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The stars of live music

Road SeriesThe ultimateon-stage performerThe Road stage monitors have been created with maximum convenience for the performer in mind. They have a two-way, powered

or sound quality. The Road 12A model has a 12” speaker and the Road 15A has a 15” speaker.

Convert Series

Combining performance and reliability, the versatility of these powered units lies in their capacity to be deployed as a main system or as support equipment in a wide range of

complex waveguide design and advanced digital signal processing provide both the power and control required for all types of sound installations.

Subwoofers LX

in three formatsThe powered versions with double 18”, 15”, and 12” speakers (models LX-218CA, LX-215A and LX-212A, respectively) have been deployed extensively in live events. The “R” version is equipped with a rigging system so that units can be suspended frontwards or backwards,

Editorial

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This catalogue highlights the installations and live performances that best showcase D.A.S. Audio systems. From a hotel on the ski runs of Lapland to restaurants and clubs in Barcelona, including a wide variety of theatres in the USA, clubs in Singapore or a football stadium in Poland. We have brought sound to festivals held in Miami’s brutal heat and Argentina’s southern summer, music competitions in China and Spain, and legendary annual gatherings in New Orleans and Glastonbury. We have also had our systems installed for the Formula 1 in Valencia and for live performances for such renowned artists as Guns N’ Roses, Slash or Justin Bieber.

In each case, regardless of whether it was a permanent or temporary installation, we have worked alongside the sound professionals to guide them in choosing the most appropriate D.A.S. system for each space and need, offering both reliable and durable products. In the end, our goal is to make sure that every sound experience is the absolutely best that it can be.

Everything begins to make sense when great sound prevails. The reasoning behind the efforts in innovation, the investment in design, in virtual modelling and rapid prototyping become strikingly clear. Sense is made of the bold decisions and, above all, the pursuit of quality, despite today’s economic climate of “tight budgets”.

Because at D.A.S. Audio we know that when live music sounds good, when the equipment responds regardless of the adverse circumstances - hours of work, rain, or intense heat - the magic happens. The magic of an artist devoted to a receptive audience, the magic of several hundred or many thousands of fans, sharing emotions, together.

and signal processing equipment, the experience we’ve accumulated is directed at a process of continuous improvement. This is the path that has led to our

of the most prestigious venues in the world. And it is the path that has awarded us the opportunity to give voice to the best artists of all musical genres.

For a great sound experience

Editorial

Installations

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InstallationsSound Installation ProjectsParadise TheatreArka Gdynia StadiumTiffany Theatre Hotel TropicanaIN Bar & HJFB BarClub AstoriaCountry Clubs Hills TheatreHotel LevitunturiBuesa ArenaEurope ParkClub dbl OPinkroom ClubIndochine RestaurantThe Touring Company StoreMolí Blanc Disco

Sound Installation Projects

How many meters should there be between loudspeakers in the installation of this stadium? In what direction should the new loudspeakers of the auditorium be aimed? Would a central or a distributed system be better? How many subwoofers will be

hall, church, theatre, conference room, sports facility, restaurant or club all have different applications and consequently, different needs which have to be assessed when it comes to designing a sound reinforcement system.

Using the most advanced acoustic modelling software and “auralizations” – the technique of creation and reproduction of sound on the basis of computer data – it’s now possible to know how a venue will sound, even before it is built. Studying sound pressure maps and coverage uniformity at a given frequency or over an entire band allows us to optimise systems, giving D.A.S. a marked competitive advantage.

“Acoustic predictions allow us to ensure the sound quality and provide a rational investmentfor all our clients”

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D.A.S. Audio boasts a Sound Projects Department headed by audio and applications engineer Eva Argandoña. The department offers D.A.S. clients acoustic consultancy services, so that any installation project can be undertaken with the maximum degree of success. “When an important investment is going to be carried out on equipment”, says Argandoña, “an acoustic study serves several key purposes. The main purpose is to propose the most appropriate system according to the venue’s physical make-up and its

as required, substantiating the investment and containing the budget to the absolutely necessary. At the same time, the systems integrator is provided with the optimal make-up of the system and the positioning of the loudspeakers, providing the best possible acoustic characteristics when the project recommendations are followed.”

Argandoña works with advanced modelling tools developed by the German company SDA (Software Design Ahnert).

EASE Focus, is available for download on the D.A.S. website (www.dasaudio.com) and designed to make system design work easier, especially in live performance venues. Intuitive to use, it can be used to carry out line array predictions and adjustments, detailing the correct splay angles of the systems and showing

EASE 4.3., an advanced application that performs acoustic predictions

of providing acoustic simulations with line arrays and

SPL, reverberated SPL, and parameters such as RaSTI or ALCons which are fundamental in evaluating speech intelligibility. EASE 4.3 can also generate “auralizations” to virtually listen to the room, even before it is built.

Visualising the resultsEva Argandoña describes the sound design process, “To

section views) of the site under study, which we use to draw up a three-dimensional model. We then can assign

according to the materials used. The software includes a database that includes all our loudspeakers, which have previously been analysed in an anechoic chamber. So what is left, is to work with the program to determine and specify the equipment that is will perform best for the proposed application in the acoustic environment of the space.”

The result of the analysis is an extensive report that objectively substantiates the sound design proposal. It

as other important parameters such as RaSTI or AlCons that allow us to evaluate the degree of speech intelligibility which in turn means, how well a spoken message is going to be understood.

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Each project is different“With each project we face different challenges,” says Eva Argandoña, “because there are so many criteria to take into account: the dimension and shape of the room, as well as its acoustic environment, because a typical 19th century

church or a glass hall, for example. The different materials

We also have to take into account the use of the venue and the expectations of the client”. Argandoña adds, “Obviously,

speeches is a project in which the sound quality is critical; however, in a sports arena, although sound is important and contributes towards the show, it is not its main attraction.

although in sports arenas it is not easy. The problem is that

usually we have to cover large distances and, therefore, we have solve the presence of very long reverberation

to achieve quality sound”. Despite the latter, Argandoña always manages a solution for each project.

In places that bring together a lot of people, like stadiums,

using a spectacular public-address system, it is usual to incorporate an evacuation address system. These are the so-called EVAC projects, installing loudspeakers in all

boxes, to provide emergency messaging. In this case, word intelligibility is more than just comfort: it’s a safety issue.

From the plan to realityThe Sound Projects department, which has been up and running for several years, has come across both simple and complex projects, venues in which the acoustic have been resolved, others that have presented poor sound quality. With hours of engineering, this department always provides

“When a project has been completed, the venue built and the installation has been carried out, we like to visit the client, carry out the project commissioning, and verify that the virtual acoustic simulations were correct and that expectations have been met”.

From project to realityThe software allows for accurate estimates regarding the acoustic behaviour of a venue. When it comes time to turn

need to be made.


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A preliminary study guarantees that the project will include:

·Adequate sound pressure depending on the application, assuring listening, even at moments of maximum audience noise.

·Uniform coverage: typically ± 4 dB from the closest to the furthest positions to the stage.

·Quality word intelligibility.

·Safety in case of emergency.

Designing the soundof a stadium under construction1. A three-dimensional model is drawn upbased on the plans of the site providedby the client.

2. Forecasts regarding intelligibility.

3. Sound pressure forecast of an auditorium.


13D View of football Stadium

RASTI Speech intelligibility Direct SPL from 125Hz to 8000 Hz

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Paradise Theater / New York (USA)

of a Bronx Paradise

The historical Paradise Theatre opened in 1929;it has since opened its doors for uses as varied as movies, theatre, sports and music...lots of music.

The Paradise Theatre has held all sorts of shows since it was The Mysterious Dr. Fu

Manchu in 1929. Today, the theatre’s most loyal public mainly comes to enjoy R&B music, and the reopening of this venue was headlined by one of the greatest R&B artists: Charlie Wilson.

The Paradise is characterized by its luxurious Venetian-style décor and a spectacular marble stairway. Following a complete renovation of the venue – which in turn has reactivated the economy of the surrounding neighbourhood – these elements have once again become the theatre’s main features.

Among the most recent changes is the inclusion of a powerful sound system chosen by the engineer Fernando García, from AVS Production Group, who was searching for uniform coverage and

complete success, according to García, because the “systems are very consistent and enough to cover the entire hall without reaching extreme limits”. García is pleased with all the compliments that he has received, especially with the congratulations of the O’Jays sound engineer, who was impressed with the clarity and coverage of the system.

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Paradise Theater / New York (USA)

A light rigging system

and design rigging systems that are light, resistant and easy to handle. Although these three qualities are must-haves for music tours and festivals, they

However, for the Paradise Theatre light, resistant and easy rigging systems were absolutely necessary. “The architecture of the theatre,” says García, “limited the weight that could be hung from the ceiling, and this rigging system quickly became our greatest ally because it was light and small”. He continues, “Other metal bumpers are too big and heavy and cannot be hung without damaging the surrounding walls or ceiling. This system is a huge improvement”.

EquipmentFOH Tops20 Aero 50 systems deployed in 2 clusters of 10 units each located on opposite sides of the

4 stacked on the stage and aligned vertically with the others.

4 Aero 12A systems distributed evenlyin the front

ProcessingDSP-4080

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Arka Gdynia Stadium / Gdynia (Poland)

Perfect Sound in

stadium is a challenge as exciting as it is complex,Gdynia Municipal Football stadium recently received a large, networked audio-driven sound reinforcement system. Piotr

, at the helm of the Arka Gydinia installation, knew that his project could provide a fundamental improvement to the stadium: in general good sound quality and particularly perfect speech intelligibility, contribute towards increasing the spectacular nature of football events. Combined with the background music, the commentators, and the general energy that the games generate, football becomes more than just a game.

With room for more than 15,000 seated spectators, each zone of the stadium required a different solution. It was crucial that spectators in the stand could correctly understand spoken message and that the sound was distributed evenly to obtain solid coverage with the minimum number of cabinets. However, in the

throw application without compromising on quality. Finally, zones like stadium entrances or corridors, where the top priority was good acoustic signalling for announcements, had to be taken into account.

Management, football players and fans were able to appreciate

concludes, “We have achieved perfect and uniform sound coverage

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Arka Gdynia Stadium / Gdynia (Poland)

The installationPublic seating84 DR-12 acoustic cabinets in IP54 version, distributed in 44 different areas

8 BiDriver Plus systems distributed in 4 areas

Corridors and exteriorCL-6T ceiling loudspeakers distributed in 30different areas

Perfect performanceeven with inclement weather Sopot, Poland-based Mega Music’s audio-visual installation division, was contracted to handle the Gdynia Municipal Football stadium’s new sound system. The company took special care to protect the equipment from exposure to inclement weather, and the installed acoustic cabinets have an IP54 rating, which ensures correct functioning even in hostile environments.

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Tiffany Theatre at the Hotel Tropicana / Las Vegas (USA)

Rhythm, Comedyand Shows in Las Vegas

remodelled after nearly half a century dominating the Las Vegas strip. The Tiffany Theatre, quintessence of

now incorporates powerful D.A.S. equipment

Opened in 1957 in an unbeatable location on the southern end of Sin City, the Tropicana has a long and storied history. Not only is it one of the most famous hotels in the world, but it has served as the

Elvis Presley, the seventh James Bondpart of The Godfather.

The Tropicana houses the legendary Tiffany Theatre, currently managed by the company Las Vegas A.D.D. Productions. The theatre has been home to the American version of the Folies Bergère, the city’s longest running show that combines comedy, music and showgirls.

David DeLeo, Las Vegas A.D.D. Productions CEO and supervisor, chose a powerful D.A.S. system for the reopening of the Folies Bergère revue. The installed sound system continues to receive much positive feedback, and one of the most vocal enthusiasts is Hilario González, Las Vegas A.D.D. Productions sound engineer. González highly appreciates the sound quality and the system’s easy handling and adjustment.

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Tiffany Theatre at the Hotel Tropicana / Las Vegas (USA)

Customised anglesThe Tiffany Theatre is not completely symmetric, which makes it a bit of a challenge; a system that could adapt to the unique characteristics of the theatre to provide even coverage had to be employed. The Aero Series 2 system was chosen because its built-in rigging hardware enables the adjustment of cabinet angles according to the particularities of each venue, ensuring even coverage.

EquipmentFOH Tops14 Aero 12A systems deployedin 2 groups of 7 units per side

Subs4 LX-218A subwoofers (2 on each side

the tops) + 2 LX-215 subwoofers

4 Aero 8A systems

Avant 15A + Avant 118A subwoofer

2 Avant 15A systems

Monitors8 Avant 12A for the artists

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IN Bar and HJFB Bar / Taizhou and Zhoushan, Zhejiang (China)

China Promotes Electronic Sound and Live Music

The In-Bar of Taizhou and the HJFB Bar of Zhoushan are quickly becoming two of the hottest spots for music fans in search of international sounds played in local style.

Both venues were designed to combine electronic music with live performances, which led the owners to search for a natural and clear sound, even coverage and a sound pressure level typical for these types of spaces. The selection of equipment proposed by Hangzhou Chuangda Stage Facilities has helped both

With strategic placement of the material around the stage the musicians are free to move around during their performance. Jiang Chao Hangzhou Chuangda Stage Facilities and Xiao Zhao, the company’s technical representative, values the versatility of the system above all other aspects.

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IN Bar and HJFB Bar / Taizhou and Zhoushan, Zhejiang (China)

Additional advantagesBoth the sound quality and the types of the systems were taken into account when selecting the audio equipment: the self-powered units give

EquipmentThe In-Bar Installation

FOH Tops24 Avant 15A systems

Subs6 LX-218A subwoofers. 3 ground stackedcabinets with a central mono subwoofer

of the delay.5 Avant 118A subwoofers.

ProcessorDSP-2060

The HJFB Bar Installation

FOH Tops8 Aero 12A systems with

12 Avant 15A systems to take care of the delay

Subs5 LX-218A subwoofers 4 Avant 118A subwoofers

ProcessorDSP-4080

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Club Astoria / Barcelona (Spain)

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Exquisite evenings in Barcelona

In the 1970’s this space housed the famous Cine Astoria, from which the nightspot takes its name. The renovated Club Astoria has made the most of the cinema’s original space, including amphitheatre and stage, to offer clients two restaurants and a club.

One of the restaurants - a bit more exclusive than the other - is situated in the amphitheatre, and the other, more accessible space is located in the old cinema’s bar. The space also boasts a club area, which opens its doors after dinner, offering a variety of live shows and performances. This successful combination is boosted by the venue’s unbeatable location in Barcelona´s upscale Eixample neighbourhood.

The company in charge of the study and installation of light and sound was Fokum, a company based in Vila-Sana (Lérida) and led by Josep María Aldonrá, who chose the ultra compact Aero 8A line arrays for this project.

Club Astoria / Barcelona (Spain)

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It’s all in the detailsClub Astoria has carved out its own style through

despite the fact that minimalist décor governs many of the city’s establishments. The décor

lamps and tapestries, ideal for the over 1,000 m2

establishment. Club Astoria´s restaurants serve market-fresh cuisine based on quality ingredients, while a great selection of music and perfect sound

EquipmentFOH Tops8 Aero 8 systems set up as 2 clustersof 4 units on opposite sides of the stage.

Subs2 LX-215A subwoofers locatedunder the front of the stage.

Signal processorDSP-2060A

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Country Club Hills Theater / Chicago (USA)

Rhythm and BluesGoing Strong in Chicago

Every year the open-air

the most important R&B musicians.open-air Country Club Hills Theatre quickly becomes the place to listen to live Rhythm and Blues music; headliners such as Toni Braxton, Al Jarreau, Smokey Robinson, Eric Benet and Roy Ayers took to the stage over the course of last year’s concert season.

For three seasons in a row local company Sound of Authority has been charged with making sure that the sound is perfect. Experts in installing sound systems and providing technical assistance at this type of show, they are always searching for improvements, as explained by Ernest Greenecompany: “Our customer was happy with the sound offered during previous seasons, but we wanted to take things even further, which is why we chose the Aero 50 line arrays for Country Club Hills”.

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Country Club Hills Theater / Chicago (USA)

D.A.S. Audio provides

new concert season was a huge responsibility, especially with seven-time Grammy award winner Toni Braxton as the opening act. Though all necessary tests had been performed onsite, D.A.S. Audio of America worked hand in hand with Sound of Authority on this all important night, which went off without a hitch.

EquipmentFOH Tops

and set up in two groups of 6 units on each side of the stage (with a separation of approximately 10 metres).

Subs8 LX-218 subwoofers ground stacked in 2 groups of 4 units per side

6 Aero 12A systems

Hotel Levitunturi / Kittilä (Finland)

Complete Relaxationat this Lapland Resort

traditional inspiration designed for relaxation.

towards creating the right atmosphere.

The Hotel Levitunturi has 220 rooms, an impressive selection of restaurants, cafés and clubs and a number of other reasons to be considered the place to stay in this typical holiday destination. Amongst its many attractions the Kylpylähotelli Levitunturi resort is especially proud to offer two ways of traditional Finnish fun and relaxation: a large spa with hot and cold water pools, saunas and whirlpools and an eight-lane bowling alley.

Electro Waves Oy, a company specialised in the combination of sound, lighting and hydraulic technology, was contracted to design and install the sound system for each of the hotels’ different areas. Its sales director, Jyti Ålander, reviews the results, “A comfortable and relaxing atmosphere was created in the spa. Dominated by a clever combination of music and nature sounds, including lightning and thunder, loudspeakers were hung to harmonise with the surroundings. Unlike the spa, action and fun are the most important elements in the bowling alley; loud music with harder beats was incorporated.”

The installation is completed with public address systems for announcements that will help possible evacuations in case of emergency.

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Hotel Levitunturi / Kittilä (Finland)

The installationSPA8 Variant 112A systems distributed into 2 groups 2 Variant 18A subwoofers

Bowling alley8 Variant 112A systems, 1 for each lane2 Variant 18A subwoofers

Ålander, head of the sound design and the installation, states categorically that the Levintunturi has the best Finnish spa in terms of musical ambience. This is quite a boast in a country with a very discerning public, in which sauna, bathing and wellness through water in general are part of its most ancient traditions.

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Buesa Arena / Vitoria - Gasteiz (Spain)

A Guaranteed Good Time at

the impressive remodelling of the Vitoria pavilion,

appearance. High-quality sound and an impressive

Although the Fernando Buesa Arena is technically a multi-use

court for its basketball team, Baskonia. It was at just such a league game that the pavilion revealed its makeover, a renovation which transformed the venue – several decades after its initial construction – into a thoroughly modern facility for the city of Vitoria.

Expanded seating to accommodate up to 15,290 people, a new dome and a sophisticated new façade are some of the most obvious

Inside, fans can enjoy the new seats as well as new audio-visual equipment including an impressive scoreboard with eight 18 m2

by Ingevision (Ekintza), anchored by Aero line array systems that steal the show.

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Buesa Arena / Vitoria - Gasteiz (Spain)

The Show MultipliedWhat Buesa Arena now offers sports enthusiasts is an increasingly popular way to take in sporting events:

details on the giant screens. Sports enthusiasts can hear the voices of more than 15,000 spectators shouting in unison and while simultaneously enjoying well-crafted background sound. The result? More sensory stimulation, more cerebral activity, more spontaneity. In short, more fun.

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EquipmentIn the stands40 Aero 12A units2 DSP-2060 digital processors

On the court4 BiDrivers

1 DSP-2060 digital processor

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Europ Park / Torrejón de Ardoz, Madrid (Spain)

2, is home to replicas

famous cities: the perfect place for a family outing.

The public address, announcement and emergency system integrated into the Europa Park of Torrejón de Ardoz (Madrid) was designed as an element of additional safety for park users. With a public made up largely of families, visitors come to the park to see replicas of the Brandenburg Gate of Berlin, the Eiffel Tower of Paris, the London Bridge or the Fontana de Trevi of Rome with their children - an exciting worldwide trip in just one day.

Electrónica Marsá was contracted for the sound installation work, and chose to install products from D.A.S.’s BiDriver series: high-power two-way systems integrated by a 10” coaxial loudspeaker for mid-high that, together with its high SPL, guarantee coverage of large open spaces. Apart from the system for the park and recreational areas, a new sound reinforcement system was installed in the amphitheatre.

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Europ Park / Torrejón de Ardoz, Madrid (Spain)

EquipmentPark and recreational areas24 BiDriver systems placed on 4 towers of 6 units each. The towers, more than 8 metres high,are distributed strategically all around the park.

SLA-2600

ProcessorDSP-2060

Amphitheatre 4 RF-215.96 systems installed according to needs2 Sub-218G subwoofers installed below the stage

SLA series

ProcessorDSP-4080

The value of wordsJust like in stadiums or sports arenas, offering great word intelligibility is the biggest challenge for sound systems in open spaces. Warnings, public announcements and information must be clearly received and understood by the public.

in Singapore

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Club dbl O / Singapore

Live performances and edgy decor, the city’s most dbl 0, one of Singapore´s top clubs, reopened its doors to bring a new element to the city’s thriving nightlife: a constantly changing platform from which the best local artists are launched. Fully renovated, the venue is now a multi-purpose space where one can enjoy the best DJ’s, live shows or artistic exhibitions, all in one place. This spirit of renovation and transformation includes changing the decoration every four to six months, and club managers invited eleven local urban artists to share in this new phase by creatively decorating several interior walls.

D.A.S. Audio Asia, which had already worked with the Emerald Hill Group in the installation of the sound system of its Pool Room bar, studied the venue down to the tiniest detail to create a customised atmosphere for the particular requirements of dbl 0. Not only has top notch quality sound been reached, but D.A.S. Audio Asia also managed to prevent the sound from disturbing users of the surrounding establishments, which include a hotel.

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Club dbl O / Singapore

Equipment9 Variant systems distributed in 3 groups of 3 units each which can be installed at different points, depending on the needs of each artist.

4 Variant 18A subwoofers placedin 2 groups of 2 units each

Digital signal processing with DSP-2060

“For us it was essential that the sound system adapt to the different musicians and performances, because we wanted to have a club in constant change”, says Arden Peddell, CEO of Emerald Hill. To reach an ideal solution, the D.A.S. engineering team analysed the space and carried out different simulations with EASE 4.2. The following decision was made: install different rigging points around the venue so that the club’s technicians could choose which points should be used to connect the newly purchased line array systems, according to the requirements of each performance. “Thus, what might normally be a complicated rearrangement of equipment, is a breeze with the D.A.S. systems.”

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Luxury and Flawless Soundfor South Beach

Pinkroom Club / Miami (USA)

to a whole new level.

This luxurious venue - decorated in its namesake pink - is located in the midst of the most interesting hotels, restaurants, shops and entertainment that populate Miami’s oldest neighbourhood. The Pinkroom Club combines an impeccable image with powerful and varied musical styles: the club offers many DJ sessions as well as live performances.

Carlos Henao, of D.A.S. Audio of America, was charged

requirements of the Pinkroom; all the systems had to blend with the establishment’s unique décor.

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Pinkroom Club / Miami (USA)

EquipmentDisco area

FOH Tops10 Variant 112A systems. 6 are placed in 2 clusters of 3 units on both sides of the stage. The others, in 2 clusters of 2 units at the back of the room.

Subs6 subwoofers LX-218A

Entrance and VIP area6 Variant 25A systems

Quality and elegancePinkroom was searching for a sound that blended seamlessly with its elegant and luxurious decor, which resulted in the installation of a system that offers unquestionable quality with imposing bass. Carlos García, one of the club owners,

“there is great sound without having to shout to be heard”.

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Where East meetsthe Mediterranean

Indochine Restaurant / Barcelona (Spain)

This spectacular restaurant in Barcelona offers its guest

exquisite setting where different sensory perceptions fuse into one special dining experience. candles, wooden furniture and the smiling face of decorative

Buddha’s, Indochine offers an intense mix of sensory experiences. The tasty and aromatic cuisine is indeed the highlight of the visit, but the décor, lighting and sound are much more than just simple accessories.

With the help of Fidel Color´s professional sound department, a company with wide experience in the sector, the highly resistant and compact Arco 4T systems were installed. This system is ideal for an environment that combines vegetation and water because its loudspeaker incorporates a water-resistant polypropylene cone; its 19mm neodymium tweeter allows brilliant high frequency reproduction that help to create a welcoming and unique space.

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Indochine Restaurant / Barcelona (Spain)

EquipmentMusic12 Arco 4T systems

CSA 300T (for 100V lines)

CD/MP3 PlayerHDJ-2270

MixerDateq ACE

Pairing Cuisine with MusicAlthough it may seem obvious that a good setting aids

performed to understand to what extent music and taste are related. A professor of the Herriot-Watt University has revealed in a study published by the British Journal of Psychology that wine is appreciated differently depending on the music that is played while tasting it. In his experiment, the same Cabernet Sauvignon was strong for those who had it while listening to Carmina Burana of Carl Orff, gentle for those who had listened to Michael Brook, elegant for those who accompanied the wine with The Nutcracker of Tchaikovsky or refreshing for those who drank it with I just can’t get enough, of Nouvelle Vague.

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The Touring Company Store / New York (USA)

Independent designers play the leading role in this spectacular shop in Manhattan’s Soho; the store is also

an advocate of different forms of contemporary art.

Decoration and music – must-haves in any establishment – fuse perfectly in this shop located in the legendary Soho neighbourhood south of Houston Street. The Touring Company Store creatively imitated the appearance of a concert loudspeaker setup for their décor.

The idea is as exciting as it is inspiring: as the establishment offers the latest products created by independent designers and promotes a variety of artists on the brink of their careers, the backstage becomes the best metaphor. Shop visitors experience the boiling atmosphere just as if they were behind the scenes at a concert, right before an artist is about to go onstage.

Luis Lojo, independent sound engineer and systems designer living in New York, was in charge of the sound installation. He opted to install Variant systems, designed for permanent installations, for both their aesthetic as well as their performance. Furthermore, he found two additional advantages: these systems are self-powered

reduces installation time.

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The Touring Company Store / New York (USA)

El equipoFOH Tops6 Variant 25A systems

Subs2 Variant 18A subwoofers

Ceiling2 CL-6TB loudspeakers

CSA-600T

Maximum quality at a minimum scaleThe conceptual project of The Touring Company Store required that the sound system look like a typical line array set up for concerts without reaching the quantity (or cost) of live equipment. Furthermore, the system had to be able to be used for both background music and live performances. These requirements made Variant equipment the logical choice: the systems have the appearance Lujo was looking for, a fantastic design, and were just the right size for the store. Furthermore, Lojo states that “The fact that it was designed for permanent installations made it the ideal option”.

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Costa Blanca’s most legendary

Molí Blanc Disco / Jávea (Spain)

which operated on the Alicante coast from 1968 to 2006 - has reopened with an aim to recover the famous parties of times past.

a regional legend and a “must-visit” for many central European visitors. Although times have changed, the new owners and local managers know that what made the club famous before remain intact: warm nights, good music and the venue’s unique ambience,

Sound design and installation was performed by technicians of Telesonic Valencia, headed by Paco Planells.

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Molí Blanc Disco / Jávea (Spain)

Equipment

6 Convert 12A systems set up in 3 groupsof 2 units each that are deployed around this hexagonal space. 4 LX-215A subwoofersDSP-2060A

Exterior space4 RF-15.85 units + 12 DR-8 unitswith IP54 protection for exteriors

DSP-2060A

4 RF- 12.64 units + 2 RF- 15.64 units2 LX-215 subwoofersDSP-2060A

DR-112A monitors

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Live

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LIVEFormula 1 GPSlash International TourLondon Feis, Glastonbury and Hop FarmWest Lake FestivalUltra Music Festival

National Folklore FestivalADAC Supercross ChampionshipEstrella Levante SOS 4.8Benicàssim International FestivalArenal SoundChinese Democracy World Tour

On Tour with Manowar

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sound at the European GPIn the – the last race in the Formula 1 season - the fastest cars in the world tear around a one-of-a-kind circuit that winds through the streets of Valencia. This three-day event requires a top-of-the-line sound system to add components of music and commentary to the already festive atmosphere, and local company -

opted for an impressive deployment of D.A.S. products to meet the demands of the event.

More than 150,000 F1 fans gathered in Valencia to watch

and the exciting race itself, which brought in 85,000 spectators on its own. The unique race on the city´s seafront was made even more enjoyable by the sunny weather that accompanied visitors over the course of the three-day event.

Vicent Olucha from Sagarmanta Producciones – with a team of 30 professionals – headed the installation of the circuit’s sound system. The group was faced with a true technical challenge: they had to cover a site with a total

length of 5,000 metres that divided the spectators into 14 stands in 14 different locations. These stands were

were completely straight and others were on curves; some had 20 rows of seats while the highest stands had more than 40 rows; the main grandstands were covered but

the demanding safety regulations of racing competitions restricted the installation of sound systems above the protection wall that surrounds the track.

Formula 1 European GP / Valencia (Spain)

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115 systems for 14 standsIn total 115 Aero 12A systems were installed around the entire circuit, with the majority distributed in front of the 14 stands at an average distance of between eight and ten metres.

To offer quality sound to all race attendants (including the spectators seated in the upper rows) while at the same time complying with legal requirement of not raising the equipment above the protection wall, the sound systems were placed on truss-type podium structures that allowed the operators to use different inclination angles. The result was exactly what Olucha was looking for, and the desired sound uniformity was achieved.

Each stand was also equipped with a single-phase 16A/20A connection, from which the electricity supply was distributed to all the systems in each zone.

Formula 1 European GP / Valencia (Spain)

A control post was set up next to the starting boxes to send and receive the control signals for the 16 different sound systems distributed around the entire circuit: 14 systems corresponding to the spectator stands, one more for the boxes and another for the award’s stage. The 16 systems were treated independently.

To connect each one of these points to the central control,

different bundles could be sent via CobraNet© so that they

The end result was consistent sound quality, capable of minimising the effects of delay between adjacent stands and the possible synchronisation problems between the areas that are far apart.

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Slash International Tour / Surabaya and Jakarta (Indonesia)

riumphin IndonesiaThe ex-member of , considered one of the best guitar players in the world, dazzled his audience in Surabaya and Jakarta, which had record attendance of fans who wanted to listen to a live show of Slash’s unique rock.

Don Sistem Suara was the local company at the helm of the sound reinforcement for these two eagerly awaited events. The equipment, managed directly by Donny Hardono, DSS owner and renowned local sound system installer, knew that he was facing a challenge. Expectations were high and the hard rock fans were eagerly awaiting the presence of their idol, and Saul Hudson´s (which is Slash’s real name) sound engineer is one of the most renowned engineers on the international scene: Ken “Pooch” van Druten.

From the artistic point of view, the experiences of Surabaya and Jakarta were very intense, just as the audience had expected and Asian critics unanimously appraised. From the technical point of view, everything went off without a hitch with Hardono proving his expertise. Hardono really appreciated that the rigging system of the Aero 38 was so agile. “It enables us to put the equipment in operation rapidly and safely. This optimises our start-up time and gives our operators more time to rest”.

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Slash International Tour / Surabaya and Jakarta (Indonesia)

A Legend in ControlKen “Pooch” van Druten, head sound technician for Slash’s tour, is a legend on the

world with a classical education, moving on to the electric guitar at the age of 15. But he has always felt most comfortable in front of the sound board, where he has cooperated with the best singers in the world, winning several awards (including different Grammy nominations). For this reason we feel that his satisfaction with the equipment has special value. “These systems are very good. They only need minimum equalisation, just like it should be. I tried it with Pink Floyd´s Time and it sounded great. The tuning of these systems gave me many options to manage far and near

with different controls. That is all I needed”.

Equipment Surabaya

FOH Tops

in 2 groups of 16 units

SLA-4000 y SLA-2600

Subssubwoofers in 2 clustersof 8 units per side

Avant 12A, Avant 215A and Avant 18A

Digital processingDSP-2060 and DSP-4080

Jakarta

FOH Tops24 Aero 38 systems riggedin 2 groups of 12 units

SLA-4000 and SLA-2600

Subs16 LX-218A subwoofersin 2 clusters of 8 units per side

Avant 12A, Avant 215A and Avant 18A

Digital processingDSP-2060 and DSP-4080

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London Feis, Glastonbury and Hop Farm / London, Somerset and Kent (UK)

Heating up the British summerThe arrival of warm weather to the British Isles was heralded this year by the

at Finsbury Park in London, closely followed by the colossal . The summer music roster was rounded out by , the most recent addition to the summer festival line-up. Make no mistake: there was authenticity, good sound, an incredible vibe and, of course, a mud pit at every show. was on hand for all three festivals, at each one delivering outstanding results.

Those familiar with these festivals - as a musician, technician or spectator – know that you’ll get a dose of all kinds of weather: periods of sunshine and, more than likely, some downpours. With this in mind, technicians from APR Audio, in charge of the sound for the majority of these

three huge festivals, selected the D.A.S. Road series for

the equipment’s performance exceeded the expectations of sound technicians and performers alike.

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London Feis, Glastonbury and Hop Farm / London, Somerset and Kent (UK)

For festival-goers, summer means music under the open sky, and a whole lot of it. But Glastonbury is also about dance, theatre, circus and cabaret in one unique festival that, in an area spread out over 3.7 km2, attempts to unite all the performing arts selling 135,000 tickets this year! At this event, D.A.S. systems provided the sound for the John Peel Stage and also effectively supported the alternative rock group Glasvegas, the unique style of Miles Kane, Example’s hip hop and the experimental sound of Warpaint.

London Feis:The Best of London…and the WorldLondon’s Finsbury Park was home to this revamped festival that, although it has a new name, continues to celebrate under the emblem of the medieval harp, maintaining its traditional spirit: bringing together the best Irish musicians and international performers which this year, had Bob Dylan as headliner. Some of the world-renowned musicians included Thin Lizzy, Christy Moore, Clannad and The Cranberries, all backed up by powerful D.A.S. stage systems.

The newest of the British festivals has already garnered an excellent reputation in just four years due to good organization and an exciting line-up of performers in which, beyond simply style, a premium is placed on quality. D.A.S. sound equipment was utilized in the majority of the main stage acts, optimizing musical styles ranging from that of Tinie Tempah and Eliza Doolittle to Prince.

Courtesy Sennheiser U.K.

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Australian Angie Hart, Italian Gothics Ataraxia, the avant-garde techno sound of the German group Pitchtuner, Japanese Aloha Hula Calles and the post-punk sound of British band These New Puritans were just some of the names and styles that left an impression at Hangzhou. The

were held in different venues throughout the city and on the last two days, concerts were held on a huge stage located to the south of the lake.

Wang Tiequnof the company responsible for installing the sound system, remarked on the success of the event, a success measured not just by turnout, but for having met particularly ambitious expectations: “The objective of the festival,” he commented, “isn’t just attracting music fans, but also, and most importantly, it’s about promoting rock, pop, jazz and other music genres and helping emerging bands get noticed.”

This 10-day festival, named for the mythical lake (West Lake or Xi Hu) located in the city center, has evolved into a musical and cultural crossroads. Eastern traditions opened up to Western culture, national artists brushed shoulders with international ones, and established names shared the bill with those on the verge of stardom.

West Lake Festival / Hangzhou (China)

A culturalmeeting point

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West Lake Festival / Hangzhou (China)

In PartnershipHangzhou Sound Culture Communication was responsible for setting up the sound for the main stage, with D.A.S. Audio Asia technical representative Ron Koh acting in the supporting role. As Wang Tiequn recognized, having this expert on hand helped ensure that the system provided optimum performance. The result was exceptional sound quality, strong and clear from any point in the venue.

The Equipment FOH Tops16 Aero 50 line arrays in 2 arrays of 8 per side

Subs12 LX-218 subwoofers ground-stacked in4 groups of 3 units each in front of the stage

6 Aero 12A systems

Digital ProcessorsD.A.S. DSP-4080

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Duran Duran, Chemical Brothers, Carl Cox and David Guetta, the event was also honoured with the presence of Armin Van Buuren, the most popular DJ in the world. To celebrate the 500th broadcast of his radio programme A State of Trance 500, Van Buuren played an uninterrupted 12-hour set, which included collaboration with some of the biggest names in trance music.

Long-time Ultra Music Festival partner D.A.S. Audio of America, headed by Jaime Villegas, was responsible for the impressive installation that A State of Trance 500 stage required. Carlos Henao and Ramón Franco, company technical representatives, completely transformed the stage into a complete radio studio to help the Dutch DJ put on a fantastic show, followed live by thousands of fans and millions of radio and internet listeners.

Ultra Music Festival / Miami (USA)

Trance for twelve hours straightThree days, festival goers and an incredible release of energy the annual electronic music festival hit Miami once again.

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Ultra Music Festival / Miami (USA)

hypnotic rhythm The installation was designed to support the rhythm that is expected at a trance party. The challenge for the engineers

hours of continuous music.

FOH Tops24 Aero 50 line arrays formations of 12 on each side

Subs30 LX-218CA powered subwoofers ground-stacked linearly in front of the stage and stacked in pairs

8 Aero 8A systems + 4 LX-215A subwoofers grouped 2 stacks (4+2 each)

Trance for15 million listeners

Since 2001, producer Van Buuren has been the voice behind A State of Trance 500, a 2-hour weekly electronic music radio program. Thanks to the DJ’s singular style, quality, and ability to present progressive, techno and trance music, Van Buuren’s program is now aired in more than 30 countries as well as via internet, achieving immense popularity among millions of followers.

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The marina in the city of Salvador de Bahia, with its unparalleled views, once again played host to the most innovative and successful names in “axé” music, the fantastic tropical fusion that originated in the city of Salvador.

Two of the genre’s classic bands, EVA and Jammil, were headlined alongside Tomate. Arena Audio Eventos, directed by Alberto Viana, handled the event’s sound installations, ensuring the festival went off without a hitch.

Celebrating its 14th annual edition this year, the event has established itself

/ Salvador de Bahía (Brazil)

The ultimate

The Equipment

FOH Tops24 Aero 12A line array systems on the sides of the stage (12+12)

Subs20 Aero 182 2K subwoofers ground-stacked in 5 groups of 2 units below each side of the stage

2 Aero 38A systems on the stage lip

2 Compact systems + 2 Compact 218 Sub subwoofersb

Monitors20 SML-12A units

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The 51st edition of this huge Latin American folk music festival brought together popular groups with artists that uniquely recreate traditional folk styles. Argentineans

, and lit up the stage with their performances as did Chilean band .

PureAmerican roots

The Equipment FOH Tops24 Aero 50 line arrays distributed on both sidesof the stage (12+12)

Subs24 Aero 182 2K subwoofers

12 Aero 50 systems to cover the more than100-meter wide plaza, including the grandstand.

6 Aero 28A systems

12 Aero 28A systems

Compact 115 systems + LX-215A subwoofers

Monitors24 SM-15A monitors

Digital ProcessorsDolby Lake Processor

National Folklore Festival / Cosquín (Argentina)

For the sixth consecutive year, Rosario-based Marti Audio was responsible for the festival’s sound using D.A.S. systems. This year, director Ariel Martisubwoofers, an innovation that was initially received with surprise by many that later expressed their pleasure with the results. Cladius Rieth, operator for Inti-Illimani,

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European Supercross fans descended on the German city of Dortmund to attend an event that has become a classic in the gripping world of motorsport. D.A.S. products were able to provide powerful sound and perfect word intelligibility even amidst the roar of the motors.

ADAC Supercross Championship / Dortmund (Germany)

a Passion for Motorcycles

Over the course of the championship more than 28,000 visitors packed into the Westfalenhallen exhibition center in Dortmund, which was transformed into a complicated track designed to showcase the world’s best Supercross racers as they made the complicated look easy. It was an exciting weekend that combined the hard-core competitiveness of Supercross with freestyle acrobatics.

to 10,000 spectators each day. Fans could watch the track racing in close detail thanks to an array of LED screens hung in the centre of the venue as well as enjoy musical clips, announcements, commentary, information, interviews and the awards presentation that closed each show.

The quality of sound, noted by organizers and spectators alike, was made possible by Lars Schnier, who worked hand-in-hand with Soundart GmbH & Co KG and HWS Veranstaltungstechnik.

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ADAC Supercross Championship / Dortmund (Germany)

The Challenge of DortmundThe engineers that worked in the German city faced no easy task: their challenge was to achieve completely uniform 360º sound coverage, taking into account that the distance of the spectators varied from 20 to 45 metres. But

sound could be heard over the roar of up to 10 motorcycles competing simultaneously and the cheers almost 10,000 enthusiastic fans.

Equipment

24 Aero 50 systems in 6-module formationsto cover the furthest side 16 Aero 12A and 16 Aero 28A for the closest side

Lower Balcony Area24 Variant 25A units

ProcessingDSP-4080

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Now into its fourth year, the Estrella Levante SOS 4.8 festival has proved that it can pack

international music in one weekend.

Estrella Levante SOS 4.8 / Murcia (Spain)

thought and quality music

The over 80,000 visitors that attend this 48-hour event - created to appeal to a wide range of interests – prove that such a festival is not only possible, but can also be a runaway success. But it is the music that attracts attendees to the weekend of conferences, exhibits and workshops. This year such renowned names as Suede, as incredible than ever despite its 10 year hiatus, Patti Smith, who, with Lenny Kaye and Tony Shanahan, gave an emotionally charged concert, the Northern Irish Two Door Cinema

Club, who embodied the essence of rhythm, MGMT, with its devoted following, White Lies, Vetusta Morla and Lori Meyers all performed.

D.A.S., collaborating with the company J. Ramírez, was responsible for providing the sound for three of this Murcia festival’s stages.

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Courtesy of Isabel Cortés

Estrella Levante SOS 4.8 / Murcia (Spain)

Three ways of understanding musicJagermeister Stage: A sure thing

FOH Tops24 Aero 50 systems mounted on opposite sides of the stage (12+12)

Subs27 LX-218A subwoofers ground-stacked in front of the stage (in 9 groups of 3) for impressive bass

4 Aero 12A systems at the frontof the stage

3 Aero 12A systems on 2 LX-218A subwoofers on each side of the stage

1 Aero 12A on oneLX-218A subwoofer

Monitors6 Road 12A systems6 Road 15A systems


SOS Club Stage by Ron Barceló: Only for the tireless

FOH Tops24 Aero 12A systems located on both sides of the stage in 2 stacks of 6 each

Subs6 double 18” subwoofersground-stacked in front of the stage

Monitors2 powered DR-115A systems, selected to withstand the endless DJ sessions held on this stage.

Mondo Sonoro:A world apart…and under cover

A covered space with seating for just 1,000 is not common at music festivals, but it was pulled off without a hitch.

FOH Tops18 Aero 12A systems in arraysof 9 on each side of the stage

Subs12 LX-218A subwoofers

4 Aero 12A systems

Monitors8 Road 12A systems2 DR-108A systems for choruses


chorus: A unique experienceThe performance of These New Puritans marked a very special moment at SOS 4.8. The British band performed live its album Hidden, in collaboration with the Murcia Symphonic Orchestra and children’s choir. A thousand spectators enjoyed this truly singular musical experience that ranged from classic to dark pop and rock, perfectly complemented by the sound system installed by D.A.S. and J. Ramírez in this closed venue.

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FIB reached record attendance levels this year, a sell-out that went hand-in-hand with the satisfaction of an audience whose loyalty grows every year. Fans enjoyed a varied musical line-up and a renovated and expanded venue that upped the comfort levels like never before. Fibers from all

the time of their lives during the more than 100 performances held simultaneously on all four stages, easily migrating from one space to another.

The FIB Club stage, with sound provided by D.A.S. Audio, hosted the impressive performances of Anna Calvi, Dorian, The Undertones, O Emperor and Zombie Zombie, among others. Local attendees were especially thrilled by the presence of Mendieta, ex-footballer from

Gasteiz Gang.

Four days, four stages and more than metres added up to pure enjoyment as took in a program that perfectly blended indie, pop, rock and electronic at a party of international scale. This 16th annual celebration attributed its

/ Benicàssim (Spain)

Eclecticism for the masses

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Courtesy of Óscar L. Tejeda

/ Benicàssim (Spain)

The FIB Club stage, equipped with sound by D.A.S. Audio, was dedicated to promoting the diverse musical genres that this festival is known for, with special attention paid to both the pop and electronic DJ sets. Joel Damiano, D.A.S. Audio Systems Engineer, was responsible for personally supervising the set-up and tuning as well as real-time monitoring of the systems during the events, ensuring success despite the gruelling schedule.

The Equipment FOH Tops24 Aero 50 line arrays in 2 formations on opposite sides of the stage

Subs24 LX-218CA subwoofers ground-stacked along the stage in 12 groups of 2 units each in “virtual

4 Aero 12A systems


Courtesy of Óscar L. Tejeda

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D.A.S. was a supporter of Arenal Sound from the outset, becoming one of the event’s primary suppliers. Visionaries? More likely, we were seduced by the allure of an August

beaches and endowed with an incredible line-up. While the 2010 festival was certainly a success, the 2011 edition exceeded all expectations. The new Beach Club space was

a real favourite, with sun, a pool, beach chairs, cocktails and music 24 hours a day. This year’s performers were truly spectacular, including the indie rock group The Charlatans, the singular pop style of Hurts, the eclectic Scissor Sisters, the philosophical-musical house sounds of French group The Third Twin as well as several of the most intriguing Spanish bands, such as Vetusta Morla and Love of Lesbian.

This year’s staggering made it clear that the Arenal Soundfestival – which began in 2010 with a burst of energy - has its own style and attitude. D.A.S. was at the helm to provide the sound for its four stages.

Arenal Sound / Burriana, Castellón (Spain)

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D.A.S. Audio:Large-scale, huge response

FOH Tops28 Aero 50 line array units set up on both sides of the stage (14+14)

Subs40 LX-218A subwoofers ground-stacked

Delay16 Aero 50 systems in delay towers 100 metres from the stage (8+8)

6 Aero 12A systems

4 Convert 12A systems with 2 LX-218Asubwoofers on each side

2 Convert 12A systems with 1 LX-218A subwoofer

Monitors12 Road 12A units + 6 Road 15A units

Digital ProcessorsDSP-2060A and DSP-4080

Four Stages,a full-house for D.A.S.

Legendario: Precision for the indie rocker

FOH Tops24 Aero 12A line array systems (12+12)

Subs12 LX-218A subwoofers ground-stacked in front of the stage and distributed in “virtual arc”

Reinforced with 3 Aero 8A systems on2 LX-218A subwoofers per side

Monitors8 Road 12A units + 2 Road 15A units

Digital ProcessorsDSP-4080 (FOH) and DSP-4080 (Mon)

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Desperados: The new order

FOH Tops16 Aero 50 line array systems (8+8)

Subs16 LX-218A subwoofers situated in 2 groups of 8 ground-stacked units in a left-right

Side Fill2 Aero 8A systems on 1 LX-215A subwoofer on each side

4 Convert 12A systems

Monitors10 SM-15A monitors

Digital ProcessorsDSP-4080 (FOH) and DSP-4080 (Mon)

Coca Cola: bright sunshine & energy

FOH Tops24 Aero 12A systems placed on both sides of the stage (12+12)

Subs12 LX-218A subwoofers ground-stacked

6 Aero 12A systems

2 Avant 15A + 2 LX-218A subwoofers

Digital ProcessorDSP-2060A


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Heat, humidityand non-stop musicThe equipment proved its road worthiness withstanding the heat and humidity of a Mediterranean August, running from early afternoon until dawn. The result was a high quality, consistent sound over the course of the event. Working hand in hand with Sagarmanta Producciones, Acustic Crom and Alvir Espectáculos, Javier Navarro, Head of Engineering at D.A.S. Audio, and Systems Engineer Joel Damiano, led the crew that made it all possible. An incredibly capable team that demonstrated the same reliability as our best audio gear!


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The lapse between the release of their last two albums and the retirements and comebacks of group members has done little to discourage Guns N’ Roses´ fans worldwide, even those in Montevideo, Uruguay, where the legendary band brought their Chinese Democracy tour to the historical Estadio Centenario.

The Centenario was arranged so that the public could be

although stands were also raised; the stage was set up opposite the stands.

With the system assembly studied and ready to go, last minute changes and the unrelenting rain shortly after, took a substantial chunk of the time schedule. The result was that the system rigging and alignment had to be carried out in an extremely reduced time margin. Thanks to the integrated hanging systems incorporated by the Aero 50

team set up the sound system in record time.

The historic in Uruguay opened its doors to the American group dur--

formed for an audience of more than 30,000 avid fans.

Chinese Democracy World Tour / Montevideo (Uruguay)

Guns ’ Rosesin Montevideo

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Chinese Democracy World Tour / Montevideo (Uruguay)

EquipmentFOH Tops for instrumental sound

of 12 metres in 2 clusters of 16 units per side

FOH Tops for the singer:

of 10 metres in 2 clusters of 8 units per side

Subs:64 LX-218 subwoofers in two groupsof 32 units per side

8 Aero 12A systems in the centre

Delay28 Aero 38A on 4 towers set up 50 m awayfrom the system (2 towers of 8 units+ 2 towers of 6 units)

A group effortThree sound service companies united to meet the requirements of the Guns N’ Roses concert: Leggio Sonido (headed by Jorge Leggio), Marti Audio (directed by Ariel Marti) and Compañía Uruguaya de Sonido (represented by Víctor Lampariello). With the professional aid of Gustavo Arévalo, Jorge González, Omar Díaz Blasco and Joan La Roda of D.A.S. Audio, the team pulled off one of the most memorable hard rock concerts to hit Montevideo in quite some time.

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/ Battle Hymns 2011 TourOn Tour with Manowar

Battle Hymns 2011 Tour powered by Aero Series 2

MANOWAR is identified in the Guinness Book of World Records for being the loudest band in the world. This distinction is significant, as it points directly to the need for power, clarity, and versatility- characteristics of the Aero Series 2 systems that delivered the band’s sonic signature during MANOWAR’s Battle Hymns 2011 tour.

The Battle Hymns 2011 tour commenced March 5th in Worcester, MA, U.S.A. and included performances in Greece, Switzerland, England, Sweden, Portugal, and The Netherlands before concluding in Madrid, Spain. MANOWAR toured with D.A.S. Audio’s flagship Aero Series 2 loudspeaker systems that performed a key role in the band’s larger-than-life sound.

The MANOWAR loudspeaker setup included 24 Aero 50 3-way line array elements—flown 12 elements per side as the house mains. Six D.A.S. Audio Aero 12A powered, 2-way mid-high line arrays were employed for front-fill distributed evenly across the front of the stage. A positively massive amount of low end punch was delivered by 26 D.A.S. LX-218A powered, high performance subwoofers. On stage, Aero 50’s and the LX-218A’s—were deployed for the band’s sidefill monitor setup, ground stack setup so that the energy was very close to the band members. Road Series monitor wedges handled stage monitoring assignments.

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/

FOH Tops24 Aero 50 Subs26 LX-218A

Front fill6 Aero 12A

Side Fill6 Aero 506 LX-218A

Monitors4 SM-15A4 Road 15A

Digital ProcessorsDSP-4080

Aero forThe Kingdom of Steel.

Battle Hymns 2011 Tour On Tour with Manowar

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On Tour with Manowar / Battle Hymns 2011 Tour

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Power under control

/ Battle Hymns 2011 Tour On Tour with Manowar

Managing all this sonic firepower is a huge responsibility, a task handled primarily by Jeff Hair, MANOWAR’s chief engineer, who oversees both FOH mixing responsibilities as well as those of monitor-world. With system coordination and tuning handled by D.A.S. Audio’s Chief Engineer Javier Navarro and Tour Sound Engineer Joel Damiano, the massive sound reinforcement setup performed flawlessly at each stop along the tour.

Arco

High quality in a small space: this series of two-way systems was created with this philosophy, and multiple applications, in mind. The exterior is built with high-impact ABS (engineering plastic) that is paintable, tailoring to different decorative needs.; Inside, one or two 4” high performance loudspeakers, with a multitap transformer in the “T” versions. The series is completed with a compact subwoofer system equipped with a 12” double coil loudspeaker. For hostile environments, D.A.S. produces versions with IP 54 ratings.

ArtecWide response andgreat sound pressure level

in hotels, restaurants, conference centres and similar spaces. The Artec Series incorporates double 5”, double 6”, 8” and double 8” models. The T version, equipped with a transformer for its use on 100 V lines, can be also be chosen.

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Outstanding performers

Worldwide FameOur systems are put to the test every day in different situations all around the world. In some cases, they have to survive the rigors of the road and in other cases, prolonged periods under full-power, typical in club and disco installations. Some will work outdoors in rain or suffocating heat, others in highly humid environments such as pools or spas. We expect a lot from our systems, and we build them to perform exceptionally in all types of venues. This is the sound of a new generation, a new generation of sound equipment, designed and developed to give everything they’ve got.

Outstanding performers

ReferenceBecause Classics Never DieThis wide range of products, made up of two-way passive systems, has earned the respect of customers around the world. Its exceptional performance and reliability in permanent and mobile installations has placed Reference on the list of the great classics.

VariantLine Array on a Different ScaleAn ideal product for small and medium scale installations. The Variant self powered installation arrays are recommended for theatres, places of worship, corporate spaces and clubs. The Variant Series offers two different formats, the Variant 25A (2 x 5”) and the Variant 112A (1 x 12”) and the Variant 18A powered subwoofer system.

Bidriver

These mid-high units are unbeatable when it comes to large open-air spaces where high intelligibility is needed. Exceptional directivity control and high acoustic output makes them ideal for long throw applications. It is designed to weather outdoor conditions (IP 54) and it can be chosen with or without a line transformer.

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With extraordinarily compact cabinets, this entire series is

Iso-Flex paint. The trapezoidal cabinet design provides a

the rigging system makes it easy to achieve a wide range of curvatures.

Aero 8A, the most compact of the series, permits easy

arrays.

Aero 12A, our medium-sized format, offers an unprecedented level of features, including digital signal processing and a high level of acoustic output in a cabinet designed for ultimate convenience.

Aero 50, the large format line array system is externally

medium and high frequencies transducers in the same unit. Robust and powerful at the same time, ready to kick off the tour!

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Road SeriesThe ultimateon-stage performerThe Road stage monitors have been created with maximum convenience for the performer in mind. They have a two-way, powered

or sound quality. The Road 12A model has a 12” speaker and the Road 15A has a 15” speaker.

Convert Series

Combining performance and reliability, the versatility of these powered units lies in their capacity to be deployed as a main system or as support equipment in a wide range of

complex waveguide design and advanced digital signal processing provide both the power and control required for all types of sound installations.

Subwoofers LX

in three formatsThe powered versions with double 18”, 15”, and 12” speakers (models LX-218CA, LX-215A and LX-212A, respectively) have been deployed extensively in live events. The “R” version is equipped with a rigging system so that units can be suspended frontwards or backwards,

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