President’s Report

The Presidents Report

Hi everyone

I hope you are all well & dry.

Terry & I travelled to Dubbo for Western Districts on Friday. There is

so much water laying around Forbes. Big lakes each side of the road.

We were thinking about you Jane.

We had a great day today. We had Geoff from Dubbo doing a talk on

clouds & lighting shots. David the judge did a talk on his photography.

Then we had a break for dinner & we had the presentation of the

interclub & individual awards. Jenny Davidson did a talk on Photoshop.

It was very good.

Congratulations to Mick Rhodes & Susie McDonell for getting a

Merit. Ronald Jarvis (Harden Club) 1st with the juniors & Samantha

Beal 2nd & Melanie Beal a merit.

Next year Western Districts will be at Orange. It will be a weekend

not to be missed.

2018 it will be held at Young, so it would be great if we have members

going to Orange.

Cheers Susie McDonell

President of Young Camera Club

October Fun, friendship and Learning

OFFICE BEARERS President: Susie McDonell Vice President: Terry McDonell Secretary: John Van Rijswijk Treasurer: John Van Rijswijk Publicity: Brian James Events Organiser: Trevor Faulkes Shutterbug: Gail Douglas Public Officer: John Van Rijswijk Supper: Michael & Marg Rhodes

Buy, Swap, Sell

Camp Bath Time - Jane Gadsby

A Pair—Jane Gadsby

A GRADE: SUBJECT (Animals) 1st – Marg Rhodes – Dog and His Stick Equal 2nd – Jane Gadsby – A Pair Equal 2nd – Michael Rhodes – 3’s a Crowd 3rd – Michael Rhodes – It Feels Nice A GRADE: OPEN 1st – Marg Rhodes – Three Mile Creek 2nd – Marg Rhodes – True Pink 3rd – Jane Gadsby – Camp Bath Time B Grade: SUBJECT (Animals) 1st – Glenn Inwood – Compare the Meerkat 2nd – Glenn Inwood – Tall Order B GRADE: OPEN 1st – Glenn Inwood – Graceful Gazelle JUNIORS: OPEN 1st – Miranda Howard – Liam the Photographer 2nd – Miranda Howard - Grandma’s Flower 3rd – Liam Howard – Pa’s Plane LARGE PRINT 1st – John van Rijswijk – Taking a Break 2nd – Michael Rhodes – Storm Brewing 3rd – Jane Gadsby – Mountain Hut

August Results - Camera Club Comp 2016

Upcoming news 1) This Months (Sep) Meeting - RAW and Lightroom demonstration at 7pm, by Glenn Lawson. It was planned for Aug but we ran out of time. So Glenn will do it first thing next month (sep) at 7pm, with the meeting afterwards. 2) John has organised a new Camera Club website ie www.youngcameraclub.com Lots of info on it. Apparently there was an older one which was out of date. The above web address is the latest one. 3) Cherry Festival competition forms are on the new website. Entries close on 21st October. Exhibition From Sat 26th Nov to Sun 4th Dec.

Tips For Better Reflections In Your Photography

Take control of your reflections for more dramatic photos

By Stan Horaczek

Reflections are tricky things. Sometimes they ruin our portraits when they show up on a subject's glasses. Then, they go and turn a typical landscape scene into something surreal and beautiful. In this article, I'm we will focus on the love aspect of our love-hate relationship with reflections. So, here are some tips for making the most of them.

Get a polarizing filter

A reflection can be an interesting element in a photo, but it can also be a distraction. A polarizing filter can help control it a bit. The image above was shot without a filter. Notice the heavy reflection. The image below, however, was shot with a circular polarizing filter. The circular polarizer is one of those filter you can't really replace with Photoshop. It actually helps control the amount of reflection in a scene (among other things). Depending on how much you turn the filter, you can actually control the amount of reflection visible in a scene. It's a tool you should have in your bag pretty much at all times. Use flash carefully

Shiny objects and camera flashes rarely mix well together. In fact, high-end product photographers spend insane amounts of time and effort getting reflections to look just right on things like jewellery and watches. It's an art form in itself. So, most of the time, your best bet is likely going to be natural light. If you do have to use flash, try using a the biggest light source you can find to throw even light on the scene and keep the light itself out of the reflection if possible so you don't get a big hot-spot in your image. If there's a face in the photo, it should probably be in focus

The human brain is naturally attracted to looking at pictures of human faces. When you're eye gets to the face, it likes to see it in focus, even if it's not the subject of the photo. It's not a hard and fast rule, but it's something viewers will notice, so if you're going to throw blur on that face, you need to have a good reason for doing so. For instance, maybe a wedding shooter wants to show off a the gown while the bride looks in the mirror. Will it work? Sometimes. But, it's more of a challenge to pry the viewers eye away from the face and onto the primary subject.

Don't sweat the specular stuff

Reflections can be unpredictable, even if you're using a polarizing filter, so you have to give yourself a little more leeway when it comes to small, blown out highlights or slightly lost shadow details. Often, reflections can have a surreal feel about them in the first place, so slight technical imperfections won't be as glaring. Worry about the overall tone and look of the image rather than ruining an entire photo to keep from one small blow-out.

Consider your stance on symmetry

Composition is always crucial, but with reflection photography, symmetry plays a huge role in the success of an image. That's not to say an image needs to be totally symmetrical. In fact, sometimes it's a lack of symmetry that makes a photo work. This is also a great time to try cropping the frame right down the middle, something normally discouraged by that old stickler, the rule of thirds. We suggest you try both. Shooting a skyline on the water? Split the frame right down the middle with your first couple shots, then move the horizon to the very top and very bottom of the image. See which one most appeals to your eye. Use caution when including words

Like with faces, our eyes are often drawn to words in a photograph. When we see words, we read them. It's what we've been doing our entire lives. But, with reflection photography, the words can often be a mirror image, making them difficult to read. It will immediately give the photo a surreal or weird feeling, which may or may not be what you're looking for. You can even flip the image later to make the reflection read correctly, which often looks even weirder. Punch up your reflections in post

Depending on the surface you're using and the lighting situation, reflections may not have quite as much contrast and sharpness as you'd like. If you're using Adobe Photoshop Lightroom 4, try pushing up the contrast slider a bit in order to add some definition. If your highlights start to blow out, you can rope them back in by slightly reducing the highlights slider. The clarity slider is also good for defining the edges of your reflection by upping the midtone contrast. Just don't over do it.

Look for texture to add intrigue

For a pristine reflection, you can't beat something really flat. Calm water or glass are the old standbys. But, finding some-thing with a little texture can add contrast and drama. A lumpy piece of metal might not be as flattering as a flat, shiny piece, but it might be more interesting. Also, you can mix rough textures with smooth in the same image to add even more drama. Shoot a reflection in a puddle, but try including some of the surrounding pavement to frame the reflected scene. You can also drop a small rock or into the water to create ripples and see how that changes the resulting image.

Use a tilt-shift lens to totally kill your own reflection

OK, so this one requires some specialised gear, but if you have a tilt-shift lens you can actually take a straight-on photo of a mirror without your reflection in it.

Some cool reflection photos.