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London Knowledge Lab 23-29 Emerald Street London WC1N 3QS United Kingdom Curious perspective The Mathematics of Anamorphosis in Art Man on Stairs, by István Orosz, 1991 Anamorphic pictures are usually described as distorted images which only get their meaning if looked at in the correct way. Now, mathematicians from the London Knowledge Lab are teaming up with artists, graphic designers and sculptors to explore the technicalities in a seminar. This is in conjunction with a Study Day at the National Gallery on how to view these curious images – and find out how to create their own. John Sharp, visiting fellow at the London Knowledge Lab and organiser of the seminar and Study Day, explained, “Over the past 500 years, anamorphosis has come in and out of fashion. It also moved from serious art to aristocrat's toys, to recreational mathematics and back again. Its simple geometrical nature has been neglected by art historians, and misunderstandings have arisen as to how view anamorphic paintings.” There are two main sorts of anamorphosis used in art – that which requires the viewer to stand in a particular position to see the true image and another sort for the viewer would need a special mirror to be able to make the image meaningful.

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  • London Knowledge Lab 23-29 Emerald Street London WC1N 3QS

    United Kingdom

    Curious perspective

    The Mathematics of Anamorphosis in Art

    Man on Stairs, by Istvn Orosz, 1991 Anamorphic pictures are usually described as distorted images which only get

    their meaning if looked at in the correct way. Now, mathematicians from the

    London Knowledge Lab are teaming up with artists, graphic designers and

    sculptors to explore the technicalities in a seminar. This is in conjunction with

    a Study Day at the National Gallery on how to view these curious images

    and find out how to create their own.

    John Sharp, visiting fellow at the London Knowledge Lab and organiser of the

    seminar and Study Day, explained, Over the past 500 years, anamorphosis

    has come in and out of fashion. It also moved from serious art to aristocrat's

    toys, to recreational mathematics and back again. Its simple geometrical

    nature has been neglected by art historians, and misunderstandings have

    arisen as to how view anamorphic paintings.

    There are two main sorts of anamorphosis used in art that which requires

    the viewer to stand in a particular position to see the true image and another

    sort for the viewer would need a special mirror to be able to make the image

    meaningful.

  • London Knowledge Lab 23-29 Emerald Street London WC1N 3QS

    United Kingdom

    The most famous example is the skull in Holbeins 1533 work, The

    Ambassadors indeed, it took curators at the National Gallery some years to

    work out what the splodge was at the front of the picture. Since then,

    anamorphosis has been used by many artists and as a plaything of

    recreational mathematics before it enjoyed a resurgence in art in the last half

    century.

    Artwork by Andrew Crompton, at the Museum of Science and Industry Manchester

    The seminars aim to help visitors to see what the artists intended. But

    studying the resolved images can also yield information about the history of

    art and raise questions about how we look and see images generally and the

    series hopes to explain both these issues from both art and mathematical

    perspectives.

    For more information, see www.lkl.ac.uk/events/maths-art/

    The seminars are organised by John Sharp (visiting fellow at LKL) and Phillip Kent

    (researcher in mathematics education at LKL). There is a free technical seminar at the

    London Knowledge Lab on Friday 12 December, 2.30 - 5pm and a Study Day for the general

    public (fee payable) at the National Gallery on Saturday 13 December 10.30 - 4pm.

    John Sharp, email [email protected] telephone 01923 675093

    Phillip Kent: email [email protected] telephone 020 7763 2156