position statement

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University of Northern Iowa Position Statement Author(s): Robert Peters Source: The North American Review, Vol. 256, No. 4 (Winter, 1971), p. 53 Published by: University of Northern Iowa Stable URL: http://www.jstor.org/stable/25117261 . Accessed: 14/06/2014 13:26 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . University of Northern Iowa is collaborating with JSTOR to digitize, preserve and extend access to The North American Review. http://www.jstor.org This content downloaded from 188.72.126.41 on Sat, 14 Jun 2014 13:26:29 PM All use subject to JSTOR Terms and Conditions

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Page 1: Position Statement

University of Northern Iowa

Position StatementAuthor(s): Robert PetersSource: The North American Review, Vol. 256, No. 4 (Winter, 1971), p. 53Published by: University of Northern IowaStable URL: http://www.jstor.org/stable/25117261 .

Accessed: 14/06/2014 13:26

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

University of Northern Iowa is collaborating with JSTOR to digitize, preserve and extend access to The NorthAmerican Review.

http://www.jstor.org

This content downloaded from 188.72.126.41 on Sat, 14 Jun 2014 13:26:29 PMAll use subject to JSTOR Terms and Conditions

Page 2: Position Statement

ashamedly that finally the stewardess has to help her back to the stewardesses' private lounge where she will be more

comfortable.

bhe has been lying outside in the sun all day because she cannot stand to be shut up in the library and her eyes are

closed, covered with ice packs and she keeps thinking over and over that life is a tragedy to those who feel, a comedy to those who think, a

tragedy to those who feel, a

comedy . . .

comedy . . .

comedy . . .

comedy . . . But the words do

not work and so finally she gets up and goes back into the

house, angry with herself for even thinking that they would.

She has suspected for a long time only tonight known for sure as he tells her of his need, this terrible hold the other boy had gotten over him ? how he was his other self,

only without all the weaknesses and how he has to possess those strengths, and of the guilt that followed, the hor

rible guilt that made his voice break whenever he was

talking to anyone

? even a close friend, or that it was

finally impossible to give a lecture or to walk into a room where there would be even a few people, without first

telling himself that everyone in that room had sinned, was

just as guilty as he. She reaches across the table and puts her hands over his

and feels his anguish, his confusion, so much so that she

wonders could she marry him.

A professor who is married, but who is not this evening thinking of his wife, suggests to her over drinks:

"Any extreme moral position is a way of keeping life from happening to you.

"Perhaps you are too moral."

She is vaguely aware that he is in love, not with her, but with something about her

? things irrelevant to what she

really is. She tells him this. "Your position?" he says. "Christ. Of course I'm

proud of . . . ."

"They have asked me to stay on," she continues.

"Harvard has long emphasized the study of art ? art as

history, rather than encouraging the creative process itself.

I think I can do something to change that." He sighs. "Double talk. I don't want that for you. I

want you to have a family, children. Christ, Daphne. You re

almost thirty years old!" She hears the words, but they do not touch her. Oddly

enough, for some months now, time has had little meaning for her, and this fact has somehow come as a relief.

"I'm older than you," she says. He sighs, then reaches across the table, his hands finding

hers, and begins to trace the shapes of her fingers with his own. She becomes uneasy, leans toward him.

"I must go to Ireland first." "Ireland?"

"Before I am sure about us."

"And after that?" "What?"

"After Ireland, what else will it be?" She does not understand. O

ROBERT PETERS

POSITION STATEMENT

unaware

that beneath its

old brown shawl

the lice are

rearranging

themselves

the day sits

cracking its knuckles.

the lice

will find new

routes into

the navel, new

headlands of

fat, brilliant

artillery

positions

along valleys

of muscle.

a minimal anxiety

keeps the tendons

of my neck taut.

I feel warm.

I love you in whatever guise

you choose

to see me.

this day is

no more beggarly

senile than

any other.

who invented it?

who invented night?

THE NORTH AMERICAN REVIEW/WINTER 197 I 53

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