precolonial period

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PRECOLONIAL PERIOD: THE TRADITIONALIST GROUP OF MNDANAO

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Page 1: Precolonial period

PRECOLONIAL PERIOD:

THE TRADITIONALIST GROUP OF MNDANAO

Page 2: Precolonial period

THE TRADITIONALIST GROUP OF MINDANAO

second largest island in the Philippine Island

"The Land of Promise" animist beliefs are still clung to—

Davao and Cotabato delegations of dancers from certain

remote regions would come down to so-called "Tribalfests“—display dances, rituals, musicmaking and other skills

Page 3: Precolonial period

THE TRADITIONALIST GROUP OF MINDANAO

dancer's physique (movements are localized), serves to aid in identifying the people behind the dance among certain groups:

* Bagobo/Mandaya - focused on foot movements * Manobos - stress on freer and more complex

movements of arms * non-Christian (Pangalay) - most sophisticated

and complex of arm-and-upper-body movements

Page 4: Precolonial period

BAGOBO

one of the principal non-Christian groups of the Davao Provinces of Mindanao

synonyms for the term Bagobo: * Guianga * Tigdapaya * Guanga * Eto * Gulanga live to the west and the northwest of

Davao Gulf

Page 5: Precolonial period

BAGOBO

neighbors living between Sarangani Bay and the western shore of the Gulf of Davao: * Kulaman * Bilaan

* Tagakaolo * Ata also found southern Bukidnon and in

northeastern Cotabato highest dream of every young male Bagobo

was to attain the distinction of becoming a bagani (warrior, one who has disposed of more than one enemy)

Page 6: Precolonial period

BAGOBO (RELIGION)

need to offer sacrifice 20th century, eluding authorities,

Bagobo has—once in a blue moon—manage to make the traditional human sacrifice of a slave in Pag-huaga rite, most important among the rituals of the Ginum, it being held to satisfy the Pamulak Manobo, god of life and death, and other deities

Page 7: Precolonial period

MANOBO

were the original settlers of Mindanao - Manobo languages are distributed over a vast region including Cotabato, Bukidnon, Davao, Agusan, Surigao, and Camiguin Islands (accdg. to the late anthropologist Dr. Frank Lynch and linguist Dr. Richard Elkins)

practice ancestor-worship and are polytheistic; have an ancient and rich ethnic cultural background: chanting, playing musical instrument (drum, gong, nose-flute, stampers, Jew's harp, budlong)

Page 8: Precolonial period

MANOBO

listed in the map of the Filipino People, published by the National Museum of the Philippines, Manila, 1974, are the ff. subgroups of Manobo:

*Agusan-Surigao *Ata *Banwaon *Bliy *Bukidnon *Cotabato *Dibabawon *Higaonon *Hianen *Kulamanen *Manuvu/Obo *Matigsalug *Rajah Kabungsuan *Sarangani *Tagabawa *Tasaday *Tigwa

*Umayamnon *western Bukidnon

Page 9: Precolonial period

MANOBO (DANCES)

marked by mimicry and symbolism mimetic dances found by Garvan were always

performed exclusively by men: * bathing dance * apian dance * dagger dance for two men * depilation or

sexual dance war dance unfolded to the rhythm of the

drums which were played with remarkable velocity by 2 players, one stationed at each end

Page 10: Precolonial period

MANOBO (DANCES)

warriors believe that they are under the special protection of the war-god Tag-Busan

principal beat in the social dance is dactyllic

principal musical instruments are the guimbal and agong

Page 11: Precolonial period

MANOBO (RELIGION)

gods worshipped: North (Domalongdong), South (Ongli), East (Tagolambong), West (Magbabaya)

religious dances were at one time performed exclusively by the priests or priestesses

religious dance done exclusively by male and female priests (baylan)

religious dances may be followed by social and/or mimetic dances, and by the chanting by the baylan of certain legends

Page 12: Precolonial period

TAGAKAULO

were seen by Fay Cooper Cole only one, but he mentions them as being recognized as a distinct ethnic unit by the Jesuits

inhabited a part of the Davao seacost area bordering the Davaoy Gulf and extending from Casilaran Cove to a little below the Lais River

were represented at Davao City's Tribalfest '76, and that of '78 were part of the group brought over by the Panamin to perform in the FAT's Festival '78

Page 13: Precolonial period

TAGAKAULO

"pagan“—singing of the Alimocon bird is taken as a bad omen

Origin of the term Tagakaulo by Rajah Carlito Buntas- tagakaulo were once the most dangerous tribe in Southern Davao, in the center of upper Malita called Kalatagan

Accdg to Datu Macatuno: - the name Taga-ulo was derived from the

equivalent of 'executioner' - another explanation, tagakaulo means "

inhabitants of the headwaters"

Page 14: Precolonial period

MANSAKA

ethnically related to the Mandayas tribal group of Mansaka live in the hills

of Barrio Masara, Maco, Davao del Norte

has not reached the level of the cultural development of the Filipino Muslim

lived peacefully , hunting game, planting a little

Page 15: Precolonial period

MANSAKA (DANCES)

characterized by the rhythmic movement of the knees, feet, arms, and hands

musical instruments used are two-stringed guitar fashioned from woods, flute, and drums of deerskin

Page 16: Precolonial period

MANDAYA

man "people", daya "up the river" inhabit the Mindanao east coast along the

upper Agusan River Dean C. Worcester found them to be fine-

looking and light in color, fully clothed, skillful metal-workers who fashioned artistic circular plates of silver ornamented with geometric patterns, which plates they often used for personal adornment

Page 17: Precolonial period

MANDAYA

have been known to be enthusiastic slave-takers and obdurate fighters

Shona Mactavish: " their movements appeared to have adapted something of the fierce beauty of the CalouEagle"

Page 18: Precolonial period

T’BOLI

also referred to as Tagabili a minority national group which is

compararively sophistictes in language, dress, and mythology

deity of the T’boli are either benefecient or harmful

legend : first man and the first woman were formed from clay by Hiyuwe (goddess of good), and Sidakwe (goddess of evil)

Page 19: Precolonial period

T’BOLI

Rev. Father Gabriel Casal, O. S. B who has done extensive research into T’boli culture, finds the T’boli to be light of build and thoroughly Malayan in features, without any trace of the Chinese strain

reports: “the most beautiful of brown eyes is commonlace among T’boli women and children—often enough being the limpdity of honey against the sunlight”

Page 20: Precolonial period

T’BOLI

only men practice sacrificaton, and they do so as a means of proving their courage

traditional T’boli cloth—deep reddish brown, white, and black—adds a fascinating touch to the appearance of a T’boli

Believe that all objects house a spirit, whose good will they curry

Page 21: Precolonial period

T’BOLI

Casal concludes that the T’boli religion permeates the T’boli’s whole life, and also imprisons him through its iron grip of conservatism while, at the same time, giving his life a unified meaning—and of this spiritual orientation

Casal states: “it might well be the factor that has preserved the tribe’s identity through the centuries.”

Page 22: Precolonial period

T’BOLI

at a Panamin-organized performance at the CCP sometime in 1975 sponsored by ADB and witnessed by this author, the ff T’boli numbers were shown: T’boli Horsefight Drum Rhythms T’boli Bird-Dance T’boli Monkey Dance T’boli Festival Dance

Page 23: Precolonial period

BILAAN

are to be found in Southern Cotabato, and also in Davao

said to belong to the same ethnic group as the Manobos, Tagabilis, and Kalayans

other synonyms of Bilaan: Vilanes Balud Tumarao

Page 24: Precolonial period

BILAAN

believe that they are creatures of Melu, the creator

believe that, originally there were only two beings in the universe: Melu (creator) and Tau Dalona Tana

Page 25: Precolonial period

BILAAN

anthropologists suspect that the Bilaans were among the first of ancestral Indonesians who migrated to the Philippines some 5000-6000 years ago, and that they then settled on the wide Koronadal Valley, where they classify and identify themselves as: TagalagadBiraan Bilan Tagakogon Baraan Buluanes Bilaan

Page 26: Precolonial period

BILAAN

small but agile semi-nomadic and still practice a form of

barter using gongs, swords, krises, and agricultural products as the media of exchange

type of clothing is similar to that of the Bagobo women’s skirt is of hemp, and they were a

comb of bamboo or rattan splints kinds of dances were full of graceful play and

ploy

Page 27: Precolonial period

BUKIDNON

mountain people live in the Visayan uplands of Aklan and

southeastern Negros, as well as in the mountains of Cagayan de Oro and Bukidnon in Mindanao

believed to be descendants of Visayanswho had formerly inter-married with Negritos

believe in aswangs

Page 28: Precolonial period

BUKIDNON

male Bukidnons are expert hunters, fishermen, and blacksmiths

female Bukidnons attend to the household chores

2 dances-of-offering from Bukidnon: Inahaw Dugso

Page 29: Precolonial period

TIRURAY

live in the deep forests of northwest Cotabato in southwestern Mindanao, and south of the Cotabato River

composed or, relative to their respective environments: coastal, reverine, and mountain groups

linked to Maguindanaos legend: Tirurays and the Maguindanaosoriginally

had but one set of parents, and that said first parents had two sons

Page 30: Precolonial period

SUBANON

so-called because they live along riverbanks and streams

Live in Zamboanga and in Misamis Occidental

anitos or spirits are worshipped and contacted by the Subanons during such times as th occurrence of illness of poor harvests

Page 31: Precolonial period

SUBANON

deities that they worship: Tagma-sa-dugat (lord of sea) Tagma-sa-yuta (lord of earth) Tagma-sa-mga-bugund (lord of woods) Tagma-sa-saguit (lord protector of the sick)