Martina Hatzenbichler CV/Portfolio 08/10

MARTINA HATZENBICHLER14.12.1984

Vienna, Austria

maha_ r t i na@ yahoo. c omTel. : +43/660 644 3537http://issuu.com/maha_rtinacontact

2003Okt 2010

Aug 2010

July 2011

Sept 2011

since 2011

Exhibiting at „La Biennale de Venezia“ International Architecture Exhibition,Austrian Pavillion

EASA_Workshop CadizEuropean Arch Student Assembly

Exhibiting and taking part atthe „Vienna Design Week“

planing and realising a single family house

Sept 2010Exhibiting at „Advances in Architectural Geometry“ in Vienna, designing+building Entrance-Installation

A-level (Matura): Art (B), English (A), Psychology (A), Information Technology (A), with honors

OVERSEAS

HOME

June 2010Angewandte Vienna ( University of applied Arts)Postgraduate Program

Exhibition AZW (Architektur Zentrum Wien)Shortfilm „Public Space“,http://vimeo.com/13127423

Working in London/England,College of Weybridge/England, Chambridge Exam in Advanced English

2004-2005

Technical University Vienna, Architecture2003-2004

FUTURE

Technical University Vienna, Masterclass in Architecture2009-till now

RMIT University Melbourne, Australia, Masterclass in Architecture

2009

Internship at „WHAT ARCHITECTURE“ in London, England

Bachelor of Architecture, Technical University Vienna2005-2008

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Sept 2008 - March 2009WHAT ARCHITECTURE, Architecture Office in London, EnglandDuring my second time in London, i gained a lot of exprerience in combining creative ideas with functional requirements. For a School in London, the kids were involved in buil-ding their facade out of Lego. Designing, finding solutions, organising and researching/dealing with clients in a different language was part of my duty.

June 2006 - May 2007Haipl & Haumer, Architecture, Interiour Desing, Vienna, AustriaAs part of the team, I dealt with the design development of a single family house through physical models and CAD drawing. I went through a similar process for the interior design of a Viennese office. During site visits, I gained useful experiences in project practice, dealing with clients and project management.

2004-2005 Au-pair, London,Weybridge/ EnglandI was part of two different familiys looking after their three children. My work with kids taught me responsibility and flexibility. Apart from carring for them, I took over the organi-sation of daily activitys and rituals.

2003- nowdrawing plans of the VOTIVE CURCH for a lightning project wit POD POD Design, Viennaworkshop for a foldable cardboar-chair with BUENAVISTA Design, Viennaorganisation and waiting in a café in the UNO-City, Viennavarious promotionjobscall-centersecretary of philips lightingE

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Being able to express myself in a variety of artistic media is important for me, whatever feels appropriate, be it photography, painting, graphic design and of course architecture. Futhermore, i find great pleasure in desinging and realising interior design for friends and myself. But my greatest joy i find in old and found object i can inhale new live with upcycling them to a new function.

Sport is a good balance alongside my artistic endeavors. As a teenager beeing an athelte in the competitive sport Rhytmic Sport Gymnastik, traveling around Europe and making bronze in the national Austrian championships, taught me how to set my own goals, then reach and fight for them.

Since my first bigger experience in a different country at the age of 16, my interesst in different cultures and languages was cultivated and has not stopped growing since. Fur-thermore it opened my horizont for all kind of views and made it possible for me to start understanding things i might have undervalued or never actually seen as important.INT

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Rhino

Rhino Script (Monkey)

Rhino Grashopper

Rhino T-splines(Workshop with Matthew Sederberg)

Rhino Evolute(Workshop with Alexander Schifftner)

ArchiCad

Adobe Photoshop

Adobe Illustrator

Adobe InDesign

Cinema4D

AutoCad

MS Office (ECDL-Computer License)

Final Cut Pro

SKILLS

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ALESSI SENSES

ALESSI MUTANTS

NEW WAVE

UTOPIA REAL

TENTACLE

STRANGE PROCEDURES

QUICK AND DIRTY

SPOT ON PRECHTSAAL

SINGLE FAMILY HOUSE

SAAM_MUSEUM

Parametric Installation_Exhibiting AAG 2010

Planing and Realisation of a one family house in styria

Industrial Design_Tea and Coffee Set, Exhibition La Biennale di Venecia 2010

Industrial Design_Exhibition Design, Exhibition Vienna Design Week 2011

Housing_Future Living in 2100

Public Building_Cultural Center Istanbul

Museum in a Park for old Musikinstruments

Scripting a city

Insdustrial Design_Various Alessi Objects

4 weeks_4 solutions for small temporarysite installations

VIE_2010

VIE_2011

VIE_2010

VIE_2011

VIE_2010

VIE_2011

VIE_2009

MEL_2009

MEL_2009

MEL_2009

PERSONAL PROJECTS

biopolymerecardboard new texture

MATERIAL? NEWFAIRSTAND? RECYCLABLE

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CONNECTION HINCH

STEEL TUBE

The exhibition design is based on a new composit material made out of laminated cardboar-panels.

This finishing procedure is de-veloped trough the design pro-cess and ensures high stability and long durability. Apart from its surprising optical apperance, the material is completely recyc-lable.

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MODULES

panel 50

platform big

platform small

table

pultchair

floor_wallconnection

panel 100

The lack of space on a fairstand needs minimum spacial interventions combined with a maximum selling „image“. The design of the TU_WIEN fairtand evolved from the material itsself. Its re-strained formal appearence is inspired by the „structure of cardboard“. Where needed, the floor „waves“ up and forms different kind of mo-dules, which can be easely replaced or multipli-ed to adjust to various requirements.

MERCEDESSPRINT ER

17 m³

1 Podeste .5*.751 Tisch + 1 Sessel

2 Podeste 1*11 Infodesk

3 Sessel97 Bodenpaneele

176 LFM Stahlrohr101.5 Bodenpaneele

TRANSPORT

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Mediathek

Even if Istanbul is a very vivid and pulsating city, it‘s lacking in public communal places where people can come together.

As a result, the citizens occupy the existing pathway to sit down and socialise.

TENTACLE is a cutlural building that is inspired by the character of the city. The fluidity of movement on the streets continues in the building and is architec-turally translated by its „tentacles“. They „suck“ on to existing buildings and start to communicate with its souroundings.

The cultural center acts as a pathway not only as a means to an end but as the purpose itsself.

EG

main beams

supporting beams

LEVEL 2

LEVEL 1

ROOFSTRUCTURE

Shop

Bar

AtriumCafe

Tube-exit

KitchenBar

Multifunctional Space

Garage

Temporary Exhibition

Mediathek

Mediathek

Outdoor cinema

Main Entrance

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Shop

Bar

AtriumCafe

Tube-exit

KitchenBar

Multifunctional Space

Garage

Temporary Exhibition

Mediathek

Mediathek

Outdoor cinema

Main Entrance

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ON For the ocassion of the annual conference “Advances in Architectural Geometry”, a

parametric wall offers a guidepost which leads to the “Prechtlsaal” as its venue.

Prechtlsaal? Prechtlsaal??

The building itsself, especially the entrance of the TU Vi-enna is dissembling its actually function of a university, its contents remain invisualbe. Especially for extramural users, the Prechtlsaal as a frequently used venue, is often hard to find.

In order to inform the visitors, the walls start to talk . The “inner life” of the university is growing out of the building like a fungus. The structure is conceptually influenced by the topic of the architecture conference and reflects the development of architectural geometrie.

The “signpost” develops parametrically from initial straight triangles (seperation of the floorgrid) to computergenera-ted forms. The evolved structure catches the visitors at the entrance, inform and lead them. to the actual venue.

massmodel dividing in single surfaces

plan

perspective

attractordirections from visual relationships deformation trough attractors triangulating surfaces structual frame trough carving surfaces

DESIGN PROCESS

The computerscript is looping trough each surface and cuts out a hole with round edges to give each panel a cons-tant structual frame. Each panel is then smashed parallel on the c-plane and ad-ded a connecting strap on each side with an oncounting number for later connec-tion. Finally the straps are strappeled to-gether with a usual stapler.

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The Project supported by the unicersity and built on site during one day. It then was exhibited in the panel-presentation at the „Advances in Architectural Geometry 2010“ - conference.

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10Taking part at the architecture biennale ex-hibition in venecia 2010, this project was designed for ALESSI as a „tea and coffee breakfast“. Ir was developed during one month and presented at the headquater of ALESSI in Omegna-Italy with a higly quali-fied architecture jury.

TEAPOT

COFFEEPOT

SUGARBOWL

MILKJUG

Onyx is based on the idea to bring the conditioned feeling we connect to our breakfast-ritual every day to an object, a form that represents the idea of an important moment. In or-der to bring life to a still object, onyx was inspired by the eruptions of wind and water that shapes a stone. The objects are chosen to enhance exchange on the table and acting like a centerpiece of the ritual. In-fluenced by the functional require-ments of each item, their haptic form evolves by the user’s interaction with the objects and increases com-munication between one another.

MILKJUG COFFEEPOT

TEAPOT

TRANSFORMED SEGMENT OF ORIGINAL GIVEN FORM

EXHIBITING AT THE AUSTRIAN PAVILLON AT THE ARCHITECTURE BIENNALE IN VENECIA 2010

The form evolves out of the haptical needs of a users interaction. It‘s shape invites the user to engage with the object and enhaces interaction on the table.

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FIXED STRUCTURE_GROWING LIVING TOWER

LEARN FROM THE PAST

A glance towards the past allow us to recognise everlasting human needs, the needs which define us as human beings and which should be preserved as such.

RECOGNISE THE PRESENT

Our wold is changing faster and more fundamentally than ever before. Therefore the socitiy of today must react more rapidly and with more flexibitity to these invironmental changes. Decisions in life are no longer made to last for an eternity but are rather more temporary solutions to specific and developing life situation. The average lifestyle is subject to constant change and this has a major impact to our living behaviours and claims.

CHANGE THE FUTURE

To make worldwide living possible, we need some universal Standarts. A light bulb for example: every screw socket is standardised globally al-lowing one to change and to exchange a light bulb anywhere in the world. Taking this and translating it into a future living concept: to make world-wide living possilbe, one would be able to pack one‘s „basic human needs“ into a suitcase and travel anywhere with them where one would be able to „dock“ onto a universally standardised living tower.

“ The world is mine!

...i can live anywhere in the world, i have my workplace in every city and i can choose which role in live in want to play each day...all that with the convenience of my own bed!!

Primäre Teleskopträger

Sekundäre Teleskopträger

ausrollbare Bimetallplatten für flexible Erweiterung

fixer elektronisch durchwebter Boden (elektromagnetisch)

Grundstruktur

Aussteifung

STRUCTURE FIXE STRUKTUR VORORT_WACHSENDER WOHNTURM

WIENnEW YORK

TAXI

6 m6 m

4 m

GROWING STRUCTUREinterchangeable steel base structure with integrated utilities (water, elec-tricity, etc.)

GROWING BIOSYSTEMAlgae helpt to improve the climate of the city and offer a green open space. To build up bio-mass, the algae recyc-le CO2 from the air.

FLEXIBLE SKINA foldingsystem of the skin allows for maximum flexibility concerning the use of the „livingcell“. The more space inside, the less space outside and visa versa

GRAPPLERa mechanical grappler is used to load and positi-on the B-boxes into the structure and to extend the base structure.

TRANSPORT

pub l i c g r e e n space

flying cars for access

living cell with 144 m3

HÜLLE

Every housing has a flexible skin with a folding sys-tem which is able to expand and adjust itself within the space.

The hinged steel frame is covered with a flexible mem-brane on both sides. This skin is woven with O-Leds (organic LEDs) which can display any kind of image. Transparent, it can be partly or fully used as a window area or can function as blinds. Daily, the wall colour of these blinds can be changed. By replicating different environmental situations, night can turn into day, rain can become sun and a grey city blighted by smog can change into a fresh, green oasis.Televisions, computers, lighting and even pictures will become obsolete.

On the outside of the façade, the skin acts as a solar collector. The 3 dimensional composition of the skin on the inside and outside of the building is formed by a substructure, which can also be used to form fur-niture such as tables or seats. The substructure also allows doors or windows to easily penetrate the skin without reducing structural rigidity.

The skin is self-cleaning and breathes through pores in the surface, this enabling the potential for great air circulation. Between the two skins there is a cleaning system, which assures only air that is clean and of a appropriate temperature is allowed to circulate.

Nahrungszubereitung

Hygenebereich

Stauraum

Schlafbereich

elastic hinch joint(3G-plastic)

electric lockable telescopic rod

steel pole

electric woven floor to activate the electromagnetic vacuumstrip

telescoping electromagneticvacuumstrip (seal)

fully recessed roller bearing for mobility

KEEP AND PROTECTBASIC NEEDS

breathing (clean air)warmth (clothings)drinking (clean water)eating (healthy food)rest (sleep, relaxation) ->hygiene

TRANSPORTABLEBEDÜRFNISSBOX

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6 m

max 2 m

ZUKUNFTSWACHSTUM

GRUNDRISS 1:100

heute

2050

2100

mögliche Raumnutzung und Konstruktion

Entwerfen_Utopie Real SS10 Martina Hatzenbichler 0326220

6 m

max 2 m

ZUKUNFTSWACHSTUM

GRUNDRISS 1:100

heute

2050

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mögliche Raumnutzung und Konstruktion

Entwerfen_Utopie Real SS10 Martina Hatzenbichler 0326220

6 m

max 2 m

FUTURE GROWTHP

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PUBLICIN A PARK IN THE MIDDEL OFVIENNAARISES A NEW MUSEUM FOR OLD MUSIC-I N S T R U M E N T S

TU WienDezember_2009András Pálffy

wherewhen

whome

what

MUSIKINSTRUMENTENMUSEUMSAAM

01The Museum of Old Musical Instruments can be experienced like a walk through a symphony, a composition between architecture and its sur-roundings. Through specific insights and views the connection between nature and architecture is deliberately staged. The monolithic formal lan-guage is shaped by creating important panoramic views of the surroun-ding context, allowing outside nature to add to the sensual experience of the art throughout the exhibition. The resulting main wings guide the visitor to each end of the building, leading optically to the external park.

The variations in nature throughout the year create an ever changing component, letting the exhibition continuously be experienced in a multitude of different ways

The visitor is literally released into nature; this concept allows the experi-ence between the composition of the architecture, nature and represen-ted art objects, to be reborn.

Arsenalstraße

Landstraße Gürtel

Ghegastraße

LAGEPLAN BELVEDERESCHWEIZERHAUS

ARSENAL

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EXHIBITION SPACE 3ADMINISTRATION

ACCESS CONCERT AREACAFE

FOYER ENTRANCE

FRONT AREA CONCERTHALLCAFE TERRASSE

EXHIBITION SPACE 2EXHIBITION SPACE1

SCRIPTINGDEVELOPING A PA-RAMETRIC CITY-GRID WITH COM-P U T E RS C R I P T S

RMIT University MelbounreMarch_2009Tim Schork_Paul Minife

wherewhen

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London

Toronto

San Francisco

RomeCopenhagen

New York

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The ‘city-divider’offers the possibility to create various cities with different densities. The script is built up on subdivisions. The user is asked to pick a cityoutline and then some attractors (curves) which are intersecting with the cityoutline.The attractor-curves can represent main-road systems, rivers or important areas in the city such as city centers, buisness districts, housing areas etc.

SCRIPTINGPROCESSSUBDIVISIONS

STADTGRENZE

PARKHIGHRISE BULDINGCOURTYARD BUILING

DESIGNATION OF AREAS

The script starts to create certain building typologies based on the res-pective surface area choosen by the user. Now, the script loops trough each area and_

_if area is too big, creates a park. _if the area is too small, creates a tower, with height increasing the closer to an attractor. _in between creates a typical city buildings with a courtyard is created, with less variance within height differences.

The values that influence the output can be changed easily in the script to create different values within a city. Trough changing the heights of each buildingtype or the value that creates them, the ‘city-divider’ can create- greener cities or denser cities- city centers with office towers or family based housing districts etc.

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01I AM WATCHING YOU_LIGHT

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FRUIT ME_FRUITBOWL

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CALA_SMELL ME_VASEALE

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The public seatings are further developed to form different varia-tions of seats, tables and „wall“-seperators. The furniture is shaped to form a composition of floating objects.

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UNFOLDING PANELSSOLARPANELS

RECYCLED WOODEN PANELSSMALL TRAINWHEELS

SHIPPING CONTAINER

REFRESHMENTS SUPPLIES

SLIDING STEELBEAMS

The moveable „coffee_train“ revitalises old unused traintracks and offers a completey self supplied, easy on site unfoldable „public furniture“. The „cafe on wheels“ produces its own energy trough solarpanels and is made out of recycled materials found on site. Its quickly removed and stored in an old shipping container, which provides a big storrage space.Its flexibility provides a possibility of change and invites the user to engage with the structure.

..and the cool thing is....it can be used anywhere the traintracks lead to...

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RAILINGFISHING NETROBEHANGING STRUCTUREPOWER CORDSSOLAR PANELS

REFLECTIVE PAINT

SCREEN

The unsused space underneath a bridge is used to create a cinema and a seating area hanging from the existing structure. The Installation is made out of recycled ma-terials and during the week, co-exists beside the original function of the parking area. On the weekends this place is relivened to create a new public metting area.

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PIPE ISOLATION TUBESCRUSHED CONCRETE SEATSSUPPORTING TUBES FOR SEATSCONNECTION PLATFORMS„ECHO EFFECT“ MOVEMENT TUBES

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This skatepark installations gives the spectators a possibility to take part in the skate-phenomena as well. The net is inspired by the waves of a skater and provides public seatings and a basestructure for shading. The green tubes (pool noodles) are supported with half filled hosepipe to support the structure but as well allow some tolerance of movement. Terefore, the users can create „waves“ as well by sitting down on the tubes and using them as soft “pillows“.

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mefish

tree of inspiration

highrise bed

shoeshelf

lampshade

table

lamp

sculpture

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PROCESS MODELS

EINREICHPLANBAUVORHABEN:

EZ.: KG.:GST.NR.:

AMTLICHE GENEHMIGUNGSVERMERKE:

BAUWERBER:

BAUFÜHRER:

GRUNDEIGENTÜMER:

PLANVERFASSER:

PLANINHALT:

MASSTAB:

PLANNUMMER:

DATUM:GEZ.:

#CAD-Techniker ##/##/####

1.195

1.7575

319

330

2.976 5

6.184 5

210

276

7475

934

1.1465

1305

267 5

59 5

+8,85

0 5 10 15 20

N

ZUFAHRT

1508/499/1 EZ:87BAUPLATZ Gesamtfläche 5478,49 m²Baufläche 2984,77 m²Bebaute Fläche mit Einfahrt 1032,00 m²Bebaute Fläche ohne Einfahrt 775,83 m²

LN414/2 EZ:86Kainz JohannVoitmann 78272

BF1508/3 EZ:452Fuchs Franz u. ElfriedeVogelsang 1088272

Garageneinfahrt

BF414/6 EZ:389Schlögel Franz u. FrederikeEbersdorf 1418273

BF414/5 EZ:388Pichler Franz u. SieglindeJungber 1228274

BF412/5 EZ:363Semler Josef u. RosemarieHarras 318272

HöhenfixpunktMetallmarke 7878 = +-0,00 m

BF408/15 EZ:363Semler Josef u. RosemarieHarras 318272

BF u. LF417/4 EZ:158Beer OskarWeinberg 116 8274

LF1508/2 EZ:87Fuchs FranzVogelsang 108a Sebersdorf8272Fuchs JosefGleiststr. 478020

STRASSENANL.1250/4 EZ:349Gemeindeamt Sebersdorf (Öff. Gut)8272

STRASSENANL.1257/2 EZ:349Gemeindeamt Sebersdorf (Öff. Gut)8272

LN1508/6 EZ:87Thomas Strahlhofer

30 m Linie

KANAL Ø

200G

EFÄLLE 1,5 %

PS 100

LAGEPLANM 1:1000

WAS

SER

ELE

KTR

IK

80220

80220

80 220

80220

80 220

80 220

80 220

PH 1

1542570

80220

80220

90 200

80200

PH 1

25 42570

100200

PH 1

10 39070

PH 1

15 42570

PH 1

15 42570

100220

PH 1

7020540

PH 20

80 230

PH 1

1520070

100220

80 220

80220

20 x 265 x 175

70 1.135 80

135 1.000

960

405 25 100 12 418

40 395 25 120 25 405

40

3.39

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5

5040

735

2522

712

226

4533

312

173

1210

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345

2510

312

390

2543

540

70 1.135

110 900 125

40 820 40

270 120 430

40 181 12 122

6195

300

100

1.00

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95

4011

812

548

1223

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110

20

3825

6175

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880

384

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9075

4375

4675

450

655

1.25

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370

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225

2535

312

275

2050

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880

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2.055

700 800 555

500

5.54

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503.

3405

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3195

100

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030

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±0,00

B B

DD

Waschraum

Gästezimmer

Kellerraum

Bad

Wohnen

Heizraum

Palletslager

Küche

Pool

Essen

VorraumWeinraum

Sauna

Poolhaus

Eingang

Garage

Pooltechnik

Speise

0 1 2 3

NERDGESCHOSSM 1:100

EG WOHNFLÄCHE 162,45 m² GARAGE 113,40 m² POOLHAUS 28,52 m² POOL 52,50 m² TERASSE 323,57 m²

GESAMT EG 680,44 m²

WC

WC

o 16

BGF EG Haus 330,00 m² Poolhaus 39,50 m² OG 203,40 m²

GESAMT 572,90 m²

OG WOHNFLÄCHE 149,59 m² TERASSE 183,12 m²

GESAMT OG 332,71m²

NGF

Dac

hvor

spru

ng

Dac

hvor

spru

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Dachvorsprung

Dac

hvor

spru

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Dac

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AR Ø 125

AR Ø 125

KAN

AL Ø

200

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KAN

AL Ø

200

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,5 %

KAN

AL Ø

200

GE

FÄLL

E 1

,5 %

PS 100

RR Ø 125RSK

RR Ø 125RSK

RR Ø 125RSK

RR Ø 125RSK

Terrasse

17,83 m2

52,50 m2

4,16 m2

11,98 m2

9,50 m2

13,98 m213,95 m2

10,86 m2

12,20 m2

7,01 m2

86,94 m2

13,88 m2

3,85 m2

16,77 m2

16,18 m2

35,67 m2

16,12 m2

2,27 m2

1,98 m2

2,81 m2

24,20 m2

46,12 m2

253,25 m2

3,72 m2

2,71 m2

A

A

CC

80220

80220

PH 7

5 70230

PH 7

5 70230

PH 7

5 40230

PH 7

570230

80 220

PH 55

160

230

PH 50

160

230

PH 75

300

230

PH 7

5 200230

PH 7

5 90230

PH 7

5 40230

PH 7

5 70230

80 220

80 220

80 220

80 220

80220

20 x 265 x 175

B B

DD

1.205

30 1.030 50 95

40 395 25 550 40 125

395 25 120 25 405 70

3.64

05

501.

180

785

345

1.28

0

4035

312

285

2534

525

3865

1210

6525

435

4022

030

3.64

05

501.

250

720

480

250

620

240

30

4064

040

325

4040

556

040

185

658

990

1775

30 1.080 95

180 930 95

30 150 40 390 25 405 70

215 470 175

271

170

2665

3175

210

100

340

140

195

+2,95

A

A

CC

Terrasse

Schlafzimmer

Bad

Büro

Lichthofoben offen

Terrasse

Kinderzimmer

Bad

Vorraum

Kinderzimmer

Kastenraum

WC

WC

0 1 2 3

NOBERGESCHOSSM 1:100

WOHNFLÄCHE 149,59 m²TERASSE 183,12 m²

GESAMT OG 332,71m²

OG

20

2020

2020

2020

2020

20

o 16

BGF 203,40 m²

RR Ø 125RSK

RR Ø 125RSK

20

NGF

42,92 m2

29,30 m2

10,85 m2 15,65 m2

9,10 m2

25,29 m2

19,10 m2

14,19 m2

17,62 m2

131,10 m2

2,66 m2

3,75 m2 1,98 m2

7,01 m2

B B

DD

A

A

CC

+5,90

+5,90

+5,90

+5,90

+5,90

+3,35

+6,55

+3,35

DACHDRAUFSICHTM 1:100 0 1 2 3

N

+0,00

+3,00

Grundrisse, Lageplan

1:100 (1:1000 Lageplan)

1 von 2

Thomas Strahlhofer

Einfamilienhaus

Thomas Strahlhofer

64149 UnterbuchVogelsan 108Steiermark

1508/499/1 87

GESAMT WOHNFLÄCHE 312,04 m²GARAGE 113,40 m²GESAMT TERRASSE 506,69 m²POOLHAUS 28,52 m²POOL 52,50 m²

GESAMT 1012,75 m²

DESIGNING AND REALISING A SINGLE FAMILY HOUSE IN STYRIA_AUSTRIA

BUILDINGSTART 2012