian
a (
Wo
ma
n A
gain
st a
Blin
d),
18
90
(2
40
x 2
00
cm
) F
un
da
ció
n B
an
co d
e S
an
tan
de
r
Est
ud
io d
e lu
z (5
4 x
36
cm
) C
ole
cció
n P
ed
ro M
asa
veu
D
ep
ósi
to e
n e
l Mu
seo
de
Be
llas
Art
es
de
Ast
uria
s
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Estudio de verano o Primero pasarás sobre mi cadáver, 1893Museu Nacional d'Art de Catalunya - MNAC, Barcelona
Mirando al exterior c. 1890 Fundación Amyc, Aravaca, Madrid
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Interior con figura
(64 x 37 cm) Colección particularL
azi
ne
ss,
18
98
M
use
u N
aci
on
al d
'Art
de
Ca
talu
nya
- M
NA
C,
Ba
rce
lon
a
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Est
ud
io,
18
93
(4
4 x
35
.5 c
m)
Mu
seu
Na
cio
na
l d'A
rt d
e C
ata
lun
ya -
MN
AC
, B
arc
elo
na
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En la habitación
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Bust de dona
EstudioFundación Amyc, Aravaca, Madrid
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Dñ
a.
Ma
ría
Lu
isa
Ab
ad
al
Niñ
a (
Po
rtra
it o
f a
Girl
), C
irca
18
96
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Catalinita, 1898 (127 x 166 cm) Colección Masaveu
Ramón Casas and Santiago Rusiñol in Sitges, by Ramón Cuello
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Re
tra
to d
e M
arí
a R
usi
ño
l (fil
la d
el p
into
r S
an
tiago
Ru
siñ
ol),
1
89
3
(81
x 6
6 c
m)
Co
lecc
ió p
art
icu
lar
Re
tra
to d
e la
fa
mili
a S
án
che
z d
e L
arr
ago
iti,
19
12
(2
10
x 1
60
cm
) C
ole
cció
n P
ed
ro M
asa
veu
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Inte
rior
al a
ire li
bre
, 1
89
2 (
16
0,5
x1
21
cm
) M
ad
rid,
Co
lecc
ión
Th
ysse
n-B
orn
em
isza
Julia
en
el c
lau
stro
de
l Mo
na
ste
rio d
e S
an
t B
en
et,
19
25
(9
2,5
x 7
5 c
m)
Co
lecc
ión
pa
rtic
ula
r
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Female figure in profile, 1899 Museu Nacional d'Art de Catalunya - MNAC, Barcelona
Mujer con boa (Woman with boa)
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La
to
ilett
e,
18
99
(3
5 x
30
.2 c
m)
Mu
seu
de
l Ca
u F
err
at,
Co
nso
rci d
el P
atr
imo
ni d
e S
itge
s
La
gra
sse
ma
tiné
e,
19
00
(7
3 x
59
cm
) C
ole
cció
n p
art
icu
lar
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Eco
de
las
fiest
as
de
To
lón
, 1
90
0 (
15
.5 x
11
.2 c
m)
Mu
seu
Na
cio
na
l d'A
rt d
e C
ata
lun
ya,
Ba
rce
lon
a
Da
ma
Bla
nca
, 1
89
1 (
55
x 3
5 c
m)
Mu
seu
de
l Ca
u F
err
at,
Co
nso
rci d
el P
atr
imo
ni d
e S
itge
s
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Charles Deering and Ramón Casas Autor Isabel Coll MirabentR
etr
ato
de
Me
rce
de
s L
lora
ch,
19
01
MN
Ce
ntr
o d
e A
rte
Re
ina
So
fia,
Ma
drid
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Mo
nja
(9
2 x
73
cm
) C
ole
cció
n p
art
icu
lar
Re
tra
to d
e E
lisa
Ca
sas,
18
85
(1
00
x 8
9 c
m)
Co
lecc
ión
pa
rtic
ula
r
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Mujer con mantilla
española de madroños,
1915 (60 x 40 cm)
Abadía de Montserrat
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Fig
ura
Fe
me
nin
a
Tired c. 1895-1900, oil on canvas,
Dallas Museum of Art
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Un patio, 1889 (82 x 100 cm) Colección MasaveuRe
tra
to d
e E
lisa
Ca
sas
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Invi
ern
o 1
91
4
Fu
nd
aci
ón
Am
yc,
Ara
vaca
, M
ad
rid
Re
tra
to d
e la
s se
ño
rita
s N
. N
, 1
89
0 (
22
0 x
16
0 c
m)
Co
lecc
ión
pa
rtic
ula
r
Re
tra
to d
e M
on
tse
rra
t C
asa
s, 1
88
8 (
20
2 x
92
cm
) C
ole
cció
n S
an
tan
de
r C
en
tra
l His
pa
no
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Retrato de Elisa Casas, 1895 (200 x 101 cm) Colección J. Codina
Retrato de la señora Baladia, 1908 (150 x 110 cm)
Colección particular
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Re
tra
to d
e M
on
tse
rra
t C
arb
ó,
18
88
(1
14
.5 x
70
cm
)M
use
u N
aci
on
al d
'Art
de
Ca
talu
nya
- M
NA
C,
Ba
rce
lon
a
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Po
rtra
it o
f S
en
yora
Ba
lad
ia 1
90
7M
use
u N
aci
on
al d
'Art
de
Ca
talu
nya
- M
NA
C,
Ba
rce
lon
a
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Retrato de una joven
Mo
nts
err
at
Ca
sas,
en
tra
je d
e n
och
e,
19
04
(1
98
x 1
01
cm
) C
ole
cció
n F
un
da
ció
n B
an
co d
e S
an
tan
de
r
Retrato de la niña Sardà, 1893 (92 x 48.5 cm) Colección particular
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Srta. A... at the piano, 1892Museu Nacional d'Art de Catalunya - MNAC, Barcelona
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Retrato de Gustave Violet, 1905 Museu Nacional d'Art de Catalunya - MNAC, Barcelona
Mujer con torera
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Retrato de Joaquín Torres García, 1901 Museu Nacional d'Art
de Catalunya - MNAC, Barcelona
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Retrat d'Antoni Utrillo 1897/99 Museu Nacional d'Art de Catalunya - MNAC, Barcelona
Ramon Casas i Carbó (1866–1932)
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Recognised as one of the masterpieces of ukiyo-e style (“pictures of the floating world”) and inspiring “Japonism”, a cultural and artistic trend that invaded Europe in the second half of the 19th century, “The great wave off Kanagawa” served as inspiration to Ramon Casas, when it came to decorating the walls of the “Salón de las Sirenas” in Hotel España.When, at the beginning of the 20th century, the architect Lluís Domènech i Montaner began work to renovate the hotel, he entrusted the painter Ramon Casas with the task of decorating the dining room. Casas, who, together with artist and writer Santiago Rusiñol, was one of the main introducers of Modernism into Catalonia, covered this room’s wall with a spectacular recreation of a seabed halfway between reality and fantasy, inhabited by mermaids, Mediterranean fish, crustaceans and cephalopods, on a background of light colours and embossed waves.
Sala Sirenas Hotel España
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Sala Sirenas Hotel España in Barcelona
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Sala Sirenas Hotel España in Barcelona
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Sound: Pasión Vega - Y Sin Embargo Te Quiero
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