ppm01704 two vocal parts and piano hymn to saint michaelhymn to saint michael robert lehman satb and...
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![Page 1: PPM01704 Two vocal parts and piano Hymn to Saint MichaelHymn to Saint Michael Robert Lehman SATB and organ Saints PPM01827 $2.90 M/D paraclete press paraclete press P.O. Box 1568,](https://reader036.vdocuments.us/reader036/viewer/2022062510/61234b594e749f31013a7234/html5/thumbnails/1.jpg)
Hymn to Saint Michael
Robert Lehman
SATB and organ
SaintsPPM01827
$2.90M/D
p a r a c l e t e p r e s sp a r a c l e t e p r e s s
p a r a c l e t e p r e s sP.O. Box 1568, Orleans, MA 02653 1-800-451-5006 www.paracletesheetmusic.com
Selected Works Published by Paraclete Press
Barton, David Be Thou My Vision —PPM01703 SATB and piano
We Pray for Peace—PPM01704 Two vocal parts and piano with opt. instrumental parts
Diorio, Michael J. Christmas 1945—PPM01705 SATB a cappella
Hill, Jackson St. Chad Magnificat and Nunc Dimittis--PPM01707 SATB and organ
Nixon, June arr. Stille Nacht—PPM01709 SATB with some divisi a cappella
Phillips, Craig The Lord is Risen Indeed!—PPM01710 SATB and organ with brass quintet and timpani
Russell, Carlton A Trilogy of Prayer—PPM01712 SATB with some divisi a cappella
Tipton, Noel arr. This Place, Our Anchorage—PPM01713 SATB, piano or organ
White, David Ashley Christ has Opened Paradise—PPM01715 SATB and organ (opt. brass quartet)
FROM OUR HYMNS OF PRAISE SERIES:
Nixon, June arr. O Praise Ye the Lord—PPM01656 SATB with organ, trumpet and congregation
A BEST SELLER!
Barton, David Carol of the Light—PPM01654 Unison voices and keyboard
FOR LENT:
Casurella, Stephan arr. There is a Balm—PPM01617 Two-part treble choir and organ
FOR ORGAN:
Powell, Robert J. Twenty-five Organ Accompaniments for Unison Hymn Singing—PPM01711
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Robert Lehman
Robert W. Lehman, conductor, organist, harpsichordist and composer, holds degrees in organ performance, conducting, church music, and an earned doctorate in liturgical musicology where his particular focus is the ecclesiastical music of the English Middle Ages beginning with chant and culminating in the complex polyphony of the late fifteenth-century Eton Choirbook.
He has served on the staff of several distinguished churches, including the Washington National Cathedral (of which he is a Fellow), the Princeton University Chapel, and Saint Bartholomew’s Episcopal Church, New York City. For fourteen years he served as organist and choirmaster of historic Christ Church, New Haven, Connecticut where, under his leadership, the choir and music program gained an international reputation for excellence. He has appeared with major symphony orchestras and chamber ensembles as conductor and soloist, has recorded an extensive discography, and his work is heard regularly over NPR and the BBC. In 2008 he joined the staff of the Episcopal Church of St. Michael & St. George in St. Louis as Organist and Choirmaster.
Paraclete Press sheet music is available from www.paracletesheetmusic.com
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Ó ‰̇ œ œ œœ#3 ‰ Jœ
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Mysteriously q = 48
Mysteriously q = 48
π
π
Soprano
Alto
Tenor
Bass
Organ
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˙ ˙˙˙ ‰ œ œ œœ#3
˙‰ Jœ
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Ó ‰ jœ œ œO Je
‰ jœ œ œ ˙O Je su,
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PPM01827
Robert Lehman
Commissioned by Michael Hunter for the choir of St. Andrew's Episcopal Church, Tampa, Florida
attr. Rabanus Maurus (c. 780-856); tr. E. Caswall
The name “Jesu” should be pronounced “Jeé-zyoo.”
Hymn to Saint Michael
Copyright © 2018 by Paraclete Press, Orleans, MA 02653All rights reserved.
SATB and organ
Urban VIIIfrom the hymn Tibi, Christi, splendor Patris;
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42
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78
∑
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78
≈ œ œ œ œ œ œ œ œ œ œœ œ
≈ œ œ œ œ œ œ œ œ œ œœœœ
œŒ Œ
slowing slightly
slowing slightly
‰ jœ œ œso may a
‰ jœ œ œso may a
‰ jœœ œ
so may a
‰ Jœœ œ
so may a
œœ...œœœ Œ
œœœœ ...œœœ Œ
∑
Boldly q = 60
Boldly q = 60
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˙ ‰ jœ œ œ
crown be our re
˙ ‰ jœ œ œcrown be our re
˙ ‰ jœ œ œ
crown be our re
˙ ‰ Jœœ œ
crown be our re
‰ œ œ œ œ œœ ..œœjœœ ‰œ Jœ
‰ œ œ œ œ œœ ..œœ Jœœ ‰
Ó ‰ œ œ jœ ‰
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81 ˙ ‰ jœ œ œ
ward, Be fore the
˙ ‰ jœ œ œ
ward, Be fore the
˙ ‰ jœ œ œ
ward, Be fore the
˙ ‰ Jœœ œ
ward, Be fore the
81
‰ œ œ œ œ œ .œ jœ ‰œœ Jœœ
‰ œ œ œ œ œœ ...œœœ Jœœœ ‰
Ó ‰ œ œ jœ ‰
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Lord’s pure throne of
œ œ œ .œ JœLord’s pure throne of
œ œ œœ ..œœ Jœ
Lord’s pure throne ofœ œ œ .œ J
œœ
Lord’s pure throne of
‰ ≈ rœ œ œ œœ ..œœ œœ
jœœ ‰˙
‰ ≈ Rœ œ œ œœ ...œœœ œœœ J
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poco ritard
poco ritard
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PPM01827July 1-3, 2010
Webster Groves, Missouri
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4
˙ œ œ œ œ
su, life spring of the
œ œ œ œ ˙life spring of the soul,
Ó ‰ Jœ œ œ
O Je
‰ Jœ œ œ ˙
O Je su,4
˙ ˙˙˙˙ ‰ œ œ œœ#3 ‰ Jœ
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˙ ˙soul,
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su, life spring of the
œ œ œ œ ˙
life spring of the soul,
˙ ˙˙˙ ‰ œn œ œœ3
˙‰ Jœ˙̇̇
Ó
w
Ó ‰ Jœœ œ
the Fa ther’s
‰ jœ œ œ œ œ œthe Fa ther’s power,and
˙ ‰ Jœœ œ
soul, the Fa ther’s
˙ Ó
˙ ˙˙˙˙ ‰ œ œ œœ3 ‰ Jœ
˙̇̇ Ó
w
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7
œ œ œ œ œ œ
power, and glo ry
œ œ œ ˙glo ry bright!
œ œ œ œ œ œ
power, and glo ry
‰ Jœœ œ œ œ œ
the Fa ther’s power, and
7
˙ ˙˙˙˙ ‰ œ œ œœ3
‰ Jœ˙̇̇
Ó
w
w
bright!
w
wbright!
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glo ry bright!
˙ ˙˙˙˙ ‰ œ œ œœ#3
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With movement q = 66
With movement q = 66
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œ œ .˙Pride to fight;
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Allegro marcato q = 68
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Allegro marcato q = 68
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PPM01827
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œ œ œ .œJœ
with the an
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œ œ œ œœ ˙œ̇ œ œ
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they draw
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15
œ œ œ œœ ˙̇œ œ œ
˙̇ ˙̇˙̇
˙ ˙
œ œ œ œtheir life and
œ œ ˙life and light.
œ œ œ œthey draw their
.œJœ œ œ
draw their
œ œ œ œœ ˙œ̇ œ œ
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life and light.
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life and light.
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Slowly and with great calm q = 52Strings and celestes
Slowly and with great calm q = 52
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67
‰ jœ œ œ œ œ œ œ
Grant us with Mi chael still, O
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Lord,
∑
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Grant us with Mi chael still, O
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Lord,
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œœ œœ œœœœ
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10
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810
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nn
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19
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œ œ œ œ œ œ œ-
œ œ œ œ
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-
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allarg.
allarg.
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œœœœ
œ œ œ œ œ œ œ œ
∑
very freely
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œ. œ. œ. œ. œ. œ. œ. œ.
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Allegro q = 112
Allegro q = 112
F
pesante
Brightly and with rhythmic drive
II
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˙ .œ .œThy thou sand,
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˙ .œ .œThy thou sand,
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57 œ œ œ œ œ œ œ
down like a thun der bolt to
œ œ œ œ œ œ œ œ œ œdown like a thun der bolt to
œ œ œ œ œ œ œ
down like a thun der bolt to
œ œ œ œ œ œ œ œ œ œ
down like a thun der bolt to
57
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rit.
rit.
˙ Óhell.
˙Ó
hell.
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˙ ˙≈œ œ œ œ œ œœœ ≈ œ# œ œ œ œ œœœ3
3 33
‰ ≈ ≈ Rœœœ
œœœ ‰ ≈ ≈ Rœœœ œœœ
3 3
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but with jubilation
but with jubilation
slightly slower
slightly slower
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59
˙ ˙≈ œ œ œ# œ œ ...˙̇̇3
3
‰ ≈ ≈ Rœœœ# ˙̇̇# œœœ
3
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9
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27
œ œ .œ .œ
thou sand hosts are
œ œ .œ .œthou sand hosts are
œ œ .œ .œ
thou sand hosts are
œ œ .œ .œ
thou sand hosts are27
˙ .œ .œ
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>̇.œ>
.œ>
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spread
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spread
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spread
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spread
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>̇.œ>
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II
Ó Œ . ‰ œ>
em
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em
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em
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31
Jœ> .œ# œ œ œ
bat tled o’er the
jœ>
.œ œ œ œbat tled o’er the
Jœ> .œ# œ œ œ
bat tled o’er the
Jœ> .œ œ œ œ
bat tled o’er the31
œ. œ. œ. œ. œ. œ. œ. œ.œ# œ .œ œ Jœ
>̇.œ>
.œ>
˙# .œ .œ
az ure
˙ .œ .œaz ure
˙# .œ .œ
az ure
˙ .œ .œ
az ure
œ. œ. œ. œ. œ. œ. œ. œ.
˙ Ó Œ
˙> .œ>
.œ>
˙# .œ .œ
sky;
˙ .œ .œsky;
˙# ..œœ .œ
sky;
˙ .œ .œ
sky;
œ. œ. œ. œ. œ. œ. œ. œ.
∑
>̇.œ>
.œ>
∑
∑
∑
∑
˙Ó Œ
œ. œ. œ. œ. œ. œ. œ. œ.
>̇.œ>
.œ>
II
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- -
- -
- -
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52 ˙ œ œ œ œ œpowers did with their drag on
˙ Œ ≈ œ œ œpowers did with their
˙ œ œ œ œ œpowers did with their drag on
˙ Œ ≈ œ œ œ
powers did with their52
.˙ Œ≈
œ œ œ œ œ œœœn œœœ3 3
Œ˙̇b
Œ
Œ ˙ Œ
f
œ œ ˙
prince ex pel;
œ œ œ œ ˙drag on prince ex pel;
œ œ ˙
prince ex pel;
œ œ œ œ ˙
drag on prince ex pel;
˙̇˙n ‰ œb . œ. œ. œ.
˙̇ ‰ œ. œ. œ. œ.
˙ Ó
- -
- -
- -
- -
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bb
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bb
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54
Œ ‰ Jœ
and
Œ ‰ Jœ
and
Œ ‰ Jœ
and
Œ ‰ Jœ
and54
œœ ...œœœ# œœœ
˙̇œ .œb œ
œ .œ œ
.œ œ œ œ œ œ
hurled them from the heav’n’s high
.œ œ œ œ œ œ œhurled them from the heav’n’s high
.œ œ œ œ œ œ œ œ œ
hurled them from the heav’n’s high
.œ œ œ œ œ œ œ œ œ
hurled them from the heav’n’s high
œœœn Œ Ó
œœ Œ Ó
œ
˙
towers
˙towers
˙
towers
˙
towers
≈̇ œ œ œ œ œ œœ3
3
Œ œœ
Œœ
Ï
8
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Ó Œ . ‰ œ>
but
Ó Œ . ‰ œ>but
Ó Œ . ‰ œ>
but
Ó Œ . ‰ œ>
but35
˙ .œ .œ
œ. œ. œ. œ. œ. œ. œ. œ.
˙> .œ>
.œ>
I
Jœ> .œ# .œ .œ
Mi chael bears Thy
jœ>
.œ .œ .œ
Mi chael bears Thy
Jœ> .œ# .œ .œ
Mi chael bears Thy
Jœ> .œ .œ .œ
Mi chael bears Thy
œ œ .œ .œ
œ. œ. œ. œ. œ. œ. œ. œ.
>̇.œ>
.œ>
œ œ# .˙
stan dard dread,
œ œ# .˙stan dard dread,
œ œ# .˙
stan dard dread,
œ œ# .˙
stan dard dread,
œ œ .˙
œ. œ. œ. œ. œ. œ. œ. œ.
˙> .œ>
.œ>
∑
∑
∑
∑
œ. œ. œ. œ. œ. œ. œ. œ.˙ Ó Œ
>̇.œ>
.œ>
II
-
-
-
- -
-
-
-
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39
Ó Œ . ‰ œand
Ó Œ . ‰ œand
Ó Œ . ‰ œand
Ó Œ . ‰ œ
and39
œ. œ. œ. œ. œ. œ. œ. œ.
˙ .œ .œ
˙> .œ>
.œ>
I
œ œ# .œ .œ
lifts the might y
œ# œ .œ .œlifts the might y
œ œ# .œ .œ
lifts the might y
œ# œ .œ .œ
lifts the might y
œ. œ. œ. œ. œ. œ. œ. œ.œ œ .œ .œ
>̇.œ>
.œ>
˙ .˙#
cries on
˙ .˙
cries on
˙ .˙#
cries on
˙ .˙
cries on
œ. œ. œ. œ. œ. œ. œ. œ.
˙ .œ Œ .
˙> .œ>
.œ>
˙˙# ..œœ ..œœ
high.
˙ .œ .œhigh.
˙ .œ .œ
high.
˙ .œ .œ
high.
œ. œ. œ. œ. œ. œ. œ. œ.∑
>̇.œ>
.œ>
-
-
-
-
6
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86
86
86
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43
43
43
86
86
86
86
86
86
86
44
44
44
44
44
44
44
43
∑
∑
∑
∑
43
œ. œ. œ. œ. œ. œ. œ. œ.
∑
˙> .œ>
.œ>
∑
∑
∑
∑
.œŒ .
œ œ œ œ œ œ
.œŒ .
Adagio q = 60
F
Adagio q = 60
∑
∑
∑
∑
.˙‰ œ œ œ# œœœ
3‰ Jœ
œ Œœœ
Œ Œ œ
p
∑
∑
∑
∑
.œ Œ ....œœœ
œ œ œ œ œ œ
.œ Œ .
slowing greatly
slowing greatly
P
Solo
∑
∑
∑
∑
w‰ œ œ œ# ˙˙˙3
‰ Jœ
œ Œ ˙̇
Ó˙
F
&
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?
?
bb
bb
bb
bb
bb
bb
bb
42
42
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44
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48
∑
∑
∑
∑
48
˙ ˙‰ œ# œ œ ˙3
‰jœ ˙
Ó ˙̇b
Ó ˙
f
œ œ œ ˙
He in that sign
Ó ‰ jœ œ œHe in that
œ œ œ ˙
He in that sign
Ó ‰ Jœœ œ
He in that
˙̇˙
˙̇
˙̇˙̇
˙Ó
f
f
f
f
Moderato q = 60
Moderato q = 60
F
.œJœ
the
.œ Jœsign the
.œJœ
the
.œ Jœ
sign the
˙̇
œ̇ œb œ
∑
œ œ œ œ
reb el
œ œb œ œ œ œ œ œreb el
œ œ œ œ
reb el
œ œb œ œ œ œ œ œ
reb el
∑
∑
∑
-
-
-
-
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35
Ó Œ . ‰ œ>
but
Ó Œ . ‰ œ>but
Ó Œ . ‰ œ>
but
Ó Œ . ‰ œ>
but35
˙ .œ .œ
œ. œ. œ. œ. œ. œ. œ. œ.
˙> .œ>
.œ>
I
Jœ> .œ# .œ .œ
Mi chael bears Thy
jœ>
.œ .œ .œ
Mi chael bears Thy
Jœ> .œ# .œ .œ
Mi chael bears Thy
Jœ> .œ .œ .œ
Mi chael bears Thy
œ œ .œ .œ
œ. œ. œ. œ. œ. œ. œ. œ.
>̇.œ>
.œ>
œ œ# .˙
stan dard dread,
œ œ# .˙stan dard dread,
œ œ# .˙
stan dard dread,
œ œ# .˙
stan dard dread,
œ œ .˙
œ. œ. œ. œ. œ. œ. œ. œ.
˙> .œ>
.œ>
∑
∑
∑
∑
œ. œ. œ. œ. œ. œ. œ. œ.˙ Ó Œ
>̇.œ>
.œ>
II
-
-
-
- -
-
-
-
&
&
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39
Ó Œ . ‰ œand
Ó Œ . ‰ œand
Ó Œ . ‰ œand
Ó Œ . ‰ œ
and39
œ. œ. œ. œ. œ. œ. œ. œ.
˙ .œ .œ
˙> .œ>
.œ>
I
œ œ# .œ .œ
lifts the might y
œ# œ .œ .œlifts the might y
œ œ# .œ .œ
lifts the might y
œ# œ .œ .œ
lifts the might y
œ. œ. œ. œ. œ. œ. œ. œ.œ œ .œ .œ
>̇.œ>
.œ>
˙ .˙#
cries on
˙ .˙
cries on
˙ .˙#
cries on
˙ .˙
cries on
œ. œ. œ. œ. œ. œ. œ. œ.
˙ .œ Œ .
˙> .œ>
.œ>
˙˙# ..œœ ..œœ
high.
˙ .œ .œhigh.
˙ .œ .œ
high.
˙ .œ .œ
high.
œ. œ. œ. œ. œ. œ. œ. œ.∑
>̇.œ>
.œ>
-
-
-
-
6
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86
86
86
86
86
86
86
43
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43
43
43
43
86
86
86
86
86
86
86
44
44
44
44
44
44
44
43
∑
∑
∑
∑
43
œ. œ. œ. œ. œ. œ. œ. œ.
∑
˙> .œ>
.œ>
∑
∑
∑
∑
.œŒ .
œ œ œ œ œ œ
.œŒ .
Adagio q = 60
F
Adagio q = 60
∑
∑
∑
∑
.˙‰ œ œ œ# œœœ
3‰ Jœ
œ Œœœ
Œ Œ œ
p
∑
∑
∑
∑
.œ Œ ....œœœ
œ œ œ œ œ œ
.œ Œ .
slowing greatly
slowing greatly
P
Solo
∑
∑
∑
∑
w‰ œ œ œ# ˙˙˙3
‰ Jœ
œ Œ ˙̇
Ó˙
F
&
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?
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bb
bb
bb
bb
bb
bb
bb
42
42
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48
∑
∑
∑
∑
48
˙ ˙‰ œ# œ œ ˙3
‰jœ ˙
Ó ˙̇b
Ó ˙
f
œ œ œ ˙
He in that sign
Ó ‰ jœ œ œHe in that
œ œ œ ˙
He in that sign
Ó ‰ Jœœ œ
He in that
˙̇˙
˙̇
˙̇˙̇
˙Ó
f
f
f
f
Moderato q = 60
Moderato q = 60
F
.œJœ
the
.œ Jœsign the
.œJœ
the
.œ Jœ
sign the
˙̇
œ̇ œb œ
∑
œ œ œ œ
reb el
œ œb œ œ œ œ œ œreb el
œ œ œ œ
reb el
œ œb œ œ œ œ œ œ
reb el
∑
∑
∑
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-
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27
œ œ .œ .œ
thou sand hosts are
œ œ .œ .œthou sand hosts are
œ œ .œ .œ
thou sand hosts are
œ œ .œ .œ
thou sand hosts are27
˙ .œ .œ
œ. œ. œ. œ. œ. œ. œ. œ.
>̇.œ>
.œ>
˙ .œ .œ
spread
˙ .œ .œ
spread
˙ .œ .œ
spread
˙ .œ .œ
spread
˙ .œ Œ .
œ. œ. œ. œ. œ. œ. œ. œ.
˙> .œ>
.œ>
∑
∑
∑
∑
œ. œ. œ. œ. œ. œ. œ. œ.˙ Ó Œ
>̇.œ>
.œ>
II
Ó Œ . ‰ œ>
em
Ó Œ . ‰ œ>em
Ó Œ . ‰ œ>
em
Ó Œ . ‰ œ>
em
œ. œ. œ. œ. œ. œ. œ. œ.˙ .œ# .œ
˙> .œ>
.œ>
I
- -
- -
- -
- -
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31
Jœ> .œ# œ œ œ
bat tled o’er the
jœ>
.œ œ œ œbat tled o’er the
Jœ> .œ# œ œ œ
bat tled o’er the
Jœ> .œ œ œ œ
bat tled o’er the31
œ. œ. œ. œ. œ. œ. œ. œ.œ# œ .œ œ Jœ
>̇.œ>
.œ>
˙# .œ .œ
az ure
˙ .œ .œaz ure
˙# .œ .œ
az ure
˙ .œ .œ
az ure
œ. œ. œ. œ. œ. œ. œ. œ.
˙ Ó Œ
˙> .œ>
.œ>
˙# .œ .œ
sky;
˙ .œ .œsky;
˙# ..œœ .œ
sky;
˙ .œ .œ
sky;
œ. œ. œ. œ. œ. œ. œ. œ.
∑
>̇.œ>
.œ>
∑
∑
∑
∑
˙Ó Œ
œ. œ. œ. œ. œ. œ. œ. œ.
>̇.œ>
.œ>
II
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- -
- -
- -
5
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52 ˙ œ œ œ œ œpowers did with their drag on
˙ Œ ≈ œ œ œpowers did with their
˙ œ œ œ œ œpowers did with their drag on
˙ Œ ≈ œ œ œ
powers did with their52
.˙ Œ≈
œ œ œ œ œ œœœn œœœ3 3
Œ˙̇b
Œ
Œ ˙ Œ
f
œ œ ˙
prince ex pel;
œ œ œ œ ˙drag on prince ex pel;
œ œ ˙
prince ex pel;
œ œ œ œ ˙
drag on prince ex pel;
˙̇˙n ‰ œb . œ. œ. œ.
˙̇ ‰ œ. œ. œ. œ.
˙ Ó
- -
- -
- -
- -
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bb
bb
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bb
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42
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54
Œ ‰ Jœ
and
Œ ‰ Jœ
and
Œ ‰ Jœ
and
Œ ‰ Jœ
and54
œœ ...œœœ# œœœ
˙̇œ .œb œ
œ .œ œ
.œ œ œ œ œ œ
hurled them from the heav’n’s high
.œ œ œ œ œ œ œhurled them from the heav’n’s high
.œ œ œ œ œ œ œ œ œ
hurled them from the heav’n’s high
.œ œ œ œ œ œ œ œ œ
hurled them from the heav’n’s high
œœœn Œ Ó
œœ Œ Ó
œ
˙
towers
˙towers
˙
towers
˙
towers
≈̇ œ œ œ œ œ œœ3
3
Œ œœ
Œœ
Ï
8
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# #
# #
# #
# #
# #
# #
# #
810
810
810
810
810
810
810
nn
nn
nn
nn
nn
nn
nn
19
∑
∑
∑
∑
19
œ œ œ œ œ œ œ-
œ œ œ œ
˙̇ ˙̇
˙ œ œ-
∑
∑
∑
∑
œ œ œœ ˙̇˙˙
Ó ‰ Jœœœ- œœœ
-
˙ ˙
allarg.
allarg.
∑
∑
∑
∑
˙̇˙˙ ....œœœœ ....
œœœœ
œ œ œ œ œ œ œ œ
∑
very freely
Solo
∑
∑
∑
∑
....œœœœ Œ . Ó
œ œ œ .œ œ œn
∑
&
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23
∑
∑
∑
∑
23
∑
œ. œ. œ. œ. œ. œ. œ. œ.
>̇.œ>
.œ>
Allegro q = 112
Allegro q = 112
F
pesante
Brightly and with rhythmic drive
II
∑
∑
∑
∑
∑
œ. œ. œ. œ. œ. œ. œ. œ.
˙> .œ>
.œ>
I Reed 8’
∑
∑
∑
∑
˙ .œ .œ
œ. œ. œ. œ. œ. œ. œ. œ.
>̇.œ>
.œ>
f
˙ .œ .œThy thou sand,
˙ .œ .œThy thou sand,
˙ .œ .œThy thou sand,
˙ .œ .œ
Thy thou sand,
˙ .œ .œ
œ. œ. œ. œ. œ. œ. œ. œ.
˙> .œ>
.œ>
f
f
f
f
-
-
-
-
4
PPM01827
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44
44
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44
44
44
nn#
nn#
nn#
nn#
nn#
nn#
nn#
57 œ œ œ œ œ œ œ
down like a thun der bolt to
œ œ œ œ œ œ œ œ œ œdown like a thun der bolt to
œ œ œ œ œ œ œ
down like a thun der bolt to
œ œ œ œ œ œ œ œ œ œ
down like a thun der bolt to
57
∑
∑
∑
rit.
rit.
˙ Óhell.
˙Ó
hell.
˙ Óhell.
˙ Óhell.
˙ ˙≈œ œ œ œ œ œœœ ≈ œ# œ œ œ œ œœœ3
3 33
‰ ≈ ≈ Rœœœ
œœœ ‰ ≈ ≈ Rœœœ œœœ
3 3
∑
ƒ
but with jubilation
but with jubilation
slightly slower
slightly slower
- -
- -
- -
- -
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#
#
#
#
#
#
#
42
42
42
42
42
42
42
44
44
44
44
44
44
44
nb
nb
nb
nb
nb
nb
nb
59
∑
∑
∑
∑
59
˙ ˙≈ œ œ œ# œ œ ...˙̇̇3
3
‰ ≈ ≈ Rœœœ# ˙̇̇# œœœ
3
∑
Ï
∑
∑
∑
∑
˙U˙̇̇
˙̇̇U
˙U
Ï
∑
∑
∑
∑
w‰ œ# œ œ ˙˙˙3 ‰ Jœ
Ó ˙̇̇
∑
f
∑
∑
∑
∑
w‰ œ œ œ ˙˙˙3 ‰ Jœ
Ó ˙̇̇bn
∑
F
9
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11
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œ œ œ œœ ˙œ̇ œ œ
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œ œ .œJœ
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life and light.
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PPM01827
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Slowly and with great calm q = 52Strings and celestes
Slowly and with great calm q = 52
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‰ jœ œ œ œ œ œ œ
Grant us with Mi chael still, O
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10
PPM01827
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˙ œ œ œ œ
su, life spring of the
œ œ œ œ ˙life spring of the soul,
Ó ‰ Jœ œ œ
O Je
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7
œ œ œ œ œ œ
power, and glo ry
œ œ œ ˙glo ry bright!
œ œ œ œ œ œ
power, and glo ry
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the Fa ther’s power, and
7
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‰ Jœ˙̇̇
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glo ry bright!
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With movement q = 66
With movement q = 66
-
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2
PPM01827
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b
b
b
b
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42
42
42
42
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44
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70
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43
43
43
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74
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11
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Mysteriously q = 48
Mysteriously q = 48
π
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Alto
Tenor
Bass
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-
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PPM01827
Robert Lehman
Commissioned by Michael Hunter for the choir of St. Andrew's Episcopal Church, Tampa, Florida
attr. Rabanus Maurus (c. 780-856); tr. E. Caswall
The name “Jesu” should be pronounced “Jeé-zyoo.”
Hymn to Saint Michael
Copyright © 2018 by Paraclete Press, Orleans, MA 02653All rights reserved.
SATB and organ
Urban VIIIfrom the hymn Tibi, Christi, splendor Patris;
&
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# #
# #
# #
# #
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42
42
42
42
42
42
42
44
44
44
44
44
44
44
78
∑
∑
∑
∑
78
≈ œ œ œ œ œ œ œ œ œ œœ œ
≈ œ œ œ œ œ œ œ œ œ œœœœ
œŒ Œ
slowing slightly
slowing slightly
‰ jœ œ œso may a
‰ jœ œ œso may a
‰ jœœ œ
so may a
‰ Jœœ œ
so may a
œœ...œœœ Œ
œœœœ ...œœœ Œ
∑
Boldly q = 60
Boldly q = 60
ƒ
ƒ
ƒ
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˙ ‰ jœ œ œ
crown be our re
˙ ‰ jœ œ œcrown be our re
˙ ‰ jœ œ œ
crown be our re
˙ ‰ Jœœ œ
crown be our re
‰ œ œ œ œ œœ ..œœjœœ ‰œ Jœ
‰ œ œ œ œ œœ ..œœ Jœœ ‰
Ó ‰ œ œ jœ ‰
f
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# #
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# #
# #
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45
45
45
45
45
45
45
44
44
44
44
44
44
44
81 ˙ ‰ jœ œ œ
ward, Be fore the
˙ ‰ jœ œ œ
ward, Be fore the
˙ ‰ jœ œ œ
ward, Be fore the
˙ ‰ Jœœ œ
ward, Be fore the
81
‰ œ œ œ œ œ .œ jœ ‰œœ Jœœ
‰ œ œ œ œ œœ ...œœœ Jœœœ ‰
Ó ‰ œ œ jœ ‰
ƒ
ƒ
ƒ
ƒ
-
-
-
-
œ œ œ .œJœ
Lord’s pure throne of
œ œ œ .œ JœLord’s pure throne of
œ œ œœ ..œœ Jœ
Lord’s pure throne ofœ œ œ .œ J
œœ
Lord’s pure throne of
‰ ≈ rœ œ œ œœ ..œœ œœ
jœœ ‰˙
‰ ≈ Rœ œ œ œœ ...œœœ œœœ J
œœœ ‰
Ó ‰ œ œœ jœ
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poco ritard
poco ritard
w
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w
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w
Light.w
Light.
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wU
wU
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-
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12
PPM01827July 1-3, 2010
Webster Groves, Missouri
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Hymn to Saint Michael
Robert Lehman
SATB and organ
SaintsPPM01827
$2.90M/D
p a r a c l e t e p r e s sp a r a c l e t e p r e s s
p a r a c l e t e p r e s sP.O. Box 1568, Orleans, MA 02653 1-800-451-5006 www.paracletesheetmusic.com
Selected Works Published by Paraclete Press
Barton, David Be Thou My Vision —PPM01703 SATB and piano
We Pray for Peace—PPM01704 Two vocal parts and piano with opt. instrumental parts
Diorio, Michael J. Christmas 1945—PPM01705 SATB a cappella
Hill, Jackson St. Chad Magnificat and Nunc Dimittis--PPM01707 SATB and organ
Nixon, June arr. Stille Nacht—PPM01709 SATB with some divisi a cappella
Phillips, Craig The Lord is Risen Indeed!—PPM01710 SATB and organ with brass quintet and timpani
Russell, Carlton A Trilogy of Prayer—PPM01712 SATB with some divisi a cappella
Tipton, Noel arr. This Place, Our Anchorage—PPM01713 SATB, piano or organ
White, David Ashley Christ has Opened Paradise—PPM01715 SATB and organ (opt. brass quartet)
FROM OUR HYMNS OF PRAISE SERIES:
Nixon, June arr. O Praise Ye the Lord—PPM01656 SATB with organ, trumpet and congregation
A BEST SELLER!
Barton, David Carol of the Light—PPM01654 Unison voices and keyboard
FOR LENT:
Casurella, Stephan arr. There is a Balm—PPM01617 Two-part treble choir and organ
FOR ORGAN:
Powell, Robert J. Twenty-five Organ Accompaniments for Unison Hymn Singing—PPM01711
DO NOT C
OPY