post-symposium art studies 02 the making art reflecti ql!ll · ajia gendai bijutsu wo tsukuru"...
TRANSCRIPT
~ The Making of Art with Contemporaries
Post-Symposium Reflecti_Ql!ll
098 Art Studies_02
inauguration of the Asia Pacific Triennial of Contemporary Art (APT) in Brisbane, and the circulation of the first inaugural issue of the Art and Asia Pacific magazine, as well as the first editions of the publications edited by Caroline Turner and John Clark, a situation which projected the "affinities and common experiences, active propositions into modernities, their context and trajectories of artistic productions ." Mashadi described how these publications imparted more than mere country entries, and facilitated a curatorial mode of mapping thematic features, as was manifested in the Singapore Art Museum's inaugural exhibition .
The cultural exchange programs that contributed to the formation of the nascent contemporary art scene in Asia was also distinct in that they were not set up to engage with the region, but to engage "within" the region, as Carroll emphasized . The organization which was founded with major funding from the Australia Council and the Ministry of Foreign Affairs was the Asialink program, where Carroll worked during the 1990s on programs consisting of not only of touring exhibitions, but also residencies and curatorial projects that took more effort and time to produce tangible outcomes.
Carroll apologetically pointed to the gradual decline of Australian national government's support and interest in the arts in the region after Keatings' term, but the investments made in the 1990s have succeeded in bearing some fruits . The organizer of APT, the Queensland Art Gallery, for example, opened a new wing on its premises in 2009, and also raised a generation of curators specializing in the Asian contemporary art. Noteworthy is their acquisition process which is , according to Mashadi, "very much marked by the interest in terms of engaging and negotiating directly with artists ." Singapore, on the other hand, has experienced more anxiety in building its collection (What "if the right Juan Luna is simply unavailable "),
because it is more of "an attempt to engage with national histories."
Kishi presented Japan's engagements with the region, taking the examples of the initiatives taken by the City of Fukuoka through the programs at Fukuoka Art Museum which eventually led to the inauguration of the Fukuoka Asian Art Museum in 1999, and the Japan Foundation, through its programs first at the ASEAN Culture Center, and later the Asia Center. Kishi pointed to how it was perhaps necessary for Fukuoka to focus on contemporary art in Asia as a unique content that distinguished itself among the growing number of public museums, which were built during the booming years that started in the late 1980s.
Kishi also pointed to how the Japan Foundation's exhibition in 1992, "New Art from Southeast Asia 1992," imparted a new experience to the public museums, providing them with an opportunity to network by themselves. As the "Japanese museums had generally depended on the financial support and know-how of newspaper sponsors, and the nameappeal of masterpiece works," the collaboration with the Japan Foundation "showed the potential for creating unique initiatives and networks that did not rely on pre-existing institutions ." It is interesting that Kishi saw the Japan Foundation's projects as significant in demonstrating an alternative approach to exhibition making. The exhibitions subsequently staged by these municipal museums included works that were explicitly political and programs that directly engaged their local audiences with the artists . These new approaches demonstrated their potentials as worth investing. But as we know today, although Fukuoka continues to directly organize their exhibitions related to Asian contemporary art, the practice did not prevail and turn the Japanese public museum system around, although it had the potential to do so.
Having walked through the three presentations, Asia, during the 1990s, could be taken as a concept that functioned like a media : for Singapore, to compare the state of contemporaneity and historicity; for Australia, to build institutional foundation; and for Japan, to open an alternative channel to the existing system .
Hoash1Ak1
Chapter 1 099
So what have the efforts in the 1990s brought to the current art scene in this region, which is witnessing the development of new large-scale museums in Singapore and Hong Kong, staging of art fairs and biennales/trienna les regularly in different cities, and mobilization of artists, taking residencies at different locations? And what is, therefore, the role of the public institutions today?
Mashadi points to the fact that securing multiple sites of cu ration is yet to be achieved . This resonates with what Doryun Chong said about avoiding state funding to colonize artistic autonomy. One of the significance of Goethe-lnstitut's activities in the region in the 1990s was their governments' arms-length approach to their programs. Goethe-lnstitut is the one, for example, that introduced Joseph Bueys to Singapore. Many local artists were influenced by encountering Bueys' art. Promoting art, which is subversive, conceptual, and free in form, or, simply put, contemporary, is an example that demonstrates what a public institu tion can achieve.
As we historicize the 1990s, those involved in the government-led initiatives within the region recognize the benefits of government intervention in the cultural policies for "engaging" with the region . It may be possible to organize a set of efficient programs that yield more output today, just like the productive economic activities that cross the borders within the region as technologies enable consolidation of channels for exchange as well as information gathering. But because we live in such an age, the institutions must be careful not to allow Asia's platform to become homogenized, and its discourses to be simply aggregated. It must recognize the value of the region's diversity, and build programs that are based on plurality.
We continue to rely cin individuals who are professional and experienced, just like the 1990s. But as Carroll observed, the community rules in Asia. Many of her new colleagues are still everywhere else but the major institutions. And as Mashadi described, the strength of this region may be reliant on "a plurality of individual energies ." The best conclusion, then, may be to have the public institutions take part in the production, exchange, and engagement in the region, by providing schemes and a platform to pick up and share the different voices in the region, and provide the means to archive the knowl edge that comes through these voices . The findings in this symposium, then, should not be "the only knowledge" but "one of the many knowledges" that have become apparent in the engagement with Asia.
The 1990s : Asia as Medium
~ The Making of Art with Contemporaries
Editor's Note
There is a difference in nuance between the Japanese and English titles of this symposium, "Hajimari wa '90s: Teman Ajia gendai bijutsu wo tsukuru" (It Started with the 1990s: Making Southeast Asian Contemporary Art) and "The 1990s: The Making of Art with Contemporaries ." There are surely those who register the dichotomy between the appeals to domestic and foreign sensibilities in these titles . Given that the symposium was being held in Japan for a Japanese audience, the Japanese title was chosen in consideration of the historical reception of Southeast Asian art in Japan, and also had to be attractive from a promotional standpoint . However, when thinking about Japan's geopolitical position at the start of the 1990s, there was some concern that the phrase " Making Southeast Asian Art" might run counter to the aims of the organizers and lead to misunderstandings. And , in truth, I personally feel that the English title's "The Making of Art with Contemporaries" is just the right expression for captur ing the artistic activities that so energetically unfolded across the Asia-Pacific region over the period from the 1990s to the 2000s.
For the symposium, we had the panelists give their presentations reflecting on the 1990s in the context of 2015 from their respective viewpoints as curators, researchers and cultural administrators, and then asked them to contribute complete drafts of their papers for this publication . We feel the utmost gratitude toward them . Rather than simply looking back with nostalgia at the phenomenon of a time when art profession als across the region exerted their creative thinking, worked hard and made connections trying to improve the environ ment for art in their respective countries, many of the presenters brought an objective criticality to their papers. In this attitude I sensed an earnest desire to continue improving the art environment in 2015 and beyond. Moreover, in the editorial process of finalizing the papers and exchanging ideas, there were new discoveries of things that had been overlooked at the time - discoveries that hint at the next step for a Southeast Asian art environment that is currently in the process of dramatic transformation. We, too, intend to apply these hints to the art program at the new Asia Center.
Finally, I would like to once again express my thanks to Doryun Chong for his advice, as well as to Kamiya Yukie and Hoashi Aki, who supported the symposium from its planning stages, and unerringly compiled the results of the symposium after its conclusion.
We hope that following The Japan Foundation Asia Center Art Studies Vol. 1: Cultural Rebellion in Asia 7960-1989, this publication will be of use to all artists, curators and research ers who are interested in the art of Southeast Asia .
Furuichi Yasuko
Art Coordinator The Japan Foundation Asia Center
100 Art Studies_02
The Japan Foundation Asia Center Art Studies 02l:-:>' ,-c
lliJI?,'! xmJ.li <o:r:1r-eY~--nt, w: Jif W!Jl fl;JH-f;rft!L
1-!il ,'Ll!il~ ~ffiftl'i_ :>-'Y :Haf--1V::XH,f;rfi(L 7,r-:::., ::f5Yr'rH
v. ~ffil!il !JlfOH,J:ifil'! /:O)!Hm·(2015{f.:.ff:b•t;~1fl!i·
~["! 1!10)~'fi:Z>. ft!!AO)U}rJJJ O)rnJ/ll1~llt:, 2015'<f5
/.J2.3 LI· 2 i[l 0) roLi•, ,!R}jtffll-5,f.f\; JH,f.jfil'it:.:b'L 'L l;!il ~
1/Y'F:/'7.l.2015 ft;t.L;il)t;t.90s · f.R rw7:17£Jlfl,;~f,f.j~
-J<-3 ~fUlfU:L:tLt.: * ~t;t.,.fO)JciokHTheJapan
Foundacwn Asia Center Art Studies Vol.2Jl:L-C;i/:cll)t,:
tO)-r'T
Rx)!(:t:.:b't t-5 r:1rtt!lil%0) JHtJ----O)fUJ,i:.,tt, so~fl,;O) n 4':b•L~WiM, 9Mf.ftt:J-.--J-r!f1rn, WIN, rnr:1rWc
lj, L-¾W:m71/7"-0)Ji:ll:b:~;t--Jn,ti'o ,i:*, JR Jij7 :17 !: llf ti h-3!i!ll]£t;t., ~1:b•t..: (I~!: %,f'li%,t,~t.d.~
~- .r :rr, ~~~:b:trro m: t..:--J-r ,~·-::r<i;n t: lti..'k!: x fl::~
11L, ML\;!l!l id'ii!:b•t;O)J!I! :;.tlt;t. lliJ L~ fliliHfiTJ~O)mO)
l)~~-r, ll'.ltU-~iff~h,~~tf, I967'rf.~bJGO)f,4t
ivJ7v7Milwiili * <AsrA, Ht, ~[1\10)%,.M·tt~~ iJiL
-J-Jt,:fR,{f-C't;t. f ASEA - JH;Jf..f>:J 1:L -r±i!!fi&~{t~Jf!cll)
n,tt- flj~~.Mi: 'MrL-rilliA-f,itf:~O)jfrf\;fl::H·
h~ JJui! ·t -37··0-/ ,;1,fl:;O)jf!<t;t., tr 2; !: ::t fl::, .f LL
A40){dlifliilllt:k~t..:~fl::~tt.:t;L¾Lt.:
.:O)J:-jt..:tl:0 · x,1::.m~,=~ruV..:.4i rn7:170)7-7'" 1
'.Al-t:t,t;t., .fO)~fl::~ tl t:·~tt rJ:cll), !Jl~O)tl:0!:00
h--Jn -~ :t -t n1:9o'rff\;0)7-7'" 1 A rt:tO):&J'Jt1i1i
llihtJ..fO)ftfi111J ;1;:5m<_ fl 4--r't'{ ft-~ht:fHMt, FJ ,4,;0)
W/,~1:lfriift..:ifif?.~ ff.ft.. . 7:17 .Rfif;r 7··-1.J /:llftih-3
.m~O) -~Hill ,;tLf.:o :>-'Yaf-1/'7 L -r·t;t., '1111-J~m-3
llll fff:-li !:!:tt:ffriff10)/iJf 1t-t-O) ~A!:1g ~t.di,;i~iillt
-r, 9o~f-{l,;O)JU1w7:170))H,f-i~k1}t~, 2015{ffl-1li:b•
t;%,ft1 (1~t:fl.H~iliEL¾Lt.:o
fH~t:t..:l)t •t:b:, .:·· ttt1m'L ,t,:t.!L, f,::t-.:it,,- ~--\'->liJf 1l
tfO) Ji4t:t;t., Voll l,Utt, !~XO)fJt 1'f-'1'->ffil,1RXO)lilf1!J?.
t..:cJ{Hf,rnl:11\1-C'O-!::b•t,:t.,:(,dl.:··ta }J ~L •t:t.! HLt:o .:
.:1:cxcll)-r r1i<~*L1fl L 1-.1H-t 0
201Mn!J l1'l~~mJJ~7~7t::,,J-
IIIIJl~~iit~?ll2015
~l:~'Jti90s I 1Iil7::;7JJ.tt•Mlit--:><-5 Da} 1 201S~t:SJ]23[Ht 13:00-1~:00
Day2 2015~5H2·Hl IL 13:00-16:00
*.ijj JliJ;,:lllllJlfUH~ftfl t/lli [!il~~i1.Ul~7:17t::,,J-, i!i);{fflllJlf~~*ftfl
Il!E1990_1 The Making of Art with Contemporaries
FL#lJ
{-:,,;.,;f-::J?.L.l.i, 2015""5Fl23F.I[±.
5J.l24EH£l 0)2Bl!ll, ffil~~ifrt?.t~t.ltl: i;dlll!Jlfl!J.Hfitfl#illiO) rft!!AO)P-Yllll, Ji
0) ml iUHl 0) - lJll t.L -r, Jlt ilf llll IJl fO'~ /;j:jt/l.l:1!rf2 ~!l'l:tl:M ,·r_ B4sffi ~,llf
O)foiJ•il!lJRnrvhtt..t.:.
,fs:,,;.,*~?.L.O)Wqiil~~-ffimtt~
1-• ..+-•untt • ,J,tt-.P., f0)3.1£1::··tan l •
t.:t!tHLt.: 0
.,f,:ffl'a-, Ii, :,,;.,,r-::;'?.L.O)~'#i'¥l!JlL
t.:t,0)-('-f.
4'fflA" 1::lolB1{;i, 1J;:,.t-O)~~l.i,:,,
;.,;f-::J? 1.ft1:,,;j, ') 7-I-r1 ~1:J;IJ&:rr~
tlt.:tO)>i:-fHt-fhifat.L -rl\lgL!Lt.:.
fljj~O))t{fl:-:i~iL cl.i, l~r:!'Hc:im~1l 7:y7{!;.,~-1:,Mt-t 0
1, ;j, ,, 7-1--0) p)r /IC· flllllil.i, 2015~ 5J.l IJl {f.O)t,0)-('-f 0
Af,0) •4':lt ~:lf:&"i!l:-:il•cl.i,7-
7'1;:,. t-;i,-1.t.L -r~:lRt 1i>oA~1:-:il •
LIHh'i:-ff)l •, ,E'.,'JRt,:t,.,,tlJ.g.1.i, !NrJ.
5<:imJ,ti,(::lol •'f~ -LtLt.: 0
rpff,JA,@1,!iJA, A;js;Al:-:>l•cl.i tt+£ O)NJi"/::.t.:-,n ,t-t 0
102 Art Studies _02
Session 1 I Presentation 1
~•J•ri".f?-•1'-7-f-7:t:, Gridthiya Gaweewong
::J1.+::.r7y:,,7-J--t:,1>1-!i1mtaf
'f-;r.1/7-,( (~,() 'tiHt.o :--n::f~j;j:jftfi{t jt)'.1/;j:j };:~1'1:-r~±
1} 11H!J < :uaun. f.Jtlil~O) 1996~1:1;;-f ,r«;.,j-';., t-· 7-t-;:,.
...-<.-;:,_ 70:1i71-30-H i>fim. ~,(O)i,-t,1~fHt*1:J:07·0-1,1vf~, fJ{i·fH~, i,li,'~t..:l:O)~fl'H:JIXIJiiM!7 o:1 i71--i'
1£1ifii, ~Ji~I:, 'Monc,en BoonmaJ(4"\'7 1J-•,r---f11.-1J-, ,,
1J. I99"lf), rPolicics ofFunJ (tl!!'I-X/t0>;i<,--:11.-1J:,.20051fJ, rBe
tween Utopia and DyscopiaJ ( ,q,::,:,::,71!Jlfl;~!iiftlt. ;<~::,:,::,
71. 201 Ilf), rPnmicive_ (::,1.-~:.--1 y:.,,7-H,:,~-. 1<:.,:,7, 2011
If), rTraces, (fal7-H,:,~-. 1<:.,:17, 2012lf)t.,:l:0 7::;'7.f!&~,'~
·c t~j--, 01,t '7-7:,,3,y7t..:ti'iilt:, 7::;'7"/::_70-1,1v
t.,:7-t-•:1~ .:i.=. T ,(0) ;j»y l-'7-71'14~1:tffthoo 1 ,;.,:i 7t£fi..
Session 1 I Presentation 2
7C-'r'•;,l-•M • g-1--,,r:, Flaudette May Datuin
71 1)1:: :,;k"J:7'1 1)-;,:,fxJ:Jfj'f:lll!fx~
• ;:l.1{.::.3;:l., 77'-j- (71 1)~:.,) 1tth. 7,r 1)l::'.;., ,k.''j:j'',< 1)71/fX
l:-rf1!l± f}JIXf~(71')~:,~) 0 D*IUFJJ API 7zO-:,,,y7t:JjJIJ
7zO- (2()().l-2005lf.), ,t-;:,.t-7 1J7M v.*'i'-'A:fcH''tliJf1lf{
15: ~liJf'7i:R c2ooslf.>, .=..:i.-•-fj-? 7-· ?i-1v7:.J.-'f':'8- flliJf'7i:tl
c2011-201WJ ~Nf-r!Jlft 0 J:t..:Ji~~1£uffi/:L-r, rNoching
co DeclareJ (77;,,•:1:.,,,,;,;,,1', .:i.-'f:c.:.--:i X!iliffl. ?'711.-;IJ;,.!lflUJffl'!.-;,
;:,7, 201Ilf.), ~Trauma, IncerrupcedJ(71•J~:, x/tt:,J-. ,;:,5,
2007lf.), [Women Imaging WomenJ(71 1/1c:., :,t/tt:.--J!-. -;,;:,7,
19'J8lfl t.,:t O .:hC,0)1£itl!il.i, ~/;j:j5}!Pfl::lolto 7Y70) t(fl:ft *' !Jif-\;~j;j:j, 1--7?7, ~/;j:j"/::.iatt, ~j;j:j"/::.'tfm'tt.:cO)liJf'7;;1:
;1£-:f < 0 'E I: f Home Body Memory: Filipma Artist m the Vi
sual Arcs, 19th Cencury co PresencJ(711J1:::.--x?tl!~. 2005lf.);6:I)
IJ, f Alcec (n) acions m the Arc of Imelcla CaJipe EndayaJ (711J
1:: :.--.k"ftl!~. 20101f) O)fi,Hffe-MHM.>o. Jli:m7::;'7!Jlf\;~j;j:j1:-:i
, •'[O) ;t 1/7,{ 1/• Y {'-j-Jv fCcrl + P; Digital Journal of Con
temporary Ardi'200M1'1:,ltfpj·n1t:ii'. 0 7.::.7{ffl:. 0
Session 1 I Presentation 3
7'r'-g'JI, 71:,,, Ade Darmawan
11.-7:,11.-1, fl;},
Y-\' 7Jlv;$l c,r:.--1'.;i.::,7) 1tth 0 ftJ'li<, -t-iv-;$1-. 1992~;6•(,97
~t-r-1;;r;i,::.,-71'f /;j:j*'l oso 7··77,r -d·'f·-+f 1;;1':1,-r, -C-'J: r:f, [997~1:'f-;r.~7,(!Jlf\;~/;j:j;¥'{'7I}- (!Jl(f.O)fa;(7{'1"+1,
->;,.>t'tJJO)/W~ .fO){l;t7;.,~·0)717 7-7n'f·~-1:fil'J!. M ~f~0)2000~1:5 A0 &:A0ft*t.:t, "I::. I:. t1:1v7;.,11,-1,i>"l!:ft
1.,, H*ag•xftl'!'~x~ t~1:Wm~r~1-\"'!llJ:Ji 1:.t.MotJl '.ft~l;j;j0)'%8~ili,~. ;1,7;., 1v1,i>th£ft.lJ0)7 7,y l--7,t-.L."/::.L,
1 ;;F ;j, :--7 ~7'~ "r'ii!ilJJO)$Mi' !tlf, m4litBl:fli l::'.' 1. ;;j--t,,
(20021f) i'l.it&'.>, ffi9[iiJ,( 7-~;;:i-1v• l::'.'1.;;j--t,, (2005lf), ::.,
1/7]',r--Jv•l::'.' I.1/j--t..-2011 (201 Ilf), ?,i'J7 [i,]7::;'7-1,:,,7,r,y7
J,llf-\;~j;j:jt-1J1.;.,j--t,, c20121f) t.,:/:::'O)l'!ilrJ./il:~1JD0 1/-\' 7Jlv
~-7-•;J• 1J?1/1/ JvO)~H (2006-lO<J<)lf.). 1,i18[n] 1/-\'1Jlv~• l::'.'
1.;.,j--t,,O)~/;j:j~tf (2009~> ~-m&'.>, 2013~;6•(,Y-\' n1v;$l•l::'.·
1.;.,j--t,,O)~~j-",rt,,7;$1- 0 Y-\'1Jlv:$l{Efi..
Chapter 2
Session 2 I Presentation 1
7'-f;.,•a•v DinhO.Le
IJl.f\:~m*
1,-7,r .I.1/(--:}-;r .L.) !f:..f.tl0 7J1)7*/J,,=. y-j;;/f:-+j-;,, !;t1<-
1<7~l:"f'1' J: f}.!Uf!J (~!Ji) ff, =.1-3-77.fl'.Jt !H,f.j!'j~
~1:-r~ H}JUf!].P;:)'{•;<ra?-1-).1994,fl:,<f-j-AI:
1Jl1J. 1997~:b•C,,t;-N;,,i-f!!!.li!:-t-50 JHfi:liiJfti'iili
t. mft0 H'iiM,i,1i:b•i;mt£-t-5Jr.ffi1::L ,-mum1:1U1JM
1,., /ft.<,ei'WJl)t£: i° :1::"f'~!Js:-\'>~,J!l:-:iL •"[O) r:iJfm,fi i'ill:.:Ri" 0 0 i= t.;:fW~I:, fDestrnanon for the New Mil
lennium, The Art of Dinh Q.LeJ(7'17·1/-t/".:r.f-{.=.-3-7.
2005lf->. fProJect 93: Dinh Q.Le](=..i-3-1i/il\:~iliffil.
=-.i-3-1,2ow 2011 ~>J -r",r;,,•Q •v ,g•aJJ B"-0Jr.filJ ca
~~ffil. ll(Jj{, 2015lf.)f,t!:'"0 l'iil~!M1::L -r, fDelays and Revo
lunonsJ (li\50(P1'1i=-A·t'.:r.:..-;r-t.--.2003~). r7J<1/!;t 13(2012
If) -'(->201 '.\j;-;r,;\'·-•,(1/ !;{-7 :,137 /J.,(201 l -2014lJS) t.;:
!:%-tt, ,-,: 1-T A ~fl;jfft Ell~ J: i:f Jjo-gf1J ;\'·-\'7 1)-, -+}-;,,
7-1-0:l:H,~ !l~.lll:1\'-r'M. ,-,: I-TA~~~ c'O)::,tft~irrti'
xtf"t-5 0 2010,fl:l;t,7 1)1/7.•77?7.'&!f0)1Jl'.ft;ffl;j
i's'ntL, 201 -1~1= • •:177.:r. 7-ll-H1J,<7-::1;t-1?;,,1;t-
0v::1-r";,,:,;-0 -fl.1::Vr$/Ja. ,t;-;r~;,,t£fi.
Session 2 I Presentation 2
't;:17"• -:t--Joan Kee
~"../ff:,,J.-.'f. klrile'tt'llllfU~lf
77-::1=.7fflr:+:rtil>!f:..t.tt. 1.:r:.-1v.k''f:, ,,-,<-r.k
'J:iiH .k?PJtH~-r, =.1-3-7 .k'1~:k1'wc~UTliJf'9l pJr-r'hJ U}!Uf!J (ttiifiie>. ~t*0.k!+-r'mdb-r nltltC,nt..:
iliJJt ft7::17 ~ i,f:jli}f J';'.O),r, '/ 1/ 31/l:it < 0 UrrforumJ
i'l;ttdb%-tt0 -Urlt.l.tl:';{fffl"toftti, rPosir1ons: East
Asia Cultures Crit1quejt/;0)7-;}70)JJtft~i,f:jl:-:iL •"[O)
tfjjlj~- rrntersecrions: Issues in Contemporary Ard 02~
,-l}.200W>0N~'f'i'~~<II:>, rThird TextJO) rcontempo
raneity and Art in Southeast AsiaJ(25{i<4 •}.2011'.f )O)jt f,;j
N~i'#l. ·~-to, Jg'Ji~~iilti1::L -r I From All Sides: Tan
saekhwa on Abstraction, (Blum & Poe, o-tt:.,t Iv A, 2014~)0
:t:.t.;:~ !J:1:rContemporary Korean Art: Tansaekhwa and
the Urgency ofMethodJ (s;i,1/~J..'/Hlffi.2013'.f.)l;tflttt..:.R
i,f:jli}fJ';'. l:ll\lC,tt-5, 7]v,:,,::1•7-l-·7'/'1/ .:r:.-:,131/ (CAA) 0) ;r-\'-Jv;( · 1J1777.·-t- 1J-~-JHt077-fT 1J7.I-, t.t.: i't!!~fil'iitJill9t.;:;r• ::,t~ fTo Scalej(Wiley-Blackwell, 2016'.!'Ul
ffi f)E)O);ttfi,i1ft't,it},5, ~:,1j;';,,ffl7j--1<-1£f£.
Session 3 I Presentation 1
77?t-•?~1''T • Ahmad Mashadi
::,:,,:IJ;J<-Miil ~*'t ;(Hijftflftfl~
:,;;,, j;•· ,t;- 1v'£.t tt 0 :,, ;,,j;' ,f,-11,,.Ri,f:jffi 09'-J6'.f.~;'£) -r'
:,1=.7•=bv-1;t-~m<11>t.:{i. 2007~J:IJ!Jtllllt. :,1;,,j;•·,t;-11,, Jzi,f:jffi "('O)~ u!li m. (:, fModernity and Be
yond: Themes in Southeast Asian ArtJ 09'-J6'.f.), fCub1sm
in AsiaJ (2006lt), 'Telah Terbit (Out Now)J (2006'.f.), :/
1/ j;' ;t- - 11,, [ti] (L .k ~':~Ur til-r'l;t f Picruring Relations,
Simryn Gill and Tino D1ummd m. (2007'.f. l, 'WeJ m.(2001
'.f.), Jendela: A Play of theOrdinaryJ /m(20081f:). 'Camping
&Tramping Through the Colonial Arch1ve·The Muse
um in MalayaJ !ff. (2011'.f.), fArchivingApin: Works and
Documents from the Moch tar A pin CollectionJM (2013'.f.)
t..:ti'u?:1mL io1ofill--<;,,F•1-11.:r:.;,,j--i.,(2oooin, m491ill
'7'.:r.=.7.· lt.:r:.;,,j--t., (2001'.f), m26Jill-ij-;,,1,'7D•t"°.:r:.1/
j--i.,(2004-ll'> 0):,1;,,j;':f--11,, A fHi,0:t 1v-:,13;,,~
ffl-,t.:. :,1;,,j;';f--1vt£{£ 0
Session 3 I Presentation 2
7 1J'J;.,•-:t-1'CJI, Alison Carroll
7:17 1J:..-'7 ll~ll'mllm·-r~t.--11!-
~[N1=..t.h.0 ;<11,,;f.1v1/;k'1"1:-r .=-:i0'+{iL< jijli!)~]U
f!J. :t-7.l-'7 1J7i'~t;3-D•;,/ {t7y70))'H;fjO)lfl~~'
i' Mu'tL, i-h.C,i';t-7.f-7 1)7-r'*»<ll:>-r*ffl.~l:~f)'-L.t..:
'East and WestJ lff.Oti:t-Al-5 1!7/tt:v.~Wiffil. Yrt.---r.1985
'.f.l ~IWdb%-tt0m.1tt'.i!t~u?:@0 tt.:, 7-;}7•);,,7~1,f:j ff!lr,0-r-!L--75!-1::L-r, ~.t.~.t.t.;:707'7.t.H!it-r, ~
Urx11it1:mh-5. 1990~ftl;t, :t.1::¢t]w7V70).RUJ~
ilitHtil. 90,fftl:flfHlli~h.t..:Jil lill:b•C,m3[ill07Y7· , ~:,;7,r,;,7JJlf\:~i,f:j1- 11.:r:.;,,j--t.,O)~ rp, ~ u i'mdb-5.
:tt.: 1fl:, fThe Revolutionary Century: Art in Asia
1900-2000J (77s5:..-UlAA1. 2010-ll') v1M, fJl.1tinh01i
:b•, 2014,fl:l;t, 7:17 Jii,f:jl:-:iL •"f0)7L--~ :/ 1)-;;( f A
Journey Through Asian ArtJ (ABC TV) 0) ,i] 0 ~ m di) t.: 0
hv;f-11,,;,,t[{i.
Session 3 I Presentation 3 -~-Kishi Sayaka
W'ii:,tH*'l)'c'J:ffil,fUxlf
**tll!i:t.tt. :¢tJ?-:k"f: .:k"¥:lffc~-S-::,tftliJf'9lH~±~
ffil, ,,,;1-ff-*°'¥'*1/!lffc/!9':!''f:H"'±~fl. • ,Vi~Ur ~Jl!~!l\¥81JliJf'9lf1 HH, 2006,fJ:IJtlli/::,tH .k'J:fh m. ~ir,1ioo~x1t:r., ~UI1±0-+. :tt.::i-ft1:. r~ i,j:jl:~lt-5 f7-;}7 J 0;&~-Ulllllf7-;}7J!Hfjffi01ff.~
i!lh '( 'Jl'Pfli-/lll·i'ifllfo {· tflll!tJc·/llttUil+ rt11~xftllll
l¾ll!li/ll?tJ Jli-'1:J.;'1~Ulffift. 2013!f.J, f3-o,:,,1,~-S-1::::,tftif5(
m-ill.Hf ~i,f:j0r!I tl:b 1iE1~i1Lt..:0:b• w•ruxJJfii rll f'<;3-a.,,{0Jli:'2/tfi1f~lfiJ A-i>'1i1fffli~±. 2006'.f.) t.:t 0
**tEfi.
103
•~•u Kamiya Yukie
Jt.1'6-r1ilJlf'c!Uiftll"tZ/ll. '!UU~
~*Jll l!;!-!i:.t.h. !i!fi1l EB:k,"f:Ji-::,'(1/!lll!'F-*• =.1-~ 1-1/7 A (=..i-3-1) 0)7'):,1.:r:.,( I-·:\'-1L---)!-i'~"f
2007-"f:J:IJJJl{I, OOM~rm.'tlf!;~~ti!ilL, 7.•r,t;, -lj-,(
"t" 1/• 7,5t- 1J ;,,7; 1NR"1. ~i!il%it~O)fWM(l •T ht.[1;.ll iii
lJllUHHfl>, fRe: Quesc-1970,ffttJJlO) B 4:-JJlftJi
UJJ (1/?/v*'J:1-tiliffil, 1/?lv, 20131\'), f7;,,5t'-:i;,,7,f-77
'1/31/ :7-;}7~UjO)f/rtlJ:ftJ (00~.xitlt~7ot-5.t.. JIOH--<
5,:,,f-a-1-~·-1-51J-. ll(:&-:. 2002-200llf:) f,t/:0) jl; lii]/gi'g'-:b:
lt-5 0 2011~. "5i.f~i,j:j~!IUIHil''f:i,j:j' i-~1't. r3:i
1,7 l-1J.:r:.;,,j--L--2014J. 'PARASOPHIA)j(lfllff;J~~
Uj~2015J 07F1<1-tf 1J-•;f.-F, fDAADArtists-in
BerlinJ t.;:tO)jff~-~ fl i'mdbt..:0
# :ff 1:: L -r rcreamier-Contemporary Art in CulmreJ
(Phaidon. 2010~), rRavaged-Art and Culture in Times of
Con flied (Mercacorfounds, 20141\') t.;:1:::":b:it)-50
• 2015 'f: IO}UIJ '/-\'l,1/')-lj- .:r:. 7,( •;\'0 -\'7 1)- (;:..,_-3-7)
ft!'.!~.
t-•J::1;.,•73;., Doryun Chong
M' r-7-~.it.---1!-
'7,t-j;-7-H:: 1/ )!-, =.1-3-7ilif-1;;~1,f:jffi0):\'- 1
v-5!-~ •. H. 2013~J:IJJJl •• MtO)mft;r-7·:\'-1
L---!;t-1::L. "f, m.'Jl~•:/1/;f-Y?A~ii!li:b•C,, :JL--7:/31/
O)IJUl:i, ~117 07'7.t.f.t!::'.£~1:™lh-5, =.1-3-7ilif1;;
~ififfl-r'&®llt.:m.'Jl~I:, 'Projects 94: Henrik Olesen,
(201 l!f.) -\'>fTokyo 1955-1970: A New Avant-Garde~ (2012
13¥) t.;:t. 1.il491illif.:r.=-7.·t::".:r:.1/j--t.,O)ft(cj;J1,,:,·11J;t;,,
-'(->~ UJ t:;".:r:.;,,j--L--2006(2006lf.) t.;:t c't, ;,lii?,10 f Artfo
rumJ, r AfterallJ, rThe Exh1bitionisd t.;:t %-ttO)~i,f:j if [/; I: tf ffi L, :I:!;~ 1:: L -r rFrom Postwar to Postmodern,
Art in Japan, 1945-1989: Primary DocumentsJ (=..i-3-
1ilif1::lt~tB. 2013'.f.l:b:it>-50 m 1 fill IC! 1l 1hl-·'71/Y1/7··.
-f ;,,7,r.-.;.;,,-f·;,,1-,,:,',{Y31/•7'7-r0~1t-M-r'M, rf:t tlil JJtft~i,f:j'Jt (201,lf >. 1::1-:i •;f.7, 1tc2015!f.>. 7-f'I 11,,
l-·7-l-1t (201s!f.> -r'l:t'ilf:l!t.!Umdboo ff~tEf:t.
11.~JHi! Hoashi Aki
7-r•:J-r{::i,-1!-
fftmr•Jx::..--t-i.--*-1111~ fl~ JJ;m1rv:10:1i7r•7 ;;j,-:1-r-
1994-"f:, :,17,r;kq: (0:..-1':..->1:-r~ .t~ 1Uf!J<1,ttt,ftll· ifi
ffiliUt>fl, 7 1)-c'~i,f:j0)7 • :1.:r.7H:mho. J:j,j~xirri ,\H,:07-;;7±l!l~0~Urx1f.PJ"i!Ro991-201olf> • .=.,;,-l? 1;,llittliJf?'l/ili0)1, 7··9 ,:,,77-1- ~(2000· 2002lf.) 0) (! :b•, 7-j;7,•7DY.:r.7f-0)7,{t.,75!- (2003-2007lf) i'mdl) o. 20101f:J:IJtlWn 1J.:r:.;,,j--i.,ffl~~ftQ>$-fJJf.u~fili
~- 2012,f liiJ ~Uf.u~,2015~J:IJJJI.., ii!i:lR ·lllilRti¥ :b:lt-50 :¢fJ?-t£fi.
[Pli JI· tlU1ll1t2015 !f.5 R !Jll'f:
DAY1
1?7~:;i;.-1 ~c-,,11,.1t1:.::t11,.g77 .. ~-7-t-~-;.,0>Jli1J•'J
-l=-f'v-:$1-~~Y:,il ,u;,C\-,li!JlR~1'iffi"t .:':lfl "lllm
. . . . . 7')•:;7",/1"'-·'/J-'7,f-'7,t::,, ',:.,1,.+:,,,:fy:,,.7-H,:,,J<- .:UJ&ffl
70-r'-, t-· ;,(.f • )l·r?.f;.,
711Jl::>:k'"t-r11J7:,,t(JtiiWt/Alf!(!1
Off-Track ',-:,(,1;.il;il
77•)1·)1,7r;;.,
11,7:,,,11,1,f~;/.f
1?•:,~:;i;.-2 r7'$-7'JO>•· f'flrcl:.*.:i.L,,-g-0>a1ta1J•i:,
"T-f·1.,-;,
F1}31/•r31/ [~ft -1--7-~.,_1.,-j<-
-r11/·Q·v
[!JJ.R Ji~
:/371/•;\'--
[,::,,;I.;:,,,}:. t~1'i!l!"tffi!iftftl1]
104 ArtStudies_02
DAY2
1?•:,~:;i;.-3 ~atJann01!a1:. P]"a1t•S11t1t!nt: 7'$-7',
-l=-rv-:$1-
$1!.hli!P.R 7-~::r--r",;i.-j<-
fA~~•J;r::,,, t-1.,"1 ~fl~ l'JlAJ:1o::.'~·n--., ~--_, 1--
~ti- ❖?if m H rn 0) w 1;-
777F•7::.,-1-•f~ ::,,:,,,:1,,r,-,ch] ,J:.A:'1-"iwftllftfl&
-tO>Jtlftl:.~JI ~;.,n;tt-11,1996-2006
7 1)'/1/•;\'--1-011.,
7:;,7 1J:,,,7.lHf.i~f',ftl!;r):.,-,1.,::,-11-
1¥H'iff IU/l:tfl}:. n:. ,~311.fUm
x1t~~1:.•••ut ilm0rY~r1~u~ '"t
Chapter 2
I!:!lliiQJI The Making of Art with Contemporaries Day1
Session 1
105
~a-,~JL-itc,t JL-~1"'T.,.,..7-~!;-!;0JlifJ"J
;~lj!xlt1JO) 00 W 00 iHf~~O)if&ijl~~-r, S01f--Rfl.f.irC,O)~~~Ji~
ff Jftt:, Jlff¥i7::.,7~ffif 0)1J/,J!t.i::ilr-R{l:ti, • -;1J1vt,.~UJ:;.,-::,,O).f>
IJ1H,, Hd,JH~fa.. n-Ht...t.:. ififr~-r'tfH,flj~ff T~ltt.:ff*, M,t, ti::t-H-r1-tf-t l -CO)::f~T~J11!t.,, :\'-.:i.v-:;.,3:,,H!l:iAtt1.1:, §
OO---..O)'~ttagt,.1Jt~t~UiTil!itt.:tt JO)AJ~tt~#Qfa.. -r'm}ffilo §C,1.1:
;t 1v~-rj--1•.'.l•;;i,---:.-;;i,~ti tc!l.>t-t -01Hf!.ffi t,.i):c,tHbfJ 0) ~t -#liiJf:$
HttJ, :ib.::. j-1-\'->1±~t:lffli1•ht.:~t.:t.i:JH,fljO)tJ~1:.h-l±!L- n -~¾
-t, .fhtitllmffilt!tH't_.(, /,,t:·;,t,/,:10!-", •'.h7··-;;..,.;1J;v~, :f-:r..1/
v,f f.t!:'fl!!}Iffllrfi-r'tiliiJ~%,~agt:, 7-j-,< 7- l-:£~0)7-1-·7 :r..7-j- ,<
/ ,;v~i1•!Jlbh, ~~O)ijlfi\tt:t.i:t ,7 v ;\'-:;., ~-•J j- 1i1•C,, fdfifflttt-\'->~
!m~#-t-i"t-o~!Jl=t't.:t.,T~<· /,7"tt.i:l).t-t O .:hC,li, o-;b1vi1•C,:7··
• -/,Jvl:JAi1 1-o, .:f")I l-'7-71:~fa..C,ht.:ffiU.t~!JlO)tJ,}~:{jlJ 1±! L, Jli mr :JrO)r-1-:;.,-::,,Tt#~-:ntn -< .:c1:t.i:1J.t-t 0
4-l!•:J1/31/-r'li, ~1, 71 1)\:: 0 1/, ,f:,,jq,:;.,7"(')ilffl~ht.:901f-f-\:lit
c!l.>i1•C,20001f-f~t:1.1•tt-rO)t±ft,~1~ag t,.lffl b9T ,~-~·t.,, :1 ~ .1.::. j- 11:
rt,] ltt.: .R#iib rt,] HJ]C,i1•t:t.,, ~< !fflb-:i-CM.:3AO)~i&:t'I:, ffilkO)
'T-7-7-!;l-r·1 t.f0)1±ft,ag~\lt!Hthn ,t.:t.:·fj;tt.,t.:o
~ TheMak lngolArtwtt h Contemporaries
li<!_ssio!l_'I
tJfl,~ 7::;70,JJltt•• *•:,~?-~
106 Art Studies_02
r,',lj!iW]O)~~t:J:I), $fit.:t.i:ttf:~~ffiJ 11:th, '.tt{t--t -!ittf:~ffi~O):$t~1~tL -r, 7970)ii!!if.t -~:tJi:;fpJ 'J::.t.i:
1~\!i!J~:Jfl:t.::--t J:-jt:t.i:-:>t.::0 Jlfiw7V71:'t;t., ~fi0)7;< 1J t,O)i$(~t:J:-:>-C, i$Ci~~~Utf0).t>t.i:c;·f', i±~~>C{t
O)ffiliOO#f-~iii~t:"t .!,1)-93-}-lJ;t,"J,. (±t!!~_Hl) 0)11jf./J(:J:I), 1967:ij:(: ASEAN tJi~JEU.::0 ~C;,(:, 1980:ij:
f~t:Mit-:>t.::7 V70)fff iJltJ1, i±~~ lffi~ *O) v--<Jv-"c~ff ~itt.: o .f O)t.:lt), 90:ijo~O) 7 :17:;t: .ijlif O)~Uj
)({tO)iiiiflt, 7•'0-J {l)-tf'-y31/0)yf;tl)(;t_, t_:t_:'O)fll\~O)!±l*.!JJ. "((;t_tJ1J'-:>t.:t -g j__.!,t_:'1:)-jO
-c't;:t, fiiJ tJ17970)lJU~~Ur~7-·o-1,1vt.i:~Ur~iR.----c~li~itn '-:>t.:O)t.:·011;' 0 !:'O)J:-jt: § t:tHUt.i:t,
{i40)i--;,, J-1.7-70).{1/771; 11:th, .: 1Lt.:'.tt{tt:~fl~lj.ft..t.:O)t! 0?1J' o ;$:ffi-c't;:t, :i&l~20:ij:t:.tott-!i, *
wi7V7ii!!JJixO);t Jv~-J-j- ,pJ' · .7.-----1.-.7.t:-?t ,-rJIXl)J:.tf-!io .:.:-c't;:t, ft*~:\'- .:i.v-~-O)::iv7r1• .I"~ DIY
(19t.i:1Ji!~, tt.:, .O)ffl(l9t.i:ffi~t; 1, /:'O)J:-jt:13C;,O)ii!!JJixttO) J:j:i -r', fll~O)~fif;rffl~~*l)~ft..J:-jc L -r~t.::
O)iJ•~IDE--t-!io U.::' /Al, x!lJKt:.tott-!i, ~C;,O),f =-V7r 1?'0).t:.i).!,~fif(j~Jl!Hlia9fflttl,ct;:t!:'O)J:-jtJLO)t.:'-:>
t.:O)iJ', tt.:, ~C;,t;:tt.i:-t.f, *llU.>-!it ,t;t.~:r}JU.::O)iJ'0 ~ffi:tL -r, /:'O)J:-jt.i:~~t; 1::ih=-r 1~i±~t:~W~L
t.:C:.Lt.:O)t;,~~~U.:t ' o
r,',~W]t:.tot ,-r, 7V7~UJO)i--;,,l-'7-7ti, i$(/f-frdl (G2G) t:.tottM}(f9t.i:~tJ11)0)~!iO)J:.t:~~~h -CM.::0
ASEAN O).l[t,J:.tft::$t.ll-:>-C, 711)1::0 1/-c't;t., *wJ7V7ii!!JJixO)~UJHN1r--t-!>Ji'Ji'.4~.'iJ1ffflOO~nt.::o 1957:ij:
t:ti, rffi- lfil-.m7:17~*~m ·::k~J tJi7=.7t:.tot,-rrmoo~n, 71 1J1::·1/~*ta~O)~!H 1~jl~~~
lt)f,:O .fO)~, 77-t'i!OJlO);{J-lJ,;,7• 1/7'', j;-•;t1/tJ 1:ijlfl~'Q ~~1'tL, 71 1} \::0 1/0)?'1-i:!1/7•?-}-1/-lj'71;i*
a~~ttU.:: 0 .fO)ft!l0)$1JO:fft:t;t., 'r1'7'·V~1/T1 (1:,,1'), -it-1'1-'· 777J- '·::J~7;t,,(-;,:J~iUll), -it-1'-t1/•-it?
07•' (7.f 1J~:,,), .fL L J .7.Jv~1/•7 1) (11/1') t.i:!:'tJ1t •t.:o Q!
i$(/f-f flfjO)i,•;,, !-'7-7(:J:-:>L, •m7V7ii!!JJixO)ft*rdJO)~mftJ1i~t-:>Ll '-:>t.::tJ1, .:nt;:t!tfJJ.tJ:.O)LO)t::i&lif t.i:
1J'-:>t.:O .fO){f, 501-j.J:.O)/i~~tJi ASEAN 00JlO)~jl~t:J:-:>-C1i::lOO~n, f~hMih-!i 7V7~ii!!llix-c'ffflfi
~ht.: o ~fif;rft ,I°liO)ti:4t;:t, .:t ~t.i:~Ur:;k~O) OO#f-:ff O) J:j:i t;,c;Jttti n, ft* 0)%,< tHf 1Ei :;k~O) iH ,"f ft*t;i
itt!±l~ht.:o
1990:ij:f~t:t;t., B ;$:c::t-.7. J-71J 7t;i797!1!!JJixt:.tot ,-r~-€,(19 t.i:.1L±J~ JIX-!>J:-jt:t.i:-:>t.:: o 797:;t: .ijl if ii!!llixt:
.tott-!>B;$:c::t-.:J. r7 1J70)~~~.toJ:tr:>e1ti$C~t:J:I), rm Wd7:17~Ur1- 1Jx.1/-J--v J ~, 1-1-1/ ;(71/F1ii
.ll~UJi'gO) f 7V7·1{V71,;,7J.lif~~Url- 1Jx.1/-J--v J t.i:!:', ::kmffV.i:00~/iO)ffflflli-"t~iJ1-:>-rt '-Jt.:o ,:-jl,,
t.: li!fi~t:J:-:> -r, 7 :17ii!!JJixO)f'l=* O)iiltf./Jtt~~f./JtttJ10E ~n, .:nt-r' J: %00 iA HHft..-!i.:ctJ1~~t:tJ-:> -r
.:1Lt.::/i!fi~IH.Jl0)70:1.r.7H:J:-:>-C, ft*r11iO)~iJ11)t;,c;, ffl~P9, tt.:, =\'-.17 J-1J7 1vt.i:i,•;,,l-'7-7-"t!A
iJi-:>Ll '-:>t.:: 0 LiJ'L, .f nt:J:1)0~t.i:i$(1f-f r11ii,,;,, l-'7-7iJ 1iili*Lt.: htt-c't;t.t.i:<' l -hlQ>-!i OB ~i$(/f-ffflt00' 1"i 1Ei~Ur::k~t:J:-!>1J,~t.i:PHli!tH\hn ,t.::0 U.::, j,,t.i:<cL~-1't:.tot ,-rt::t, IP.!tOO#f-:t'tJ1.:t~--t-!i.:cLifJ-:>t.::0 ~
W]O) ftilild7V7~Url- 1Jx.1/-J--v J ~ f7V7·1{V71,;,7J.li-R~fif;rl- 1Jx.1/-J--v J t;:t, V71{::i-1/:;k~U-.:i.
Gndthiya Gaweowong Presentahoo l
Chapter 2
5-o ;.,,::1-;.,,*~0) .= --JO).±.~*~/: f~H~tl,';1~ir-:>t.: o ft*,';•c;.:\'-.:i v-~-"-i:~~ U:'/1/;r--;.,, · o-:o ··
;.,, /: 7t 0 :r1/•,r---tJ--\'-:r1/ti, ~-10)JJH-\:~~v-;.,,t:.t.,ttQ7 ·-1-.:\'--/ {-/:t.t-:>Ll '-:>t.:o ~c;ti, *-=f-O)ft*
~OO~agt.;:W,~t:iHrU.:I), ±l!!.~a9t.;:Ji'fH~O);!tlA]1£Jiffi, j;~o7 ··"0)~ffit..:!::'Hr-:>t:1>, '7-7V3 •;,7~v
7=f--'r-, ;,,jlV::.tllJir,,, ~jffi_l., -roo~agt.;:ft*~.:\'- .:i v-~-~o-j;;LdJ:J -b.::. T -1t:m1r-t Q:./:Uht: o 1980
~f-Ut-bl),';•c;9o~f-\:t:,'; •tt-r, ~c;ti7V:7±1l!~t:~Hc; i', .fO):$t;"-i:ft*O)j:jJJ/Jtt~OEJl~-tt, :!l~t..:fimk
~* t: U:i:~ ;ti;t,,Q o
199O~1-\:-~¥-tJt:ti/ ,7 ··1v0) Jm!S~i!i!itt:,'; 1, .f ht:J:-:>-C7V:70):.t Jv~j-j- -1r)' t.;:7-t,, .1.,.-:f;(;.,,t,0)~1fh,,';1
Jl ,B:./:tit.;:,';•-:,t.: 0 .±. ~t.;: 00 ~Jiti.f O)#tJl:h /:t.t-:>t:,';1, 7·· o-/ ,;i.,t.;:~iR.t:J{Xl)ffl Vft*,'; 1§ 00-r' ft .flt~
~~T Qt~tHt!:f=F(£l.,t.;:,';•-:,t:0 .fO)J:-jt.;:~i£0)i:pt:M ,-r, ~-1'-r'ti, ,t 1v~:rr-1"7 ' t.;:7-t,:;.,-;.,,~iF'llt:tU
0)7-t,,.1.,.-7 ··;(;.,,t,, .fL -C7-r-17-l-•::iv7r-1"7 ' tit¥tEU.:,'; 1, .f hti, 5i$0)>(~0)J:-jt:'IPJ,';•t:M-t Q,t 1v
~TT -1'7'-r'tit.;:(, 'IPJVJL ,1::.0t:,t Jv~j-j- -1"7't.:·tt,'; 11:thQ/:l ,-j~iR.t.: ·-:>t:o ~-{ti, ~~a9-r'::1;.,,-t7"=f-.:i
7;1,,t.;:tio)~, ffit:t..:~~O)~fJi,'; 11:thQ-{1/75, !l}J~, fl~, .fL-rlitt~t:j{ttn,t.: o ,t;v~:rr-1"7'•;,,
«-;,,ti, *~0)7-1-Hl!fiJ:O)~tt~t:Ji-ttQ, *~O)ffi~-r'N.J-:>t: o
-11/r' .::f, V7~ft!!O)Jl:!m7V:70)0040)7-j-.{ 7-I-•,{.::. V7T -1"7' /:tiJ(t.;:I), 90~{-\:0)~,{0),t /V~TT-1"7 ' · 7-
«-7-li, .:\'-.:iv-~-~7n.::.;,,f,v-~-, f,j::*,';1.:l:.~Lt.:0 -{;.,,}";;r, V71:.t.,L ,-rti, Jv71/ Jv/ {,';iJ!l!-g-t QJ:
-jt.;:7, «- A ,';i' 9O~f-\:O) ;f--;,7 j; Jv=f--'['-' ~J«~ih' 7,/ ,;v I-~f>l"-O)fft!j!IJ O)f~~~~lt-r .l[ t,J:.lfc;nt: 0
.f-jU.:~L ,ffi;tfi:O)fflt$, §.ll. ~ l'i.'..±..±.~"-O)W:~,';1, ,{;.,,}" .::f, V70)7-I-V-1/ ~ i;;r,;v.:¥· •;,V .:it.;:tiO)l:-t Q/:
/:tit:, 8O~f-\:,';•c;O)ft*~:Jv7T-1'7 '0)fflfljl,';i~IHJ,';ih, n-t: o jl,{t:.t.,L ,-rti, :.t /V~TT-1'1 '· 7,«-7,li,
J(tJQ>(~/:l~-,';•c;1:tn -rtJt: o .f t,,i;ti .:l:.t:, ,{;.,,770):;f..@ ~' ,;(,{;.,, A l-1)-1.,.0),r--;,7 j;Jv=f--'r-~ / 'lJr) ,;,
FO)f~Vt..:1:·0)~fm~:lll!_&')QbO)/:L -r!Jint: o
7"oV:.:r.7l-3O4ti, tHtt*, .:\'-.:iv-~-, ft*, lil!~*t.;:/::', ~~§~O)Vj;::f~Uiti!llf.t"'~**~O)fljlrdW
.±. *Lt: o .f :.t:ti, ~jiffi~~0)7t°=f--'r•;,;r-1/•'7-1-7-t-~7;.,,~tit;&'), #~fl-r'ft*O)? -{ 71v•V-'r,t'7j---tj
,{, /,;.,,::17 /: =r .r.1/7-1' ~tj/],,s!ai: LOO~a9t:~c;t1,Qf,j::*0)-{-1/7-11;.,,•:1';.,,7-, j;-{- 1/• /{,t-tJ-'7-;, 1-, .f L -r
=r-'r-=r-'r--1 ,7• 1e7t.;:/::',';1.t.,1>, u~agM.lj -,';•c;1:tnQ~JmHI~-t Q, ::i;.,,-t7"=r .:i7 1v,';•--J~~a1Jt..:~~
t:mJ,i:.,Ht--Jft*~7-l-•::1-b.::.r-1t:JPJtt-rlffl,';•h n,t: o .f:.-r'ti, ::1;.,,-td=r.171vt.;:ftifli, ~~~Jiffi,
tJ'-17',t7-t,t.;:/::', ~¾~--tt.;:ffi~O)ft*/:O)ii!;J/JO)ti,';•, ;(7-..,.7~~-11.,..,--;:-7,0)~~1::u-§U .:o 7/''7 I-· j;
7.r.ti, 77,t?-t-·-11'-11/'/--1 i:.fO)/{-t-:r--r'~a*O) /•;,/{r ·;.,,• n,t-t .1.,. 7-;.,,,'; 11-\:~~~&'), m1-\:~
Ui, ~ff, {f~, 77 •;,V31/~J{Xl)J:tfQ;,,«-7-i:L -rii!;J/JU.:o 7"oV: .r.71-3O4/:7 /,r)t-•.1J7.:r.ti, 7-1- ·::i-b
.::. T .{O)j'jtl)~/;t.;:I), W-r'~/mO)~pJi/;t.;:-:,t: 0 ~ 1'' '7' :J;/71/,r-7 1J- · 7 - l-· .:¥'-'r71J-ti, J:l)t't~O) ,;(7-..,.7~
lilJIJ~!Jit:~§L n ,t: o :_-jt.,t_:;,,«-;,,0)%,(ti, 1996~~J{t::tiU~~h, 2OO2~~J{t:tiii!illbHf J.l:U.:o ~r ·? .
:J;/7;/,r-7 1J- ·7- l-·.:¥'-'r71J-ti, !JitE-r'ti 70V: .r.71-~fi-:>L .t.,I), 7"oV:.r.7 l-3O4Mt.:, r /{1/:J7~~~jiffi
~J Hl~L, 7'tJ1 -;,F·r, 7~ ·-F;.,,•-{;.,,j;?-.::.-;,l-, ;(7 1)-·/{;.,,-tJ-;.,,j;' t.;:/::'O)*-=f-.:\'-.:iv-~-i:taffJJL -CL 'Qo
7/,r)l- •.1J7.r.li, :.ntt'O)~PlrHlHtL--J--Jb, !JitEti7-«-;,,~~L n 'Qo tt:, 7/,r)l- ·7,tl-7 '.57-1ti, ;(7
1)-• / {;.,,-tj-;.,, jf,'; 151 r;;fi~-' !JitEti;(-;,V- · 7,j;,{ I 77'7 F ·7"oV:.r.7l-/:tJ-:,Ll 'Qo
:.t 1v~:r-=r-1 "7' · ;,,« - 7-tH.lifif-r'tiN.J-:>t.:,';1, 9O~1-\:t:.ll. t,J:,'; 1-:,t.::.-jU.:7"oV: .r.71-~ ;,,«-7-ti, 7 - 1-v
;.,, ~tffi~.J-:QLO)/:t.;:-:,t:o tt:, ~t:*-=f-O)ft*t:1:-:>-rti, OO*.:l:.~O);;r,•;,l-'7-7~ffl~, tt: , lllf¥0)7 ·- 1-
.:\'--/{-a9t.;:ffl:W.0)5'~t:ii!i~~ Jil:l:l -t9'4fflli:tJ-:,t: 0 7V:7t:.t.,L ,-rifi{~O)?,,u' O)J:-jt:±tUt.:l( I1/:r-vMt:'
:.O)±i!!~t:%,< O).:\'-.:i v-~-HfV"ibV~~/:t.;:-:,t: 0 .f-jU.:Ji'fH~~7"oV: .r.71-0) i:p t'ti, .::f--;, l-'7-7~~t:
:!IJ!a~ftL ,n ,t.:tiO)/:l., -rti, '/1/•'71/.:¥.31/' =f--'r-JV7..' •i-;,V .:,_, .fl, L*'7' /'1/ /V']7Ji;!tljj].:\'-.:iv-~-~~
DAY 1 MAY 23, 2015
107
01
S1muP S<>0P, :\faps of ,1,e SM
http W\\ \\.search-arr as1a J.tt,lC -
merts fib MA Pot heSf A pd! ( r'~t). ( Vi~
THE1990s The Making of Art with Contemporaries
108 Art Studies_02
&'>t:2002~0)1{;fli~-.:c.:,,j--v0)7 °0~:r:.71-, fp _A_U_S_EJ il19>oo :0)70~:r:.71-t"'lt, 7~7!::3-0,;,1{
ti•<;2oot:.t., J;~::t ;1;~75-,117··. 7-~-7-Hg~, .f h-f'hil 1§.±.i£Jl!fi0) JlOi~~ff-3tii:t.i:-:>t: o :-3Lt:, Jilfi~
O)q:tO)Jilfi~ti, ::t Jv~j-j-,117··. 7-~-7-~Jl-g-t Mt~U:tti 1ffi1it:Mbl), ~;6 11), 1&t:1il ,O)::r7,t;v-1/'3
1/~i:~ti 1ojrn,\H:t.i:-:it: 0 :ht:J;I), ~:i'ta{;t"'titJl ', .tJoA?"-JvO)ffit:t.i:i";., l-'7--'¥--1/7··~::r7,t;v-V3
1/;o1i:iJti~t:t,i:I), .fO)i3~1i!Jf(±t~5Wt" "it)o/: g A.oo
f P _A_U_S_EJ W1JitfH1ili, {'f*~.:¥--.1v-~-, .fl --cf;!l~O)i,,;, l-'7-7~f1Jm~-t ot0)/:t.i:-:it: o :-3Lt:~
{[:;61, i$(/f,Jll,i,/:li.t,i:I), J;l)1,!0)fflagt"•', ;,j(-'jZ-O))'j[PJ,fi~~l)f,1il'Ll'-:it:0 o-;IJ;vtJv---S:Jvt""!i, %,(0)7-
T ,17-l-·::rv75- ,117"~1.::. v75-,117";o1~ti 11), .f0)±{!!.~0)f'f*/:0)00f¾itt~~&'>n '-:it: o .fO)q:tt"··t, ~10)00
~1{7,t-?1/7-•7-l-•7:r:.7-5-,11,;v 17~71-t 0 7 J t:tOOb-:it: f 7,11Jt°1/•7-'.1•7:r:.7-5-,11,;v J ~v:,,;1; ··,r-
;vO) f7-j-,17,)-•17·:-rv,;,~ J t,i:/:_';oi, m±{!!.O)f'f*/:0)00f;f-tt~iJ!{l:i"o70~:r:.7l-H'r-:it: o 1980~{~t:.t.,l 'L
ti, ASEAN O);,j(~Jl!jj,li, OO~/t&Jl!jjt•'.:c.:,,7-v_;{7,t-71/A~7,11v.L.-7:r:.7-j-,11,;vt.i:/:.', %,(O)ti-@-, :f:;iit
~ilidl/:Lt:i, ,;.,l-'7-7ii 1m~~ht: o .fhti 1201iUcO)~~t:ti, ffi~~~agt.i:1fitfH1iti 1.±.iJiti:t.i:-:it"~t:o .f-3l
t:{>0)0)0-/::-::it:, 'f :r:.1/71 ~fj&Bi: i" of'f*~, 'f :r:.1/71::k~~f,fq~ffflO)~~ilit.i:U:J;-:i"f .±.$ ~ht: 1 'f :r:.1/
71 ·'.I-V-\' Jv •11/ 7-~v-1/'31/ J ti1it)oo f'f*t:J:-:it"!J~ t:l)agt:;il>g~ht::O):&Jl!fiti, ~.±..±.~agti•-::>
1!1.f.sag-r' %1:{'f*O)itli:U'r bhtJl ,{>O)t~'-:it: 0 )1-gffltlti, ~:fJ•{'f*;,ji'f :r:.1/710)f!JO)it)t;IQ>oti/iJrt"'fi!i
lfr<~ ,0J;-j1:77y 1) j--l-H'r-:it: o 90~{~0) lfflM. ~ tl);o•t;~:fJ•Lt: :O)ffl: ~O){'f *t:tt:/:-:i "[, :0)70 ~ :r:.7
Hiftt~O){~WIJ~:Wd:i"tO)/:t.i:-:,t:o .fO)fiMJt~t.,, 90~~1&~1:ti~bl)~:i!l!U::O)i,,;,l-'7-7ti, f'f*~
o-/J;v, 1J-~371v, .fl --rOO~a{]t.i:v---s:1v~i:~tfotO)/:t.i:-:it:0
1 'f :r:.1/71 •'.I-V-\' Jv •11/A~v-1/'31/ J O)~-::>t-30-/:-::>0)ffltliiiii:l "fli, 7;A1J /J0)0,;,77:z:.7-Jltffi~7,t-}-'
Mffi .±.$1:J:o, %t:;A::r:,,±{!!.~O)f'f*O)i,,;, l-1J-7~~ti 1it)-:it: 0 %-< O)~f/fqx {l:70~:r:.7 Hi, ,;A::r1/i1!!~
~fj&,1;';(/:-t of'f*i:7~7 * 7;A1J ;1; Ai: 7;A1J ;1; AO)f'f*t:t1:J:-:i t"i!ttfl:~h, m~~nt: 0 :O)= -::iO)Jlt ffiti•
t;O)DJJ~ti, 1'f*t:tt:±t!!.~t"-·0) 1J-tt-+~it11J~mti~t=u: - 1it"\ ll,Jt<o,;,77:z:.7-JltffiO)xtlr1:;;yo7
~71/• /)Jv'f .17Jv• /J'.71/1/' Jv (ACC: Asian Cultural Coucil) Ii, 7~70)f'f*t:tt:.::..1-3-7t" ' ftf,5;~~rd10) 1J
-tJ--'f ~i:iJti~t:-t oxtl~Lt: o .f O)tlii•, ii!!~agt,i:i";., l-'7-7~.xtlU:7 ;A 1J /JO)Jlt ffi l:!i, if-¥0).:¥--.1 v
~-~{'f*l=~~~~~lj. i" oMffiti1it)-:it:o ¾t:, 7 Wi71H:J;o~~~t, f,!u±{!!.~O)f'f*O)~fA 707 •'71.
~xtlLt: o 3-o,;,1 {0)1,11/1J•;.,t•---S:Jvlltffi~71J-F 1Jt ·.:C.----S:/vl-Mffili, %1:t±~i$(n;agt,i:7 ·0~:r:.7H:
Mbl), 7•'0-1, 1)-tt-V31/~71'f':,,j-,17,(/: l '-:it: .±.JmHU~f,jq00Jl0)7 07 ''7.L.t:!IJJ~Lt: 0 .fO)O-/:-::>O)
{?iJ/:L, t"ti, 3;1;7 ·· • oV .1 71/il 1'f :r:.1/71~f/fqti!t""2004~t::&ll!fil, ll,J ~t:1,:,,::r70)0031:~f,fqti!t:~ §JU:
fidenrities versus Globalisation (7 ,(71/-r../-r.f t Wo- / { 1J-t!-:h1/) J }i;o1it)o0 .fO)ft!l, lf'-j-•11/ 7-j-,<'f .1-l
ti, ~-\'/JJv~0)1ij7!-fj&B~Jit., t", 17~7·1{V7,<,;,7•7-l-•i,•;.,l-'7-7 J 0)70~:r:.71-~xtll, 17-1- ·::ri,
71/'31/ J Ii, mi1!!0).:f-.1v-~-~f'f*0)70~:r:.7H:H'1/ A f'f*~Mb t;i!'o, l -blQ>ot •;.,l-•71/r ' •71/0)
~•ti/:t g A.O7·07 ··71.Hi-:it: o
B*t:M 't°li, 90~t1Jm{l:OO~~lTlt~~ti 1B*i: ASEAN ffiOO O)f.iMfJE~~ ~M:&'>t:, 7t71/X{l:t1/
~- (1995~7:;77-l!;.,~-1:aUli) ~,u~u: 0 :htiiJtl ,tft~jJ /:t,i:I), ii!!~O)f'f* ~.:¥--.1v-~-' .fl, dll.~1:Ml
t", Ji;,?,, ~ilit-lHJO)IH•, OO!Ji~tTUt:ii!iliJO)fflt~~t¾{~t.,, .f0)1iO)ii!;liJO)fJE~~, .:f--\'1J70)itfft~i:iJti~
t:-t ,o-t}";r--1-Hr-:it: o .fO)O-/:-::>/:l, L' oo~~lm~~0)7t71/X {l:t1/~--,f-\'7 1J-t:.t.,l ,t"91~1:lfflf.!g~
nt:-=E-1/j-,<.:c.1/•7··:,,-;,-0)fmlJi, u:, oo~~im~~7,t-71.u10J(::t~7v5-,17 -1- ,r-\'7 1J-1:M 'L 171/
~-·-•::r1/ 7-)-77y31/ - 7~7~f/fqO)ffiffl:~ J Ji (200W) t,i:/:_'0)7;1;-7 }i~lfflf.lgU: 0 11~0) Jitfi~l:.t.,l 't°
ti, ~~§.!1J'MMJ'lS:AfH'rO)fflt~Hft:IJ, if-¥0) f'f*~.:¥--.1v-~-/:O)i ";.,l-'7-7~~~-to:/:ti 1t"·~t: o
Gridthiya Gaweewong Presentation 1
Chapter 2
%-<0>7V70>ftiU.1i, 7-717- }-,·7Y• ;7.;,{-;7. '(>;;t /v5lj-7117 ··. ;7..-{.-;7.~JmL ·c 7V7~~t:.totto;f, •;, }-,'7-
7'/f3~~lli£11' t.: o .:hl.t~t:, 1/!H:201f r~t:.t:;l ,-rfUliL -r.tol), %,<0>:;t 1v5lj-7117 ··. 7.;,{-;:;,.i;i~1J •-t o 7-
717. l--·1Y·vV:fy 7-0>ffl:,n(lgt,t;f,•;, l--'7-7~'/f3~-t o v-!f Jv71;:;,.t,.:ht:;li(:t,la9t,:·:1;(, ~~ti.:ct:¾t!'/f3t:
t;tt,t-:,"[l 't.tl ' o wO/i:-r't.t, imli${)t-f:1Ji, 7V7X{tO>t.:61)0)~~cL -r3'tffil:00:{[7V7X{t~'.li!: (ACC: Asian
Cultural Complex) ~~.l[L, 7-1--;7.;,{-;7.0);f,•;, l--'7-7t\'i~O)f_:61)t:;;t Jv5lT71'7 ' · ;7..-{.-;7.• Jv-7 "0)Jaf.J ~ff-r
l '0 0 .f.: t't.t, ;f,•;,l--?-7~JiU.:::i7;f-t,..,-::,,3yO)"ilJ~ttt:-Jl '1"ia~-to~-71Y7. •'(>;tUl~#!i:iJi1'Jbh -r
~t.::IJ(, ACC :1Ji~1f (2015~)9 J:j t:~:{[~ho'f~t:t,iJ•iJ•b<; ·f, .:O>;f,•;, 1--'7-7t.tl!it:i;si/J~f*.Ll:L 1"l •oo
~~301fr11it:M 'L' 7V7t:.totBm~~*O);f,•;, l--'7-7t.t, 7'~000>X{tffltmJ'(>00~(!9tiijU{lit:J:-:i-r'lt3~~
h -rM.:0 ~~1i0)/{75l ',f.L.·V7H:J:I), ASEAN '(>~;t~·;ttiOOO>f'f*O);f.-;,l--'7-7:IJ(~;th, !aftli-tofflt~:IJ(
%,<t.t-:it.:0 .:h<;t.tffi~'(>~lff r11, (G2G) O)~ j!l ~:IJ•<;Ml;tl), '(>:!Ji"[, 7.f<~t,t~:l;il) (P2P) "'-t¼ :IJi-:,"(~t.:0 .fO)
ri, 1---;,-;15l' '7Y1f 'if.'(> oo~a9tit~it:1J•c;~mu.: .:n<;0>iti/Jt.t, :r-1--1. • 7-;,:10> 1Iit~"'c~1t~~t f -r ~t.: o
.:-'.>U.:~Jit:~;J--t o&W'(>, ::i~ .:1..=.71.toJ:l:ft±~~ffi:"'-O>Jl~t.tEO>J:-jt,tt,0)'('9>-:it.:t! .7:,-j:IJ•o V-t-Jl:l.t,
ft* '(>m~,w~i~ · ;tti•N-7.t=~~U.:I), $/rft ~fll!HtU.:I), .:ht "('O)ffi~H~.U.: /.tl ,;;t--f',.i .I.Y 7-t:ijj
tt o.:c:IJi"ilJ~l:ti-:it.:c~ ;t<;ho 0 ~'/'h'(>~~O)~i/J'(>, 11};~0)~11't:J:-:i-r, * /j'(>fl!im~a9ti:fj(~iJi~fi
ti<~ho.:U.t9>-:it.::1Ji, .f ht:J:-:i-r ;f.-;, !--?-7:IJ(~~t:JiJ!lj-to.:U.t~iJ•-:it.: 0 ~ wJ:IJi~b-:it.:I), m~:IJ(M
ill -rt,, .fO)fflt$t.t~~~-:it.:0 .f L -r, .fO);f,•;, !--'7-7t.t '(>:1Ji1"5JIJO)'/f3'(>m~"'-tffl) W[~h Ll •-:it.:o .fO>V-c-J
O>f9iJcL 1", 00~~i.m~~c7V7-l:!Y5l-0)$~'/f3~0)~{tiJ($tfc;ho o OO~~W~~l:J:off*'(>;\'- .:i.v-
5l-"'-O>xtit.t, 20001f-R1i*t= r211!t*clt7V7wi'1f*~wUiiru JOENESYS)tf.tl), ili1fl.t, 71')1::°Y, 7
t,..,-::,,7, 5l1, 1YF;f,V7-r'O>:\'- .:i.v-5l-·'7-7:/'3-;,70>V 1)-;("'-c~{t~~tf t.:o ;;t1v5lf-7117' · ;7.;,{-7.
'(>m~t:.totto±t!!~a9, ¾t.:OO~a9t,t;f,•;, 1--'7-7m~'(>~#!i:Mt.:N'if3~~h n '-:it.:o 3't:1ii l::'x.:,,j--t,..,O)
f P _A_U_S_EJ O)~, :\'-.:i.v-5l-O)f-;--;v;( •x.-,,::,, .:1.iJiV37' V;-:IJ1v5lt' .fO);f.-;,!--'7-7~N'/f3~L. 2003
1ft:f-z;(71~*1ltffic0>::!¾IA.!i£iiru-r' fFixing the BridgeUIH•:IJ'lto)J ~~H-r-:it.: o .:0>:1£:iirut.tili1f, UOO
3'{;#10) ACC ± ~'(';;t;v5lj-7117··. ;7..-{.-;7.•Jv--j'i;(J!l!-g-t o 7V7· 7-I--;7..-{.-;7. · ;f.-;, }-,'7-7 (AASN: Asian Arcs
Space Network) t:J:-:i1"§tttm:1;r ht.: 0
J:t!!~(lgtim-R~*O) ;f,•;, }-, '7-7'/f3~0)t.:61)t:, ;r-}--1. • 7 •;,:f (19ti1fit~t:J{Xl)ffi t; o-:IJ;vt,t,( .=.::,,7717·'t,t,
~t:00~!'.19tim~1:J:-:i-r-it;f--!--~h n ,t.:o o -;,77 z7-fltffic7,t-Ffftffit.t, ~filtrxft0>:fo7 ··71."'-0>x
tiHt-7L, 20001ff~*lit:t.t, ~<;0>:1t1ti0>xti~o-:1J1vt.t~*m~"'O>IIJJ~"'-c~l)tht.: o .f-'.>U.:x
tit.t, VYff;r,-;v~t).L¢.(cL, %-<0>11=*'(>:\'-.:i.v-5l-t:J:-:i-r~ j!l~:1;im~~h n ·o 7-·>' •;f.-;,l--'7-7·7V
7 (ANA: Arcs Network Asia) t:"fc-r<;ht.:0 .:O>ffiffi;t.t, 7V70)ff*O)i;si/J'(>')-lj--f-, it.:, 7V70)5JljO)±t!!~O)
f1=*c::i7;f-t,..,-::,,3y~ff-jt.:61)0)!1JJ~H-T-:i1"~t.:0 ::,,75l-•'7-7;7.0)~fil;j'iiii:tf-r'9>o;;tY•'TY-l:!YiJi-f.1v
75l-~~61)t_:77,(y7 ···-it-:1J7.•701/.:c.7H:.tol •1"' ANA t.t, '7-7::,,3 ,;,-;ft:~n •-t o7V7:l:t!!~:IJ•<;O)f'f*
HMl-t.:I), oo~a9tif1=*t:ri'.i.Jttt.:vV-r:1/7.·707''7l."'-O)!IJJ~~1T-:>t.:o .:-jU.:~ifra9t,t;f,,;,}-,'7-7•70
V .:c.71--iJ\ IA.I 1.;;.W.rUJ·!ff0>~1J•~ tO>~~'(>~#!i:~"ilJ~t:Lt.:o 77,<::,,7··.-1t-:1J;:;,.•:foV.:c.7H.t, -it1::i' ::,,'(>1'
Y=f::,,tif, .fO>fi!!O>ffl\m-r'tilffl~~ht.: o
%-<O>:foV.:c.7H.t, m~:IJ(JILC ~Jt-fiJ•IU~0>!1JJ~t:fM¥Ln•t.:o tt.:, .f-'.>U.:lt.fi-iJi, ~<;HfUIB-r'/lfe:
l •bO>t:L n •t.: 0 ~Bt:.tol •1"1.t, %-<0>7-l--·7°01/.:c.71--iJi, m~"ilTfi~t.tffit.:f.t"t·f;v~m~L, J:t!!~!'.19:IJ•-J
DAY 1 MAY23 . 2015
109
~ The Making of Art with Contemporaries
~sslo11_1 110 Art Studies_02
tlo-/,;vt.i::jj;;~ ~::i b.=. j- -ft:~~Ltt:1.iiC:,L, 0-;f;;vt.i:;;t-·f:1 .:r.::.,, A ~)()lmt:tf § U..:ii!iliJHr-:i-n '0 0
.: '.iU..:i!iiht:ffi-:i -rii!iibl -n ,-5;e::1::.,,J:t!!b.Jx0)7' o :1.r.7r~l -<--JtJ'fgft-l -r ioM..:l 'o
jJ ::.,,;Jf:17 t: 15 l 'L, rRates of Exchange, Un-compared: Contemporary Arc in Bangkok and Phnom Penh
(.1t~:r-1mt.:3(1#!.1t~ = /<:,,::171:1' n~:,,0)1Jm1Hfi> J Ji1.1{, jl,(~f.J::.,,;J{ :17~ttti!b7:17±mh.lx~~r,ci" o::t-A
r7 1J7 t7-1' Jv7>1J-'O);\=-.:1.v-jl-, o:1-v--.;;r,Jv1/>'t7''7,(7y, fJ-7-fYt:J:-:i-r#1..J1Eii!ii~ht..:0 jf,(t:iol,
Ht. H ;¥'-v7 1)-· /,1/::J7-r'20141f 12./'H:, U..:, j;::.,,;J{ :170)-!J"-!J"•/,-!J"•:,7•7-r•:1o:1.r.7r-r'20151f3J:J
t:lfflfll1~ht..:o 1BlC:,ti, jl,(cf.JY;J{ :170)f'f*HM~, .f h.f h,0)00-r':X~v:1-r'>' AHTl ', f,lljffllrfrt:iol 'L
ft&/iJi:;r-Hr-:it..:o
.:\'-.:1.v-jf-O)A j--r ;<>1H:ti, J..j_ rO)J:'.it:=&1.1•h -n-o o
rRates of Exchange, Un-comparedJ ti,6 :tiJ:J t:bt..:-5VY~1/'7L, ~~, .fl "f7-T-f A r·-1'>'· v:1-f 'y
Att/::'O)~ :JIU~~O)r:p-c', = ffllmt::t-stt-5~~1HflrO)~t..:t.i:J!1i~::1>1-t?:1Hl::Hl'#U..:0 00~00*,
.1:1::~l.!9:!¥, g~~ttJJtagt.i:±i!!J.!1!¥, u..:.fO)ft!!0)$1=t!a9-<1tH1:agt.i:ttffl1?-1.11mffa91:m~~n -n,
Oo *)iO)jl,(j-Jv;l; 1,r-i" J:-jt:, *:1o:1.r.7r-r'ti, ~~~flflrt:.t--Jho~~~0)770-7~~fgt:ml
i" o i!H)l:'.agttfflh1.1{tit..:c:, i"ffl~~:;;lf ~l, ft*rdJO) 'Hl!::fi:iJ~t.i: oo~tt ~ =mm 0)7-rO)~~~i.>c:,
hi"~IDtliJf~t:JlXIJJ...h -n ,-50 ~
f,llj;\'-.:i.v-jf-tH·h.f h,O)±i!!lJlx-r'liJf~::l, 7-1' ~-, .fl "f-1'>'-r~«::.,,-f'>'r·.:\'-.:i.v-jf-cl-rii!iibl -n-0 0 jl,(
cf.JY;J{ :17tl ''.), i±~ag{dljfit ~am, ftflll, g~t.i:i::-, -m-1:fffflagmJ~O)i.>o f,lljOOHl::~i" o.:c~~h, =
ffilmO)f'f*O)Wi}t(lgt.i:g~~ ;r,,:,r'7-7t:~§U..: o f,llj .:\'-.:i.v-jf-ti, 1-j_ rO)J:-jt:J!!!..-s:-n ,-50
··· [J:fllllliJ-·· *:1o:1 .r.7r-r'ti, /\;/::17 t:1 /Y«YO)#im:r.i't~iH(Hf:;r-i"-50)-r'tit.i:C ffl;ff (lg{dljfitt:
iott-5 r J:l::~::fi:iJ~ttJ ~~~~l)t:U..: o
rRates of Exchange, Un-comparedJ ti, /\Y::J7t7 /Y«YO){'f*, .:\'-.:i.v-jl-, .fl -r;¥'-v71J-O);r--;,r
'7-7~ii!itt{l::~-1tt..: o ~:/J•::lO)g~fitti.f h.f ht:~t.i:IJ, 1BlC:,li~i~ ;tt.i:>C!lml:JlXIJffih, %,~t.i:#Jl
Jfl. ~#lll ,-n ,-50 ~7 01/ .r.7r-r'li, ~:/J•::ll..J±O)Mlilili.f h.i-r'Jfl 1NNt:l;l;•~rhh -n-t.i:1.1•-:it..:.:t~
truffl:tl-n'o o rRatesofExchange, Un-comparedJ Jiti, Plrmll7-r0) rtttWJ ~±m!_!l!(lgt.i:~pJrt.:'lt-r'
t;tt.i:<, {'f*O)~~fi!il~O)%,~t.i:~~O)~J;f.;~:;;\;~lJ:-jc~h-50)-r'.f.>-5 0 ~
ffl~(lgt.i:v..-S:Jv-c'JloL /{>1::17:;k¥7-r•;¥'-v7 1)-(BUG: Bangkok University Art Gallery Hi, rBrand New(ffitit
fl:)j t~lih-5, :s'-¥ft*~3!ttii"o:107•'7L~1iJ1flfflfll1l -n--50 ~flflr9!*0)7,,,7 ,7,i--::.,,-tj" L •;,r~r:p,i:.,
I:, .:0):1o:1.r.7Hi, ~**¥~$~U..:li1.1•1)0):5l ,ft*t:, mpg 0);¥'-v7 1)-t.i:~ ' "('t]JO)-fflj)iO)fl~~m#t
i" otl '?bO)-r'.f.>oo BUG-r'li, ~±mioJ:Lfiflt7~0)=\=-.:i.v-jf-H?5t ,-r, -ffl!JiHr'.if'f*O)f'f&liittr.fHr-:i-n'
00 .:hli, ;s'-=j:.O)f'f*;l;1707 .r.•;,'1/37 Jvtl "f0).:\'--v1J7~~<t..:i!bl:, jji!l;f.;~l -~ht;;\; ;tC:,h,00
:1 L· r>'71/>'•7-r-t?Yjf-l:iol '"fli , ~f~t::t-stt-5Jlfi¥i7:170))()1m~:;;\f ;t,5..-s:<, rTraces (mi#) J (2012~)
~ rTransmissions(wll) J (2014~), .fl -r rMissing Links (,tlfli~ht:-:it.:i>tl)) J (2015~) t.i:~-, ±mb.Jxl:fi' § U..:)i'Ji
~~ Jilffll -n 'o o .:h.t-r't:, ft*HM~, taffbLtt;l;iC:,, 1BlC:,c;;t--f'-f .:r.::.,, A1J{g~~#~i" ofl~~titlllil -r
l 'o o ~cy.*agl:ti, J:IJ~C JAfit.i:Ji!fi~~ft*ttLl:~r'.i'r)l:'.-r'.f.>o o
.:h.t-r't:1Eii!iiU..:Jil'.~O)r:pt:li, i!f~::k~-=f-v7 1J--r'O) r mnemonikos: Art Memory in Contemporary
Textiles ( f--'-\'-?.;,{;vl::t;tt~lc!ffiO)~~)j (2014-2015~) ~, 7.=. 70)~f~~flflr-f'-!f ,(::.,,~ffifg (MCAD)-r'lfflfll1~ht..:
rsafe Place in the Future(?) Dystopia Now Utopia Never (**0)1;:1:t.:J;l,}ffi(>) :r1?.l-t'7·-:l-?,.:t-l-t'71.t;i<ia!1:t.:<)J
(2013~) t.i:~-, ft!!J:t!!b.Jx.-....t~rillU..:LO)Li.>IJ, ~~iltt:iUl~t ,tJO)Ut-:it..:0 .:'.iU..:%,<0):1o:1.r.7Hi, ~ffl~I:
Gndth,ya Gaweewong Presentat10n 1
Chapter 2
J:-::i"'C-+J-;r--1-~h, 0040>~ .:1.5 r 1J7 Jvt.t.::f,,;,l-'7-7~iiL --r~JiLt:LO>-r'<0Q0
2013~1:Lt, 1,::,,:::i7~Uj)(ft-t?Y51- (BACC) ;1;1, it!!~t::tf § Lt:Ji!Ji~ rconcept, Context, Conrestation:
Art and the Collective in Southeast Asia (::r:,,-t:11-. ::r>'-r7AI-, ::t>'TAT-V3>' illl1'J7~70)~ffi/c::rv7-r,.Y) J ~lfflfl
Lt:o ;ijs;Jiti, 7 ·-j- ·..fYAT ,1f-.:1.-H0>::i5;f-1,;-:;t3::,,t:J;91,/ ..{t:n«@L, U~i'.f9t.i:..f-r·:::to.:¥-~Jlfwi7
::J70>~Ui't:J5ttQ NW.L ¾t:, i±~~i&~i'.f9t.i:!ffolmt:J5tt M1'*0>J:!t~;i<a{Jt.i:*.lt~ Hl:lft-Lt:o .: 0>~0> 7'-A I-·
~.:1.v-51-t:ti, 3-7-•I/YV- (:,,:,,;lf;f--1v), 77··y-7::J-\' 1-=-:b::J.:r./Y (,/>'I' ;j.:,,7), '7,(/ {-l-· 1' 1Jr-\' /:1/(;$1,/)
t,i:f;l;1l ,t_:0 !!!
2007~t:, -+J-..{::f::,,t:M 'L, -r:.iY•Q·v, j-,177 =--·+ .:t.Y, r'77Y·7YF 1J.:t- ·7•'.r.y, .fL --r~c;O)---: 1-f-A*
7 PJ:b}\O){qJrJW, -+J-Y·7-l-~~IPJ~.1LL, .fO){~, ~<, .I..::f,Jv.:¥-l:~ht::::t-Al-51J70)~.:1.v-51-,
y··--1 · /\ •,' l-;1;151 ~ml --r'l 'Qo /\,;, Hi, ~~A, {1:*, 5..f 51-, ¾ t:, .fO)ft!!O)ffi~ffiWTa{]t,i:)( ftlfflf**~
*-f-~Yrpt:tg~, v7r-\'-, '7-7V3 •;.,7, v::J-r'YA •1' 07 ··5 At:J:-::i--rm~~.h,Q.:::.~rdl0>1'07··5 A
rconscious RealitiesCtUftliY,Jt.:IJI.~) J ~.lltJ:.tft: 0 .:-jLt:i,tln;~iiL --r, 7··0-1,1v·-+t?Ab 1~~TQ~51:!t:f{
§ L, .f ht:i-fi' Q%,tRt.i:Jx,Z~, .:-jLt:::i~ .:1.=. j- ,1~ilL --r#~..--.;:~~~~~~L n 'Qo **t.i:c;ti,M!Z-i:iJ
?{cb N iQ.:-jLt:i;fln;ti, %-< 0>~-8-, IB* .:l:OOc0>1ffl1*-r'IB~tm~:ff 0>X ft(!gt,i:{±-~-utfii··:nt QC l '?.±
t'EO>Nlmt:lfibhb1t-r'<0M 1, rco nscious Realities J ti, Jlfwi7::J7, JIU ::J7, 5j-Y7PJ:b, 77 1J:b~ffi
Wri' Q*->jla{Jt.i:i-flni0>1l!~tt~ir-~L n 'Qo !!!!
::J37·· ::J-\' j;Jv51• ~-.r.Y:r-v-r'ti~c;ht: J;-jt:, 7··0-1 \Jv •-+J-17 At::1Jrt;Jtt~~~ T QO)li~~iltt:~11$;~l -.:
c-r'<OQ0 ::J37··::,;:-\' j;Jv51· ~· .r.::,,f--vl:J5l ,"'[ti, ..{Yr·~ .r. ::J7°r, :r ..f ::J.:r.1J70)J:-jt:~-llf±t!!~~-tf QCl ,-j
§i'.19--r', ~§1, Oc-:>O>OO~I!XOJ:.tf"'Cl'Q0 o-j;Jv;l;•c;o-j;Jv, ¾t:±t!!~a{]t.i:.::f,,;,l-'7-70>btfflti, ~t;1;•c;7··
0-1,Jv•-+t?A~, 7::J7~p-j;l;•c;.fO)ft!!0)7::J7' 77 1):b, 77::,,7 )(1}:b~HMrL Ll'Q o .:ht:J;-::,"'[7.t;/;'Q
O>ti, ~~~Ui'O).::f,•;.,l-'7-7ti, Lti~7::J70>ffi~O>ht:~.EttE'.~hQbO)-r'lit,i:l 'cl ,-j.:/:t.:·o
OAY1 MAY23, 2015
111
02
Sa Sa Bassac Rates of Exchange,
l n-Compared ll(":fi,,;,.1/ 1/-7-J:I)
http· 'silaka.org wp-content/files_
mf 142206968~meJ,arelease_
Ratesoffixchangel,n(' ompareJ
SASABASSACpdf
03
l•H.
04
Concept, Context and Contesta
cion," H.moi Graperi,,t
http: hanoigrapevme.com,2015 06
exhib1tton-conc.:epc-concexr-conresta
t10n-hano1-arr-an<l-rhe-(olltct1ve-1n
soucheast-as1a 'r7~:1.201o;4:6IJ
05
San Art, 'Conscious Realines."
http: san-arc.org/consc10us-realic1e-,;
about
(77t:UOI ~ If.<,)!)
~ The Making of Art with Contemporaries
Session_1
Off-Track ',?~til?iii
112 Art Studies_02
[IIRll'l'lf 9]
:"JHlL--r l:I-J:-5o ~t.tt.:tt.19901::J:,(~t:7-f 'J 1::•;,,~trulO)ffllrp / {,¥. ,t !::7-i 1J l::0 1/ i:J:lrulO)ffllrp / {::ro F ~Vi h n ,-50
.:\'-.1v-~-:Mt 1J-!J'-+~-!::L--r, cJ::~t.t.=. "'?0)~4,'pC;,t.t-5±1!!1I, "'?¾.I), / {,¥',ti,lfil:ff-t-5~trulO);v1/1/ If!, / {
::ro 1-· i,lfil:fft-t -5 i:J:lmltj'-{-!J'-\'ffi 11!1:: wHfflO) ~ ✓~--j-,t lf!r, 7-7,{;,. 1--.:1:2~0):JU0*-':l.1:1--\">*-':lfilU="".)l ,-rO)~~~
~ it n ,-50 901::J:,(~t:.:\'-.1v-~-O)~~i::l 'itti' - ~(19t,t*ffit;t*O)J:-jt,tLO)t,:' o 11Hrtl~!l1f9~7V-t:~
tH~-:>-r-=¥·~7 1)-""-iafi'-t-5!::, ~jli,l7-7,{;l.rO)f.!i~M~~it -r(h-5 o ;l.7,fJ-'-\">1-tJM~~ ~ L' (~flll:b 11Jh
Ii) 7-7,{7.r0)7f- 1J.r.~llfjr.,,l.,, ¾t.:~fi't!t:m-5 o l 'bl¢-5 r /{7V.1-l--111f r J t! o .:\'-.1v-~-t;t~i,•C;,•l •111f
9-r~-r, *O)rl'ffO)iliH'.f-r.' &,~t,tb0)~-¥t:l.,, ~frtl-r.'1/1!}-:>-rfr<o ftgO)~)(-r.'~~t:~.--s:t.:i,l, :-5U.:.:\'-.17J--
1)7Jv0)'.)Eff!:: ~it-5-¥'i:tt;t~t:7.::.7t).~ ~O)~Plf-r.'t;ttlfml.,t.tl 'o Q! l '"'?bO)lfitil•C:.!lht.tit hlit.tC;,f,tl 'o
/q-:-,t-r_'¾-f'Vih-5.--S:~t;t, =¥·~71)--r.'b, <*~7-f-,7.WJiliJl:*{JlliH -n ,t,i:\ ·l!H~l.:t) 7-7,{7. J--0)71--1).r. -r.'Lt.t<,
r .7J7 x. '/ {,f •·lf • ;v-,f::,, :;(Jcl ,-jt,, A J--7::,,t..:·o ::t:fi'ttti$ .lE 9-50 + i:p A:ft., 7-7 ,{ 7-l--t.:ttt::t:!U-:>L
l '-r, t.:u~e:.il 1l ,t.t<-ri, •~tff~!::§~"""O)mmL *1=z-t1:0)~1l-1t, !:':1:1rit1£m:<-·~i~ "'?tdil•!::l,
-jffiffl~it-¥1:J-. -5o ;1. .::..1 -*UJJ,ij!J~h n ,-5ffiffii,•C;.t;t/ {;\-:' ,t0)/.!~i1 1±.i:irl'ff ~it, f.J7 x.il1~-5:0)~Plft:
t;t, i,•"".)-r .--s:;,,7·,;, 1--fli O)i]J~7 PJ f.J A1ii ffl-$0)ffil~il1ijh n ,t.: :!::, 7 ;1. 1J f.J r'=iffi'.iJO):i!lt~±i!!-r.'~-:>t.:/ {,¥.
,tt;t 19441::J:, ~:!~JJ1Jtjj~t:J:-:>"f$i/ii£1'.191/t~~~tt, 1iiffl$0)M~M'tf,!fl!::{tU.: :!::~ffl-5o :-5U.:±1!!~0)/.!
~ll~~~M!fi, v 7-J--7;,,0)7 ~--::J~--\">.f:t:@1l-b-1±-t.:±t!!jc0) At.:t!::~~-t-5-5tt:, f.J7 .x.0)$1:1-il1,
~t.tf.:O)~~;;ff;l-r_'~,5/{,¥ ' ,t,7-..y,,¥·1vr· (BAG: Baguio Arts Guild) i::~~l., n--5:i::~ffl,50 ftC:.b, lpj!;;l.1/
/{-t:J:-:>"fiitl~~h, lliJt~rl'ff t:}ilffll., n ,-50 f.J7 .x.il1, ~jif(j*, ~jj!jj!M,(-t~' Affi~~' W*-\">-fr**i,(
tl:l~l', .fl.,"[~-j~t.(t:t.t-:>Ll'-5o ~HI-r, :0) = "".)0)7··1v-7i,l, Jltm7::J7P3!::t;t~bt,tl,t-r.'b, OOP3t:
M ,-rfl£rff t! il1:l&Lit~~-5:EJH~7-I--O)-f ""1/1--~1:l:l-tl:IU.:O)t..:· o
.flll~t:L~t.tf.:O)i!Ml~i,1 (19991'j':O) BAF : Inrernarional Baguio Am Festival [00"-/<-'¥::t~iM~ ] O)J;-jt.:) ,{ ""1/J--O)lffl{N/!::}t
t,t,5t,tC;,, ~tt; tt.ti.m\liL!::.fO)~l.,0)~-0):jx~t:,(-;j-~,g. bt.ttt htit.tC;,t,tl ' 0 ¾t.:fl.O)J:-jt:, VV>*-':l~ft~ht.:liJf
?'l!Ji!!iil•C:.*n ,-5~,g.1;:t~r.., i'.19770-+~lfJT~L,, -f ""1/H:~1J•, {;$~l.,, ~{jffil.,t,t("[t;tt,tC;,t,tl •0 :ht;t
.L.:J.wn=~xr~""t.:im0t.:il\ giJitti, fl.0)~1l-tt-fttil(ffill±~J!r~-:>t.:J:-5t:, vv>*fma9r r Arl'ffJ 1'.19t.t
*jct:ffllitil'tt-r( -5- JlO)~*t: ii§ l.,t,t("[t;tt,tC;,t,tl 'o ~ ~Bt;t l.,i,•l.,t,ti, 1C;,, 7··i.,,7 .L. • -ij 1)/ {;,,i,1, § .§'O)
::f,('f0)0~!::L, -rMcU.:' ri!Ml~iti/J!::L, "[0)7-1--0)~~ J O)jl~!::.f0)9tfflt:HbttH/t-9-r 1:,.,5/::, ~t:7 .::.7!::
l '-5%1:kt.tffllrp !..:J.j~O)±t!!~t:.t-sl 'L, 7-7,{7.r ±~O)JU9*-':ll:l-~J!f/l¥L,J:-j!::-t-5t.tC;,, 7-7,17,J--O)jl~, "'?¾9
71--1).r. -r.'0!::9~4!::ffi!H-titi/Jt:JU9*-':I.V:f.!IU!l!t.tA4w!:: l ,-jjl~.fO)bO)ilir.,, btt-5.--s:~:!::t:~ -J <o ~ ±1!!:1I-r'it
i/J-t-5 7-7,{7.H:!::-:>-r' 71--1).r. -r_'O)~~t;t::::Cftiti/J, ¾t.:i!Ml~iti/Jil•C:.W9~-t :!::il1-r.'~·f', -1}-l}/{1/i, 1;,r,
~-t-5J:-5t:, :httffl i'.19-r.'~-5!:: lliJ ~t:, :"lHl:ht: '!if l:l-~ffi!'.19t.titi/J-r.' M, .f L--r :O)ffli'.19:o'"'?mft:h .fti,•t.t
1±-li-t;t, AX * - i±~·4tJ!f31.~0)~~t.:t0)6Jf?'lt:ilifJ.J.L, "fl ,-50 t.:t..:·, 7-7,{;l. H:!::-:>-rt;t, iti/JO)ffl{g, * t.:t;t.fO)~tiil 17 ~ lJ .r.t:~-5t..:·itr, iti/Jt;t gi:%,~t.tf-lPlr, g1Jitti, ~'.£:, n L -!J' -f /{-;,. ~ -7.""-i::Jilm
l., "fl ,( 0 -1)-1)/{1/0)*!Jlt:J:,5/::, r 7-7,{;l.J--i,1iti/J-t ,5~jiJT-r_' --·['t'il&] --· Ji!ffl-t-5filff,fi/::itl~,fit:J~tf.:~
~ii!ii/Jt;t, 7-J--O)~~t:J/--:fl ,t.:6Jf?'l~"A-r.'~-5J [r~iM!:tl'lt.:t*:\ll:U,Jo ~
7-Htllit.t-5 rm~J, "'?¾9~'.JEO)-f-f',to.:¥·-, ±ffl-\">§i'.19~~~-t-5t.:<11)0)1i!i½:f9:-r·t;tt.t<, ~-5:!::, -t-5:
Flaudette May Datuin Presentation 2
Chapter2
c, ~to-:ct:OObo!ifilfl°O)~.ll.#ht-c', .fh,§ff.:l/1i it Jfet,i:O)f!o 7-7-1'Ar:bl* :bqto 7 -H 1:Jlrli, 1w, 1
t.:li:Jv7~-0)/Jll~~51 <£1wct '?fl9tlHli~i" Oo f1:Jlrli, 7-7,(A 1-:bl fJJvf- .17Jv•'7- fJ-cl., -rfr -j
jlO)fr~c ~ ~:b•~twllli"-:c:bl-(~t.i:t 'o jJJvf- .17Jv•'7-fJ-h ,-j~mt:ti , 1£:ii!ii~, ::17,r-v -~-- ~lf ~, 'if!ll!il'Et~, f1:*, Ill!~*- ?vf~~tt:'~0)~~$~, '/it~~ifi, * .:1.v-~-~, c~t:ti:¥-\' 5 1J-~.fO)ft!!
O)A~-AO);t--J--O)i'.:bl~;ih, -n 'oo 7-7,<Ar:b ljg ' , ~~I.,, ffiiHHll&:lt:b1frbh, tit ~ ;tt.i:Jt1h ,-(
~lJJc ~f& HUlU.: -/J7 :r. • 1 {,f ·-If· iv-,<:,, ;(t.f 0)0c--:>0){9JJ-c' if:>oo
7 1)AI- & :1-\'1/3l•7n-F:bl, ~~§.§-0)70:1 :r.71-0)ff{dljt:,t:,t ,-r fflt ,t.:N•~ (-t 1J,<:YO)*ff~ii1.,-r)ffi)fli" o
c, 7-7-1'Ar .±)JO)JIXl)*-Ii.1':b1i!l!ito:ft~agt.i:~*~~®O)-!HiH:00~t.i:<, .fO)~:JIHiif:>ofll!O) rll :$< J cl -r
tJU~ho o ~1.Ja~, -~~, 1£:ji!jj~t.i:f, :1o :1 :r.7H:001J-U.:~-rO)A40)J:P"(- t~H:, !W-/tt : ltft:b l~-=
I), *lW-:blJA:bll), i:IDl:bl§'.Jt:61)00 amO) i tii!ii0)~~:1; ,~, JAfilfflt:bt.:oOO~llOO~ A4cO)}l£4c~ <~ ~
~~-r, :ft~agt:~mt:~rf--:>< 1 -(0)~<-r!lfiU ,jiO)l)li, ftl~ttt:~ A, -c't ,-r, ~< O)S:c~~it -r<ho o
r u1t~ffiO)llt:m::1;1f(f--:>~1fia9*•1i, 1£:ii!ii, ff11ffi, 'if!ll!, Jl!Z, 5Htr, 01m0)11:~:bl•l)t.i:i"ffitlt:J: -:i-r
~itt-Jlt~h -n ,oJ c-itlJ1{1/lii£.-S:oo ~
*fflli, S:O)Jl:$<0)mi:~~-:i-rJ{O)r,,iJl.IiH~Mi"otO)f!o 7.::.7.l-j.7!-0)i1k:1i0)7-7-1'Ar*'J-lf-f--\'-•fJ
1vf-.151v•'J-fJ-li, itk:!Jlx0)7-l-'1/'-1/U.:OO~a97-l--;';,'-:,,t:f O)J:-jt:Jtifikt, -n ,oO)t..:·0?:b'o Mil t:, :1;,
--:>~R H~ot.:&f)t:, ffi:m:mlhcl -r0)7-t-O)~~c t ,-jffit.:t.i:it:b1:001., -r, -it 1J1{:,,:1;im'iFi" o::::--:>0)0 El 1:
Kh-r, -:O)r .. it ,t:~;t -r 1'J:-jo ±1:llt:m:ii!ifh-c'if:>o rffiiJ/tt:,t:,ttofitl~L rN~URJ c::1h.::.7 --;';,'3::,,~f¥-j
r #lii]ff.t:.t51toitl~L #tffttt:~;,, ~tia91:li~1i'i~~-:i" r::t{tl:.t5ttoftl~ J 0)::::--:>-c'if:>oo .f h.f h
t:OOi" o-it1J1{::,,0)~-0)J!*9tiJ{O)Jll)t! o
- rffiiJ/tt:,t:,ttoitl~J Ii, 7-f;:'l(agt:ti~~t.i:~:m:ii!ifht..:·o 7-7 -1'A Hilir,a9~IDlcttffi~ lMlt:ffit.:t.t*l
1t~!W-cttt~~twl)tii< :1;i, lii]f1¥t:tlW.~HHit -r ft!!O)ffi:!Jlxc~~ 1., -n -<o
- r #lii]ff.t:.t5ttottl~ J ti, rNMfRJ O)f1:~cl -r~itt-:11t~n, *l1t~ffi:blf(f--:>f~iUt:bH r ~l, ffil.t?O)
7,<,f",<7~00)r .. ,e, u.:JAfilfflt:bt.:-:i-rtt=tEi" o~~O)/R:_r;eO)ffflt:, ffit.:t.i:oo~~~MH i" 0
- r::t1t1:.t51tottl~J ti, #tfftt1:~M!7-t-O)~~:b lf(f--:>JW11¥tt~a*1:itm1.,, *l1ta9~~1:J: -:i-r, ti IDlt:m~i" o:1i~~~~i" oo
rffiiJ/tt:.t5ttoiiJJ~J ct ,-j&§-c'li, 1{,¥;t~1{::10~·0){91Jl:.f)oJ:-jt:, 7-7,< A 1-WJ-it-f--\'--iJJvf- .17
1v•'7-fJ-cl -r, fM.:tO)mfl~lifil~fti"o~~Ji&I), fM.:t:bl~t --n -o:tlmO)-f ;<-:11:~ft ~~-=i" 0 1,::1
o~·~Jml -r, f.L.t.:tli, ; {j-,f c,f77A, ~,7··0Ac'1/'.::f;t--1v, -1?'1'c;f-;t--1v, "'t7-Jvcv,f 7 ct '-:it.:~tltt
£iJ4:b•~~o?'-1'-it~ffi£1Jt::$<;,tfoo rwJfO)J!{~O)~~J cllflihoJ:-jt.i:, tlf£1J:b1ffi~:b•t:.§'~~it -€h-r
t ' o07:1/f-•;,7t.i:#s¥1i, 17',<-lf~ffi £'10)7-7,< A!-O)f1:Jlr:b•~li- #utlh -n 'o o .fO)f\?;bl)t:7 -7-1' A Hi
r*±~.3:.-•J7 1J ;t 1.:b•~.sil.~L it.:!fiffia91J71J :t 1.1 r, t1tt1' tt.i:~ffiagt.i:Jttt.Rt:J:-:i -r, Wm ft , ~ !W-$ a9
~ 11~7,f ,f'::,,7 -1'7 -1' J t:OOi" o*±~r .. ,e1:~1i:.,t:JIXl)*-Ii.A, -c't 'oS:c:bl' ~ ~O)~ll!it:Ji-rl!Xhoo !!!! i"-c't:
j'ffl0)7-7 -1' A 1-t.:tli ffib.lxffilffiagt.i: ;<,f',<7 ~~?Ct ,-j, ,f ::,t ~-j--;';/37 Jvt.i:*i!~ .§-1:--:>tt-rti t ' obO)O),
r !1k:1i fs~~ -:it.:~m, ( ::,::,j- -y,;/ '7 ,(~O)ff~O).):-jt..:) itk:,cO)*ftO) ~m, ±t'O)~ i t~ i&'iita9Jm~ O) "J.J..1it:--:>t.i:
:bloJ ~~a9~'.Jt:bl{1:Jlrt::fci#tl -n 'Oo l!I
lii]tlt: BAG 0)7-7-1'A "*1£:ii!ii~t, 1,:¥::tct ,-j:l-,lmli, UiUi;.f .ll.i" o~~O) .ll.:tl:b1t¥tEl, i1k:1ifsc
7'c;{E~O)~.§-ft~~tlt.i:::tft:b1 ,i:.,!tkJ: <~~-&:-bt11)- ff>fti" oJ:-:,t.i:, ~f!la9 r o--:>1tJ r1it .i:t --=c~r-1-~~
DAY1 MAY23,2015 0ff-Trackl•?\tiliil
113
01
Flauderte May Datuin, 'Land,
uxal1ty and Commun,on, Punanuu
-I Ph1hppmejo11n1,1/ oj 1he \t1J11.:1/ Art,
l...J1zon (Manila. Nac1onal Comm1ss10n
tor Culture and the Am, !C'\)2),
rr ,-1.4 0
02
[,~ !·.
03
C:rraeme Sulli\an. Ar1t1f Praai,e u,
Re. earth· /11qm,-, m 1hi \ 1111a! -\rt1
(Ca.,torn,a, London, New Delhi:
Sage Publicat1ons, 2CXJ5)
04
r"1I • r x,
05
[n1 !: . r 119
06
Parmk Flor.-s, V,a the Visayas.'
P.:111u11.1u J. Phi11ppm,Jo11r,w/ of
\ uual A rt, \ '")" ( Man,l.
Na 1onal Comm1ss10n tor C ulrure
and the Am, 1999), p.11
07
[n1 l:
~ TheMaklngolArtwtth Contemporaries
114 Art Studies_02
ot:-t oo )'( ftii!iibt:IM]lj. t., -n 'o 7-r 1 A Ht, lll.J't±i!!c I., "[0)1 {.:¥. ;tO)I:J/.!iJHrg · )'( fti'.19m~t:31: tiRJ:b•bt.i:
tt ntit,i:C,t.i:t ' 0 'iitt:~ft-t ofi_R:bi~-ft~.h, ~lll!t:i/i~ftt., -n ,o:f:R~:biit:)ot:ti:b•:b•bC, -(', &,-fU~
fmi'.19-r' 1:ji!il-\'->i't ,1cf.tt.i:ilif~flllrln:1;t.t.i:o~ n -rt ,t.i:t 'o t.i:~t.i:c, §~I:J/.!ilMlllmO)I:J/.!ilti~lll!t:~J!!t., -n,
o:b•C, t'it:loo ml
.:.: t'~ii}rt;t..!iit.i:o r :tt!!1f {sJ t't;t.t,i:<, ~ji)rO)~Mt;t., tf~t' .:r.;\'-~' 'f •;,7 t,i:LO)O).!ii~t.i:lt~t:J:-50)-r't;t.t.i:
C ~'.il:O)~,l:!i'.!{Jitctflijt:ffl-:1l't.:t>O)t'it)oo :tt!!~t;t., *iii'.19~ttO)iiJrt£:tt!!t't;t.t.i:<, 7-H~·~M-:itto r~
)i)r J, .fl_, -r:l::IUIIJ~li&9~1ti~tit.:C, -t7-I-O)iiJ~ttt:J:"'.)-r~M-:11tC,.ht.: r~Plr J t,i:O)t:·o j;Jv'f:::,. =J Jv• '7-
:fJ-cl., "[0)7-j- 1 A HJ., Affl, ::;.r.1/~' - · 7 ,{ 7 .1/7,{7,{t:t-:>bo li!il '.ii: ft~.ht.:lflii}t't;t.t.i:<, ~t:.:O)~-ft
t;t., OOPL tt.::tt!!~flgO)~!H;ij(rgt.i:~m<•~- t&/,/17'o,;,::r.71-. '7-?V3•dt.:tll:J:"'.)-ri!ii¥, fi~, l!l.:}'{;, fj.R, ~
ff:biJl;b~-to~ibc iiJibtt~AJJHtl -n 'o o
m~O)~r,~!l!f~~~, it.:¥~!'.l{Jt:-t o.:,r, ~:bio,M~~llU~-t -570-::; .r.1H:11Xo*-!f.,7j., .:nir1Jl1t
{t~.h -n ,t.i::b'"?t.:~.:tH!Hl:!-t U!ltt't.i:(, AP!>f91Jcl-r7-l-$IH1:t:slto:1i'i!Ut!Vtt:~ft~~.:t.,, 7-1-c
7-T ,{A !-0)'.il:~:bi- ~t=N~~.ho o / Jv--<Jvt-• rl:::°-'7,{-J •O/v~ ·-1/:bl j;t,,1/•70-v ACO)~q~"[';j(O)J;
-jt:J!tt..-s: -n 'Oo
il$t:IAJ:b•"?-rm~~:!ll:b.U.:&'>t:, fM.:'tt;t.~ib, ~~, tjiiJr~&,~cl -n ,t.: o 71 1Jl:::°1/X{t-i?1/~
cccPJ-\'->.fO)ftg0)7 .=:.70)~1MJ:b•C,.:.hC,Hfo.:,t;t.t.i::b'"?t.:o t,i:O)"[', §~t.:t~*-6.~ft-t o.:ct', -JJ~
Ef{f l.,"9{;(1/)f,:O)f:'o ~
~®tIJ ft O)~t r; i t.i:1f i!~~o t.:&'>1:, taftb1.,:t-71/t.i:il:~~~-::>.:, r, ~J(if :b,c,O) 5i:tJ-\'->m~t:M-t o~
:f¥M!~t'~o o f9iU.ti, 7'1-it-vffi iJJ-r' fttilr-<lmilli~nt.:1Ut~ffi0):tt!!~-~t'M, tt.:7.=. =J .!.i5'~0):tt!!~
t'fmf{jt~h, -n ,o.:O)ffl0)707··7 .L.O)Jflt', ;ft~O)~,l:! ~~-::>c~h, -n ,-5 VIVA EXCON(Visayan Art Exhibit-
Conference) t;t., 90:lf.t:m&'>-rfmffli~h,f,:0 71 1) l::0 1/)( ft-i?1/~- (CCP: Cultural Center of the Philippines) :b•C,O)fjll}J
t;t.it)"?f.:bO)O), BAA cff,~h,,57 ··7,;,7 ·7-T ,{A •)l•,{1/•.:r.,{::;7 (Black Artists in Asia) O);l.1/ J{-C, (/ l v-"'/1.+ ft::
') ,1- J •OJvY;,,, 3li ,JvV:t·7 Jv,;fy71", r-l"-1)-·=1- , 'f =-7.-7:J,;/Jo;,,, ft!!) O)~l,ij l±l'itt:J:"?L:JEil!iH:t.~mu.:o .fO){i,
VIVA EXCON t;t.lO:lf.rdlt'5@Ifmill/~.h,iij5'~:b•C,7-T1Al-:bl~1JD-toOO~Jicl-rlmill/~.ht.:.:c-\'-', ~m
0) lmftltc l,iJ ~t:m~O)~~~~ "'.) -r Ji~~:blff bh, t.:2010:lf.t:t;t., r)' 1-it-v -1::· .I.1/7-vci'; ft;:bi~j! ~h,
t.:0 2014:lf.fmill/O)nu@!Jit', VIVA EXCON 0)1',ft;:blflii!iU.:0
,:O)J;-jt,i:7.=. =J:b•C,•ttnt.:tliiJr-r'Jifmt., -n ,,5J1X9*-!f.,1j.t;t., ~/(if :b•C,tili~31:U.:~t'lmill/~.h, ~~tHlt ,t:
~l.,t '7.)'' it)"'.)t.:cl., -rUf/x4t.:obO)t'it)o o ~C,(;t. f.:t ,-n ,O)~-ft' ( ·l:7', 7 =.7, 1{,¥,t, ~·1<:;t' 7'.r.ivl-·7'•);,,-t-lj-O)t-j
t.:J oo f130)j:_~ffllm-\'->, iij5'~0).:\'-:::,.v-~-, :::1v1~--\'-'=J-1 ~-O)rdJr~c,n -n ,o, 7-:,1,,-70)Jfl,i:.,:1-1/1{-0)
~i',Jt~~"?L, §~t,:t,O)A~-A{->rp~~f'F9J::tf-n '"?t.:o
J::JZttO)IDGll]:b•C,tia.~ s t.i:J:-3t:, rtIJJtt:stt otitl~J it, 7-r 1 A 1-, 7-t-O)lll.%:O)t.:&'>O), (lll!~1m1::~@11mr0>J
7-1-~ff O)&,~tt~ll_ijJiit:ili~-t o r ~l,i]{,f>t:sttotitl~ J ,t ,-jjffl§t:IM]f!(it., -Ct 'Oo ii!;j}JO)JiWlfit', 7,t-
71., bl(l;t.~f-Jj:bl'iitt:&,~c~.ho.:ct;t., BAF-\'-> VIVA EXCON O)f9i]l:it:)ojffi.9t:·0 ,:-jt.,t,:7,i--7.L.t;t.7-
T1AI-, f'F*, ~~ifi, f:it~*{->1~!-01/, .fl-r:tt!!~::1~:::,..=.j-1~, ffi1i¥1l?ict'-j:f:RiR.O)rt:•-ft~itt.:o ft
~i'.19t:7-H:t!irf-:>( - jlO)f'F¥~:iffi.L, L' 7-j- ,{ A 1-:bl~t~· tt.i:lll.%:c::J~ :::,..=:.7-V31/~cof.:&')O)§f t
Hto-1f t', .:-3U.:¥1l?f t;t., ~"[O)~jJD;ff:b•C, iiJfmtt~51 $/:l:!i' 0 tt.:.:O)J;-jt.i:•io~:iffi.t., -r' ffit.:t.i:~~
;blffi1f ~h,, 00 flgO)~i~ -tt.i:~ii}rt:ct:>0%-mt.i:*-!f.~O)rdJt:~:bl9;bl1::_ih,, :b•tt)'J1f~t'JA:bl"'.)-n '~, Mt~
Flaudette May Datum Presentation 2
Chapter 2
t~ITT!i:bi%!Jmt:!l[ffi~.h -n '<o
L:b•L:5[~Jm·Clt., 7-1-$~-l' f 77 ,f:,,7-,y J tl ,-j~dJi:IJJx:b•C,~~~-f-3tt ,-j~hti, /,,f::t~/,::m F,
-f L ·nn.t. ·(Ut<Jv-:,1::,, £~17",<-ij--\>llUf;O)J:-jt.i:m~-r'%,fiAt.i:~fit::iol ,•rti fE!ft-r'tYJQo 7-7,< 7-HU~ ~:ff ti, ~*•r'f.liitt:-Wrrn~~.n, t~t=ti, titt1c~t:tif JV.i:gm UtL ·n 'Qmf-t7-H=iW<~im.V.i::oiG,
fO)J:-jt:7-rtti~Mf*t.i:::k*t7-r'l'ili· ::nt J:-3tVn 'QO):b•a {91JA.tf, o;H(::,,ti.:-jr,,,t ,:b•tBa If O)
J: V.i:l!L~:b•G~-r0)£·c·7-1-0)~jij:big,: -J -n 'Q0):6•? b L< ti, ±t!r1f 0):5[f-t7-r'l'l'1'.6¼L -n 'QbO)tifiiJ
t.i:O):b•?~Gt:1fi::~t.i:O)ti, fL.t.:t:bi:i~ .:z..::. 7 -1' t/:'O)J:-jt.i:Mll·ti'l'~-J -n 'Q0):6•? t t ,-j.:H:·.;s-3J O 1ll
1:::C{tt:.:tottQitl~J O)iJi:IJJx•ni, 7-7,<7-Hi, r,,,oO)U:fil, JxMttO)M'~t§ 2ffi;fft:JIXl)mt'o .:.:-r··, 1Bi Gti:&il!li, i!11Httll!tl!i:O):if&fi'l'im.L-r%,<O)~iJlt:W:JmL, ~~L, :j:frl)-@-t,'l'-=>tB.:thS',f(V.i:<~.hQa ~illt
ti, ~ m a9J1Xl)mht=~<t-t QfMJJ?O)ttl~:b, fM!A:oi&,~t-t Ql)O)t1£il!li-t Q1: -c·~*~.nQtO), fi;ffttilif-t
•ti, 7.fs:4m tllW -is t.i: 1:·, ~ .t. ~-.t.t.i:~ fzsl 0) rdl t: 1: t;: Q ti 0) t.:·o 1b tiS A,J, o ;Ht::,, tHJHi t:iztt---;;. Q0 1VIVA
EXCON :bi~-CO)~A.f.:'UiJ~h-n ,t.i:t ,:bi, ';!-'t.i:<ttr,,,&'l'll]Qht:tf:IL -r<.nQJ0 .!!
r,,,&O)tl-t-=>ti, M'~i:iJfi~•titMf*L -n 'Qo (lo(-fJ';.,:r,a::i'-#-{?-\'>-/t!!O)J itl~:ff O).f,t:J:-J-r~tli/JLt.:..f::,, :5(-f-V3
-t Iv BAF ti, ~~t i:5[:f¥V.i:t ,:bi~,t_~·.t.t.i:~""-t~'l'~A. -n '-Jt.:0 - --Ji, -fO)fl:J.=f-1itb g itQ'7-·-1'-it-\>ffi£0)
VIVA EXCON ti~t~:f.Jl'.f9t:m~L -n ,-r, 2014~t:uulfil/j:bilffl~~.ht.:0 .:-3Lt.:~~:b•C,r,,,t ,:bi1:¾..hQ0
iB(JM:b•C,O)~!IJJ:oit.i:<"mti:vr:;r-f:EO):f:x~ -r"t, 7-7,,. 7,. rt±l!!:IJJx:i ~.:z..::. 7 ,,.:oitaJb-t Q.:t-r', ±1!!:IJ%P-J0)7-rii!i
i/Jti1¥~-t QO)t.:'iS-j:b•o /{r 1}-;,7•70-v7,.:b it ,-j fmr&t:b-r &,·f'Ltll!.t:bi'.19-r:"tit.i:t ,ffiffi0)7-I-O)t,:&')O)
~fi J 'l'~t't.:&')t:, i$(JM:6'1.""~Q.:t:b'tYJQt"t .ht( -f .hti - f,¢-fiirt.i:0):6•0 ;b;v'f- .:z. 7 Jv•?-:b-tL "f 0)7-7 -1'
7-r:o'1:htf:l-t7-r0) i:f:i t:ti, 1 Jxf-¢;111tli'.r9J •tif/t:bi?if:EL -n 'Qo i$(JMti, 7-r:biJ1Hf QJ.!l!~'l'~$~-ttQ.:tt.i:
<, 7-r'l'x~-t Q.:t:b'-r:··~QO)t.:·M:v•a -f .h:bi,Fi:iJ~-C-tYJQt"t .htJ, 7-7 -1' 7-Hii$(JM""-0)~1¥'l'1:'0)J:-jt:
lfilJl!t-r:··~QO)t.:·0-:,:b•a g
t-3V-t-=>O) M&ti, ~.t. ~-.t.t.i:>,1{ji;-r:"tafib:o'M'-=>tt'l!tt- JlO)f-f~'l'nutU Lt.:, :tiJiJr t 717 '::,,7 -1'7 ,<0)*:5[
t:~jll., -n'Q o VIVA EXCON t BAF ti±1!!1fv,-;;;;1,,H1H-r, OOP-1, .t.t.:OO~v,-;;;;v-r:·, 7-7,<:;J..rO)t,r/,Jb
'l'~:5[-t Ql '<-=>:b•O)--Jjit~'l'~Lt.:- 1J-r:', .:-3Lt.:JIXl)mh:o'lflt'fe:~~bll]C,:b•t:Lt.:a {91JA.t;f, ~::,,:5(•'-t::t £0)
7-7,<7-H:M-tQrn/i:::C-r:"!.inuiztt---;;.t.:im.l), :f'&pJrO)t/i'i'ij'.t:J:-J-r, ;1,,-:,1::,,£, ,:t',<-ij--\>ffi§;, ~::,,5(•'-t;t§;O) 17.fs:
f/tl'.f9t.i:J ~"if., *:5[1i~~~A.H!Vf-LJ:-3t"tQ{tfilRJti, ~~t :7-7,<:;J..r:b'llfM~-tt,_m-r:··tYJQo~ .t.t.:, t~
~ail ti r~ff~n1~a 1m Q.:u O)~:W:-r:··ilf)I), m~a9t:m:tit:J-. I), 'l'Ulit=~t=~im.Lt.: 1: -r:'O)J{\~'l':m
b., ~*t:f±$'l'"t Qt l '-Jt.:>C{tii!ii/Jt:&,~t ~./1,Q- jlO)f'f~Hr-3~ra,O)tJt, 7-7 -1' 7,. r:bi::k4mt ~tJ.h
Qo -f0)- 1J-r:': :$'f;jzttO)J:-jt:, ::kffllmO)i:f:i,i:,-r:"t~~~./1,Q.:t-r:'', fj(~O):ti, ~*O):ti, i, •;.,r'7-.:\'-::,,7•'0):ti
:viJA:o'Qa L:b•L rn~~J ti, ::kWm'l''/ltt:li!OO)i:f:iht:~~, .:\'-"'1J7:j:!fi1RJO)!fh'l':6•~3'l.-r, i:f:ihl'f!ltm!Jllt
t ,-:,Mf*'l'~&')-r*'mft-t QO)-r:··tYJQo
x fbi!ii/Jti, ~~O)t.:0.mt.: ·c,tt-<, 7-7,,. 7,. r* 1J-it-'f-"'-~;1;11,,'f-.:z. 71v·?-:b-ti, lttt'l'~-t Q±i!!it'l'
J!~tL -rtit.i:C,t.i:t 'a ljj]~t:, :5[~~~~t:.:totB±1!!1J0)7-7,<:;J..rO)Jli!P;'l'ff-fi!li-t Qt~, 1BiG:b'bt.:GLt.:ftl~t
JmtJIX-Jt.:tO):b'f:IA?itt:t.i:Qo -f .hti>,1(0)J:-jt.i:tO)t! 0
- 7-H::iotB$fit.:t.i:~tJ A4m, tift:;b;v'f-.:z.'7 Jv•?-:b-O)lf:1:5[
- ±1!!:IJJxO)mit, .t.t.:~filliO).wr,mi'tO) !l!f1rgift, t§.Jbt"!f:~a97-1-0)ttltf:l'l'i:iJfi~t=-t Q::t-:1::,,t.i::txiR.
- ff'O):j:)Th,Qf'f~O).fi¼*tL-rlir.~, liJf~t7 '-:5(,-;;;-7,.0):1c~{t~
- ::kffilm:b'±~L-n,Q~fillj~l'.f9, gimi'.19, ~Wi'i'.19.f-~O).jij~
DAYl MAY23,2015 Off-Track l•-:>\til?il
115
08
Daruin, jj1jj;@[Ol]0
09
Karen Flores, "Of Art and Associa
tion: Two Artists Meer." Pananau 3:
Philippmejournal of Visual Arts/
Visayas (Manila: National Comm1s
s1on for Culture and the Arts, 1999),
p.56.
10
llill:, p.41,
11
llilL
12
Patrick Flores, "Central Station,"
Pananau 4. Ph,lippmejournal of the
Visual Arts/Luzon (Manila: Nauonal
Commission for Culture and the
Arts, 2002), p.13.
13
Flaudecte May Daruin, "Beyond the
Tribal: Rethinkrng Mindanao,"
Pananau· 2 Philippmejournal of Visual
Arts!Minda,wo (Manila: National
Commission for Culture and the
Arts, 1998), pp. 16-29.
14
1'tO).!ih-31JlfMlWl'lO)f'¥,l/,!::L -r, / ,1,,...;:,1,,~-"1{-~"-~;.,ro-1"!::Tf 71 ,1.,,, ":r..,(·:f" ·:If 11,,,:,yt,i ~;., ~( j-,t
-c"ittJftLt:ft,!l,iJiMo Datum O)jjljj;@ [U] ~*llll 0
~ TheMakingolArtwlth Contemporaries
15
Datum. lliJ/1 OJ o
Se_ssion_1 116 Art Studies_02
Between Cracks (~!Ill)
:'.:O)J:-jt:~*~rt Q/:~tlvl:fitf!l!~h -n ,-r'clif\sa1Jt:~;tQ:il, ,tf-\!".d.>0)-1--<1/l-:6l.f0)tlLO)~-O):jxi£-i:'~:"?
-n 'Q;Ji~t;t, lt~:b•i;t;ttJ!:ilt ,:jxi£t..:·1:~~-<~Qo fl.ti, -ttpgt,t ;\'-.:,.7 l-1)7 /v0)1Jil,;(t;tt.i:(, Ji!Fttt:, t;
L.:S~~(l~rr'ttlli~ct)Q:jxi£ -i:', 7-7,< A 1-1:~~L -rM: o /J7.r. · /<-1 ·-lf · 1v--11/ ;;(-i:'1t-1v'l' Jt-=J=-t:/{Ajf 'l'
tt--s:t.i::oic;, t ,(-:,:o•O)r .. ulif.;( 'l" ~1±1 -t :1:tJi1:1H~t-= 0 :nc;O)r .. ,imt=~~t.i:~it 'l"*&'.>Q:1:t.i:<. J: <ct)Q~r .. ,a1J
t.i:1.fit.-r't;tt.i:t '~~-<ffl~'l'ffi:b.t:o ~t.i:Q*-I~Ht-:> At:ttJl~IJl:IJT Q q:i-<' ::-<~tf i;nt:r .. ,imf.;(t;t,
ttt:n q:i-i:'%, X {ta1Ji!il!ltJl#!lit Q~Jm-i:'ct)Q:/:t: ~-J i)•~ht: o 0 :i\:0)-=J=-~-< 5)QffiJt 0) 5{m'l'~t t -n, Q-
1.i-i:', :-3Lt:~~t;t, .3':t:ffl!Aa1Jtthtffi, ffl!AO)jt~~ ~--;.,l-'7-70)J::t:~3LL -rt 'Qo /J7.r.· /<,,f ·-lf · 1v--1
::,,;.(O)J:-jt.i:5)/J.f-jt:t.i:t ,t1i'iJrt.fO)~Jt! o ;:-jLt::lxiR.t:1':t;Q, 9<:l&~~~~i)•tt~it1JO)j1lt ,t;t%,(O)~IJ'l't
t:c; ·ttJl, - 1.i, fibt:.::\'-.:,.7}-,1)7 Jv0)1.iit,;~*~-1--<1/I-O)JimitJ•c;tHU -r::ttt ' o {iiJ~tfful:, /q::·~·7-
'Y·7 .r.A T ,</ <;vO)::fi,fitJ,t.i::ilfi,t:-:>t '-r ct)n:hl:~ it, ilf ~'Ii &'.>t::l:'l'Jitt--s:-r, ;:O)~~H~d.>< < IJb 'o
c'O)J:-jt.i:mfl!!~ffi~"<5>h, ~1:tlmt:iJ•iJ•bc;-f, ;:O)J:-jt.i:~imt;tf!U!t~nQ--s:~-i:'ct)Q0 t.i:-tf t.i:i;ti , 7-1 T'-i
7iJlit~t:~~~h,Q 77 •;., 1-*-Al:L -rt!lt-i:'t.i:(, .f:tJ,c;, 7-1-1:::i-b-=. j'-,< 0) B'M0)-~{1:---...rt,JiJ,-?-Cf/rt:
t.i:JitJl~IJf-oiJ'h -rff<tJ,i;t! O ~
7--r,<Ar~;Jl~7-H:JUtl1:~,i:,Ht-:>At:ttJl•t ,, tt--s:-r~IJih ,, M:1v -<W:"?-riilJt.i:tJic;, ~i~ · tt.i:
X{l:tJlffi~'l'~it -rJ!il!lL, :Jtl:ffit:t.i:il!!-'¥-l'~*L, ffiLt ,Ji'l'~~L, *t!fl}}i,fit:'.li::i.l~h -n ,tit, §t'-t:
-:>t •-rffl~i]l~b~h,QO)t! O
Flaudette May Oatu1n Presentatt0n 2
Chapter 2 117
Y MAY23, 2015 Off-Track, 1•?4.til~il
~ TheMaklngofArtwtth Contemporaries
Seasion1
-¥t1:'J0aiit Jj\~--0)!1\t,
118 Art Studies_02
[IIU'l'tfJVJl
A1,1vl-i$(~t;(~~I: filJh•t •M/&')t.: 19901f f\:*li, ~*O)::f1i; !:~1:)l;t fflF,fl:it!L., -n , f.:0 ~1f:1:h t.:I) f ~
rdlJ l;ti$()t-fl:J:-:i"f~&')C:,h,, ~:!t~f!lll:l;tj:!f;~Jt'.19,'!f,:il;~~m-t ~~l;tt..:<' ;~flli,i:.,t;(~~L.,rJJ!fjt::bl;t ~"!!Ill -r
l ,f.: o ~ ~l;ttf:;lpjf11>·N:fHJL .fl, -rijU!lO)~~l;ti&ffil:J:-:i-r~l<!!itJIIH~h -n •t.:o .ffi ±.~l;t~-r~::b~ft
h•-t::b -r' M - ~1:~i$i i;s'11!::ht..:~ht.: o .::-jU.: q:r, 7-1-t; (:flh t.:lfi:~t..:1)1:\!f'Jl;t, A4h( -tt;i h~J:-jt,.:,J, ~t.;:
~!i'l!:!Ji~h•C:,O)fklt r:i ~7-1-0)iflM-tt, ~P!fa!::.1--r 7 ~Jit::-rt¾;r--t ~.::!::t! -:it.:o
>C{tffi~l:M ,-r, ;ft4t;(~~L.,, § O)~t.:1)1:U.:O)l;t, ~fll;r>C{tO)~li!Ht,J~t;(m!f&if5(~0)- $!:t.;:I), ATV
:,J-~-1:1{t~ht.:OO*i&ffi!:::101{jf1/~ ' ~t¾ ;r--t~:fi.:i£t.: ·-:it.:o .fO)J:-jt..::fi.:iR.r-r'ti, - $0)j;: * O)-'f--\"'1/I{
7.l;t, ~~t;i~ia::b Uitl~::b ~~-;-@-h-tt-, $t;iftt'.19-r'J:!t~J-ttt:il M.:-,'!f,rJJ!~~!Ji-r'~ ~1i;~t..:~J:ifr-r'k>-:it.:0
**0)-'f--\"' 1/l{A "(' tgt;(tf:l~t ', ~"[i; lM)t-:it.: o A/JJv /~,f\:l:~thAI \Jvl-i&~r 0)'5i/t~~~tt!:f\:Hl
1:~-:>1/t(.!;t, 601f:f\:, 701f:f\:O)~~-\"'>C*, -1-f':,J-o .:f-!:!:tit:1J'-;, A1,1vl-i&~'.tt~~f\:!:: g hh~801f:
f\:l:l;t7 J<1J/J>C{t0)59lt -13W~~ttt.: o - ilJ!O)/JJvf-.:,.7Jv•77-r..fe •';;(1. t;(~~~.::-:i-n •t.:o 71/~ ' -7 •'7')
1/F•h-::J,;,70)7,17·: 7y~ •-1 ··7r':J1/r·•::1~-;,70)tf:1/l&, Hv-\"'Jlsf!ll, i~mO)~-\"'iU :.t..:f, MUC:.I())~~
Ji.Jr-r'7-1-0) ,lm'f[~-\"':f o :1 .r.7 l-hi~~t'.191:~.::-:i -rt-t.: o .::hC:.~-r t;i, }JIJ 0) i'iJ~-tt ~f¾,"f-L.,, itttR/lt ~#f;tf,
ffit.:t..:~rdl~ttltf:IL.,J:-j!:i' ~ffiAA, tt.:S!l!c~ /fJt:;:t-t ~Jj_ ~ffl~l=~~'11h•~h -n , t.:0
{->t;(-r7--r ..f A 1-h1tf:l~t ,_ •t ,_ taftJJl, ft~O):i/Ui!~:!t~l- liJf?l:~~tit=~ ~~ift&')-n •<t.:&')O)~rdlh1
~i/l&,~!::t..:-:it.: 0 7-1-0)~~l;t, ljit.;:~l!ifJft1r~ -r'l;tt.;:<, liJf ?l:, taftJJ, .fl -rfl-A O)fH'r~!: L, [email protected]:.hM/61)
t.:o .::O)J:-jt:l, -r, 7-j-i;lJ:!tff-tt~ffH.!J.l, i±~ -\"'i&~r .. Uli!:O)IUJilJ!tt!:OOf!f--tt~~-:>.::!:h1&,~!:t..:-:,t.:o .fl,
-r, ~~0)&,~1:Y/iil~~L.,, ~Ma91:1¥tEl~!Ht~t.:&')t:&,~t..::lll~O)#t~, til(l;tffii1i~~L.,;Jx&')-r~~~1fi:
b.~J:-jl:t.;:I), =F+5t-r'~t •~t:t.;:C:,t.;:t ,#f~O)q:r!:k)l)t,.:t;ic:,, ;ft4t;tffit.:t,.:{iO)~ftlJ, ~}m~-tt-, k)-;C:,.::-;C:.1:
k>~~B!:~~~fl&')J:-j!:U.:o Ill!rJJ!(l9t,.:.:to:f-*h(1¥tEV.th•-:it.:t.:&'), ~"fO)~ffill:~~t'.19~*h 1~1h~J:-j
t:t_.:-:it.:0 Wt;(.¥0),11/77, -:>il)fj'if5(~1UJi;l{iiJ O)f)!:(:{J31.t,:t,.:t ,.::1:t.:·lt!;t:$};';•-:,"[l •t,:0
19981f:O)a1(,¥i: •~±.ft.Li~, ~J!t:lfflM:tth 1ilttlJ, ~1 ~-iV..:~{tt;(~~M/61)~!:!:tl:, 7-l-• A-s:-A -\"'fx%,
(0)7-T ..f A l-·::ih.::.-r ..fh1tf:l!Jit.,, j;:~t.;:-jb.lJ~~htf:IU.:0 q:rt:t;t, ~Jtijt'.19t.;:§ffl-\"'-1-:r :,J-o~--~~t.:i'\
- ~(19t..:c· A,-;~1i,O~·1:~h-:it.:f91Jtik)~i;(, ~Jtijt'.19t.;:}m!;'li;•C:,J!IU§O)lj!_£PJ&~31. -r, ~rdl~~-:> L~* ~-tt..:#f
rJJ!~~!JiU.: ~JjJf9lj b6>~o ,:h,(,O) 7- I-· A ,s:- Al;t, 901f:f~fi*, Al ,;v l-f1!>1!ifJ Jmiairu~O)*~:ii'1J!: Ip}~
Mt:,lmlfflU.:, **-'f--1"'1/ 1{A -c'O)i;s'1Jh•C:.~/mU.:!::t g A.~o 1/tC:.l;t§5}t.:-;O)~::bHe!ffi!l, ~!Jii'iJ~t..: §
ffl~~&')t.: o t.:Umffii;t,J,~<-rt, !Ji~t'.19-r'k>~.::!:l;t, fg ~U.:l;t~fll;rt'.19/m!i'lHi~l, m~cl -rt¥~l -n,
<t.:&')t:Ji~t..:~::b-r'k>~0 f91JA.li, '.ij'.J!{, A l-1)-1-·7-I-, 1{7;t-71/A •7-I-, .::..1- J<r . ..f7•7-l-t..:c ·~~O)
~UJ5}!ff1:1fi:,e:a91:~IJm11-, ffllrfj {->if5(~1:00h~~f11>1'.19t.;:r .. ,1m1:~,e: H5(~.::!:-r', ~<~~~r.H.:7--r..f A
I-O)A-s:-A -\"'::iv7-r ..f'7•-t;(k>~o .::-jU.:59l/t H~U, - ft-ttO)k)~lj!_£PJ&~ Jmlffl-t ~.::1:1:J:-:i-r, ~ 1f:l-iJ:: 1¥~l
t.:-1.::. V7-r ..fr':J'l;t.fO)fi:f;:~t.;:f)!:~J~:llU.:-t.::!:l:t..:-:it.:o it.:, ::J37' ::J-1"'/JJv~, V-1"'/JJv~, 1{1/1-',;,1/ct •-:it.:
Ade Oarmawari Presentation 3
Chapter 2
1:~wm-<%-<0)7-t-•7---{.-7'~1.-7 ' ;<;,.,J--:b'~*h ·ntWf it -n ,<- 1i-<, ±t!!1f0),H1t.i:111rrt, .t.>t9fflc,n
·n ,t,tl ,:IJ<ffljJ a9t.i:7-)-• 7'--{.-7' ~ L-ij ·;<;,.,)-;b<tf:lffl.L, "rt ,f.: 0
.: -jlt.:7-1-· 7---{.-7-~::iv771'J·:b, JilmLt.:ll!x~I:, 98~.LJJ~O)ffl:f~i'.19ttWU~*""O)Ji~~ Ji#.Ut.:>Cft
a9~ft:b' Ji -r ch~ 0 .:O)ffl:f~t:1,tWi'.19t.i:O)li, 1,t'.lEO)~ffl,.f.$~71'0-+1:ft,~ ~.t.>-r, '1rittHt-?c iPJ
~1:%,#itt~~lt Ah, ~tilia91:ft!!O)ffl~H1HffiVt:b'C,JilfflLt.:.:ct.:·o 98~.L;J.ll\l, 7-1-0)~~1:Mi" ~~
~cJ:ll!M:b'*~<JlJiL t±~~tt~i" ~1i$cl.... L, 7-1-0)~~0)ljll~/.tlf, M~~t.ItiilR, ~*~ tt.i::5}!1!f0)
A4~~flf.r io!ifb0)::i7;j{v-1>l-c L. -r1'o-:J :r.7 H:~~i6A, -c'l ,-:,f.: o '1ri O)~f,f,j~1f ~~lt-n ,~:IJ•H:b•li
llX~t:J;e9.i:t •r.,iJli-r'M, .: 1Lt.:~~:b'~C,O).fO)fiO)Jilffl~ - R1if 1J i'.19t.i:t,O)t:L. -n '-:,f.:o
~4 (11,,7:,,1v1{) ~t;tt;&l)ci" ~%,<0)7---{.-;7-~.{.::.V7717··1;t*1i:b'.f.tJ{-r·, :b•-?;fil.i'.19-r'MJ..ht.:t,im, -?l.
9, it~*~~~~t:io!ilbHt;&l)t.: o .fl...-r, :fi.L.a9/ 0a9, ~IRli'.19h~IRla9, ~i'i!i~rdl/ Ji,r-~rdl~tl:*i"~It:1
iil!.cU.:t,l/ilr"'-c.f0)*~~~~ 1t-n, -:,f.:o F.srdlti.:¥.-v71J-~'7-7Y3 -;,70)f.:61)0)~rdlt:t.i:9, W~ti71- 1J
:r.., JJHirJr, ~i!U11L iH4~~;(/t/i}l"'-c- ~l..., Hi~:b'ft~:ij}t:t.i:~ct '-:,f.: Jl.%t.:·o
±~Wm (::.i-1-f;Jv~, /{:,ti''):,t , ,:.i37'::.i-1-'/J1v~)-c', 7-717-l-•,1.::.V771'7 .. :b'&,~O)~jJt:J:-:,-Cio!ilb~m~1"
~- 1i-r', .:.:15~rdl-r', 771/, 7-71,~, 7-771/, 7f.wit1v, +11,,;j{;,.,~-:J-v71'71/-'¥.0)J:-jt.i:IIIT-r't!PJ#i0)
ib~:b'tf:lffl.L., -11/r·;r, V70)7-I-V-1/b~~:b•t.i:~fl:;~~lf-n ,~o -:J-v-JJ1v1,l, 1,;,.,j.:',;,;,.,, -;}37··-;;-v-JJ1v1,l
liOO~~~O)~flf-r**:b ' .fO)±i!!~0)7-!-V-1/~ftiJIL.-rt ,M', ili~, li:IJ•O)±i!!~-r'JiC,h~iblAlti, ±t!!~
a9t.i:)(~c0)00f,Hi~-?< 9, .f .:l:~L.t.:i'i!iih:b'-r'~ hti, 7-717-1-·-1.::.Y771'7'1ic·.: rt~,@, -r'~~-=c~,F
L. -n ,~o 7-717-1-·-1.::.V771') '0)%,<:b'*~~~t:i,!ilb~tli;&l)-n ,~o *li.f.tJ{-r' .§'ilit.i:t,im-r'M, ~ffi
t{tilit: :!!; ~ O)ffl ~ :b' ~ ~ ~t,1 rJr-r't.t.>~ :b• c, t .:· o
98~~1ti0)1O~jjlJ0)88~1:tltl"ii..~ht.:+:r.;<71·7-l- ·1,77-t;t, - ffO)'jt~*~~ffl.~7-l-·.:¥-v71}-I:~
ffl L..io!iib~lmtiilU.: o 98~.L;J.ll\l, tt~*~li7-717- l-:b'1' o-:J :r.71-~tiilibi" ~:ij}fiJrH~!ti" ~ilttO)~f.R~O)
Oc-?ct.t-:>f.:o im'ili', .:-jl...t.:~f41i-fi~Wt:.t.>~o i'ti!t*~:b'91tht.:M0c-?O)ffl,~a9t.i:J:ll!E'31i, .fO)J:-jt.i:~
f40)*tt :IJ<.f.tJi-r'7-717-f-0).f.O) fiii <aiii lffl l:.t.>9, io!iib~ J:9fjt~t.i:Jlti&:fxiR.O)tc-r'FJ~-r'~ ~.:cf !-:,f.: o
7-717- !-·.{.::.Y771')' :b'~~*~~~~ci" ~.:cl:J:9, .{.::.Y771'7'c- '.lEO)t±~~/ficO)~'(J'-?~:b'rll
ft-r'~~ o -?l-9, 7-717-H.:t:b'ili~O)A4c!PJt;ffi1ff.ll!J:lt:.t.>~.:c~,r-~1" ~0)-c'.t.>~o L..:b•Vt:b'C,, *Ii~
~~nt.:9, '6/!ita~nt.:9, ~9i/!L.:jij:fi1Jm~n~.:t:1:J:9, *l}IIO).t.>~~~.t.>~t ,1i7t- 1J:r..ctr1r1tO)t,ict.i:9, Ji
'_fi~, '7-7V3•'17, :f17--JJ•'JY31/, ~ii!iLr.~, {f~7.{7'lt '-:,t.:~ttf tt.i:i'i!ilb~fml:%hitt.:~raictt-:,-C
t ,<o 1{7··9,'17 c:!l;~L.J:-jct ,-j~ it1i~7-717-t:Ulit -?It ~.:ct:t.i:-:,f.:0)-r'.t.>~o
- ~$ !UHt:Jilmi" ~ 7-717- I-•.{.::. V771') ' 0)70-:J:r.7 Hi~-r, ft!!jcO){dljfi1(i!tt:§~t:m1>i6U1, -r
t,-:,f.:o 7 -717-Hi - ®:m~c!PJt;"ii...t,l!:"ii...t, t±~O)-l}ilctt-:,f.: o ~C,till!x~, *1.:?:atO)- f.lllcL..-r, rdl~
a9tt.: w:~a9t:±i!!~-fi~~ 11X9i61,, rt,~, ft!!jcO) A40)$:/Jati, ti:~ a9-r'.t.>-:>t.:t:1t J:, .f 1-r't.i::1J•-:,t.:t:1t
J:, ~f,f,ra9~*0)f'f*t:ffit.:t.i:i'iJ~tt~lffll ,f.:o {§iJ;tL:( ±t!!~-r'lffl~~h~~ "ii...!r.~.{ .--.;:;,., 1-, ft!!jc0)1f j,'~
~-=f!:'tH·.J-~ci" ~'7-7Y3 •'17, /.tt,1-r'O)~~~~Ji!jj_J::~~t.i:i:-, B'ili'i'.19t:1rhh -rt '~~*~ 'tt.i:t±~i'i!iih:b'
7-1-· 7---{.-7-0)70-:J:r.71-c- f-l.fl:;L. n~"ii... 1" ~J:-jt:t.i:9, 7-l- ·1'o-:J:r.7 Hit±~i'i!iibt:t.i:-:, -n ,< 0)-c'.t.>~o
.:O)J:-jt,i:~~~,1.--.;:;,.,f-~iltt;-r, 7-HiA4cOO~~Fftt.i::b'C,, §~l:t±~O) i:f:tt:ftlfl--:iltC:,h -n ,<o .:0)
f :!f;:(¥ J 1"~"ii..tJ1:, t±~c7-t-O)m~O)J:ll!fl!a9t.i:OO~:b'~h -n '~o 7-Hit±~O)q:tt:t¥tEL., t±~O)- tfllc
t.i:~0 tt.:, .f hli~ili~c~ffi~1!i/Jici" ~ll!x~-r't.t.>~o ~§O)jj$-c'.t.>C,~~~~~*9~it, 7-717-1- ± ~O)bct:titl~ttl:?iIM.:·llX9mh:b'm~i'.19t:~ffl.~h~J:-jt:t.i:-:,f.:o
7-717-t-•-1.::. V771')'0)11X9m1>:1J'- ~1=ttffl1t~EHtL -rt ,<#i-=J-ti, '/3-;,1:::·;,.,1··t-/V, 1#0)/.ttJO)J:-j
DAYl MAY23,2015
119
4'filv:J ·$,.t ird ~l.initesco
Orler d Cor !IC ,m ,1-, 1 ·~
IJ: l/ ~ ll { ~ !-, 71/J
~,ffi. •'I' .,z 1 jt !11'Jllll J)
n'.lu70>tdl1-fl(if~ht: T'1e
Per onal ind rre S<_ Ia A r " ol
Artists lr1r1at1H in I <.lone s1
..f t.: •·., ?(J ~ r ~ 1 ? r ,r'J ;NJ A