post-impressionism
DESCRIPTION
Revision on Post-Impressionist painting.TRANSCRIPT
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Postimpressionism
Revision
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Postimpressionism
• The development of the Impressionism led to forms being dissolved and the loss of the drawing
• At the end of the 19th century and beginning of the 20th other painters, starting from the impressionism, it developed a more personal style, that is going to be the advance of some of the pictorial movements of the 29th century.
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Postimpressionism
• Some of the characteristics of the movement are:– The recovery of the importance of
drawing– The worry about capturing not only
the light but also expression of both, things and people
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General characteristics
• Interest in building the shape, the drawing and the expression of objects and human images
• Equilibrium between the volume and the pure aesthetic taste (Cezanne)
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General characteristics
• Conception of the painting as a combination of geometrical elements (Cezanne)
• Use of colour contrasts for defining plans and forms.
• Pictorial effects based on the structural search for spaces and chromatic effects
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General characteristics
• Use of pure colour with a great emotive charge (Van Gogh) or modulate (Gauguin)
• Creations full of imagination with curve brushstrokes that tend to express the anguish and internal depression (Van Gogh)
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General characteristics
• Interest for the exotic (Gauguin) and the low classes life and entertainment (Toulouse-Lautrec)
• Creation of simplified and static compositions, looking for harmony of the chromatic masses closed by thigh profiles (Gauguin)
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Influences
• From the impressionist, the taste for the colour contrasts, mainly in Cezanne
• From Rubens, the neo-impressionist and the Japanese cards the chromatic richness, pure colours and Van Gogh’s curve line
• From the exotic sculpture of Oceania Gauguin’s primitivism
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Painters
• Gauguin:– He began in the Impressionism with
Pisarro– He abandoned the comfort of his life
to live in Paris, Bretagne and Tahiti– In Tahiti he painted his series of
Tahitian women
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Painters
– He made an expressive use of colour, in strong tonalities, lively and frequently arbitrary
– He painted big plans limited by curved lineal rhythms
– He had to main subjects:• The Tahitian exotism• The primitivism of Bretagne
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Painters
– His work is a reference for the symbolism
– His sense of colour was influential on fauves and expressionists
– He renounced to the perspective– He suppressed the model and shades
and identified the sense of flat the same as in Japanese painting.
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Painters
• Cezanne:– His painting recovered the volume
thanks to the geometry, drawing and the definition of the forms through the building brushstrokes
– He did not renounce to the colour of high intensity with contrasts and coloured shades.
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Painters
– In his paintings there is special attention to the foreground
– He created distortions due to the use of several points of view, mainly in his still-lives
– His painting is the origin of the Cubism
– He influences in colourist artists such as Matisse.
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Painters
• Van Gogh:– He was established in Arles,
enthusiastic about the light of Provence
– He painted curved, wavy images and landscapes
– The flame shapes represented his internal matters
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Painters
– He was a passionate of colour as the vehicle to express his frequent depressions and anguishes
– His brushstroke is very characteristic, wavy, sinuous, cursive and thick
– Colours are sometimes aggressive with infrequent contrasts (yellow over orange)
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Painters
– He opened the way for the 20th century expressionism
– He painted :• Landscapes, • Flowers• Portraits• Self-portraits
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Painters
• Toulouse-Lautrec:– He reflected the atmosphere of night
clubs:• Dancers• Singers• Prostitutes
– He was the impellor of wall adverts
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Painters
– In his technique the characteristics are:• Drawing technique• Caption of movement• Ironical charge• Caricature • Flat representations.