To save the Proud Tradition of Uppinakudru Puppetry ArtTo develop this folk art with 350 glorious years of its existanceTo save, preserve and enlighten the unique Indian Puppetry Art

now running in its 6th generation.

Sri Ganesha Yakshagana Gombeyata MandaliPuppet House, Post: Uppinakudru. 576230Kundapura Taluk, Udupi District, Karnataka, India.Mobile : 9448437848, Tel. Fax: 08254-238402E-mail : puppeteerkamathbk@yahoo.com / puppeteerkamathbk@gmail.com

Web-site : www.yakshaganapuppets.org

Uppinakudru Sri Devanna Padmanabha Kamath Memorial Yakshagana Gombeyata Trust (R)

UPPINAKUDRU PUPPET AKADEMY

APPEAL ªÀÄ£À«G¦à£ÀPÀÄzÀÄæ UÉÆA¨ÉAiÀiÁl CPÁqÉ«Ä

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SUPPORT IS YOURS,EFFORT IS OURS

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Demonstration for Belgium children in Brussels

International Recognition presented by Mr. Cherif Khaznadar at Paris, France

In France In Germany

In London

Participated in International Pupept Festivalheld at Thailand

In Russia

Training the Students in Japan

ACTIVITIES IN DIFFERENT PLACES

Sri Devanna Kamath got National recognition by winning National Award

in 1966

Sri Kogga Kamath won National Award in 1980,

State Award in 1986.

State Award - 2010 received from Sri. Yediyurappa,

Honourable chief minister of Karnataka on the occassion of Kannada Rajyotsava celebration at Ravindra Kala Kshethra,

Bangalore on 01-11-2010.

¸ÀÆvÀæQæÃqÉAiÀÄ UÁgÀÄrUÀ G¦à£ÀPÀÄzÀÄæPÉÆUÀÎ zÉêÀtÚ PÁªÀÄvï,

Master Puppeteer , UppinakudruKogga Devanna Kamath

Puppet Akademy Building, Uppinakudru

site before construction

UPPINAKUDRU PUPPET AKADEMY

Where is Uppinakudru? (Its location) Uppinakudru is almost a small island about a kilometer away from Tallur, towards left on the west, a junction on the National Highway and about 5 kms far from Kundapura Town in Udupi District of Karnataka State, India.

What is the Tradition of Puppetry? This Uppinakudru is the parental village of puppetry. It is a well known fact that this rare folk art has about 350 years of its existance and is now running in its 6th generation, making an unbeaten Guinnes Record of course.

Do you know the Family Tree of the Puppetry dynasty?

1. Krishna (Babu) Kamath - (1648-1708)

2. Laxman Kamath

3. Venkataramana Kamath

4. Devanna Kamath (1888-1971)

5. Kogga Devanna Kamath (1921-2003)

6. Bhaskar Kogga Kamath

Who is the Chief Mentor of our Puppetry Folk Art? If we go through and observe the interesting revival achievement of the Uppinakudru Yakshagana Puppetry, we find how this rare folk art had the support from the younger and elder personalities. Even today, we resume that there are a number of artists, supporters and admirers of puppetry who have tried to keep this folk art alive. We are proud of these personalities who are to be remembered respectfully because they have done their best in making this folk art popular and alive still today.

What are the Awards and Honours conferred? Uppinakudru Puppetry has been awarded with National Award twice(1966 & 1980), State Award twice(1993 & 2010), prestigious Tulsi Samman Award(1995) of Madhya Pradesh, Virudu Award of Chennai (2006), Kala Chethana Award of Gadag (2008) etc. and many other State, National and International Awards too.

What is the background of Puppetry Trust? Uppinakudru Sri Devanna Padmanabha Kamath Memorial Yakshagana Gombeyata Trust ® was established in 1995 to save and develop the tradition of this rare folk art of coastal Karnataka. This Trust, since its inception till today has made great achievements through out by taking its tradition to the high spirit of educational, cultural and social values. It is highly regretted that we are doing justice to this art without expecting or getting any kind of grants or aid from the Government but are proud to say

16 01

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9) PÀÄað, ªÉÄÃdÄ EvÁå¢.

10) ºÁmï ̈ ÁPïì (Hot Box)

11) CPÁéUÁqïð(PÀÄrAiÀÄĪÀ ¤Ãj£À §UÉÎ)

12) ̄ Áå¥ïmÁ¥ï

13) ¹Öïï PÀ¥ÁlÄ.

14) UÉÆÃqÉ ¥sÁå£ï (Wall fan)

15) ¥ÉÆæeÉPÀÖgï (Projector )

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17) ªÉÊ«zsÀåªÀÄAiÀÄ UÉÆA¨É ¤ªÀiÁðt.

18) UÉÆA¨É ºÁUÀÆ ªÀåQÛUÀ¼À vÉÊ® avÀæ

19) ¦æqïÓ (Refrigerator)

7) 1998- December- Tour of West Bengal state- took part in International Puppet Festival at Kolkatta.

8) 2000 - January- Gave live programmes and demonstration in Infosys Puppet Festival sponsored by famous I.T.Company Infosys- Bengaluru.

9) 2000 - August- Many programmes and live demonstration in Bengaluru sponsored by Spic-Macay.

10) 2000 - October - participated in International Puppetry Festival held in New Delhi sponsored by ICCR, New Delhi.

11) 2001 - November - Inaugural programme in International Puppet Festival conducted by Prithvi theatre, Mumbai.

12) 2002 - March- Many programmes and live demonstrations at the puppetry festival sponsored by Madras Craft Council.

13) 2002 - June- Participated in Spic- Macay festival held in Dehradun.

14) 2002 - September- Successful participation in Ishara Puppet Festival held in New Delhi.

15) 2002 - Conducted Tour of Rajasthan State giving programmes and demonstrations.

16) 2002 - September- Adventurous tour of Jammu and Kashmir at the time of war giving live programmes.

17) 2003 - January- Successful tour of Goa giving programmes sponsored by Spic-Macay Chapter.

18) 2003 - March- Inaugural programme in International Puppet Festival held in New Delhi arranged by Sangeet Natak Akademy.

19) 2003 - May - Gombe mane is built to accommodate its office, starting a museum of puppets, and a training centre.

20) 2003 - August- Given programmes in selected schools and colleges of Bengaluru sponsored by Spic-macay.

21) 2003 - December- Took part in Havala Utsava in Hyderabad giving programmes and live demonstrations.

22) 2004 - September- One month tour of Rajasthan state visiting different schools and colleges giving programmes and demonstrations first time in Hindi.

23) 2005- March – Participation in Puppet Festival in Mumbai arranged by Sangeet Natak Akademy, New Delhi.

24) 2005 - April- The Canara Bank Kundapur branch has donated free of cost a well equipped computer section with printer, scanner, fax, xerox facilities in it.

that because of the encouragement and all kinds of support from the public through which we have taken it to the international level. Please refer to our website: www.yakshaganapuppets .org.

Why is Uppinakudru Puppet Akademy established? Uppinakudru Sri Devanna Padmanabha Kamath Memorial Yakshagana Gombeyata Trust ® has been in existance since 1995 struggling hard for keeping the tradition of this rare folk art alive by doing its best. We are pleased to express that this art has succeeded in reaching different countries of the world. This Academy’s main objective is to give justice to this folk art when it has been totally neglected by the society.

Who are the backbones of this Akademy? We are pleased to make a mention of two dignified personalities in this task without whose whole hearted support nothing could have been achieved. Mrs. Dr. Sudhamurthy, Chairperson, Infosys Foundation, Bengaluru and Dr. P. Dayananda Pai of well known Century Builders, Bengaluru have come forward voluntarily by contributing financial help beyond our expectation. Because of their liberal financial help and guidance the huge Akademy Building has come up today in this small rural area.

What are the achievements made by the Trust? Uppinakudru Sri Devanna Padmanabha Kamath Memorial Yakshagana Gombeyata Trust ® has made a record of series of achievements since its establishment in 1995. Puppetry programmes are being conducted in Karnataka and other parts of our country and even abroad. Training in puppetry is being given to the interested persons. Programmes are conducted in Kannada, Konkani and Hindi languages as per the request from the sponsors attracting hundreds of viewers all over. Following are some of the events put on our records.

1) 1994 - Took part in Karnataka Utsava conducted by Karnataka Sangha, Mumbai.

2) 1994 - Gave programme and demonstration at the National Puppetry Festival held in Udupi sponsored by Folk Art Study Centre, Udupi.

3) 1995 - Gave programme and demonstration in National Puppetry Festival held in Assam.

4) 1995 - Uppinakudru Sri Devanna Padmanabha Kamath Memorial Yakshagana Gombeyata Trust® was established.

5) 1997- Participated in Spic-Macay programmes arranged in Andhra Pradesh and Punjab states ( Jullandar, Amrithsar, Ludhiana,Bhatiala, Chandigarh and New Delhi)

6) 1998 - First programme in Konkani language was arranged in the Konkani Art Festival sponsored by Konkani Akademy.

02 03

41) One of the special attractions of this folk art programme is giving live demonstration before the audience.

42) The Trust has given provision of Insurance Facility to its artists on the basis of their service and experience.

43) Photoes and data collection of all activities are documented by the Trust.

44) It is a credit to this Trust that it has succeeded in recommending monthly pension to two of its Troupe from the state Govt.

What are the publications of the Trust?

This Trust has given due importance to training and collecting informations besides documentation.It has a long tradition of about 350 years and is running in its 6th generation now.

The first of its kind is the English version of “KOGGA KAMATH MARIONETTS”(1995). The other publications are “Uppinakudru Sootrada Gombegala Seemollanghana”- (The flight beyond fronteers) , A Travel collection (1996). “Gombe Prapancha” – A souvenir (1998), “Uppinakudru String Puppets”- a colourful pamphlets (2000), “Sootra Parva”(2004)-A biography of Kogga Kamath, “Sootra Abhiyana”(2009)- Report of One programme for one District, “String Tradition” (2009)- a Colourful brochure.

Do you know about the Foreign Tours?

Uppinakudru Gombeyata Troupe has visited almost all states of India giving programmes and demonstrations successfully. Besides, it has the credit of paying visits to a number of countries all over the world right from 1978 making successful tours, spreading this rare folk art of our country world wide.

1) 1978- France Tour

2) 1979-Belgium visit

3) 1983- Australian Tour.

4) 1983- France and Geneva visit.

5) 1985- Two month’s tour of Germany, France, Holland, Re Union island.

6) 1986- Greece, Athens, Heedra island

7) 1990- Holland Tour.

8) 1996- Pakistan Tour.

9) 1999- France visit.

25) 2005 - May- Successful programmes and demonstrations sponsored by Spic-Macay on the occasion of its 20th year celebrations - Dr. U. Ananthamurthy, well known scholar honoured the troupe.

26) 2 0 0 5 - D e c e m b e r - O u r Tr u s t h a s s t a r t e d w e b - s i t e “www.yakshaganapuppets.org” and is successful in touching every corner of the world.

27) 2005 - December- The “Decennary Celebration “ was held successfully.

28) 2006 - April - This trust is fortunate to have a full pledged bus ‘AIRAVATHA’ for the use of the Troupe, donated by Infosys Foundation, Bengaluru by its Chair Person, Dr. Sudhamurthy. Besides this she has helped our troupe members by giving incentives and financial help on her own.

29) 2007 - Demonstration in several schools and colleges of Andhara Pradesh sponsored by Spic-macay.

30) 2008 - Infosys Foundation sponsored programme of ‘ One programme for each District in Karnataka’ one month successful tour.

31) 2010 - Kannada Sangha of New Delhi sponsored programme and demonstrations.

32) 2010 - KARNATAKA STATE AWARD conferred on Bhaskar Kogga Kamath, the President of the Trust.

33) 2013 - Demonstration programmes sponsored by Madras Craft Foundation.

34) 2014 - Programmes arranged in Bagalkota, Hebbsur sponsored by Infosys Foundation, Bengaluru.

35) 2014 - ‘The Hindu’ sponsored programmes in Bengaluru at the Puppet Festival- programmes in Infosys, Indira Gandhi Art Centre and Bannerghatta Ashrams.

36) 2015 - Six days programmes in Alva’s Foundation, Moodbidri – two programmes a day about 15,000 students attended.

37) This Trust has been honouring Senior/Junior artists of Puppetry from time to time.

38) A Uniform code of dress during programmes is followed among the artists.

39) Interested persons are being trained in this folk art.

40) The Trust has given encouragement to Kannada, Hindi and Konkani languages by using them in their programmes. Thus it has reached all corners of people who are interested in this folk art.

04 05

11) Giving initiative to collect Corpus Fund of Rs. One Crore.

12) Conducting workshops to the interested persons.

13) Making of puppets and opening a marketing centre.

What are the activities conducted in Puppet Akademy?

About 25 students, boys and girls are given training in puppetry art in the Akademy Building. Every month one or the other cultural programme is being conducted in the Building since its inauguration in March 2015.

What is the financial security?

The Trust has succeeded in conducting programmes, its activities from the encouragement of dignified sponsors and donors and has shown that ‘what is not possible has been made possible’ inspite of shortage of funds. But we feel that financial support will help the Trust for its survival. For this we have a proposal of raising Corpus Fund of Rs. One Crore and we are sure that we can conduct all our programmes by meeting expenses from the interest of this fund.

What you can do?

Our intension is not limited to the collection of fund only but to bring all admireres of Puppetry under one banner and help this rare folk art to continue its existance in future too. We request the general public to support this art by attending programmes as audience or becoming sponsors for our different programmes. You may become as the honourable life members or the founder members too.

10) 2007- London tour for two months

11) 2007- Japan programme

12) 2008- Programme in Switzerland.

13) 2009- Singapore Tour

14) 2010- Thailand programme

15) 2012- Japan Tour

16) 2012- France Tour

17) 2013- Japan Tour

18) 2013- Russia and Belgium visit

19) 2015- Hongkong Tour.

What are the Future plans of Puppet Akademy?

Organizational activities are given importance to make this folk art popular and attractive. Well organised suitable training is given to the interested students. Every attempt is made to reach out all walks of life by conducting programmes and demonstrations not only in Kannada but in Konkani, Hindi and English languages also. Some of the future plans are:-

1) Opening of a well collected Museum of Puppetry in the Akademy Building.

2) Creating folk art awareness in children by visiting and conducting programmes and live demonstrations in schools and colleges.

3) Using puppetry for more publicity.

4) Scope for Provident Fund facility to the artists and creating a Building Fund.

5) For the smooth running of the Akademy and giving job security to the artists finding sponsors, supporters for honouring them.

6) Arranging Puppetry Camps.

7) Helping the artists to get financial and other facilities from different organizations from time to time.

8) To edit a magazine “Gombe Prapancha” to share the experiences of the mass.

9) On the event of 20 years of the Trust visiting 20 villages and towns/ schools, colleges giving programmes and demonstrations.

10) Giving awards and prizes to the deserving artists.

06 07

Trust Pan No. - AAATU0676LState Bank of Mysore

SB A/C No. 54034833919Kundapura Branch.

Canara BankS.B. A/C. No. 0603101051157

Kundapura Branch.

Do you know the Income Tax Benifits?

All donations to the activities of Puppet Akademy are exempted from Income Tax under rule- F.No. U-5/80G®/CIT/MNG/2011-12

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1) 5 feet Fiber Nataraja Statue (on the stage)

2) Generator facility.

3) Mike set and speaker

4) Stage light system

5) Computer section.

6) Digital screen

7) Solar light system

8) Museum set

9) Furnitures.

10) Hot box

11) Aquaguard

12) Laptop

13) Steel Almirahs.

14) Puppet Production.

15) Oil Paintings of puppets and other personalities.

16) Solar water heater for bathroom

17) Projector.

18) Wall fan

19) Refregerator.

08 09

OUR IMMEDIATE REQUIREMENTS

Ÿ 2000 gÀ°è d£ÀªÀjAiÀÄ°è ¨ÉAUÀ¼ÀÆj£À ºÉ¸ÀgÁAvÀ ¸ÀA¸ÉÜAiÀiÁzÀ E£ÉÆáù¸ï ¥ÁæAiÉÆÃfvÀ E£ÉÆáù¸ï ¥À¥Émï ¥sɹ֪À¯ï £À°è C£ÉÃPÀ ¥ÀæzÀ±Àð£À, ¥ÁævÀåQëPÉ.

Ÿ 2000 DUÀ¸ïÖ £À°è ¹àPï ªÉÄPÉ ¥ÁæAiÉÆÃfvÀ ¨ÉAUÀ¼ÀÆgÀÄ ¥ÀæªÁ¸À, ºÀ®ªÀÅ ¥ÀæzÀ±Àð£À, ¥ÁævÀåQëPÉ.

Ÿ 2000 CPÉÆÖçgï £À°è zɺÀ°AiÀÄ L.¹.¹.Dgï £ÀªÀgÀ ¥ÁæAiÉÆÃfvÀ CAvÀgÁ¶ÖçÃAiÀÄ UÉÆA¨ÉAiÀiÁl GvÀìªÀzÀ°è ̈ sÁUÀªÀ»¹zÀÄÝ.

Ÿ 2001 £ÀªÉA§gï £À°è ªÀÄÄA§¬Ä£À°è ¥Àæyé yAiÉÄÃlgï £ÀªÀgÀÄ DAiÉÆÃf¹zÀ CAvÀgÁ¶ÖçÃAiÀÄ UÉÆA¨ÉAiÀiÁl GvÀìªÀzÀ°è GzÁÏl£Á ¥ÀæzÀ±Àð£À ºÁUÀÆ ¥ÁævÀåQëPÉ.

Ÿ 2002 ªÀiÁZïð£À°è ªÀÄzÁæ¸ï PÁæ¥sïÖ Pˤì¯ï £ÀªÀgÀÄ ªÀÄzÁæ¹£À°è ¸ÀAWÀn¹zÀ UÉÆA¨ÉAiÀiÁl GvÀìªÀzÀ°è C£ÉÃPÀ ¥ÀæzÀ±Àð£À ºÁUÀÆ ¥ÁævÀåQëPÉ.

Ÿ 2002 dÆ£ï £À°è zɺÀgÁqÀÆ£ï £À°è £ÀqÉzÀ ¹àPï ªÉÄPÉ ¸ÀªÉÄäüÀ£ÀzÀ°è PÁAiÀÄðPÀæªÀÄ ºÁUÀÆ ¥ÁævÀåQëPÉ.

Ÿ 2002 ¸É¥ÉÖA§gï zɺÀ°AiÀÄ°è £ÀqÉzÀ E±ÁgÁ ¥À¥Émï ¥sɹ֪À¯ï £À°è AiÀıÀ¹é PÁAiÀÄðPÀæªÀÄ £ÀAvÀgÀ ¹àPï ªÉÄPÉ DAiÉÆÃf¹zÀ gÁd¸ÁÜ£À ¥ÀæªÁ¸À ºÁUÀÆ PÀzÀ£ÀzÀ ¸ÀªÀÄAiÀÄzÀ°è gÉÆêÀiÁAZÀPÀ dªÀÄÄä PÁ²äÃgÀ ¥ÀæªÁ¸À. C£ÉÃPÀ ¥ÀæzÀ±Àð£À ºÁUÀÆ ¥ÁævÀåQëPÉ.

Ÿ 2003 d£ÀªÀjAiÀÄ°è ¹àPï ªÉÄPÉ UÉÆêÁ ZÁ¥ÀÖgï ¥ÁæAiÉÆÃf¹zÀ UÉÆêÁ ¥ÀæªÁ¸À. AiÀıÀ¹é ¥ÀæzÀ±Àð£À.

Ÿ 2003 ªÀiÁZïð zɺÀ°AiÀÄ°è ¸ÀAVÃvÀ £ÁlPÀ CPÁqÉ«ÄAiÀĪÀgÀÄ K¥Àðr¹zÀ CAvÀgÁ¶ÖçÃAiÀÄ UÉÆA¨ÉAiÀiÁl GvÀìªÀzÀ°è GzÁÏl£Á ¥ÀæzÀ±Àð£À, UËgÀªÀ.

Ÿ 2003 DUÀ¸ïÖ ºÁUÀÆ CPÉÆÖçgï £À°è ¹àPï ªÉÄPÉ ¥ÁæAiÉÆÃf¹zÀ ̈ ÉAUÀ¼ÀÆgÀÄ ¥ÀæªÁ¸À, C£ÉÃPÀ ±Á¯Á PÁ¯ÉÃdÄUÀ¼À°è UÉÆA¨ÉAiÀiÁl ¥ÀæzÀ±Àð£À.

Ÿ 2003 r¸ÉA§gï £À°è ºÉÊzÀgÁ¨Ázï £À°è £ÁlågÀAUÀ, ºÉÊzÀgÁ¨Ázï£ÀªÀgÀ ºÀªÀ¼À GvÀìªÀzÀ°è AiÀıÀ¹é ¥ÀæzÀ±Àð£À, ¥ÁævÀåQëPÉ.

Ÿ 2004 ¸É¥ÉÖA§gï £À°è ¹àPï ªÉÄPÉ ¥ÁæAiÉÆÃf¹zÀ MAzÀÄ wAUÀ¼À PÁ® gÁd¸ÁÜ£À ¥ÀæªÁ¸À. gÁd¸ÁÜ£ÀzÀ ¥ÀæªÀÄÄR £ÀUÀgÀUÀ¼À ±Á¯Á PÁ¯ÉÃdÄUÀ¼À°è ¥Àæ¥ÀæxÀªÀÄ ¨Áj »A¢AiÀÄ°è AiÀıÀ¹é UÉÆA¨ÉAiÀiÁl ¥ÀæzÀ±Àð£À, UËgÀªÀ.

Ÿ 2005 ªÀiÁZïð £À°è ªÀÄÄA§¬ÄAiÀÄ°è zɺÀ° ¸ÀAVÃvÀ £ÁlPÀ CPÁqÉ«Ä ¥ÁæAiÉÆÃf¹zÀ UÉÆA¨ÉAiÀiÁl GvÀìªÀzÀ°è ¥ÀæzÀ±Àð£À.

Ÿ 2005 ªÉÄÃAiÀÄ°è ªÀÄtÂ¥Á®zÀ°è £ÀqÉzÀ 20 £Éà ¹àPï-ªÉÄPÉ ¸ÀªÉÄäüÀ£ÀzÀ°è AiÀıÀ¹é ¥ÀæzÀ±Àð£À, ¥ÁævÀåQëPÉ ºÁUÀÆ qÁ. AiÀÄÄ. Dgï. C£ÀAvÀªÀÄÆwðAiÀĪÀjAzÀ ̧ À£Áä£À.

Ÿ 2007 gÀ°è ¹àPï ªÉÄPÉ DAzsÀææ ¥ÀæzÉñÀ ZÁ¥ÀÖgï gÀªÀgÀÄ K¥Àðr¹zÀ ±Á¯Á PÁ¯ÉÃdÄUÀ¼À°è ¥ÀæzÀ±Àð£À.

Ÿ 2008 gÀ°è E£ÉÆáù¸ï ¥ÁæAiÉÆÃfvÀ “f¯ÉèUÉÆAzÀÄ Dl - G¦à£ÀPÀÄzÀÄæ UÉÆA¨É wgÀÄUÁl”, PÀ£ÁðlPÀ ¥ÀæªÁ¸À. (MAzÀÄ wAUÀ¼À PÁ® ¥Àæw ¢£À MAzÀÄ f¯ÉèUÉ MAzÀÄ ¥ÀæzÀ±Àð£À)

¥ÉÆæÃvÁìºÀPÀgÀ £ÉgÀ«£ÉÆA¢UÉ ¤gÀAvÀgÀ ±ÀæªÀÄ ºÁQ F PÀ¯ÉAiÀÄ£ÀÄß CAvÀgÁ¶ÖçÃAiÀÄ ªÀÄlÖPÉÌÃj¹zÉ. F §UÉÎ ºÉaÑ£À «ªÀgÀUÀ½UÉ ªÉ¨ï ̧ ÉÊmï: www.yakshaganapuppets.org ¸ÀA¥ÀQð¹ ªÀiÁ»w ¥ÀqÉAiÀħºÀÄzÁVzÉ.

G¦à£ÀPÀÄzÀÄæ UÉÆA¨ÉAiÀiÁl CPÁqÉ«Ä C¹ÛvÀé AiÀiÁPÉ? 1995 jAzÀ F PÀ¯ÉUÉ ºÉƸÀ DAiÀiÁªÀÄ, £É¯É ¤ÃqÀĪÀ°è ̧ ÀvÀvÀ ¥ÀæAiÀÄw߸ÀÄwÛgÀĪÀ F læ¸ïÖ E£ÀÆß MAzÀÄ ºÉeÉÓ ªÀÄÄAzÉ ºÉÆÃV wÃgÁ C½«£ÀAa£À°ègÀĪÀ UÉÆA¨ÉAiÀiÁl PÀ¯ÉUÉ, ¨ÁºÀåªÁV MAzÀÄ ̧ ÀÆj£Àr ̧ ÁzsÀ£ÉUÉ, PÀ°PÉUÉ, D«µÁÌgÀPÉÌ CzÀQÌAvÀ®Æ ºÉZÁÑV F PÀ¯É CAvÀgÁ¶ÖçÃAiÀÄ ªÀÄlÖzÀ°è MAzÀÄ ̧ ÀàµÀÖ PÀ®à£ÉAiÀÄr G½¹, ̈ ɼɹ, ̈ ɼÀV¸À®Ä “G¦à£ÀPÀÄzÀÄæ UÉÆA¨ÉAiÀiÁl CPÁqÉ«Ä” PÀ£À¹£À PÀƸÁV C¹ÛvÀé PÀArzÉ.

F CPÁqÉ«ÄAiÀÄ gÀƪÁjUÀ¼ÁågÀÄ? F MAzÀÄ eÁ£À¥ÀzÀ AiÀÄPÀëUÁ£À UÉÆA¨ÉAiÀiÁl «²µÀÖ ¥ÀgÀA¥ÀgÉ, ¸ÀA¥ÀæzÁAiÀÄ, ¸ÀA¸ÁÌgÀPÉÌ £É¯É ¤ÃqÀ®Ä PÁgÀtÂÃPÀvÀðgÉAzÀgÉ E£ÉÆáù¸ï £À qÁ. ¸ÀÄzsÁªÀÄÆwð ºÁUÀÆ ¸ÉAZÀÄj ©®Øgïì £À qÁ. ¦. zÀAiÀiÁ£ÀAzÀ ¥ÉÊAiÀĪÀgÀÄ. EªÀgÀ vÀÄA§Ä ºÀÈzÀAiÀÄzÀ ¥ÉÆæÃvÁìºÀ, ªÀiÁUÀðzÀ±Àð£À, ¥ÉæÃgÀuɬÄAzÀ G¦à£ÀPÀÄ¢æ£À°è MAzÀÄ PÉÆÃn gÀÆ. ªÀiË®åzÀ UÉÆA¨ÉAiÀiÁl CPÁqÉ«Ä PÀlÖqÀ ¸ÀgÀPÁgÀzÀ AiÀiÁªÀÅzÉà ¸ÀºÁAiÀÄ ¥ÀqÉAiÀÄzÉà ªÀÄÆr §A¢zÉ.UÉÆA¨ÉAiÀiÁl PÀ¯Á«zÀgÀÄ, ¥ÉÆæÃvÁìºÀPÀgÀÄ, C©üªÀiÁ¤UÀ¼ÀÄ EªÀjUÉ AiÀiÁªÀvÀÆÛ agÀIÄtÂAiÀiÁVzÁÝgÉ.

UÉÆA¨ÉAiÀiÁl læ¸ïÖ £À ̧ ÁzsÀ£É K£ÀÄ ? G¦à£ÀPÀÄzÀÄæ ²æà zÉêÀtÚ ¥ÀzÀä£Á¨sÀ PÁªÀÄvï ªÉĪÉÆÃjAiÀįï AiÀÄPÀëUÁ£À UÉÆA¨ÉAiÀiÁl læ¸ïÖ FªÀgÉUÉ C£ÉÃPÀ ¸ÁzsÀ£ÉUÀ¼À ¸ÀgÀªÀiÁ¯ÉAiÀÄ£Éßà ªÀiÁr zÁR¯É ¤«Äð¹zÉ. UÉÆA¨ÉAiÀ iÁl PÀ¯É EA¢UÀÆ ¤ÃªÀÅ £ÉÆÃqÀÄwÛ¢ ÝÃj. CzÀÄ F læ¸ï Ö£À ¸ÁzsÀ£ÉAiÀÄ£ÀߧºÀÄzÀÄ. F læ¸ïÖ F «±ÉõÀ ¥ÀgÀA¥ÀgÉ, ¸ÀA¥ÀæzÁAiÀĪÀ£ÀÄß EA¢UÀÆ dvÀ£À¢AzÀ PÁ¥ÁrPÉÆAqÀÄ §A¢zÉ. ºÁUÉà F PÀ¯É «¸ÁÛgÀªÁV, ¸ÀzsÀÈqsÀªÁV ¨É¼ÉAiÀĨÉÃPÉ£ÀÄߪÀ EZÉÒ¬ÄAzÀ AiÀÄĪÀPÀjUÉ vÀgÀ¨ÉÃw ¤ÃrzÉ ªÀÄvÀÄÛ F PÀ¯É «¸ÁÛgÀUÉƼÀÄîªÀ°è PÀ£ÀßqÀ, PÉÆAPÀtÂ, »A¢ ¨sÁµÉUÀ¼À°è AiÀıÀ¹é ¥ÀæzÀ±Àð£À ¤Ãr ºÉƸÀ ¸ÀܼÀ ºÁUÀÆ ºÉƸÀ ¥ÉæÃPÀëPÀ, C©üªÀiÁ¤UÀ¼À£ÀÄß ̧ ÀȶֹzÉ.Ÿ 1994 gÀ°è PÀ£ÁðlPÀ ¸ÀAWÀ, ªÀÄÄA§¬Ä EªÀgÀÄ DAiÉÆÃf¹zÀ PÀ£ÁðlPÀ GvÀìªÀzÀ°è

¨sÁUÀªÀ»¹zÀÄÝ.

Ÿ 1994 gÀ°è GqÀĦ eÁ£À¥ÀzÀ gÀAUÀ PÀ¯ÉUÀ¼À CzsÀåAiÀÄ£À PÉÃAzÀæzÀªÀgÀÄ K¥Àðr¹zÀÝ gÁ¶ÖçÃAiÀÄ UÉÆA¨ÉAiÀiÁl GvÀìªÀzÀ°è ¥ÀæzÀ±Àð£À, ¥ÁævÀåQëPÉ.

Ÿ 1995 gÀ°è C¸ÁìA £À°è £ÀqÉzÀ gÁ¶ÖçÃAiÀÄ UÉÆA¨ÉAiÀiÁl GvÀìªÀzÀ°è ¥ÀæzÀ±Àð£À, ¥ÁævÀåQëPÉ, C¸ÁìA£ÁzÀåAvÀ ¥ÀæzÀ±Àð£À.

Ÿ 1997 gÀ°è ¹àPï-ªÉÄPÉ ¥ÁæAiÉÆÃfvÀ DAzsÀæ ºÁUÀÆ ¥ÀAeÁ¨ï ¥ÀæªÁ¸À. d®AzsÀgÀ, CªÀÄÈvÀ¸ÀgÀ ®Æ¢üAiÀiÁ£À, ̈ sÁnAiÀiÁ®, ZÀArÃUÀqsÀ, zɺÀ°AiÀÄ°è AiÀıÀ¹é ¥ÀæzÀ±Àð£À.

Ÿ 1998 gÀ°è zɺÀ°AiÀÄ°è £ÀqÉzÀ PÉÆAPÀt CPÁqÉ«Ä ¥ÁæAiÉÆÃfvÀ PÉÆAPÀt PÀ¯Á GvÀìªÀzÀ°è ¥ÀæxÀªÀÄ ̈ Áj PÉÆAPÀtÂAiÀÄ°è UÉÆA¨ÉAiÀiÁl AiÀıÀ¹é ¥ÀæzÀ±Àð£À.

Ÿ 1998 r¸ÉA§gï £À°è UÉÆA¨ÉAiÀiÁl vÀAqÀzÀ ¥Àæ¥ÀæxÀªÀÄ PÀ®ÌvÁÛ ¥ÀæªÁ¸À. PÀ®ÌvÁÛ ¥À¥Émï yAiÉÄÃlgï £ÀªÀgÀÄ DAiÉÆÃf¹zÀ CAvÀgÁ¶ÖçÃAiÀÄ UÉÆA¨ÉAiÀiÁl GvÀìªÀzÀ°è ¥ÀæzÀ±Àð£À ºÁUÀÆ ¥ÁævÀåQëPÉ.

10 11

Ÿ læ¸ïÖ 2005gÀ°è zÀ±ÀªÀiÁ£ÉÆÃvÀìªÀ PÁAiÀÄðPÀæªÀÄ ºÉZÀÄÑ CxÀðªÀvÁÛV £ÀqɹzÉ.

Ÿ læ¸ïÖ ªÀÄÆ®PÀ F gÀAUÀzÀ E§âgÀÄ »jAiÀÄ PÀ¯Á«zÀjUÉ ªÀiÁ±Á¸À£À zÉÆgÀQ¹PÉÆqÀĪÀ°è AiÀıÀ¹éAiÀiÁVgÀĪÀÅzÀÄ zÉÆqÀØ ̧ ÁzsÀ£ÉAiÀiÁVzÉ.

UÉÆA¨ÉAiÀiÁl læ¸ïÖ £À ¥ÀæPÀluÉ zÁR¯Áw K£ÀÄ?

F læ¸ïÖ PÉêÀ® vÀgÀ¨ÉÃw, ²PÀët ªÀiÁ»wAiÉÆA¢UÉ zÁR¯ÁwUÉ «±ÉõÀ ªÀĺÀvÀé ¤ÃrzÉ. 350 ªÀµÀðUÀ¼À F ¥ÀgÀA¥ÀgÉ EAzÀÄ 6 £Éà vÀ¯ÁAvÀgÀzÀ°è £ÀqÉAiÀÄÄwÛzÉ.

F ¤nÖ£À°è ¨É¼ÀPÀÄ PÀAqÀ ¥Àæ¥ÀæxÀªÀÄ zÁR¯Áw “PÉÆUÀÎ PÁªÀÄvï ªÉÄjAiÉÆãÉmïì“ EAVèµï CªÀvÀgÀtÂPÉ ¸ÀÄAzÀgÀªÁV ªÀÄÆr §A¢zÉ. “G¦à£ÀPÀÄzÀÄæ ¸ÀÆvÀæzÀ UÉÆA¨ÉUÀ¼À ¹ÃªÉÆîèAWÀ£À” ¥ÀæªÁ¸À PÀxÀ£À (1996), “UÉÆA¨É ¥Àæ¥ÀAZÀ” ¸ÀägÀt¸ÀAaPÉ (1998), “G¦à£ÀPÀÄzÀÄæ ¸ÀÆvÀæzÀ UÉÆA¨ÉUÀ¼ÀÄ” ªÀtðgÀAfvÀ PÀgÀ¥ÀvÀæ (2000), “¸ÀÆvÀæ¥ÀªÀð” PÉÆUÀÎ PÁªÀÄvÀgÀ fêÀ£À ZÀjvÉæ(2004), “¸ÀÆvÀæ C©üAiÀiÁ£À” (2009), ¸ÀÆvÀæ ¸ÀA¥ÀæzÁAiÀÄ PÀgÀ¥ÀvÀæ (2009) gÀ°è GvÀÛªÀÄ jÃwAiÀÄ°è ¥ÀæPÀn¹ ºÉÆgÀvÀA¢zÉ.

«zÉñÀ ¥ÀæªÁ¸ÀzÀ ªÀiÁ»w ¤ªÀÄUÉ w½¢zÉAiÉÄÃ?

G¦à£ÀPÀÄzÀÄæ UÉÆA¨ÉAiÀiÁl vÀAqÀ vÀ£Àß ¸ÁzsÀ£ÉAiÀÄ ºÁ¢AiÀÄ°è zÉñÀzÀ ¥Àæw gÁdåzÀ®Æè ¥ÀæªÁ¸À ªÀiÁr F PÀ¯ÉAiÀÄ AiÀıÀ¹é ¥ÀæzÀ±Àð£À ¤ÃrzÀÝ®èzÉ ¥ÀjZÀAiÀÄ, ¥ÀæZÁgÀ ªÀiÁrzÉ. ºÁUÉà 1978 jAzÀ ¤gÀAvÀgÀ «zÉñÀ ¥ÀæªÁ¸À PÉÊUÉÆAqÀÄ PÀ£ÀßqÀ ªÀÄtÂÚ£À ¸ÉÆUÀqÀ£ÀÄß «zÉñÀUÀ¼À°è ¥À¸Àj¹zÀ KPÉÊPÀ C¥ÀgÀÆ¥ÀzÀ eÁ£À¥ÀzÀ UÉÆA¨ÉAiÀiÁl ¸ÀA¸ÉÜ EzÁVzÉ.

Ÿ 1978 ¥sÁæ£ïì ¥ÀæªÁ¸À

Ÿ 1979 ̈ É°ÓAiÀÄA, ºÁ¯ÉAqï ¥ÀæªÁ¸À.

Ÿ 1983 D¸ÉÖçðAiÀiÁ ¥ÀæªÁ¸À

Ÿ 1983 ¥sÁæ£ïì, f£ÉªÁ ¥ÀæªÁ¸À

Ÿ 1985 JgÀqÀÄ wAUÀ¼À PÁ® dªÀÄð¤, ¥sÁæ£ïì, ºÁ¯ÉAqï, jAiÀÄƤAiÀÄ£ï ¢éÃ¥À ¥ÀæªÁ¸À

Ÿ 1986 Væøï, CxÉ£ïì. »ÃzÁæ ¢éÃ¥À ¥ÀæªÁ¸À

Ÿ 1990 ºÁ¯ÉAqï ¥ÀæªÁ¸À

Ÿ 1996 ¥ÁQ¸ÁÛ£À ¥ÀæªÁ¸À

Ÿ 1999 ¥sÁæ£ïì ¥ÀæªÁ¸À

Ÿ 2007 ®AqÀ£ï ¥ÀæªÁ¸À

Ÿ 2007 d¥Á£ï ¥ÀæªÁ¸À

Ÿ 2008 ¹égÀhįÁåAqï ¥ÀæªÁ¸À

Ÿ 2009 ¹AUÁ¥ÀÄgÀ ¥ÀæªÁ¸À

Ÿ 2010 xÉʯÁåAqï ¥ÀæªÁ¸À

Ÿ 2012 d¥Á£ï ¥ÀæªÁ¸À

Ÿ 2012 ¥sÁæ£ïì ¥ÀæªÁ¸À

Ÿ 2013 d¥Á£ï ¥ÀæªÁ¸À

Ÿ 2010 gÀ°è zɺÀ° PÀ£ÀßqÀ ̧ ÀAWÀzÀªÀgÀÄ DAiÉÆÃf¹zÀ ¥ÀæzÀ±Àð£ÀzÀ°è PÁAiÀÄðPÀæªÀÄ ºÁUÀÆ ¥ÁævÀåQëPÉ.

Ÿ 2010- PÀ£ÁðlPÀ ̧ ÀgÀPÁgÀzÀ gÁeÉÆåÃvÀìªÀ ¥Àæ±À¹Û ¹QÌzÀÄÝ.

Ÿ 2013 gÀ°è ªÀÄzÁæ¸ï PÁæ¥sïÖö ¥sËAqÉñÀ£ï £À°è ¥ÁævÀåQëPÉ.

Ÿ 2014 gÀ°è E£ÉÆáù¸ï ¥ÁæAiÉÆÃfvÀ ¨ÁUÀ®PÉÆÃmÉ, ¨É¼ÀUÁA, ºÉ§ÆìgÀÄ PÁAiÀÄðPÀæªÀÄUÀ¼ÀÄ.

Ÿ 2014 gÀ°è ¨ÉAUÀ¼ÀÆj£À°è “zÀ »AzÀÄ” ¥ÀwæPÉAiÀĪÀgÀÄ K¥Àðr¹zÀ UÉÆA¨ÉAiÀiÁl GvÀìªÀzÀ°è ̈ sÁUÀªÀ»¹zÀÄÝ. E£ÉÆáù¸ï, EA¢gÁ UÁA¢ü Dmïìð ̧ ÉAlgï, §£ÉßÃgÀÄWÀlÖ D±ÀæªÀÄzÀ°è PÁAiÀÄðPÀæªÀÄUÀ¼ÀÄ.

Ÿ 2015- ªÀÄÆqÀ©zÉæ D¼Áé¸ï £À°è ¢£ÀPÉÌ 2 PÁAiÀÄðPÀæªÀÄUÀ¼ÀAvÉ 6 ¢£ÀUÀ¼À PÁAiÀÄðPÀæªÀÄ- ̧ ÀĪÀiÁgÀÄ 15 ̧ Á«gÀPÀÆÌ ºÉZÀÄÑ «zÁåyðUÀ¼ÀÄ PÁAiÀÄðPÀæªÀÄ «ÃQë¹zÀÄÝ.

Ÿ læ¸ïÖ vÀ£Àß PÁAiÀÄð ZÀlĪÀnPÉUÀ½UÉ C£ÀÄPÀÆ®ªÁUÀĪÀAvÀºÀ “UÉÆA¨ÉªÀģɔ PÀlÖqÀ ¹zÀÞ¥Àr¹zÉ. EzÀgÀ°è ¸ÀĸÀfÓvÀ PÀZÉÃj, UÉÆA¨É vÀAiÀiÁj, vÀgÀ¨ÉÃwUÉ CªÀPÁ±À PÀ°à¸À¯ÁVzÉ.

Ÿ UÉÆA¨ÉAiÀiÁl gÀAUÀzÀ “¥sÉÆÃmÉÆà ºÁUÀÆ zÁR¯Áw” ¤gÀAvÀgÀ £ÀqÉAiÀÄÄwÛzÉ.

Ÿ læ¸ïÖ ¸ÀAzÀ¨sÁð£ÀĸÁgÀ UÉÆA¨ÉAiÀiÁl gÀAUÀzÀ »jAiÀÄ - QjAiÀÄ PÀ¯Á«zÀgÀ£ÀÄß ¸ÁªÀðd¤PÀªÁV ̧ À£Á䤹 ̧ ÀvÀÌj¹zÉ.

Ÿ læ¸ïÖ J¯Áè PÀ¯Á«zÀjUÉ ̧ ÀªÀĪÀ¸ÀÛç ¤Ãr ²¹ÛUÉ DzÀåvÉ ¤ÃrzÉ.

Ÿ læ¸ïÖ D¸ÀPÀÛgÀ£ÀÄß vÀgÀ¨ÉÃvÀÄUÉƽ¹zÉ ºÁUÀÆ CªÀPÁ±À PÀ°à¹zÉ.

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F ¥ÀgÀA¥ÀgÉAiÀÄ£ÀÄß ªÀÄÄAzÀĪÀj¹PÉÆAqÀÄ ºÉÆÃUÀĪÀ°è ¸ÀAWÀl£ÉUÉ ZÁ®£É ¤ÃqÀ¯ÁVzÉ. ºÁUÉà F UÉÆA¨ÉAiÀiÁl PÀ¯É E£ÀÆß ºÉZÀÄÑ ¸ÀÄzÀÈqsÀªÁV ¨É¼ÉAiÀÄĪÀ°è ¸ÀܽÃAiÀÄ «zÁåyðUÀ½UÉ ¥ÁæxÀ«ÄPÀ ²PÀët ¤ÃqÀ¯ÁUÀÄvÀÛzÉ. F PÀ¯É J®èjUÀÆ vÀ®Ä¥ÀĪÀ°è PÀ£ÀßqÀ ªÀiÁvÀæªÀ®èzÉ »A¢, PÉÆAPÀtÂ, EAVèµï ̈ sÁµÉUÀ¼À°è ¥ÀæzÀ²ð¸À®Ä ¥ÀæAiÀÄw߸À¯ÁVzÉ. J¯Áè ªÀUÀðzÀ ¥ÉæÃPÀëPÀgÀ£ÀÄß ªÀÄÄlÖ®Ä ¥ÁævÀåQëPÉ PÁAiÀÄðPÀæªÀÄ ¤gÀAvÀgÀªÁV £ÀqÉAiÀÄÄwÛzÉ. ¨sÀ«µÀåwÛ£À AiÉÆÃd£ÉUÀ¼ÀÄ F PɼÀV£ÀAwªÉ.

1) UÉÆA¨ÉAiÀiÁl CPÁqÉ«ÄAiÀÄ PÀlÖqÀzÀ°è UÉÆA¨É ªÀÄÆåfAiÀÄA ¤«Äð¸ÀĪÀÅzÀÄ.

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3) UÉÆA¨ÉAiÀiÁl PÀ¯ÉAiÀÄ£ÀÄß ºÉZÀÄÑ ¥ÀæZÁgÀ ºÁUÀÆ ¸ÀA±ÉÆÃzsÀ£ÁvÀäPÀ zÀȶ֬ÄAzÀ “¸ÁªÀiÁfPÀ ºÁUÀÆ ±ÉÊPÀëtÂPÀ”ªÁV CxÀðªÀvÁÛV §¼À¹PÉƼÀÄîªÀÅzÀÄ.

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5) UÉÆA¨ÉAiÀiÁl gÀAUÀ¨sÀÆ«ÄAiÀÄ G½«UÁV ºÁUÀÆ ¨sÀzÀævÉUÁV CfêÀ ¥ÉÆæÃvÁìºÀPÀgÀ£ÀÄß ¸ÀAWÀn¸ÀĪÀÅzÀÄ ºÁUÀÆ PÀ¯Á«zÀgÀ£ÀÄß, »vÉʲUÀ¼À£ÀÄß, ¥ÉÆæÃvÁìºÀPÀgÀ£ÀÄß ̧ ÁªÀðd¤PÀªÁV UËgÀ«¹ ̧ À£Á䤸ÀĪÀÅzÀÄ.

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8) læ¸ïÖ F PÀ¯ÉAiÀÄ ªÀÄÆ®PÀ CjªÀÅ, ¨sÁAzsÀªÀå, «µÀAiÀÄ ºÀAaPÉƼÀÄîªÀ°è “UÉÆA¨É ¥Àæ¥ÀAZÀ” ¥ÀwæPÉ ºÉÆgÀ vÀgÀĪÀÅzÀÄ.

9) læ¸ïÖ ¸ÁÜ¥À£ÉAiÀiÁV E¥ÀàvÀÄÛ ªÀµÀðUÀ¼À CAUÀªÁV 20 HgÀÄ/±Á¯Á, PÁ¯ÉÃdÄUÀ¼À°è ¥ÀæzÀ±Àð£À ºÁUÀÆ ¥ÁævÀåQëPÉ ¤ÃqÀĪÀÅzÀÄ.

10) ¥Àæw ªÀµÀð CºÀð PÀ¯Á«zÀgÀ£ÀÄß UÀÄgÀÄw¹ UÉÆA¨ÉAiÀiÁl PÉëÃvÀæzÀ AiÀÄÄUÀ¥ÀæªÀvÀðPÀ “PÉÆUÀÎ zÉêÀtÚ PÁªÀÄvï ¥Àæ±À¹Û” FUÁUÀ¯Éà ¥ÁægÀA©ü¸À¯ÁVzÉ..

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UÉÆA¨ÉAiÀiÁl CPÁqÉ«ÄAiÀÄ°è £ÀqÉAiÀÄÄwÛgÀĪÀ ZÀlĪÀnPÉUÀ¼ÉãÀÄ?

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UÉÆA¨ÉAiÀiÁl læ¸ïÖ £À J¯Áè ZÀlĪÀnPÉUÀ½UÉ ¤ÃqÀĪÀ zÉÃtÂUÉ DzÁAiÀÄ vÉjUÉ «£ÁAiÀÄw ¸Ë®¨sÀåPÉÌ M¼À¥ÀqÀÄvÀÛzÉ.

DzÁAiÀÄ vÉjUÉAiÀÄ C¢ü¤AiÀĪÀÄ F.No. U-5/80G®/CIT/MNG/2011-12.

TRUST PAN No. AAATU0676L

State Bank of MysoreS.B. A/C. No. 54034833919

Kundapura Branch.

Canara BankS.B. A/C. No. 0603101051157

Kundapura Branch.

DzÁAiÀÄ vÉjUÉ «£ÁAiÀÄw ¸Ë®¨sÀå w½¢zÉAiÉÄÃ?