questioning the everyday

7/25/2019 Questioning the Everyday

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Questioning the Everyday

AS2/Datuin


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Whose everyday?


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where? Who? What is the everyday? Why do we need to study the everyday?


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What does public mean?

How does one move in public


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Walking

Do these ways of walking have any meaning, or is it

just random or erfun!tory? "s there a different way of walking in u#li!? What are the fa!tors that affe!t walking a!e,

osture, style $eg walking %ui!kly, shuffling, strolling,

striding urosefully&?


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Walking in public

space constraints andboundaries(steps, balustrades, walls,terrain),

walking in groups or alone, purpose (walking to class, dorm, cafe,

etc)

Mood clothing, gender, profession, etc

rue self? !nguarded moments? "when #ou took their photos?


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Whose ever#da#?

What is the ever#da#?

Whereistheever#da#

Who?

How?

Wh#?

*sk +uestions

othing is self"evident


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-efebvre. what is left over afterdistinct, superior, speciali/edactivities have been singled out

0reud. the realm of the conscious visthe previousl# hidden (unconscious,traumatic memor#)

Mar. ideolog# as illusion


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1ultural 2tudies ($e 1erteau).subcultural resistance

0oucault. repetitive practices thatinstill a sense of disciplinar# self andoperationali/ed through institutionalarrangements


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3articular

*genc#

perience&feelings

4esistance

Microanal#sis

5eneral

2tructure 6nstitutions&$iscourse

3ower Macro

anthropolog#

0oucault, Mar

ps#choanal#sis

subculture


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6ntractable, not open todirect observation.

0orm or grammar


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WH* $7 87! 2?


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0ront

picture

9ack

writing9lurring of 5enre


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$e%ne 1ar

* car is a wingless aircraft that

crawls along the ground


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Would su:ce and manufacture ;cakes of toilet soap

nough iron to make a medium

si/ed nail 2ugar to sweeten a cup of co>

matches Magnesium would furnish the light

needed to take a photograph


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0at

;

6ron

2ugar

3hosphorus

=,=>>

Magnesium

!nusable amount ofpotassium and sulfur


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Viktor Shklovskydeclared, "Thetechnique of art isto make objects'unfamiliar' . . .

to increase thedifficulty andlength of perception

because the processof perception is anaesthetic end initself and must be

prolonged.

!reak of ay#, $ernando %. &campo

()*, &il on +anvas


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Magrittehe Human1ondition

hat is real-#


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'igher (rder )hinking)hrough Art


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sensing

making sense

#eyond !ommon sense

*loom+s )aonomy


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1reativit# is not a skill but the highestform of thinking, knowing learning

1reativit# 'uestions and generates newideas and wa#s of looking, eg theever#da#

1reativit# is not the monopol# of artists

1reativit# manifests in all forms of art

1reativit# and art make the ever#da#strange@gives form to the ever#da#


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)hank you

AS2/Datuin/)erm-/2.-02.-1

questioning the everyday

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