poverty, social problems and cultural diversity in r. tagore, narayan and salaam bombay kate liu, fu...

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Poverty, Social Pr oblems and Cultura l Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

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Page 1: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

Poverty, Social Problems and Cultural Diversity in

R. Tagore,

Narayan

and Salaam Bombay

Kate Liu, Fu Jen

Page 2: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

Background Caste system Religious Conflicts Language Differences and

Illiteracy

Social Problems--poverty, internal migration, slums in Bombay, government inefficiency

Colonialism -- in the background

Page 3: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

Tagore: “Flute Music”1. A man in poverty--

compared to a lizard; save the cost of light his office his girl

2. The function of flute music

Page 4: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

R. K. Narayan--biography

Pinchia Feng

born in Madras in 1906 full name: Rasipuram Krishnaswami

Ayyar Naranayanaswami-->1935 Graham Greene the Sahitya Akademi Award (1960) A. C. Benson Medal (The British

Society of Literature, 1980)

Page 5: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

R. K. Narayan-- biography

in the U. S.--The English Speaking Union Book Award; Fellow of the American Academy and Institute of Arts and Letters (1982)

a member of the Rajya Sabha, the upper house of the Indian Parliament (1989)

Page 6: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

Narayan the Writer V.s. Naipaul (1999): “He wrote

about people in a small town in South India: small people, big talk, small doings. That was where he began; that was where he was fifty years later. To some extent that reflected Narayan’s own life. He never moved far from his origins.” (“The Writer in India”)

Page 7: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

Narayan the Story-teller

“I’d be quite happy if no more is claimed from me than being just a story-teller. Only the story matters, that is all. If readers read more significance into my stories than was meant originally, then that’s the reader’s understanding of things. But if a story is in tune completely with the truth of life, truth as I perceive it, then it will be automatically significant.”

Page 8: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

“Annamalai”--narrative

narrative time and technique: How does the story start? How does it end? Does the story follow a chronological order?

narrative point of view letters within the story: What do

they tell us?

Page 9: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

“Annamalai”--regional color

How does Narayan characterize Annamalai and the peasant community in (southern) India ?

Can we call “Annamalai” a story of regional color?

Can you think of any example in Taiwanese literature that is similar to this story?

Page 10: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

“Annamalai”--language language and class linguistic hegemony: English

vs Tamil

Page 11: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

Salaam Bombay: The migrants in a city (1)I. Chaipau:

his name (Krishna) his family and home ad

dress his “family” in the city

Page 12: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

Salaam Bombay: The migrants in a city (2) Manju’s family Chillum The ghetto boys -- sleep

by the railroad station

Page 13: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

Salaam Bombay: a series of betrays

1.Chillum -- a drug pusher and addict

BabaHis wife & Manju

Krishna

The Sweet Sixteen

Page 14: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

Salaam Bombay: survival How do Krishna and the

other kids survive? Skin chicken, rob an old man, serve in a rich man’s

wedding party

Page 15: Poverty, Social Problems and Cultural Diversity in R. Tagore, Narayan and Salaam Bombay Kate Liu, Fu Jen

Salaam Bombay: social factors State intervention: Chiller Room drug, prostitution and Bollywood traces of collonial influence:

cricket, tourists, statues, movies

Religion: helpless. E.g. Ganesh