property of robert henry adams fine art

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1 lh no.112 Property of Robert Henry Adams Fine Art

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Leslie Hindman Auctioneers is delighted to handle property from Robert Henry Adams Fine Art, the respected Chicago gallery which has promoted the work of American artists for over 25 years. In the late 1970s, Chicagoan Rob Adams began dealing in antique books and prints, and by the early 1980s, had become a “dealer’s dealer,” selling paintings by both well-known and undiscovered American artists.

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no.112 Property of Robert Henry Adams Fine Art

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Property of Robert Henry AdamsFine ArtMonday 4 May 2009

lhP R E V I E W

WEDNESDAY, APRIL 29 | 10AM - 5PM

THURSDAY, APRIL 30 | 10AM - 5PM

FRIDAY, MAY 1 | 10AM - 5PM

SATURDAY, MAY 2 | 10AM - 5PM

SUNDAY, MAY 3 | 10AM - 3PM

A U C T I O N

MONDAY, MAY 4 | 5PM

FINE ART, LOTS 1 - 235

FINE BOOKS, LOTS 236 - 285

www.lesliehindman.com

© Leslie Hindman Auctioneers, Inc. 2009

C H I C A G O , I L L I N O I SILLINOIS AUCTIONEERS LICENSE NUMBER 041.0000367

Cover:

135Jan Matulka(American, 1890-1972)Cityscape, circa 1925watercolor and gouache on paper21 x 18 inches. $1,000-2,000

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Lot 46

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PROPERTY OF ROBERT HENRY ADAMS FINE ART

Leslie Hindman Auctioneers is delighted to handle property from Robert Henry Adams Fine Art, the respected Chicago gallery which has promoted the work of American artists for over 25 years. In the late 1970s, Chicagoan Rob Adams began dealing in antique books and prints, and by the early 1980s, had become a “dealer’s dealer,” selling paintings by both well-known and undiscovered American artists. His first gallery was located on an industrial stretch of Webster Avenue near the Chicago River. The gallery moved in 1994 to its current location in the River North gallery district and became increasingly well-known for showing the work of American Regionalist, Chicago, and African-American artists. Robert Henry Adams, a beloved dealer with a unique “eye,” passed away in 2001. The gallery has remained open to the public and run by his wife, Sandra Michels Adams, and an esteemed staff. With the closing of the gallery, we hope that this sale will offer collectors the opportunity to enjoy works of American art for which Robert Henry Adams Fine Art has long been appreciated.

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Contents

FINE ART 6

FINE BOOKS 44

ARTIST INDEX 51

GLOSSARY OF TERMS 51

AUCTION INQUIRIES 52

CONDITIONS OF SALE 54

ABSENTEE AND TELEPHONE BID FORM 56

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Fine ArtLots 1 - 235

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1Gertrude Abercrombie(American, 1909-1977)Encampment, 1948oil on masonitesigned and dated (lower right)4 1/4 x 5 1/2 inches. $5,000-7,000

2Josef Albers(German, 1888-1976)I-S, (from Formulation/Articulation)color silkscreenedition 38/125, initialed and dated 70 (lower right)13 3/4 x 13 3/4 inches. $400-600

3Robert Amft(American, b. 1916)Untitled,1938pastel and gouache on papersigned (lower right)12 x 18 inches. $300-500

4Anthony Angarola(American, 1893-1929)The Titian, 1927lithographedition 20, signed $500-700

5Rifka Angel(American, 1899-1972)Still Life, circa 1950oil on boardsigned (lower right)18 x 12 inches. $500-700

6Rifka Angel(American, 1899-1972)Two Girls, circa 1930oil on canvas24 x 18 inches. $500-700

7Rifka Angel(American, 1899-1972)Simkie of the Uday-Shan Kar Dancers, circa 1935oil on artist’s board19 x 13 1/4 inches. $200-400

8Emil Armin(American, 1883-1971)Pitch, circa 1935-40crayon and graphite on papersigned (lower right), titled (lower left)6 x 8 inches. $300-500

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9Emil Armin(American, 1883-1971)Haste, circa 1930etchingedition 10, signed (lower left), titled (lower right)3 x 3 inches. $100-200

10Emil Armin(American, 1883-1971)The Vagabond (pen holder) and Untitled (conversation box), circa 1925carved woodeach signed, one titled7 3/4 x 6 x 3 1/4, 2 1/4 x 9 3/4 x 5 inches. $500-700

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11Jean Arp(French, 1886-1966)Compositioncolor woodblockedition 47/5010 x 8 inches. $300-500

12Ben Benn(American, 1884-1983)Untitled (Still Life), 1916oil on canvas laid to boardsigned and dated (lower right)16 x 12 inches. $1,000-2,000

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13Leon Bishop20th centuryUntitled (Abstraction), 1948gouache and ink on paper, mounted on paper boardsigned and dated (lower left)16 1/2 x 20 7/8 inches. $500-700

14William Blake(British, 1757-1827)Variant from Blair’s Grave, circa 1810engraving11 x 5 1/2 inches. $100-200

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15Ruth H. Bohan(American, 1891-1981)Girl in White Dressoil on canvas20 x 23 1/2 inches. $500-700

16Ruth H. Bohan(American, 1891-1981)Night Sketch at Cleveland, circa 1940oil on board10 x 14 inches. $500-700

17Ilya Bolotowsky(American, 1907-1981)Variation IV, circa 1975silkscreen on paperedition 91/125, signed (lower left)24 x 24 inches. $400-600

18Beatrice Bond20th centuryNew York, Back Rooms of Findlay Galleries, Back Bank from Prince George Hotel and Untitled (Ships at Dock)(a group of four works)various mediaeach signedLargest 16 5/8 x 12 inches. $400-600

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19Aaron Bohrod(American, 1907-1992)Anatomy of a Horse, circa 1960oil on gesso panelsigned (lower right)30 x 24 inches. $3,000-5,000

20Henrietta Brander(American, 20th Century)Growth, circa 1935watercolor and gouache on illustration board21 1/4 x 14 7/8 inches. $300-500

21Edgar Britton(American, 1901-1982)Nude Sitting, 1941ink on papersigned and dated (lower right)7 1/2 x 5 1/4 inches. $200-400

22Ann Brockman(American, 1899-1943)Quarry Sunset, circa 1940oil on canvassigned (lower right)34 x 40 inches. $2,000-4,000

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23Fritzi Brod(American, 1900-1952)Three Heads, circa 1935lithographedition 1/12, signed (lower right)10 x 9 3/4 inches. $50-100

24J. F. Cada(American, 20th Century)Photogram, circa 1940gelatin silver printsigned (on the verso)11 1/2 x 17 1/2 inches. $500-700

25J. F. Cada(American, 20th Century)Fire Escapesgelatin silver printsigned (on the verso)4 x 5 inches. $200-400

26Dorothy Cantor20th centuryUnion Square, 1958graphite on papersigned (lower right)9 3/4 x 12 3/4 inches. $50-100

27Clarence H. Carter(American, 1904-2000)Grain Silos, 1952graphite and white chalk on papersigned and dated (upper left)8 1/2 x 11 inches. $400-600

28Wynn Chamberlain(American, b. 1929)Self-Portrait with Cat, 1959egg tempera on masonitesigned and dated (lower right)32 x 27 inches. $5,000-7,000

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29Louis Cheskin(American, 20th Century)Untitled (Tree)watercolorsigned (lower left)8 1/2 x 12 inches. $100-200

30ClerifseauArch of Septimus Severus and Caracalla, together with a print and an ink on paper and a box of woodcut reproductions. $400-600

31William Corasick(American, 1907-2002)Untitled, 1940ink and pastel on papersigned (lower right)12 x 14 1/2 inches. $800-1,200

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32Gordon Coster(American, 1903-1938)Aerial View, 1923gelatin silver printsigned (lower right)8 1/2 x 12 inches. $600-800

33Harold Cousins(American, 1916-1992)Man, 1949carved wood and wiresigned and dated $800-1,200

34Harold Cousins(American, 1916-1992)Political Prisoner, 1954polychromed terra cottainscribedHeight 29 1/2 inches. $1,000-2,000

35John Rogers Cox(American, 1915-1990)Untitled (Business Man), Untitled (Man Stabbed Through the Chest), Untitled (Ship at Sea) and Untitled (Spoon) (a group of four works)various mediaLargest 13 1/2 x 9 5/8 inches. $300-500

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36John Steuart Curry(American, 1897-1946)Untitled (Univ. of Wisc. Football Game), circa 1939charcoal on paper44 x 30 inches. $4,000-6,000

37John Cunning(American, 1889-1953)Portrait of Vita (J. Cunning’s wife), circa 1930oil on canvas30 1/2 x 24 inches. $800-1,200

38Albert Deman(French, b. 1927)House Under Grey Sky, 1953oil on canvassigned and dated (lower right)25 x 34 inches. $1,000-2,000

39Margaret De Patta(American, 1903-1964)Untitled (Abstraction), circa 1940ink on tissue paper7 5/8 x 8 3/8 inches. $600-800

40Robert Donald Erickson(American, 1917-1991)Kaleidoscope, circa 1950gelatin silver print5 5/8 x 4 1/2 inches. $500-700

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41Robert Donald Erickson(American, 1917-1991)Power Geometry #4, 1951gelatin silver printsigned and dated (on the mount), signed and titled (on the verso)5 5/8 x 3 7/8 inches. $500-700

42Robert Donald Erickson(American, 1917-1991)Untitled (Photogram), circa 1950gelatin silver print8 x 6 inches. $500-700

43John Fabion(American, 1905-1982)Tanks and Salvos, circa 1945gouache on illustration boardsigned (lower right)13 1/8 x 16 1/4 inches. $500-700

44Lorser Feitelson(American, 1898-1978)Figure Drawing, circa 1940charcoal on papersigned (lower right)12 1/2 x 7 1/2 inches. $200-400

45William Ferguson(American, 1905-1985)Untitled (Fantastic Creatures), 1948oil on panelsigned (upper left)10 x 14 inches. $400-600

46Richard Filipowski(American, 1923-2008)Untitled, 1947oil on perforated metalsigned and dated (lower left) and (verso)10 1/2 x 10 1/2 inches. $2,000-4,000

47David Foster20th centuryFDR is Dead, circa 1945gelatin silver printsigned (on the verso)4 3/4 x 3 3/4 inches. $100-200

48Karoly Fulop(American, 1893-1963)Figures in an Abstract Composition, circa 1935oil on panel24 x 21 1/4 inches. $1,000-2,000

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49Carl Gaertner(American, 1898-1952)Bermuda, circa 1925 and Untitled (Building in Landscape) (a pair of works)one oil on canvasboard, one watercolor on paper mounted on boardone signed and titled (lower right)11 x 14 inches, 21 7/8 x 24 1/4 inches. $600-800

50Carl Gaertner(American, 1898-1952)Untitled (House on Hill), Untitled (Seaside) and Untitled (Wooded Landscape with Houses), circa 1925(a group of three works)various mediatwo signed (lower right)Largest 20 x 15 inches. $700-900

51Arnold Genthe(American, 1869-1942)New Orleans, circa 1930gelatin silver print12 1/8 x 9 1/18 inches. $200-400

52Eugene Godfrey(American, b. 1918)Untitled (Virtual Volume Study), 1948gelatin silver printsigned (on the mount)6 3/4 x 4 3/4 inches. $200-400

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53Charles Goeller(American, 1901-1955)Night Shift Helps Rush the Order Through, circa 1938graphite on papersigned (lower right)11 1/2 x 7 3/4 inches. $1,000-2,000

54Maurice Goldberg(American, 20th Century)Model for 1933 World’s Fair by Norman Bel Geddes, 1930 and Model for 33 World’s Fair (a pair of works)gelatin silver printsone stamped (on the verso)Largest 10 x 13 1/2 inches. $200-400

55William Kent Hagerman(American, 20th Century)N.W. Univ. Chicago Campusetchingsigned (lower right)6 3/4 x 10 inches. $40-60

56Kalman Himmel(American, b. 1903)Woman on Sidewalk, 1939watercolorsigned (lower left)23 x 17 3/4 inches. $100-200

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57Marguerite Hohenberg(American, 1882-1972)Chronological #38, circa 1935gouache on papersigned (lower right), signed and dated (verso)20 x 13 inches. $800-1,200

58Marguerite Hohenberg(American, 1882-1972)Chronological #51, 1937gouachesigned, titled and dated (verso)24 x 18 inches. $800-1,200

59Marguerite Hohenberg(American, 1882-1972)Chronological #78, 1937gouache on black papersigned, titled and dated (verso)20 x 13 inches. $800-1,200

60Marguerite Hohenberg(American, 1882-1972)Chronological #113gouache on papermonogrammed (lower right)20 x 26 inches $800-1,200

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61Marguerite Hohenberg(American, 1882-1972)Chronological #325, circa 1935gouache on paper13 x 20 inches. $600-800

62Marguerite Hohenberg(American, 1882-1972)Untitled (5 red and white spheres), circa 1948gouache and watercolor on paper20 7/8 x 27 7/8 inches. $1,000-2,000

63Charles H. Howard(American, 1899-1978)The Binary Armature, 1951oil on canvassigned and dated (lower right)10 x 17 inches. $6,000-8,000

64Dudley Huppler(American 1917-1988)Untitled (Trees, Rome), 1953ink on papersigned and dated (lower left)15 3/4 x 9 1/4 inches. $50-100

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65Louis Icart(French, 188-1950)Le Dame Aux Camillesetching and aquatint16 x 20 inches. $300-500

66Chuck Jones(American, 1912-2002)Bugs Bunny/Rabbit Hole, 1960graphite on paper8 1/2 x 6 1/2 inches. $300-500

67George Josimovich(American, 1894-1986)Untitled (Kneeling Nude), circa 1935ink on papersigned (lower right)13 1/2 x 11 inches. $100-200

68William Kay20th centuryIn Mothballs, Sausalito, 1964oil on canvas boardinitialed and dated (lower right)16 x 20 inches. $100-200

69Mat Kauten20th centuryUntitled (Newsboy), Untitled (Policeman) and Untitled (Politician) (a group of three works)gouache on illustration boardeach signedLargest 17 x 14 inches. $300-500

70Greta Kempton(American, 1903-1991)Untitled (Portrait of a Young Woman), circa 1930oil on canvas12 x 10 inches. $400-600

71Jean Kendall(American, 20th Century)Artificial Negative, 1946, Beauty Rest Rocker (Double Exposure), 1945 and Untitled (Torn Paper), 1947 (a group of three works)gelatin silver printstwo signed and dated (lower right), one signed and dated (lower left)Largest 6 3/4 x 4 3/4 inches. $400-600

72Erna Klein20th centurySketchbook No. 20, Sketchbook No. 28, Sketchbook No. 29 and Sketchbook No. 31, circa 1910(a group of four works)two watercolors, two watercolors with graphiteDiameter of Largest 5 3/4 inches. $100-200

73Erna Klein20th centurySketchbook No. 21, Sketchbook No. 22, Sketchbook No. 30A and Sketchbook No. 6, circa 1910(a group of four works)watercolorsDiameter of Largest 5 3/4 inches. $100-200

74Erna Klein20th centurySketchbook No. 23, Sketchbook No. 24, Sketchbook No. 30, Sketchbook No. 4 and Sketchbook No. 8, circa 1910 (a group of five works)three watercolors with graphite, two watercolorsLargest 6 3/4 x 4 1/2 inches. $100-200

75Medard Klein(American, 1905-2002)Abstraction, 1940graphitesigned (lower left)9 x 14 3/8 inches. $300-500

76Medard Klein(American, 1905-2002)Untitled, 1943casein on artist boardsigned and dated (lower right)14 x 17 inches. $400-600

77Richard Koppe(American, 1916-1973)Untitled (Abstract Forms in Grey Landscape), circa 1946gouache on paper mounted on illustration boardsigned (lower left)11 1/2 x 14 1/2 inches. $300-500

78Richard Koppe(American, 1916-1973)Sea Bird, circa 1949relief linocut on papersigned (lower right), titled (lower left)12 x 12 inches. $100-200

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79Richard Koppe(American, 1916-1973)Untitled (Beach Forms in Grey Interior), circa 1946gouache on papersigned (lower right)11 1/2 x 14 1/2 inches. $400-600

80Richard Koppe(American, 1916-1973)Untitled (Abstract Forms), circa 1946gouache on papersigned (upper right)11 1/2 x 14 1/2 inches. $300-500

81Richard Koppe(American, 1916-1973)Untitled (Seated Woman), circa 1945gouache on papersigned (lower right)14 1/2 x 11 1/2 inches. $400-600

82Myron Kozman(American, 1916-2002)Study for Light Box, 1940watercolor on papersigned and dated (lower right)10 1/4 x 19 inches. $300-500

83Richard Koppe(American, 1916-1973)Untitled (Seated Woman), circa 1946gouache on papersigned (lower left)14 1/2 x 11 1/2 inches. $400-600

84Richard Koppe(American, 1916-1973)Fire Figure, circa 1949relief linocut on papersigned (lower right), titled (lower left)11 7/8 x 7 1/4 inches. $100-200

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85Richard Koppe(American, 1916-1973)Untitled (Woman with Hand to Chest), circa 1945gouache on papersigned (center left)14 1/2 x 11 1/2 inches. $400-600

86Richard Koppe(American, 1916-1973)Untitled (Abstract Forms), 1945gouache on papersigned and dated (lower right)11 1/2 x 14 1/2 inches. $300-500

87Richard Koppe(American, 1916-1973)Untitled (Woman with Raised Hand), circa 1945gouache on papersigned (lower left)14 1/2 x 11 1/2 inches. $400-600

88Richard Koppe(American, 1916-1973)Untitled (Abstract Forms in Red Landscape), circa 1946gouache on papersigned (upper left)11 1/2 x 14 1/2 inches. $300-500

89Myron KozmanA Group of Three prints $200-400

90Myron Kozman(American, 1916-2002)Chemical Drawing, 1938silver gelatin print8 x 10 inches. $50-100

91Myron Kozman(American, 1916-2002)Abstraction #207 and Abstraction #305, 1941silkscreenseach signed (lower right), one dated (lower right)12 1/4 x 21 1/2, 12 x 17 inches. $200-400

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92Myron Kozman(American, 1916-2002)Untitled (Water on Tin Foil), circa 1940gelatin silver printsigned (on the verso)5 x 7 1/8 inches. $200-400

93Bernard Kroeber20th centuryA City Map, 1966oil on canvassigned and dated (lower right), dated (verso)31 x 31 inches. $300-500

94Manner of Yasuo Kuniyoshi(Japanese/American, 1893-1953)Pastoral Landscapeoil on paper16 x 16 1/2 inches. $1,000-2,000

95Jessie Pixley Lacey(American, 1865-1957)A Group of Four Worksoil on canvasLargest 17 x 13 1/4 inches. $100-200

96Jessie Pixley Lacey(American, 1865-1957)A Group of Seven Worksoil on canvasLargest 18 x 15 inches. $80-120

97Jessie Pixley Lacey(American, 1865-1957)A Group of Five Worksoil on canvasLargest 14 1/4 x 11 inches. $100-200

98Doris Lee(American, 1905-1983)Untitled (Grazing Cows)silkscreen on papersigned (lower right)18 x 24 inches. $100-200

99Lucile Leighton(American, 20th Century)Victory Parade, circa 1945oil on canvassigned (lower right)22 x 18 inches. $100-200

100Franz Leitgeb(German, 1911-1997)Serbian Teacheroil on panelsigned (lower right)12 x 10 inches. $300-500

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101Frank Levstik(American, 1908-1985)Untitled (Billboard), circa 1940gelatin silver print13 3/4 x 11 inches. $200-400

102John Liello(American, 20th Century)A Group of Sixteen Workscharcoal on paper $800-1,200

103John Liello(American, 20th Century)A Group of Seventeen Workscharcoal on paper $800-1,200

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104After Aristide Maillol(French, 1861-1944)Georgics by Virgil, together with a print by Henri de Toulouse-Lautrec and an ink on paper by Bourdellewoodcut4 1/2 x 6 inches. $100-200

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105Roman Maraz(American, 1911-1979)Woman Reading in a Mathsson Chair, 1942tempera on muslin mounted to boardsigned and dated (lower right)29 x 21 1/2 inches. $1,000-2,000

106George Marinko(American, 1908-1989)Gooseberry Hollow, 1940oil on canvassigned and dated (lower right)25 x 30 inches. $2,000-4,000

107Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1946oil on wood paneldated (verso)12 1/2 x 8 1/8 inches. $1,000-2,000

108Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1945oil on canvas16 3/4 x 33 inches. $2,000-4,000

109Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1946mixed media on wood paneldated (verso)20 x 40 1/4 inches. $1,000-2,000

110Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1948oil on canvasestate stamp (verso)46 x 22 inches. $1,000-2,000

111Ezio Martinelli(American, 1913-1980)Untitled (Abstracted Figure), 1953ink on papersigned (lower right)62 1/2 x 45 inches. $400-600

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112Ezio Martinelli(American, 1913-1980)Untitled (Abstraction)oil on un-stretched canvassigned (lower right)24 3/4 x 42 inches. $1,500-2,500

113Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1953mixed media on paper, mounted to masonite32 x 24 inches. $400-600

114Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1953 and Untitled (Tree), 1953oil on wood paneleach dated (verso)17 3/8 x 8, 12 1/2 x 13 1/2 inches. $800-1,200

115Ezio Martinelli(American, 1913-1980)Untitledmixed media on board24 x 48 inches. $400-600

116Ezio Martinelli(American, 1913-1980)Untitled (Seated Nude)oil on board16 x 13 1/2 inches. $800-1,200

117Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1953ink on paper mounted to masonitesigned (lower left)32 x 24 inches. $500-700

118Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1953oil on wood panel22 1/4 x 17 3/4 inches. $500-700

119Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1953ink on paper, mounted on paper board34 x 21 5/8 inches. $500-700

120Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1953ink on paper, mounted on masonite48 x 24 inches. $400-600

121Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1953ink on paper, mounted on masonite48 x 20 inches. $400-600

122Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1953ink on paper, mounted on masonitesigned (lower right)48 x 20 inches. $400-600

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123Ezio Martinelli(American, 1913-1980)Untitled (Abstraction)ink on paper mounted on masonite38 x 16 inches. $300-500

124Ezio Martinelli(American, 1913-1980)Untitled (Landscape)oil on canvassigned (lower right)23 3/4 x 40 inches. $200-400

125Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1953ink on paper, mounted to masonite48 x 24 inches. $400-600

126Ezio Martinelli(American, 1913-1980)Untitledmixed media on board19 3/4 x 16 inches. $300-500

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127Ezio Martinelli(American, 1913-1980)Untitled (Male Figure)oil on canvassigned (verso)19 3/4 x 29 1/2 inches. $100-200

128Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1946mixed media mounted on wood paneldated (verso)48 x 28 inches. $300-500

129Ezio Martinelli(American, 1913-1980)Untitled (Landscape)oil on canvas22 x 28 inches. $200-400

130Ezio Martinelli(American/Italian, 1913-1980)A Selection of Works by the Artist of various media on paper (rolled): Five Groups total $1,000-2,000

131Ezio Martinelli(American/Italian, 1913-1980)A Selection of Works by the Artist of various media on paper (rolled): Four Groups total $1,000-2,000

132Ezio Martinelli(American/Italian, 1913-1980)A Selection of works on canvas by the Artist (rolled): Seven works total $1,000-2,000

133Daniel Massen(American, 1897-1971)Composition 50.W.8, 1951tempera on artist board and glasssigned and titled (verso)28 x 22 inches. $3,000-5,000

134Karl Mattern(American, 1892-1969)Untitled (Wooded Landscape), 1951-54oil on canvasinitialed, signed and dated (stretcher)43 x 39 inches. $1,000-2,000

135Jan Matulka(American, 1890-1972)Cityscape, circa 1925watercolor and gouache on paper21 x 18 inches. $1,000-2,000

136Jan Matulka(American, 1890-1972)Seated Woman, circa 1920graphitesigned (lower right)18 3/4 x 11 1/2 inches. $400-600

137Mary Adeline McKibbin(American)Dock Scene, circa 1935watercolorsigned (lower right)15 x 21 inches. $100-200

138Cyril Miles(American, b. 1918)Icon to the Greeks, 1969mixed media collage on board9 3/4 x 8 inches. $300-500

139A. George Miller(American, 20th Century)Untitledgouache on papersigned (lower right)15 1/8 x 10 1/8 inches. $100-200

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140Adelaide Morris(American, 1881-1974)Provincetown, 1931oil on canvassigned and dated (lower right)20 x 24 inches. $3,000-5,000

141Manner of Jean-Francois de la Motte19th centuryTrompe l’Oeil Still Life, circa 1890oil on canvas13 3/8 x 17 7/8 inches. $1,000-2,000

142Richard Neutra(Australian, 1892-1970)Project for Variable Display Windows (Corner), 1932graphite and colored pencil on paper19 1/2 x 23 inches. $600-800

143Charles Nicol20th centuryArchitectural Rendering, circa 1940pastel on paper19 3/4 x 11 1/2 inches. $100-200

144Josef Pierre Nuyttens(American, 1885-1960)Autmnal Afternoonoil on canvas laid to board19 1/2 x 27 1/2 inches. $500-700

145Ivar G. J. Nyberg(Swedish, 1855-1925)Untitled (Landscape), 1897oil on boardsigned and dated (lower left)12 1/4 x 15 3/4 inches. $1,000-2,000

146Errol Ortiz(American, b. 1941)Astronaut Targets, 1965acrylic on canvassigned and dated 65 (lower right)48 x 60 inches. $1,000-2,000

140

141

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147Errol Ortiz(American, b. 1941)War Machine, 1966acrylic on canvassigned and dated (lower right)44 x 32 inches. $1,000-2,000

148Sam Ostrowsky(American, 19th/20th Century)Untitled (Still Life with Apples and Cherries), circa 1930oil on canvasboardsigned (lower left)16 x 20 inches. $600-800

149Frederick Papsdorf(American, 1887-1978)A Group of Four Worksoil on canvasLargest 12 x 9 1/2 inches. $800-1,200

150Frederick Papsdorf(American, 1887-1978)A Group of Five Worksoil on canvasLargest 17 5/8 x 23 5/8 inches. $800-1,200

151Frederick Papsdorf(American, 1887-1978)A Group of Four Worksoil on canvas11 1/2 x 9 1/4 inches. $800-1,200

147 148

146

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152 154

153

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152Raymond Parker(American, 1922-1990)Untitled, 1979acrylic on paper mounted on canvassigned and dated (lower edge)30 1/2 x 21 inches. $2,000-4,000

153Robert Preusser(American, 1919-1992)Time Sonata, 1938oil on masonitesigned and dated 1938 (lower right)25 x 31 inches. $3,000-5,000

154George Raab(American, 1866-1943)Woman in Blue Dress, circa 1925oil on canvas32 x 18 inches. $1,000-2,000

155Louis Raynaud(American, b. 1905)Untitled (Farmhouse in Landscape), Untitled (Rural Village Street), Untitled (Tree in Mountain Landscape) and Untitled (Trees in Landscape) (a group of four works)pastel on paperone signed, two initialed (lower right)Largest 12 3/4 x 19 3/4 inches. $800-1,200

156Louis Raynaud(American, b. 1905)Untitled (Landscape with View of Farm), Untitled (River Bank), Untitled (Trees and Farm Buildings) and Untitled (View of Farm in Landscape) (a group of four works)three pastels on paper, one watercolor on papertwo initialed (lower right), one initialed (lower left)Largest 11 x 14 1/2 inches. $800-1,200

157Louis Raynaud(American, b. 1905)Untitled (Farm Buildings and Trees), Untitled (Group of Trees), Untitled (Landscape with Trees) and Untitled (Rural Street) (a group of four works)pastel on papertwo signed (lower right), two initialed (lower right)Largest 11 3/4 x 17 3/4 inches. $800-1,200

158Edna Reindel(American, 1894-1990)Victorian Essay, 1932oil on canvassigned and dated (lower right)21 x 20 1/4 inches. $3,000-5,000

156

158

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159Dorothy Riley(American, 20th Century)Spatial Study, circa 1940gelatin silver print3 1/2 x 6 1/2 inches. $300-500

160Edloe Risling(American, 1899-1985)Leaf and Shell, circa 1935graphite on papersigned (lower right)11 1/4 x 14 3/4 inches. $50-100

161Seymour Rosofsky(American, 1925-1981)Untitled, circa 1952oil on canvassigned (lower right)36 x 30 inches. $1,000-2,000

162Anton RouhensCobra Printlithographsigned (lower right) $50-100

163Thomas Rowlandson(British, 1756-1827)Miseries of London, 1805, Raising the Wind, 1805, The Festival, 1799 and The Visit, 1799 (a group of four works)two handcolored etchings, two handcolored aquatintsLargest 19 x 14 1/8 inches. $500-700

164Russian Schoolearly 20th centuryJesus meets his motheroil on canvas58 1/2 x 36 inches. $700-900

165William Schwartz(American, 1896-1976)Untitled (Nude)lithographsigned in pencil (lower left)15 1/2 x 8 inches. $300-500

159 161

164

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166William Schwartz(American, 1896-1976)Untitled (Three Figures in Landscape), circa 1928lithographsigned (lower right)7 x 5 inches. $200-400

167John Selby(British, 1788-1867)Kittiwake, 1821color etching22 1/4 x 16 1/4 inches. $200-400

168Zoltan Sepeshy(American, 1898-1974)The Green of the Hills, circa 1939watercolorsigned (lower left)16 1/2 x 21 3/4 inches. $800-1,200

169Zoltan Sepeshy(American, 1898-1974)Docking, 1934tempera on masonitesigned (lower left)19 x 24 1/2 inches. $2,000-4,000

166 168

169

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170David Sharpe(American, b. 1936)Salvetor, 1969watercolor on papersigned and dated 69 (lower right)12 5/8 x 11 inches. $300-500

171Ethel Spears(American, 1903-1974)Weehawken Street New York, circa 1935oil on canvassigned (verso)22 x 24 inches. $1,500-2,500

172Francis Simpson Steven(American, 20th Century)Untitled (Landscape), circa 1940oil on canvasboardsigned (lower right)11 3/4 x 14 1/2 inches. $800-1,200

173Hollis Sigler(American, 1948-2001)From the Lady’s Encyclopedia of Objects, 1984lithographsigned and dated (lower right), proof (lower left)Sheet 11 x 14 inches. $100-200

170 173

171

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174Henry Holmes Smith(American, 1909-1986)Untitled, 1939gelatin silver print3 5/8 x 4 3/4 inches. $500-700

175Maybelle Stamper(American, 1907-1995)Remembering, 1948watercolor on papersigned and dated (lower right), titled (lower left)12 1/4 x 9 1/2 inches. $300-500

176Maybelle Stamper(American, 1907-1995)Untitled (Abstraction), 1950 and Untitled (Abstraction), circa 1938 (a pair of works)oil on paperone signed and dated (lower right)8 1/2 x 16 1/2 inches, 15 x 9 5/8 inches. $500-700

177Wilhelm Stibbe20th centuryRoom Interiorwatercolor15 x 18 inches. $300-500

178Robert B. Tague(American, 1912-1984)Untitled, together with six works on paper by the artistgelatin silver printLargest 22 1/8 x 25 1/8 inches. $1,000-2,000

179Agnes Tait(American, 1897-1981)Woman Holding Fruitlithograph14 1/2 x 10 3/4 inches. $50-100

180Sam Thal(American, 1903-1964)Belmont Farmetching and drypointsigned (lower right)8 3/4 x 12 inches. $100-200

174 175

178

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181Doris Ulmann(American, 1884-1934)Man and Children playing Instruments, circa 1930gelatin silver print8 x 6 inches. $200-400

182Rudolph Weisenborn(American, 1881-1974)Unititled (Portrait of a Man), 1951charcoal on papersigned (lower left)25 x 19 inches. $400-600

182

184

183

183Rudolph Weisenborn(American, 1881-1974)A Portfolio of Thirteen Works on Papermixed media25 x 19 inches. $600-800

184Rudolph Weisenborn(American, 1881-1974)Untitled (Still Life), 1949charcoal on papersigned (lower right)19 x 25 inches. $400-600

185Rudolph Weisenborn(American, 1881-1974)Untitled (Figure Sitting), circa 1940-50charcoal on paper25 x 19 inches. $400-600

186Tom Milton Wilder(American, b. 1876)Wilmette Harboroil on panelsigned (lower right)9 x 12 inches. $500-700

187Paul WillMural Design, 1948mixed mediasigned (verso)16 x 9 3/4 inches. $200-400

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185 187

186

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188Mildred Emerson Williams(American, 1892-1967)A Day at the Fair, circa 1930oil on canvassigned (lower right)18 x 24 1/4 inches. $2,000-4,000

189Maurice Wilson(American, b. 1954)Portrait (‘CRP’), 1978oil on canvassigned and dated (lower right)24 x 20 inches. $600-800

190Maurice Wilson(American, b. 1954)Smiling Woman, circa 1993oil on burlap54 x 38 inches. $600-800

188

189

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191Winther20th centuryAbstraction, 1957serigraphedition 14/15, signed (lower left), dated (lower right)14 1/4 x 10 inches. $100-200

192Annalise WolckUntitledoil on canvassigned (verso)23 3/4 x 29 inches. $200-400

193Herbert Yates(American, 20th Century)From Culver Line Platform, 1954gouache on paper10 x 14 1/2 inches. $200-400

194Unknown Artist20th centuryFemale Torso, together with a 20th century sculpture (a pair of works)chromed bronze8 1/2 x 4 x 2 1/2 $300-500

195Unknown Artist20th CenturyBirdbronzeHeight 12 inches. $100-200

19620th Century SchoolUntitledburlapsigned (lower right)72 x 72 inches. $500-700

197Unknown Artist20th centuryAbstractionmixed media14 1/2 x 26 inches. $200-400

198Unknown Artist20th centuryGreen Abstraction, circa 1935gouache on board19 1/2 x 14 1/2 inches. $100-200

192

198

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19920th Century SchoolUntitled (Landscape)oil on canvas20 1/2 x 24 inches. $600-800

200Unknown Artist20th centuryStreet Scene, circa 1938fresco on masonite21 x 30 inches. $500-700

201Unknown Artist(American, 20th Century)Primitive Sceneoil on canvas22 1/4 x 33 1/2 inches. $200-400

202Unknown Artist20th centuryDouble--Sided Studyoil on board19 3/4 x 16 inches. $100-200

20320th Century SchoolRailroad Night Sceneoil on board11 3/4 x 15 inches. $200-400

204Unknown Artist20th centuryInterior Scenegouache18 1/4 x 11 1/2 inches. $50-100

205Unknown ArtistA Pair of WorksHeight of Largest 21 inches. $50-100

206Unknown ArtistTrees by Shoreoil on canvassigned illegibly (lower left)30 x 25 inches. $100-200

20719th Century SchoolInterior Sceneoil on canvas12 1/2 x 18 1/2 inches. $100-200

208Unknown ArtistUntitled (Woman on Shore), 1875gouache on paperinitialed and dated 75 (lower left)12 x 8 inches. $100-200

209Unknown Artist19th centuryFort Dearborn in 1856oil on canvas15 1/2 x 19 3/4 inches. $1,000-2,000

210European School19th centuryCupid Disarmedoil on canvas29 x 36 inches. $400-600

200

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211A Pair of works depicting the Pieta. $200-400

212A Group of Seven Frames. $200-400

213A Group of Seven Frames. $200-400

214A Box of Works by Pixley Lacey $80-120

215A Box of Works by Pixley Lacey $80-120

216A Group of Nine 20th Century PhotographsLargest 22 x 13 1/2 inches. $100-200

217A Group of Fourteen 19th Century Style PrintsLargest 10 1/2 x 13 1/2 inches. $100-200

218A Group of Three 19th Century PrintsLargest 13 x 9 1/4 inches. $100-200

219A Box Lot of Unstretched Canvases and Studies pertainting to Louis Raynaud $100-200

220A Group of Four 19th Century Style Paintings by artistsD.M. Lauryn, Emile Othon Friesz, Don Luck8 5/8 x 11 5/8 inches. $400-600

221A Group of Nine Prints and Works on Paper, Depicting Architectural Studies and Other Scenes $80-120

222A Group of Fourteen Worksvarious media $80-120

223A Group of Nine Worksvarious media $50-100

224A Box of Various Gallery Ephemera $50-100

225A Group of Seven Worksvarious media $50-100

226A Group of Seven Black and White PrintsLargest 14 x 19 inches. $50-100

227A Group of Seven Worksvarious mediaLargest 20 x 14 inches. $50-100

228A Group of Material Pertaining to David Burliuk$50-100

229A Collection of Correspondence and News Clippings pertaining to George Fred Keck $40-60

230A group of drawings by John Cox $40-60

231A Group of Three Etched Plates $40-60

232A Portfolio of Works by Veatrice Bond $40-60

233A Portfolio of Works by Veatrice Bond $40-60

234A Portfolio of Works by Veatrice Bond $40-60

235A Group of Sixteen Modern and Contemporary WorksLargest 22 x 29 inches. $100-200

230

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Fine BooksLots 236 - 285

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236(AFRICAN-AMERICAN ART)A group of 24 books pertaining to African-American art and artists. For a further description, including a list of individual titles, please see online catalogue. $400-600

237(AMERICAN ART)A group of 23 books pertaining to art in American collections. $100-200

238(AMERICAN ART)A group of 21 books pertaining to American art and artists $100-200

239(AMERICAN ART)A group of 26 books pertaining to American art and artists. $100-200

240(AMERICAN ART)A group of 21 books pertaining to American artists. Artists include: Charles Wilson Peale, John Sloan, John S. Sargent, Ivan Albright, John Twachtman, and others. $100-200

241(AMERICAN ART)A group of 28 volumes pertaining to american art and artists, mainly modern. $100-200

242(AMERICAN ART, 19TH CENTURY)A group of 33 monographs pertaining to 19th century American artists. $150-250

243(AMERICAN ART, 19TH CENTURY)A group of 32 monographs pertaining to 19th century American artists. Includes: Paintings. By William Merritt Chase. Saint Louis: Newhouse Galleries, 1927. Privately printed, no. 97, signed by the publiser to the title page. $200-400

244(AMERICAN ART, 19TH CENTURY) STUART, GILBERTGilbert Stuart: an illustrated descriptive list of his works. Compiled by Lawrence Park. New York: William Edwin Rudge, 1926. 4 vols. 4to, full cloth with gilt titles to spines, in original slipcase. Together with 23 books pertaining to 19th century American art, mainly concerning American Impressionism and the Hudson River School $100-200

245(AMERICAN ART, AMERICAN PRIMITIVE)A group of 14 books pertaining to American Primitive art and artists. $100-200

246(AMERICAN ART, CALIFORNIA)A group of 16 books and seven catalogues pertaining to Californian art and artists. $100-200

247(AMERICAN ART, MIDWEST)A group of 18 books pertaining to art and artists of the Midwest. $100-200

248(AMERICAN ART, MODERN)A group of 36 books pertaining to American modern art and artists. Including two first edition catalogue raisonnes of Fairfield Porter and William Metcalf. $150-250

249(AMERICAN ART, REGIONAL)A group of 18 books pertaining to art and artists in the Southern and Northeastern United States. $100-200

250(AMERICAN ART, SOUTHWESTERN)A group of 16 books pertaining to Southwestern art and artists. Includes: George O’Keefe. In the West. Edited by Doris Bry and Nicholas Callaway. New York: Alfred A. Knopf, 1989. First edition. $150-250

251(AMERICAN ART, WEST)A group of 21 books in 23 volumes pertaining to art and artists of the American west. $100-200

252(AMERICAN ART, WPA)A group of 21 books, one portfolio, and seven catalogues pertaining to WPA art and artists. $100-200

253(ANTIQUE REFERENCE)A group of 22 books pertaining to art and antique reference. $100-200

254(ART REFERENCE)A group of 32 reference books, including price guides and biographical resources. $150-250

255(ART REFERENCE) THIEME-BECKERA group of 18 volumes of Allgemeines Lexikon der bildenden Kunstler von der Antike bis zur Gegenwart. By Ulrich Thieme and Felix Becker. Leipzig: E.A. Seeman, c. 1990. Together with 15 other works of art reference. $100-200

256(ARTIST’S MONOGRAPHS)A group of 26 monographs pertaining to various artists. $100-200

257(ARTIST’S MONOGRAPHS)A group of 25 monographs pertaining to various artists. $100-200

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258(ARTIST’S MONOGRAPHS)A group of 27 monographs pertaining to various artists. $100-200

259(ARTIST’S MONOGRAPHS)A group of 27 monographs pertaining to various artists. $100-200

260(CATALOGUES)A large collection of auction catalogues, periodicals and exhibition catalogues. $100-200

261(CATALOGUES)A collection of antiquarian exhibition catalogues housed in five archival boxes. Contents include a rare photo booklet from the 1939 New York World’s Fair and an official catalogue of Fine Arts exhibits at the 1893 World’s Columbian Exposition. $150-250

262(CATALOGUES)A large collection of auction and exhibition catalogues. $100-200

263(CHICAGO ART)A group of approximately 20 books and periodicals pertaining to art and artists in Chicago. Together with Momentum nineteen-fifty, a “portfolio of reproductions of creative work originating in the Chicago area.” Portfolio designed by Robert Nickle and executed in Chicago with typography by Monsen-Chicago, inc., 1950. $100-200

264(CHICAGO)Improvisations 1954. Chicago: Artists Equity Association Chicago Chapter, 1954Oblong folio, spiral bound. A collection of original lithographs by Chicago artists. Light wear to edges of boards; light soiling to boards; dampstaining to upper edge of first page; lithographs are clean. $100-200

265(CHICAGO)A collection of antiquarian exhibition catalogues of Chicago artists from 1898 to 1961, stored in five archival boxes. $100-200

266(CONTEMPORARY ART)A group of 16 books pertaining to contemporary art and artists. $100-200

267(CUBISM)A group of 10 books pertaining to cubist artists and cubism. Includes: Juan Gris: his life and work. By Daniel-Henry Kahnweiler. New York: Curt Valentin, 1947. George Braque: an essay and bibliography. By A.E. Gallatin. New York, 1943. Inscribed by Gallatin to the f.f.e.p. $150-250

268(EUROPEAN ART)A group of 19 monographs of masters of European art. Including Les lithographies de Renoir. By Claude Roger-Marx. Monte Carlo, Sauret, (1951). One of 3,000 copies. Together with Corot raconte par lui-meme. By (Etienne) Moreau-Nelation. Paris: Henri Laurens, 1924. 2 volumes. One of 600 copies. $300-500

269(EUROPEAN ART)A group of 30 books pertaining European art and art history. $150-250

270(GAUGUIN, PAUL) GUERIN, MARCELL’Oeuvre Grave de Gauguin. Paris: H. Floury, 1927. 2 vols. 4to, soft calf spine over illustrated boards. Number 206 of 600 limited copies. First edition. Original binding laid in. Rebound by Letterio Calapai. Minor rubbing to spines; otherwise a fine set. $100-200

271(KANDINSKY, WASSILY)Centenaire de Kandinsky. Vingtieme siecle, no. 27. Paris, 1966. With an original woodcut by Kandinsky. Together with two other books pertaining to Kandinsky and 14 books pertaining to modern art and artists. $150-250

272(LATIN AMERICAN ART)A group of 14 books pertaining to Latin American art and artists. $100-200

273(MODERN ART)A group of 28 monographs of modern artists. $150-250

274(ORIGINAL ILLUSTRATIONS) MY BOOK HOUSEA collection of 26 original watercolor illustrations for the My Book House Series, by Olive Beaupre Miller. Various artists and sizes. Together with the complete 7 volume series of books. Chicago, 1937. $2,000-4,000

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275(PICASSO, PABLO)A group of seven monographs pertaining to Pablo Picasso. Picasso avant Picasso. By Alexander Cirici-Pellicer. Geneva: Cailler, 1950. Picasso Lithographe III-IV. Monte Carlo: Andre Sauret, (1964). Picasso. By Christian Zervos. Volume 26. Paris: Editions Cahiers d’art, 1973. Werkverzeichnis der Picasso Plakate. By Christoph Czwiklitzer. Art-C.C., 1970. and 3 others $200-400

276(POSTER ART)A group of three books, including Les Affiches Originales. By Fernand Mourlot. Paris, 1959. Containing reproductions of posters after Braque, Chagall, Dufy, Leger, Matisse, Miro and Picasso. $100-200

277(PRINT REFERENCE)A group of 38 books pertaining to print makers. Artists include Rembrandt, Whistler, Giacometti, Davies, Childe Hassam, and Currier and Ives. $200-400

278(PRINT REFERENCE)A group of approximately 30 books pertaining to printmaking, mainly American printmaking. $150-250

279(SCULPTURE) BARYE, ANTOINE LOUISBarye: Life and Works of Antoine Louis Barye Sculptor. By Charles De Kay. New York: Barye Monument Association, 1889.8vo, original full vellum over boards, gilt stamped cover and titles to spine. One of 525 copies on Holland and signed by the publisher “C. de K.” to the limitation page. Together with 25 books pertaining to sculpture. $200-400

280(SURREALISM)A group of five books pertaining to surrealist art and artists. The Lithographs of Chagall. 1962 - 1968. By Fernand Mourlot and Charles Sorlier. Boston: Boston Book and Art Shop, (1969). Chagall’s Posters. By Charles Sorlier. New York: Crown, 1975. Verzeichnis des graphischen Werkes von Paul Klee. By Eberhard W. Kornfeld. Bern, 1963. 1/1400. And two others $200-400

281(SURREALISM) MIRO, JOANMiro Lithographs I-II. By Fernand Mourlot. Vol. 1: New York: Tudor, 1972. Vol. 2: New York: Leon Amil, 1975.2 vols. 4to, original lithograph dust jackets, cloth. Catalogue raisonne of Miro’s lithographs, containing 22 original lithographs. Hinges starting on volume 2; some age darkening to volume 1. $300-500

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283

282BENEZIT, EMMANUELDictionnaire critique et documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs. Paris: Grund, 1999. 14 volumes. 4to, full red cloth. Revised edition. Some shelfwear; otherwise a fine set. $200-400

283MONTICELLIMonticelli: sa vie et son oeuvre. By G. Arnaud d’Angel and Emile Isnard. Paris: Editions Occitania, 1926. 4to, in original tri-color marbled wraps, in cloth slipcase. One of 550 on velin teinte. Some rubbing to edges of wraps; book plate tipped in f.f.e.p. $100-200

284PANOFSKY, ERWINDie Deutsch Plastik des elften bis dreizehnten jahrhunderts. Firenze: Pantheon Casa Editrice; Munchen: Kurt Wolff, 1924. 4to, cloth spine over marbled boards with paper title label to spine. With black and white illustrations throughout. Hinges starting; dampstaining to boards; some foxing; otherwise sound. $100-200

285UTRILLO, MAURICEL’oeuvre Complet de Maurice Utrillo. By Paul Petrides. Paris: Paul Petrides, 1959. 4to, bound by Bayntun in full green morocco, spine gilt in compartments, marbled endpapers. Number 384 of 1,000 copies printed on Arches. $1,000-2,000

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Artist Index

ARTIST NAME LOT

Glossary of Terms

ADRIAEN JANSZ VAN OSTADE

This work, in our best opinion, is by the

named artist.

ATTRIBUTED TO

ADRIAEN JANSZ VAN OSTADE

To our best judgment, this work is likely to

be by the artist, but with less certainty as

in the aforementioned category.

STUDIO OF

ADRIAEN JANSZ VAN OSTADE

To our best judgment, this unsigned work

may or may not have been created under

the direction of the artist.

CIRCLE OF

ADRIAEN JANSZ VAN OSTADE

To our best judgment, a work by an

unknown but distinctive hand linked

or associated with the artist but not

definitively his pupil.

STYLE OF . . . FOLLOWER OF ADRIAEN

JANSZ VAN OSTADE

To our best judgment, a work by a painter

emulating the artist’s style, contemporary

or nearly contemporary to the named

artist.

MANNER OF

ADRIAEN JANSZ VAN OSTADE

To our best judgment, a work in the style

of the artist and of a later period.

AFTER ADRIAEN JANSZ VAN OSTADE

To our best judgment, a copy of a known

work of the artist.

The term signed and/or dated and/or

inscribed means that, in our opinion, a

signature and/or date and/or inscription

are from the hand of the artist.

The term bears a signature and/or a date

and/or an inscription means that, in our

opinion, a signature and/or date and/or

inscription have been added by another

hand.

Dimensions are given height before width.

19th Century School 207

20th Century School 196, 199, 203

Abercrombie, Gertrude 1

Albers, Josef 2

Amft, Robert 3

Angarola, Anthony 4

Angel, Rifka 5-7

Armin, Emil 8-10

Arp, Jean 11

Benn, Ben 12

Bishop, Leon 13

Blake, William 14

Bohan, Ruth H. 15, 16

Bohrod, Aaron 19

Bolotowsky, Ilya 17

Bond, Beatrice 18, 232-234

Brander, Henrietta 20

Britton, Edgar 21

Brockman, Ann 22

Brod, Fritzi 23

Burliuk, David 228

Cada, J. F. 24, 25

Cantor, Dorothy 26

Carter, Clarence H. 27

Chamberlain, Wynn 28

Cheskin, Louis 29

Clerifseau 30

Corasick, William 31

Coster, Gordon 32

Cousins, Harold 33, 34

Cox, John Rogers 35, 230

Cunning, John 37

Curry, John Steuart 36

De Patta, Margaret 39

Deman, Albert 38

Erickson, Robert Donald 40-42

European School 210

Fabion, John 43

Feitelson, Lorser 44

Ferguson, William 45

Filipowski, Richard 46

Foster, David 47

Fulop, Karoly 48

Gaertner, Carl 49, 50

Genthe, Arnold 51

Godfrey, Eugene 52

Goeller, Charles 53

Goldberg, Maurice 54

Hagerman, William Kent 55

Himmel, Kalman 56

Hohenberg, Marguerite 57-62

Howard, Charles H. 63

Huppler, Dudley 64

Icart, Louis 65

Jones, Chuck 66

Josimovich, George 67

Kauten, Mat 69

Kay, William 68

Keck, George Fred 229

Kempton, Greta 70

Kendall, Jean 71

Klein, Erna 72-74

Klein, Medard 75, 76

Koppe, Richard 77-81, 83-88

Kozman, Myron 82, 89-92

Kroeber, Bernard 93

Kuniyoshi, Yasuo (manner of) 94

Lacey, Jessie Pixley 95-97, 214, 215

Lee, Doris 98

Leighton, Lucile 99

Leitgeb, Franz 100

Levstik, Frank 101

Liello, John 102, 103

Maillol, Aristide (after) 104

Maraz, Roman 105

Marinko, George 106

Martinelli, Ezio 107-132

Massen, Daniel 133

Mattern, Karl 134

Matulka, Jan 135, 136

Mckibbin, Mary Adeline 137

Miles, Cyril 138

Miller, A. George 139

Morris, Adelaide 140

de la Motte, Jean-Francois

(manner of) 141

Neutra, Richard 142

Nicol, Charles 143

Nuyttens, Pierre 144

Nyberg, Ivar G. J. 145

Ortiz, Errol 146, 147

Ostrowsky, Sam 148

Papsdorf, Frederick 149-151

Parker, Raymond 152

Preusser, Robert 153

Raab, George 154

Raynaud, Louis 155-157, 219

Reindel, Edna 158

Riley, Dorothy 159

Risling, Edloe 160

Rosofsky, Seymour 161

Rouhens, Anton 162

Rowlandson, Thomas 163

Russian School 164

Schwartz, William 165, 166

Selby, John 167

Sepeshy, Zoltan 168, 169

Sharpe, David 170

Sigler, Hollis 173

Smith, Henry Holmes 174

Spears, Ethel 171

Stamper, Maybelle 175, 176

Steven, Francis Simpson 172

Stibbe, Wilhelm 177

Tague, Robert B. 178

Tait, Agnes 179

Thal, Sam 180

Ulmann, Doris 181

Weisenborn, Rudolph 182-185

Wilder, Tom Milton 186

Will, Paul 187

Williams, Mildred Emerson 188

Wilson, Maurice 189, 190

Winther 191

Wolck, Annalise 192

Yates, Herbert 193

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Auction InquiriesOFFICE OF THE PRESIDENT

Leslie S. HindmanPresident and [email protected]

Megan LoeweAssistant to the [email protected]

ESTATES AND APPRAISALS

Alyssa D. [email protected]

Kate [email protected]

ADMINISTRATION

Accounting

Paul CarraraDirector of Finance and [email protected]

Client Services and Catalogue Purchases

Maegan Griffith [email protected]

Kelly [email protected]

Catalogue Productionand Design

Zoë BarePhotographer [email protected]

John [email protected]

I.T. Specialist

Eric [email protected]

EXHIBITIONS ANDINVENTORY CONTROL

Jim [email protected]

Will [email protected]

David [email protected]

Jon Allegretto

[email protected]

CONSIGNMENT DEPARTMENT

Cara E. [email protected]

Fine Art

Leslie S. [email protected]

Robyn Farrell [email protected]

Joseph [email protected]

Gia SpeziaAccount [email protected]

Zack [email protected]

Fine Books and Manuscripts

Mary S. [email protected]

Furniture and Decorative Arts

Mike [email protected]

Andrew [email protected]

Kate Kozelka Account [email protected] 312.334.4214

Marketplace

Tara [email protected]

Vintage Couture and Accessories

Abigail [email protected]

Fine Jewelry and Timepieces

Jessica [email protected]

Regional Representatives

CaliforniaMyrna Kaplan760.202.7807

FloridaKathy Bouckley239.596.0579

Rockford, IllinoisJanet Moore815.399.3983

OhioMacy Nyhart Hansen513.560.3200

ColoradoAnnie McLagan303.909.5386

Mid AtlanticRoger Schrenk and Chris Fultz301.980.7554

KansasBob Carlson913.677.4479

MichiganManya Basile248.593.5372

Des Moines, IowaJoanne Roth

515.229.1354

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Guide for Prospective Sellers Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.

Standard Commission RatesOur standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.

Shipping ArrangementsLeslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.

Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

Guide for Prospective Buyers Conditions of SaleLeslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.

ExhibitionsLeslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.

EstimatesLeslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.

Condition Reports We are happy to provide a condition report for any lot upon request. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at AuctionThe highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.

The normal bidding increments are:

$0-$200 $10 $200-$500 $25 $500-$1,000 $50 $1,000-$2,000 $100 $2,000-$5,000 $200 $5,000-$10,000 $500 $10,000-$20,000 $1,000 $20,000-$50,000 $2,000 $50,000-$100,000 $5,000 $100,000-$200,000 $10,000 Over $200,000 Auctioneer’s discretion

In-House BiddingLive Bidding at Leslie Hindman Auctioneers, Inc. is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.

Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.

Absentee BiddingIf you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue.

Leslie Hindman, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed by such other bids and reserves as are on our books or bids executed in competition from the audience.

Driving Directions/ParkingFrom the WEST:Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.

From the NORTH/NORTHWEST:Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

From the SOUTHWEST:Take I-55 north. Exit 292A I-90/I-94 W WisconsinFollow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

SOUTH/SOUTHEAST:Take I-90/I-94 westFollow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.

Parking:Leslie Hindman Auctioneers has a private parking lot located on Ada Street, diagonally across the steet from our entrance.

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Conditions of Sale LESLIE HINDMAN AUCTIONEERS, INC. AS AGENTThe lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALEProspective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request on lots with a low estimate of $300 and over. All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALERefusal of AdmissionLeslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.

Bidding as PrincipalWhen making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment.

Absentee BidsWe will use reasonable efforts to carry out written bids given to us prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.

Telephone BidsIf a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding.

Online BidsWe will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to the execution of online bids.

ReservesSome lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount. Auctioneer’s DiscretionThe auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.

Successful BidThe highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALEBuyer’s PremiumIn addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total.

H A M M E R P R I C E / B U Y E R ’ S P R E M I U M

First Portion from Portion fromBidding Option $0-$20,000 $20,001- $500,001 500,000 and aboveIn-house 22% 20% 12%lesliehindman.com 24% 22% 14%liveauctioneers.com 24% 22% 14%the-saleroom.com 24% 22% 14%antiqueweek.com 24% 22% 14%

PaymentThe buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order or credit card (a 3% administrative fee of the invoiced amount is charged for payments made by credit card) unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.

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Tax Exempt NoticeLots marked with an asterisk (*) or square ( ) are tax exempt as permitted by law.

Collecting PurchasesOnce Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

Packing and ShippingIf your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.

Non PaymentIf we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law:

a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price

b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law

c.) to cancel the sale

d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

e.) to offset against any amount owed

f.) to not allow any bids at any upcoming auction by or on behalf of the buyer

g.) to take other action as we find necessary or appropriate

Failure to Collect PurchasesIf property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

LIABILITY

Condition ReportsLeslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph.

Purchased LotsIf for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.

Legal RamificationsThe rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

DiscretionAny and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc. 0109.1

Conditions of Sale continued

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Online registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate of $300 and below. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

LESLIE HINDMAN AUCTIONEERS | BID FORM

Bidding generally opens at half the low estimateand advances in the following order, althoughthe auctioneer may vary the bidding incrementsduring the course of the auction. The normalbidding increments are:

$0-$200 $10$200-$500 $25$500-$1,000 $50$1,000-$2,000 $100$2,000-$5,000 $200$5,000-$10,000 $500$10,000-$20,000 $1,000$20,000-$50,000 $2,000$50,000-$100,000 $5,000$100,000-$200,000 $10,000Over $200,000 Auctioneer’s discretion

For absentee bids, indicate your limit for eachlot. Your bids will be executed at the lowestprices allowed by reserves and other bids. If we receive more than one bid of the same value, the first one received will take precedence.

A per lot buyer’s premium is added to the finalhammer price as per the following:

Leslie Hindman Auctioneers, Inc. is notresponsible for failure or other inadvertent errorsrelating to the execution of your bids.

Name Sale Number/Name

Business Name

Billing Address

City State Country/Zip

Contact Name

Primary Phone Secondary Phone

Email Fax

Lot Number Description Absentee Bid Phone Bid Back-up Bid

I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amountstated above. By bidding at auction you agree to be bound to the Conditions ofSale as stated in the sale catalogue and on our website.

Signature Date

For Leslie Hindman Date

1338 West Lake StreetChicago, Illinois 60607

ph 312.280.1212 l fx 312.280.1211www.lesliehindman.com

Telephone Absentee Live OnlineFax form to 312.280.1211

HAMMER PRICE/BUYER’S PREMIUM First Portion from Portion fromBidding Option $0-$20,000 $20,001-500,000 $500,001+

In-house 22% 20% 12%Live online vialesliehindman.com 24% 22% 14%

(US Dollar Limit)EXCLUDES BUYER’S PREMIUM

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L E S L I E H I N D M A N AU C T I O N E E R S

1338 West Lake Street Chicago, Illinois 60607 l ph 312.280.1212 l fx 312.280.1211 l www.lesliehindman.com