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Baroque Art

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Page 1: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Baroque Art

Page 2: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Power of Church and Monarchies restoredExcess ornamentation valuedRome became an artistic centerArt filled with emotion/dramaRealism instead of idealismChiaroscuro – play of light and dark and

shadows – helps set a dramatic mood

Baroque Period Basics

Page 3: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

ItalianMoved to RomeFocused on painting portraits, still lives, historical

and religious topicsCondemned for being a “naturalist”

Personal lifeWorks were not modest/very violentWorks lacked theological correctness

Caravaggio

Page 4: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Conversion of Saint Paul

Page 5: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Calling of Saint Matthew

Page 6: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

David Victorious over Goliath

Page 7: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

David with the Head of Goliath

Page 8: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

The Entombment of Christ

Page 9: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Self-Portrait as Bacchus

Page 10: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Martyrdom of Saint Matthew

Page 11: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Boy with a Basket of Fruit

Page 12: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

The Crucifixion of Saint Peter

Page 13: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Judith Beheading Holofernes

Page 14: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

The Musicians

Page 15: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Death of the Virgin

Page 16: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Victorious Cupid (Amor Vincit Omnia)

Page 17: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Saint John the Baptist

Page 18: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

One of best known Baroque artistsDutch (native to the Netherlands)Developed revolutionary technique

Use of large amount of paintUse of fewer brushstrokesMade paintings almost seem unfinished

Painted many landscapes and made etchings about nature in the 1630sMany featured trees that had been blown over/very dark

cloudy skies

Rembrandt

Page 19: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

1640 works became more solemn Featured family tragedies he had suffered Biblical themes from New Testament rather than Old Biblical themes featured groups

1650s his style changed again Richer colors Stronger brushstrokes moved him further from fine detail Biblical themes focused on portrait-like figures

Last years he focused on self portraits that showed his grief and sorrow that he had suffered (many consider these to be his finest paintings)

Rembrandt Cont.

Page 20: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Self Portrait 1629

Page 21: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

A Scholar

Page 22: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

The Anatomy Lecture of Dr. Nicolaes Tulp

Page 23: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Philosopher in Meditation

Page 24: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

The Blinding of Samson

Page 25: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Self-Portrait 1640

Page 26: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

David and Jonathan

Page 27: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

The Company of Captain Frans Banning Cocq (Night Watch)

Page 28: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Christ with the Sick around Him, Receiving the Children (etching)

Page 29: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

The Mill

Page 30: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Aristotle contemplating a bust of Homer

Page 31: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Joseph Accused by Potiphar's Wife

Page 32: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Self-Portrait 1661

Page 33: Power of Church and Monarchies restored Excess ornamentation valued Rome became an artistic center Art filled with emotion/drama Realism instead of idealism

Self-Portrait 1669