poverty, social problems and cultural diversity in r. tagore, narayan and salaam bombay kate liu, fu...
TRANSCRIPT
Poverty, Social Problems and Cultural Diversity in
R. Tagore,
Narayan
and Salaam Bombay
Kate Liu, Fu Jen
Background Caste system Religious Conflicts Language Differences and
Illiteracy
Social Problems--poverty, internal migration, slums in Bombay, government inefficiency
Colonialism -- in the background
Tagore: “Flute Music”1. A man in poverty--
compared to a lizard; save the cost of light his office his girl
2. The function of flute music
R. K. Narayan--biography
Pinchia Feng
born in Madras in 1906 full name: Rasipuram Krishnaswami
Ayyar Naranayanaswami-->1935 Graham Greene the Sahitya Akademi Award (1960) A. C. Benson Medal (The British
Society of Literature, 1980)
R. K. Narayan-- biography
in the U. S.--The English Speaking Union Book Award; Fellow of the American Academy and Institute of Arts and Letters (1982)
a member of the Rajya Sabha, the upper house of the Indian Parliament (1989)
Narayan the Writer V.s. Naipaul (1999): “He wrote
about people in a small town in South India: small people, big talk, small doings. That was where he began; that was where he was fifty years later. To some extent that reflected Narayan’s own life. He never moved far from his origins.” (“The Writer in India”)
Narayan the Story-teller
“I’d be quite happy if no more is claimed from me than being just a story-teller. Only the story matters, that is all. If readers read more significance into my stories than was meant originally, then that’s the reader’s understanding of things. But if a story is in tune completely with the truth of life, truth as I perceive it, then it will be automatically significant.”
“Annamalai”--narrative
narrative time and technique: How does the story start? How does it end? Does the story follow a chronological order?
narrative point of view letters within the story: What do
they tell us?
“Annamalai”--regional color
How does Narayan characterize Annamalai and the peasant community in (southern) India ?
Can we call “Annamalai” a story of regional color?
Can you think of any example in Taiwanese literature that is similar to this story?
“Annamalai”--language language and class linguistic hegemony: English
vs Tamil
Salaam Bombay: The migrants in a city (1)I. Chaipau:
his name (Krishna) his family and home ad
dress his “family” in the city
Salaam Bombay: The migrants in a city (2) Manju’s family Chillum The ghetto boys -- sleep
by the railroad station
Salaam Bombay: a series of betrays
1.Chillum -- a drug pusher and addict
BabaHis wife & Manju
Krishna
The Sweet Sixteen
Salaam Bombay: survival How do Krishna and the
other kids survive? Skin chicken, rob an old man, serve in a rich man’s
wedding party
Salaam Bombay: social factors State intervention: Chiller Room drug, prostitution and Bollywood traces of collonial influence:
cricket, tourists, statues, movies
Religion: helpless. E.g. Ganesh