presentasi pronunciation
TRANSCRIPT
Background
Communication can be a tricky business, especially when the listener and speaker are
from different linguistic backgrounds. There are pitfalls aplenty with poor word choice
and improper inflection, and there are numerous reasons a student has difficulty
reproducing the sounds of English correctly. Perhaps pronunciation had little focus in
previous classes, or maybe the student has never had any formal language instruction.
Even students with significant educational experience can have problems. Perhaps early
pronunciation was taught by nonnative speakers who themselves have oral production
problems. Maybe the student’s first language contains different phonemes and the student
simply cannot hear the sounds, let alone accurately replicate them. A consideration of
learner’s pronunciation errors and of how these can inhibit successful communication is a
useful basis on which to assess why it is important to deal with pronunciation in the
classroom.
There are two key problems with pronunciation teaching. Firstly it tends to be neglected.
And secondly when it is not neglected, it tends to be reactive to a particular problem that
has arisen in the classroom rather than being strategically planned.
A question we need to answer is how good our students’ pronunciation ought to be.
Should they sound like native speakers, so perfect that just by listening to them we would
assume that they were British or American or Australian? Or is this asking too much?
Perhaps we should be happy if they can at least make themselves understood.
Discussion
Difficulties in FL Pronunciation
Two particular problems occur in much pronunciation teaching and learning
What student can hear: some students have great difficulty hearing pronunciation
features which we want them to reproduce. There are 2 ways of dealing with this:
1. show them how sounds are made through demonstration, diagrams and
explanation.
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2. draw the sounds to their attention every time they appear on a tape or in our own
conversation
The intonation problem: Some of us and many of our students find it extremely
difficult to hear ‘tunes’ or to identify the different patterns of rising and falling
tones.
Material in pronunciation
There are various features of pronunciation.
A. Vowels
Vowels are articulated when a voiced airstream is shaped using the tongue and the lips
to modify the overall shape of the mouth. English speakers generally use twelve pure
vowels and eight diphtongs.
Sound should be dealt with in class as and when theneeed arises. This can be done
remedially as a reaction to a communicative difficulty which occurs in class, or because
the sounds are an important feature of the grammar or lexis being taught. Sounds can
also be practised in their own right, as a way of focusing on a particular area of
difficulty for examples:
1. Using Phonemic Chart.
2. Drilling, repetition and associating sounds with ideas
Some samples of practice lessons; bingo cards, noughts and crosses, snap, etc.
The eachers should involve their students in deciding on priorities for classroom
pronunciation work, through helping them to be aware of their pronunciation
difficulties.
B. Consonants
Consonants are formed by interrupting, restricting, or diverting the airtflow in a variety
of ways. There are three ways of describing the consonant sounds:
1. the manner of articulation
2. the place of articulation
3. the force of articulation
Teachers focus on individual sounds usually as a response to communicative difficulty
which arises, or becaause they are an integral feature of the language being taught.
Teachers should always integrate pronunciation aspects into lesson planning and
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language analysis, in order to raise students’ general awareness. Onee of the best
methods of helping students to master pronuunciation in the classroom remains that
drilling, the repetition of the sound giving learners the opportunity to practise the correct
movements of theeir speech organs for themselves. This, combined with ‘learner-
friendly’ explanations of the movements, can be very effective in raising awareness of
how sounds are produced. Some samples of practice lessons; Hangman, I’m going to
the party, Phonemic Word Search,etc
C. Word and Sentence Stress
1. Word
a. Stress and unstress
In order for one syllable to be perceived as stressed, the syllables around it need to be
unstressed. For stressed syllables, three features were identified; loudness, pitch change
and a longer syllable. Unstresse may be described as the absence of these.
Ex: syllabus, banana, understand, etc
b. Levels of Stress
Many commentators settle on a three-level disstinction between primary stress,
secondary stress and unstress, as seen in the following examples.
2. Sentences
a. Stress timing and syllables timing
(e.g. they LIVE in an OLD HOUSE)
b. Sentence stress and tonic syllables
(e.g. he LIVES in the HOUSE on the CORner)
c. Sentence stress and weak form
(e.g. She’s from /frəm/ Scotland. Where are you /fr m/? )
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The first from is the weak form, and the second from is the full form
Teachers should try drilling words in a natural manner, first. Other techniques are
beating out the pattern of stress with your hand or finger, or tapping with a pen on the
table, speaking or singing the stress pattern (DA da da) and so on.
Word Stress and Sentence Stress
Normally when we say "I feel stressed" it means "I feel anxious". Stress is a kind of
worried feeling about life or work. But there is another kind of stress that actually helps
us understand. This other kind of stress is an accent that we make on certain syllables
and words when speaking English.
In some languages, for example Japanese, people say each syllable with equal force. But
in English, and some other languages, we put a big force (stress) on some syllables and
no force on other syllables or words. This can make it difficult for speakers of other
languages to understand English that is spoken quickly. Of course, for native speakers it
is not difficult - in fact, stress actually helps native speakers understand each other. So it
is very important.
WORD STRESS (stress on a syllable inside a word) and SENTENCE STRESS (stress
on words inside a sentence).
WORD STRESS
Word stress is like a golden key to speaking and understanding English.
If you do not already know about word stress, you can try to learn about it. This is one
of the best ways for you to understand spoken English - especially English spoken fast.
What is word stress?
Take 3 words: photograph, photographer and photographic. Do they sound the same
when spoken? No. Because ONE syllable in each word is STRESSED (stronger than the
others).
PHOtograph
phoTOgrapher
photoGRAPHic
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This happens in ALL words with 2 or more syllables: TEACHer, JaPAN, CHINa,
aBOVE, converSAtion, INteresting, imPORtant, deMAND, etCETera, etCETera,
etCETera
The syllables that are not stressed are "weak" or "small" or "quiet". Native speakers of
English listen for the STRESSED syllables, not the weak syllables. If you use word
stress in your speech, you will instantly and automatically improve your pronunciation
and your comprehension.
If you have an English teacher, you can ask her to help you understand word stress. Or
you can try to hear the stress in individual words each time you listen to English - on the
radio, or in films for example. Your first step is to HEAR and recognize it. After that,
you can USE it.
Two important rules about word stress:
1. One word, one stress
2. The stress is always on a vowel
SENTENCE STRESS
Sentence stress is another golden key for speaking and understanding English. With
sentence stress, some words in a sentence are STRESSED (loud) and other words are
weak (quiet). Look at the following sentence:
We want to go.
Do we say every word with the same stress or force? No. We make the important words
BIG and the unimportant words small. What are the important words in this sentence?
Yes, that's right: WANT and GO.
We WANT to GO.
We WANT to GO to WORK.
We DON'T WANT to GO to WORK.
We DON'T WANT to GO to WORK at NIGHT.
Now that you know that word stress exists, you can try to learn more about it.
You should KNOW that SENtence and WORD STRESS are VERy imPORtant !!!
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D. INTONATION
It is the way the voice goes up and down in pitch when we are speaking. To be of use to
students, work on intonation in the classroom needs to focus on practice rather than
theory. Intonation needs to be a feature ofclassroom language analysis and practice.
This will help students towards greater expressiveness and articulacy in English, and
also help them to better understanding of some of the subtleties of native-speaker
speech.
Utterance are made up of syllables and the syllables where the main pitch movement in
utterance occurs are caled tonic syllables. The syllables that establish a pitch that stays
constant up to the tonic syllablle are called onset syllables. The pitch hat is held from
the onset syllable to the tonic syllable is known as the key.
Ex: She LIVES in LONdon
She lives in London
Here are some lesson samples
1. Question Tags (Elementary)
Lesson type : Integrated
2. Asking Permission (Intermediate)
Lesson type : Remedial
3. Instruction and Questions (All levels)
Lesson type: Practice
E. OTHER ASPECTS OF CONNECTED SPEECH
1. Assimilation
It describes how sounds modify each other when they meet, ussualy across boundaries,
but within words too.
2. Ellision
It describes the disappearance of a sound. The reason is an economy of effort, and in
some instances he difficulty of putting certain consonant sounds ogether while
maintaining a regular speech rhythm and speed
3. Linking and Intrusion
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When two vowel sounds meet, speakers often link them invarious ways
Her English is excellent (/r/ is prononced)
4. Juncture
Although he phonemes involved in the underlined words are the same, subtle
differences help us tell the deed from the dessert.
Ex; I scream, you scream, we all scream for ice-cream.
5. Contractions
It occurs where two words combine to the extent hat the two are prononced as one
word, or one syllable. These have (for the most part) become conventionalised in
written language. For examples; I’m, we’re, you aren’t, won’t, could’ve, wouldn’t
These features of connected speech shoulld be taught to students and encouraged in
their production, particularly in the case off young children, who tend to be excellent
mimics of new language, and better able to adopt unfamiliar pronunciation patterns.
PRONUNCIATIONS AND SPELLING
The English spelling system is rich in both regularities and irregularities which present
problems to non native learnres (and to English-speaking children learning to write their
language). But, through z mixture of direct instrucction and their own use of the
powerful tool of inference, learners can become efficient users of the system. It is the
teacher’s job to present rules that are usable and to make sure that learners are inferring
correctly. Their correc inferences should be reinforced, and praised; those which are
incorrect ( where the system or their own language experience has misled them) need to
be changed.
Sample Lessons:
1. Spelling of suffixes and the pronunnciation of
2. Different spelling of vowel sounds
3. Dictionary work: Spelling/sound relationships
Song, donkey, love, comfortable, nothing, done, hot,, monkey, Monday, gone, son,
across, annoy, brother, won.
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Learning Strategies in Pronunciation/autonomus learner
Holec (1981) defines learner autonomy as "the ability to take charge of one's own
learning", which he then specifies as "to have, and to hold, the responsibility for all the
decisions concerning all aspects of this learning."
According to Holec (1981) there are varying degrees of self-direction in learning
which may be connected to varying degrees of autonomy. He outlines the following
components as an entirely self-directed process of learning:
• fixing the objectives
• defining the content and progressions
• selecting the methods and techniques to be used
• monitoring the acquisition procedure
• evaluating what has been acquired.
The following ideas can be considered to prepare teachers in enhancing learner
autonomy in pronunciation learning:
1. It is not a straight forward process.
2. Teachers need stimulus and encouragement to attempt a pedagogy for
autonomy.
3. Teachers must realize by themselves that they can do what at first seemed
impossible.
4. Teachers should be able to work on a collaborative basis.
5. Teachers must be autonomous themselves to be able to develop their
learners autonomy.
So if teachers themselves are autonomous and motivated, how does the teacher
promote greater autonomy in his students ? Brajcich (2000) suggests twelve ways to
promote learner autonomy which I think can be of great value in vocabulary learning.
He says that teachers should :
Encourage students to be interdependent and to work collectively. The less
students depend on their teacher, the more autonomy is being developed.
Ask students to keep a diary of their learning experiences. Through practice,
students may become more aware of their learning preferences and start to
think of new ways of becoming more independent learners.
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Explain teacher/student roles from the outset. Asking students to give their
opinions on the issue of roles could be beneficial.
Progress gradually from interdependence to independence. Give the students
time to adjust to new learning strategies and do not expect too much too soon.
Give the students projects to do outside the classroom. Such projects may
increase motivation.
Give the students non-lesson classroom duties to perform (taking roll, writing
instructions, notices, etc. on the board for the teacher)
Have the students design lessons or materials to be used in class.
Instruct students on how to use the university's resource centers
Emphasize the importance of peer-editing, corrections, and follow-up
questioning in the classroom.
Encourage the students to use only English in class.
Stress fluency rather than accuracy.
However, do allow the students to use reference books, including dictionaries
in class.
Teacher’s role in pronunciation
Classroom procedures in Situational Language Teaching vary according to the level of
the class, but procedures at any level aim to move from controlled to freer practice of
structures and from oral use of sentence patterns to their automatic use in speech, reading,
and writing. Pittman gives an example of a typical lesson plan:
The first part of the lesson will be stress and intonation practice. The main body of the
lesson should then follow. This might consist of the teaching of a structured. If so, the
lesson would then consist of four parts:
a) pronunciation
b) revision (to prepare for new work if necessary)
c) presentation of new structure or vocabulary
d) oral practice (drilling)
e) reading of material on the new structure, or written exercises.
(Richards 1963: 173)
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Principles of teaching pronunciation
To teach Pronunciation we need:
a. A good knowledge of pronunciation, for example; the pronuciation of Past Tense.
b. Techniques in teaching pronunciation The important is the result,whether our teaching is effective. Students should get
something and they should learn seriously.
c. Access to good ideas in pronunciation teaching for example, we can stick the phonemic chart in our class
There are three main types of pronunciation’s sample lesson: Integrated lessons, in which pronunciation forms an essential part of the language
analysis and the planning process, and the language presentation and practice within the
lesson. It shows pronunciation taking a full role in all stage of a lesson, from planning
through to enacment, for example:
Remedial or reactive lessons, where a pronunciation difficulty which arises in class is
dealt with there and then, in order to facilitate the succesful achievement of classroom
tasks. It shows how pronunciation work can be slipped into a lesson, when appropriate.
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We can choose this approach for example when we are going to teach some items of food
and drink by eliciting the sentence I’ll bring x, where the x can be any item of foods and
drinks. Some of the students have had some difficulties in pronouncing new items and so
the major role for the teacher is in providing remedial correction. It described the
integration of pronunciation work into teaching reactively. We will use some flashcards
of food and drink.
Practice lessons, in which a particular feature of pronunciation is isolated and practised
for its own sake, forming the main focus of a lesson period. It describes how to base a
class period around a particular aspects of pronunciation. The teacher made a spesific
pronunciation issue the main focus of the class period.
example:
When we are going to teach some new words in the domain of vegetables, we can use this
‘vegetables grid’
Conclusion
The key to successful pronunciation teaching, is not to much getting students to produce
correct sounds or intonation tunes, but rather to have hem listen and notice how English is
spoken – either on audio or videotape or from the teacher themselves. The more aware they
are the greater the chance that their own intelligibility levels will rise.
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sweetcorn cauliflower sprout carrot potato pea tomato cabbage turnip bean
List of reference
Harmer, Jeremy.The Practice of English Language, 3rd Edition, Longman
Richards, J and Rogers, T 1986 Approaches and Methods in Language Teaching, Cambridge University Press
Kelly, Gerard, How to Teach Pronunciation,2001, Pearson Education Limited
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