postconceptual painting (2010)
DESCRIPTION
29th November MA lecture (eca closed due to snow).TRANSCRIPT
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Postconceptual
Painting
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‘Abstract’
Self-Critical
Autonomous
Unique
Object
‘Optical’
Representational
Post-Critical
Contingent
‘Mass Customised’
Context
Postconceptual
Morris Louis Alpha-Theta, 1961
Acrylic resin on canvas, 104½ x 147½ inches
Takashi Murakami Flower Ball 2005-
Polymers, various dimensions
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Art & Language
Painting as a practice?
Painting as a tactic?
Painting as a strategy?
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Postconceptual Painting and its
Legacies
Painting genres provide the contexts and
stimulus necessary for postconceptual
practice.
Major exhibitions initiating three major
genres since the ’70s:
Photorealism
New Image
Bad Painting
Wim Delvoye
Tatooed Pigs
2000
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Photorealism
Originates in 1968 Whitney show Twenty-two Realists
Prominent figures of the ’60s and ’70s:
Malcolm Morley
Robert Bechtle >
Chuck Close
Richard Estes
Audrey Flack
Duane Hanson
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Photo-Realism 1973: The Stuart M. Speiser Collection
Defined Photorealism as follows:
1. The Photo-Realist uses the camera and photograph to gather information.
2. The Photo-Realist uses a mechanical or semimechanical means to transfer the
information to the canvas.
3. The Photo-Realist must have the technical ability to make the finished work
appear photographic.
4. The artist must have exhibited work as a Photo-Realist by 1972 to be considered
one of the central Photo-Realists.
5. The artist must have devoted at least five years to the development and
exhibition of Photo-Realist work.
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Alan Michael Cars and Houses (2008)
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Audrey Flack Marilyn (Vanitas)
96"x96", 1977, Oil on Canvas
Gerhard Richter Man Shot Down 2, 1988
Oil on Canvas
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Fang Lijun, Series 2 No. 2, (1991-1992)
Chuck Close, Leslie/Fingerprint (1986)
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New Image
New Image Painting, Whitney, NYC (1978);
A New Spirit in Painting (1981); Royal Academy, London
Zeitgiest (1982); Martin Gropisu Bau, West Berlin
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New Image as International Movement?
USA - New Image (1978-)
UK – ‘New Glasgow Boys’ (New Image Glasgow 1985)
Federal Republic of Germany - Neue Wilde (Late 1970s-)
Italy – Transavantgardia (1976-_
Soviet Union - Sots Art / Apt Art (1972-1992)
China – ’85 New Wave (1976-89)
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David Salle
My Subjectivity 1981
Julian Schnabel Bob's
World (1980)
Oil, wax, bondo, ceramic
plates and horns on wood
and canvas
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1984 Turner Prize
Malcolm Morley
Farewell to Crete (1984)
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Adrian WiszniewskiAttack of a Right Wing Nature
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Martin Kippenberger
Heavy Guy (1991)
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Innenraum (1981)
Sulamith (1983)
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Martin Kippenberger
Capri by Night (1982)
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Merlin Carpenter“The Opening”, Simon Lee Gallery,
London, April 1 – April 25, 2009.
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Achille Bonita Olivia
Transavantgardia, Aperto ‘80
Bonita Achille Oliva, Flash Art, 7/80,
"Transavantgardia"
"The missing pride of the conceptual artist's work,
the elitist behavior of the artist who was playing on
the amazement of the public and on the element of
surprise, are being replaced by the humility of
creative, accessible, and real work. Art becomes
again direct expression, leaving behind it the feeling
of guilt for being permanent, which was a symptom
of contact with the world. The artist becomes again
maniacal and Mannerist in his own mania."
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Sandro Chia
Enzo Cucchi
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Sots Art
Apt art paintings in the
Soviet Union
Sots Art
The New Museum
of Contemporary Art,
New York. 1986
Curated by Margarita
Tupitsyn
Ily Kabakov The Man Who
Flew Into Space From His
Apartment, 1968-1996
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Alexander Kosolapov Gorby, 1989
Acrylic, silkscreen, canvas. 68x56 inches
Alexander Kosolapov Malevich Country 1987
Oil, canvas. 70x54 inches
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Vladimir Dubosarsky Luncheon on the Grass
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China post Mao-1989
1966-1976 Cultural Revolution
China Avant-garde, National Gallery of Art in Beijing in 1989 marked end of the New Wave
Currently being revisted in shows such as:
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Warhol by Wang Guangyi Bloodline: Three comrades by Zhang Xiaogang
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Bad Painting
‘Bad’ is slang for ‘good’
Bad signifies an attitude towards painting….
Paul Thek (1985)
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Bad Painting (New Museum, NYC 1/14/78 - 2/28/78 )
“a rejection of the concept of progress per se. . . .
freedom to do and to be whatever you want.." –
"'Bad' Painting" catalogue.
Asger Jorn Philip Guston
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Robert Venturi and Denise Scott Brown
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Glen O’Brien’s TV Party (1978-82)
Co-hosted by Chris Stein (Blondie) and filmmaker Amos Poe
on Manhattan public access television.
In 1978, two revolutionary trends emerged in New York City, public access cable TV
and punk rock. These two phenomena came together spectacularly in Glenn O'Brien's
TV Party. O'Brien recruited his pal Chris Stein, the guitarist of Blondie, as his co-host,
fellow Factory kid Walter Steding as leader of The TV Party Orchestra, and
underground film director Amos Poe as director and the rest, as you'll see, was
history. Hipsters tuned in to follow the antics of the TV Party gang and such guests as
Iggy Pop, David Bowie, P-Funk's George Clinton, The Clash's Mick Jones, Kid Creole,
Klaus Nomi, as well as performances from acts like Tuxedo Moon, the Brides of
Funkenstein, Alex Chilton, and more
http://www.tvparty.tv/
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Times Square Show, 1980.
In June 1980, more than a hundred
artists installed their work in an
empty massage parlor near Times
Square. Organized by Colab,
the Times Square Show included
graffiti artists, feminist artists,
political artists, Xerox artists,
performance artists, and everyone in
between.
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"New York/New Wave" held at PS 1, Institute for Art and Urban Resources (1981).
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Basqiuat cover for
K-Rob vs Rammellzzee (pictured right)
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Haring chalk drawing in NYC Transit
Haring installation at at the
Tony Shafrazi Gallery 1982
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Patti Astor’s Fun Gallery, 1983
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Kenny Scharf
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Kenny Scharf at the Tony Shafrazi Gallery, SoHo, 1983
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John Kilduff - Let’s Paint TV
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Walker Art Center
FEBRUARY 10-MAY 6, 2001
PAINTING AT THE EDGE OF THE WORLD
“Clearly, this medium is no longer bound by the traditional categories of abstraction,
figuration, portraiture, or landscape, or even by its conventional definition as paint on
canvas.”
Paul Thek installation at
Walker Art Center
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FRANZ ACKERMANN - GERMANY PAUL McCARTHY - U.S.
HALUK AKAKÇE - TURKEY/U.S. LUCY McKENZIE - SCOTLAND
FRANCIS ALŸS - BELGIUM/MEXICO JULIE MEHRETU - ETHIOPIA/U.S.
KEVIN APPEL - U.S. TAKASHI MURAKAMI - JAPAN
MARCEL BROODTHAERS - BELGIUM NADER - IRAN/GERMANY
JOHN CURRIN - U.S. CHRIS OFILI - ENGLAND
MARLENE DUMAS - SOUTH AFRICA/ THE NETHERLANDS HÉLIO OITICICA - BRAZIL
ANDREAS GURSKY - GERMANY LAURA OWENS - U.S.
EBERHARD HAVEKOST - GERMANY MICHAEL RAEDECKER - THE NETHERLANDS/ENGLAND
ARTURO HERRERA - VENEZUELA/U.S. THOMAS SCHEIBITZ - GERMANY
MIKE KELLEY - U.S. THOMAS SCHÜTTE - GERMANY
MARTIN KIPPENBERGER - GERMANY RUDOLF STINGEL - ITALY/U.S.
UDOMSAK KRISANAMIS - THAILAND/U.S. HIROSHI SUGITO - JAPAN
JIM LAMBIE - SCOTLAND PAUL THEK - U.S.
MARGHERITA MANZELLI - ITALY RICHARD WRIGHT - SCOTLAND
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Walker Art Center
FEBRUARY 10-MAY 6, 2001
PAINTING AT THE EDGE OF THE WORLD
“photograph (Andreas Gursky),
a walk through a city (Francis Alÿs),
club culture-inspired (Jim Lambie),
applied directly to a wall (Richard Wright, Franz Ackermann).
portraiture (Marlene Dumas, Margherita Manzelli)
the televisual (Eberhard Havekost)
merging of art deco and the cybernetic (Haluk Akakçe).
Abstraction as techno-organic topography (Udomsak Krisanamis),
cartoon iconography (Arturo Herrera),
geometry of architecture with flatness of the picture plane (Kevin Appel).”
Doctrine of pluralism – painting as a non-discipline.
Painting is boundary-less… it can be anything….
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Raises a number of questions:
How useful is this pluralism as a means to think about painting (or
contemporary art)?
Do painters have something in common simply because they paint?
What about the particular sensuous, performative or theatrical
qualities of the medium?
What are the ‘limit conditions’ of the frame?
Richard Wright Not titled, 2005
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Michael Krebber
#3 (2003)
Marc Camille Chaimowicz
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Lucy McKenzie and Paulina Olowska Nova Popularna LP
Bar opened in Warsaw during May 2003,
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Elizabeth Peyton
Marlene Dumas
Karen Klimik
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Katharina Grosse
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Franz Ackerman
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Rabiya Choudhry
Featured in Prague Biennale 2
Expanded Painting (2005), Czech Republic.
Katie Orton
Waitress (2007)
Generator Projects, Dundee.
Represented in Saatchi Collection.
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Jim Shaw
Thrift Store Paintings (2002)
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Francis Alÿs
Saint Fabiola (2009)
National Portrait Gallery (UK), London
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Francis Alÿs
Walking a Painting Los Angeles, 2002 3:40
min.
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Dundee Contemporary Arts
Altered States of Paint
5 July 2008 - 7 September 2008
Applying Painting at the Edge of the World taxonomy:
photograph (Till Gerhard),
a walk through a city (???????????????????),
club culture-inspired (Neil Clements ),
applied directly to a wall (Rabiya Choudhry).
portraiture (Jutta Koether; Rabiya Choudhry)
the televisual (Andreas Dobler)
merging of art deco and the cybernetic (Andreas Dobler).
Abstraction as techno-organic topography (Angela de la Cruz),
cartoon iconography (Jutta Koether; Rabiya Choudhry),
geometry of architecture with flatness of the picture plane (Andreas Dobler ).
Does this work?
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Altered States of Paint applied a more ideosyncratic approach; one based on observation of a shared haptic
sensuousness.
Paintings that are united by psychedelic content or psych ‘visonary’ approach.
Painting is not boundary-less, it can be examined by comparing like-with-like...
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Open Eye Club
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Slides available at www.neilmulholland.co.uk
Licensed under a Creative Commons Attribution-Non-Commercial-Share Alike 2.5 UK: Scotland License.
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Lucy McKenzie Lucy Stein
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Blood ‘n’ Feathers
Jo Robertson and Lucy Stein at Collective Gallery
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Lucy Stein with Rosie McGurn at Gimpel Fils, London, 2009
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Lucy Stein (curator) Purpling at Gimpel Fils, London, 2009
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Ellen Munro
The Object Is Not Important As Long As There Is (2007)
Embassy and Athens Biennial, 2007
Kate Owens
Affair at Styles (pink & blue) (2008) Travelling Gallery,
Frieze Art Fair and Zoo, 2009