portfolio
DESCRIPTION
My PortfolioTRANSCRIPT
Gareth I Roberts
INDUSTRIAL DESIGNER
Pro
duc
t Des
ign
Eng
inee
ring
Em
pat
hic
Des
ign
Gareth I Roberts
Address: 4426 Osage Avenue, Apartment 3F Philadelphia, PA 19104
Telephone: (901) 233-8845
D.O.B: 12 December 1981
E-Mail: [email protected] [email protected]
Nationality: Australian Residency Status: United States of America Permanent Resident since July, 2006 (Green Card)
Current Education:
Fall 2008 to Now: Masters of Industrial Design University of the Arts, Philadelphia PA USA
Qualifications:
Bachelor of Mechanical Engineering / Bachelor of Design (Industrial Design) Monash University, Melbourne Australia, 2006
Work History:
2006-2008: Mechanical Engineering Intern Buchart-Horn, Inc. Engineers, Architects and Planners 3150 Lenox Park Blvd., Suite 300 Memphis, TN 38115 (901) 363-6355 www.bh-ba.com
What is Industrial Design? Traditionally, it has been the development of ‘products’, namely consumer items, that feed the consumer markets of the world. For decades, designers have striven to design the next ‘must have’ item, and have rarely looked beyond the confines of the consumer market. However, as the western stronghold on design and industrial production begins to fade, we are presented with an exciting opportunity to begin a new dialog of design and evolve as a discipline .
Design has always centered around people and human interaction, and is inherently a creative process. By looking beyond the ‘product’, Industrial design can begin to engage a variety of social, spatial, technological, and environmental problems, and bring a vibrant new perspective to the many issues facing the world today.
Industrial Design is no longer simply product design, it is a new way to engage complex problems by fostering creative dialog, in a collaborative setting, through research, concept prototyping and development.
industrial designerGareth I Roberts
We all enjoy a nice cup of coffee every now and again, and flock to local cafe’s to socialize with friends on a regular basis. But, do we ever stop to think about what our coffee habits are supporting while we are sipping our hot latte?
As we found, there is a lot more to this subject. Moreover, there is great confusion about the subject as a whole, what is “Fair Trade”, and what does it mean? To answer some of these questions and support more socially responsible coffee-drinking, a colleague and I created an urban guide of down-town Philadelphia, highlighting all of the coffee houses to allow the user to make an educated decision when the coffee-bug hits.
urban guide to philadelphiaSOCIALLY RESPONSIBLE COFFEE MAP
the farmer the money us
the farmer getsnon-fair trade 0.6 cents
fair trade 1.26 cents
the barista gets9.5 cents
the consumer pays177 cents
the business gets137 cents profit
is this fair?
fair trade coffee is better than non-fair trade, but it’s not perfect......
minor
coffee producing countries gross domestic product (billion $US)
the coffee world economy map
coffee consumption (kg/capita/year)
major 50-100 100-200 0-1200-500 2-4500-1000 5-71000-2000 8-102000+ 10+
how ‘fair’ is fair-trade?
22 La.Va$2.00
23 Ants Pants Cafe$1.85
12 Cosi$1.69
15Dunkin Donuts$1.29
13Cafe Loftus$1.75
3 La Citadelle$1.50
2 De Jour$1.50
4Last Drop$1.65
11Starbucks$1.77
5 Starbucks$1.77
14 Starbucks$1.77
7 Starbucks$1.77
9Naked Chocolate$1.65
6Brew HaHa$1.85
11Joe Coffee Shop$1.50
10Spruce St Expresso$1.75
8ING Direct$1.00
19Chapterhouse$1.50
18 Bonte$1.70
17Cafe Mocha$1.70
11610th St Pour House$1.35
20 The Bean Cafe$1.75
21Bean Exchange$1.60
regu
lar
coffe
e gu
ide
Lombard
Broa
d St
13th
12th
11th
10th 9t
h
8th
7th
6th
5th
Market
Chesnut
Walnut
Locust
Spruce
Pine
South
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20th
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Bainbridge
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23 22 20
1811
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City Hall
did you know only 2.2% of all coffee consumed in the USA is fair trade?
Fairtrade
Un-Fairtrade
Wireless
comfortablespeedy
loud
quiet
Z Z Z
2
3
232220
12
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4
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1311
6
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The Philadelphia Socially Responsible Coffee Map was created with a two-fold mission; firstly to allow the user to find a coffee shop in the down-town area, but more importantly to allow them to make an educated decision about what they are supporting with their buying habits.
Want to know more? Use the QR code to see the online Philadelphia Socially Responsible Coffee Map
university of the arts MIDPROJECT: AMUNEAL
Beginning in the Fall of 2008, a group of five University of the Arts Master of Industrial Design (MID) students, myself included, began a collaboration with an industry partner, Amuneal Manufacturing.
You could be forgiven in thinking that this collaboration involved the design of some new product, but in reality it involved the use of Industrial Design theories and practices to investigate and ‘re-design’ the company itself. Beginning with the Customer Delivery Teams (CDT’s), we observed the environment, and then began interviewing the employees. This bottom-up approach afforded us the opportunity to uncover the roots of issues that the company was experiencing directly from the source, and gave the staff an opportunity to contribute to the process directly.
This people-centered approach is the key, as we are designing solutions with the people, for the people.
implement observe
engage
process
innovate
pre
sent
r
efi
ne
design cycle: AMUNEAL
data gathering phase
ideation phase
in
terv
enti
on
phas
e
Observe:Tour of the company premises
Engage:Interview members of the Client Delivery Teams (CDT’s)
Process:Collate observations and interview data to form preliminary entry points for industrial design interventions
Innovate:Brainstorm, organize and begin to propose design intervention concepts
Present:Feed findings back to the client and propose possible intervention actions for evaluation
Refine:Using client feedback, refine intervention concepts
Implement:Introduce intervention concept for use and begin observing the effects
Observe Resources
Observe Workflow
ObservePeople
Observe Practices
ObserveOrganization
Observe Workspace
Observe Production
InitialInterviews
DataCollation
implement observe
engage
process
innovate
pre
sent
r
efi
ne
design cycle: AMUNEAL
data gathering phase
ideation phase in
terv
enti
on
phas
e
Data Gathering Phase
Before putting pen to paper, it is critical that you, as the designer, get a feel for your target audience. For the Amuneal project, this involved collecting as much data as possible to help guide the design process.
signagepin-up spacepartitionprocesswork stationsignalingticketscollaborationmappingplaybookrole playing
mentorteamworkbackcasting
leadership
communication spatial organization business organization
skills & training
Intervention Concepts
Information sorted into categories
With a wealth of data collected, the next phase of the project begins. In the ideation phase, the observations and client comments are collated, and used to frame scenarios that begin to address some of the major areas of opportunity uncovered.
implement observe
engage
process
innovate
pre
sent
r
efi
ne
design cycle: AMUNEAL
data gathering phase
ideation phase
in
terv
enti
on
phas
e
Ideation PhaseBusiness Design Venn Diagram
First Intervention for Implementation
Refined Concept
Present Interventions
implement observe
engage
process
innovate
pre
sent
r
efi
ne
design cycle: AMUNEAL
data gathering phase
ideation phase in
terv
enti
on
phas
e
Intervention Phase
With the initial intervention concepts framed using the data obtained from the staff at Amuneal, it was time to ‘push back’. We began implementing our first ‘Design Intervention’ to change the dynamic of communication in
meetings, and began observing their effect.
only one side of the argument being
presented
user presents the other side of the
argument to spawn further dialog
Concept is better articulated, and
invesitgated from all vantage points
the group is avoiding an obvious
issue in need of consideration
user identifies the avoided issue without fear of consequence
All issues are considered when
forming the concept
why 5x Concepts presented
are seemingly superficial and lack
detail
user asks the presenter to clarify
the concept by asking ‘why?’ 5
Concepts are fully thought through
Information is lost from previous
meetings, and there is no reference of decisions made
user is responsible for documenting all
important issues and decisions for future reference
Information from previous meetings
is available for review
Complex concepts are presented that
are somewhat ambiguous
user responds by voicing their
interpretation of the concept
Presenter can confirm whether the concept is understood,
of correct misinterpretations
N
S
EW
Meetings are often poorly structured, or
do not run to schedule
user is charged with the responsibility of keeping the meeting
on topic, and on time
Meetings run to schedule, reducing
time wasted.
You’reinvited!
A team member is not participating, or
is distracting the dialog
Non-Participating team member is asked politely to
return to the conversation
All opinions and perspectives are considered when
making key decisions
A team member is seen to be doing a
very good job
Team member is awarded the ‘gold star’ to commend
their hard work
team members gain pride from
contributing, and feel appreciated.
Imp
etus
Car
d
Met
hod
Res
ult
Dialog Cards
Facilitation Cards
Participation Cards
devil’s advocate
white elephant
five why’s
simplifyer
documenter
navigator
you’re invited
gold star Inte
rve
nti
on
1:
Rol
e-P
layi
ng C
ard
s
In essence, these cards were designed to change the dynamic of communication in a meeting setting by assigning a critical role to a number of participants. Cards like the ‘Devil’s Advocate’ encourage the holder to present the opposite side to an argument or concept, and thus encourage further exploration or dialog on the topic.
Business(Viability)
Technology(Feasibility)
Emotional Innovation
Functional Innovation
People(Ability / Skills)
Experience Innovation
ProcessInnovation
Ide
ati
on
To
ol:
Bus
ines
s Ve
nn D
iagr
amPeople: Issues and Observations relating to employees or people in general
Technology: Issues and Observations relating to Equipment, Machinery, Software and Hardware
Business: Issues and Observations relating to the Business as an entity, the boss or Financial concerns
Emotional: Issues and Observations Innovation encompassing both people and business concerns
Experience: Issues and Observations Innovation encompassing both Business and Technology concerns
Functional: Issues and Observations Innovation encompassing both People and Technology concerns
Process: Issues and Observations Innovation encompassing all three zones of the Venn Diagram
To help prioritize the observations and comments we had collated, we took a traditional ID product design Venn Diagram, and adapted it to better suit the business-design context we were working in. This was achieved by highlighting the three major components of a typical organization structure as People, Technology and Business and then fitting all of our observations and comments into the diagram..
Industrial Design as we know it is changing, and in this current economic climate, ID needs to find a new direction to a prosperous future. To this end, the University of the Arts MID Guide to Redesigning Industry forwards the use of ID to help re-shape businesses. With the help of an industry partner, Amuneal Manufacturing, this book documents a semester of a partnership where a small team of UArts Masters students, myself included, began investigating how Industrial Design techniques can influence the every-day running of a company and lead to a more successful and cohesive future.
Monash University Multi-Disciplinary Project 2005Elfin Sports-cars
In 2005, Monash University undertook a multi-disciplinary project with Elfin Sports-Cars, a small automotive manufacturer in Victoria, Australia. The project was a concept study for the re-design of their 4 cylinder kit car, the Elfin Clubman.
I was asked to join this project for both the aesthetic design and some mechanical engineering work on the re-design of the car. Shown right are the final concept sketches of the Elfin T4, and below is the widened concept of the tubular chassis.
melbourne 2020 transportationXT-CITY EXTENDABLE CHASSIS TRAM
Melbourne, Australia has the largest light-rail network in the world. The 245 Kilometer network services the city and suburban areas, and is vital to the commuting population of the region.
The network, dating back to 1885, relies upon over-head 600V power lines, and is in desperate need of upgrading to support the expected population influx over the next decade. With this in mind, the XT-City extendable chassis tram was designed to take advantage of the current infrastructure, but also adapt to future extensions of the network through it’s duel electric / fuel-cell power-trane.
large doors provide easy access for disabled travellers
low floor to allow for wheelchair access
fuel-cell auxiliary power system to allow for economic expansion of
tram network without the need for 700V over-head power
extendable chassis
Monash University 2005 End of Year Exhibition
urban guide to philadelphiaTOUR PHILLY MAP
As one of the oldest cities in the United States of America, Philadelphia PA has an abundance of tourists each year. Down-Town Philly has a plethora of tourist activities, so how can one determine where to visit?
The Tour Philly map was created to address this need, and provides the user with a host of useful pieces of information, including the locations of all of the main tourist attractions, their relative popularity with tourists, their approximate age and the distance between each location.
ITALIAN MARKET
LIBERTY BELL CENTER
READING TERMINAL
INDEPENDANCE HALL
COMCAST BLDG
BETSY ROSS HOUSE
FAIRMOUNT PARK
FRANKLIN INSTTUTE
PATS/GENO’S
MUTTER MUSEUM
ROCKY STEPS
NATIONAL CONSTITUTION MUSEUM
LINCOLN FINANCIIAL FIELD
PMA
CITIZEN PARK
RODIN MUSEUM
PHILLY ZOO
PLEASE TOUCH MUSEUM
AFRICAN AMERICAN MUSEUM
ACADEMY OF NATURAL SCIENCES
FREE LIBRARY OF PHILADELPHIA
ROSENBACH MUSEUM
CIVIL WAR UNDERGROUND RAILROAD MUSEUM
EASTERN STATE PENITENTIARY
UNITED STATES MINT
THE FABRIC WORKSHOP AND MUSEUM
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9TH AND FITZWATER AVENUE
6TH AND CHESTNUT ST
12TH AND ARCH ST
CHESTNUT ST, BETWEEN 5TH AND 6TH AVENUA
17TH AND ARCH ST
239 ARCH ST
KELLY DRIVE
222 NTH 20TH ST
WHARTON AND PASSYUNH ST
19 STH 22ND ST
26TH AND BEN FRANKLIN PARKWAY
525 ARCH ST
26TH AND BEN FRANKLIN PARKWAY
22ND AND BEN FRANKLIN PARKWAY
3400 W. GIRARD AVE
4231 AVENUE OF THE REPUBLIC
701 ARCH ST
19TH AND BEN FRANKLIN PARKWAY
1901 PINE ST
2010 DELANEY PLACE
1805 PINE ST
22ND AND FAIRMONT AVE
5TH AND ARCH ST
1214 ARCH ST
1.1
ITALIAN MARKET
LIBERTY BELL CENTER
READING TERMINAL
INDEPENDANCE HALL
COMCAST BLDG
BETSY ROSS HOUSE
FAIRMOUNT PARK
FRANKLIN INSTTUTE
PATS/GENO’S
MUTTER MUSEUM
ROCKY STEPS
NATIONAL CONSTITUTION MUSEUM
LINCOLN FINANCIIAL FIELD
PMA
CITIZEN PARK
RODIN MUSEUM
PHILLY ZOO
PLEASE TOUCH MUSEUM
AFRICAN AMERICAN MUSEUM
ACADEMY OF NATURAL SCIENCES
FREE LIBRARY OF PHILADELPHIA
ROSENBACH MUSEUM
CIVIL WAR UNDERGROUND RAILROAD MUSEUM
EASTERN STATE PENETENTIARY
UNITED STATES MINT
THE ABRIC WORKSHOP AND MUSEUM
ITA
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0.9 0.9 0.7 1.1 1.0 8.9 0.6 0.5 2.1 1.9 1.0 3.7 1.9 2.4 1.7 3.1 3.8 0.9 1.4 0.7 1.5 1.2 3.5 1.0 1.8
0.6 0.8 1.3 0.6 5.9 2.0 1.3 1.7 2.8 0.1 4.3 2.8 3.7 1.8 3.0 3.8 0.6 1.8 1.3 1.7 1.7 3.1 0.3 1.2
0.8 1.1 0.8 7.7 0.8 1.4 1.4 1.2 1.20.6 4.7 4.1 0.9 2.4 3.2 0.4 0.7 0.5 1.5 1.4 2.2 1.3 0.4
1.3 0.3 5.9 0.8 1.2 1.7 1.8 1.80.1 4.3 3.0 1.6 3.0 3.8 0.3 1.3 1.3 1.7 1.7 3.1 0.3 1.2
1.3 5.1 0.3 1.5 0.9 0.8 0.81.0 4.7 1.1 0.6 2.0 2.8 0.9 0.3 0.3 1.1 0.9 1.6 0.2 0.4
4.5 1.1 2.2 2.4 1.9 0.3 6.5 1.9 3.3 1.7 3.1 3.9 0.4 1.4 1.4 2.5 2.4 3.2 0.2 1.1
4.8 6.6 6.9 4.3 4.35.9 8.5 8.5 4.6 3.3 3.0 5.6 4.9 4.8 7.6 7.8 6.8 5.6 7.8
1.8 0.5 0.5 0.51.4 4.0 3.6 0.3 1.7 2.4 1.1 0.1 0.1 0.8 1.0 1.2 0.5 0.7
2.5 2.3 2.31.2 3.0 1.9 2.1 3.5 4.1 1.4 1.8 1.9 1.9 1.6 3.9 1.4 2.2
0.7 0.71.5 6.0 5.4 0.5 1.8 2.5 1.9 0.4 0.5 0.6 0.8 1.6 1.5 1.4
0.30.01.8 6.9 6.3 1.2 1.2 1.6 0.6 0.5 1.4 1.6 0.9 1.0 1.2
3.5 1.8 3.0 1.6 3.0 3.8 0.3 1.3 1.3 2.0 1.8 3.5 0.3 1.6
4.4 0.5 4.2 5.4 5.9 3.7 3.9 4.1 8.1 5.3 7.6 3.6 3.7
6.4 0.3 1.2 2.0 1.6 0.6 0.5 1.4 1.6 0.9 1.7 1.2
6.7 4.9 5.4 3.3 3.4 3.6 5.7 3.4 8.9 3.1 4.0
1.5 2.2 1.3 0.1 0.3 1.0 1.2 0.8 1.5 0.9
1.1 2.8 1.8 1.7 3.0 3.2 2.2 2.9 2.4
3.6 2.5 2.5 3.6 3.8 2.8 3.7 3.9
1.6 1.1 1.7 1.7 2.8 0.2 1.0
0.3 0.9 0.8 1.4 1.2 0.6
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1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26
POINT A TO POINT B MILESSTREET ADDRESSES
# EACH RING = 50 YEARS
HISTORIC AGE
1
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17
4
3
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5
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1816
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21 25
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HIGHER LOCATION LEADERS = GREATER POPULARITY19
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MARKET STMARKET ST
SOU
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NO
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WALNUT STCHESTNUT ST
SPRUCE ST
LOMBARD ST
SOUTH ST
PINE ST
ARCH ST
VINE ST
14TH ST
13TH ST
12TH ST
11TH ST
23RD ST
15TH ST
16TH ST
17TH ST
18TH ST
19TH ST
20TH ST
21ST ST
22ND
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10TH ST
5TH ST
ITALIAN MARKET
LIBERTY BELL CENTER
READING TERMINAL
INDEPENDANCE HALL
COMCAST BLDG
BETSY ROSS HOUSE
FAIRMOUNT PARK
FRANKLIN INSTTUTE
PATS/GENO’S
MUTTER MUSEUM
ROCKY STEPS
NATIONAL CONSTITUTION MUSEUM
LINCOLN FINANCIIAL FIELD
PMA
CITIZEN PARK
RODIN MUSEUM
PHILLY ZOO
PLEASE TOUCH MUSEUM
AFRICAN AMERICAN MUSEUM
ACADEMY OF NATURAL SCIENCES
FREE LIBRARY OF PHILADELPHIA
ROSENBACH MUSEUM
CIVIL WAR UNDERGROUND RAILROAD MUSEUM
EASTERN STATE PENITENTIARY
UNITED STATES MINT
THE FABRIC WORKSHOP AND MUSEUM
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
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26
9TH AND FITZWATER AVENUE
6TH AND CHESTNUT ST
12TH AND ARCH ST
CHESTNUT ST, BETWEEN 5TH AND 6TH AVENUA
17TH AND ARCH ST
239 ARCH ST
KELLY DRIVE
222 NTH 20TH ST
WHARTON AND PASSYUNH ST
19 STH 22ND ST
26TH AND BEN FRANKLIN PARKWAY
525 ARCH ST
26TH AND BEN FRANKLIN PARKWAY
22ND AND BEN FRANKLIN PARKWAY
3400 W. GIRARD AVE
4231 AVENUE OF THE REPUBLIC
701 ARCH ST
19TH AND BEN FRANKLIN PARKWAY
1901 PINE ST
2010 DELANEY PLACE
1805 PINE ST
22ND AND FAIRMONT AVE
5TH AND ARCH ST
1214 ARCH ST
1.1
ITALIAN MARKET
LIBERTY BELL CENTER
READING TERMINAL
INDEPENDANCE HALL
COMCAST BLDG
BETSY ROSS HOUSE
FAIRMOUNT PARK
FRANKLIN INSTTUTE
PATS/GENO’S
MUTTER MUSEUM
ROCKY STEPS
NATIONAL CONSTITUTION MUSEUM
LINCOLN FINANCIIAL FIELD
PMA
CITIZEN PARK
RODIN MUSEUM
PHILLY ZOO
PLEASE TOUCH MUSEUM
AFRICAN AMERICAN MUSEUM
ACADEMY OF NATURAL SCIENCES
FREE LIBRARY OF PHILADELPHIA
ROSENBACH MUSEUM
CIVIL WAR UNDERGROUND RAILROAD MUSEUM
EASTERN STATE PENETENTIARY
UNITED STATES MINT
THE ABRIC WORKSHOP AND MUSEUM
ITA
LIA
N M
ARK
ET
LIBE
RTY
BELL
CEN
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DIN
G T
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0.6 0.8 1.3 0.6 5.9 2.0 1.3 1.7 2.8 0.1 4.3 2.8 3.7 1.8 3.0 3.8 0.6 1.8 1.3 1.7 1.7 3.1 0.3 1.2
0.8 1.1 0.8 7.7 0.8 1.4 1.4 1.2 1.20.6 4.7 4.1 0.9 2.4 3.2 0.4 0.7 0.5 1.5 1.4 2.2 1.3 0.4
1.3 0.3 5.9 0.8 1.2 1.7 1.8 1.80.1 4.3 3.0 1.6 3.0 3.8 0.3 1.3 1.3 1.7 1.7 3.1 0.3 1.2
1.3 5.1 0.3 1.5 0.9 0.8 0.81.0 4.7 1.1 0.6 2.0 2.8 0.9 0.3 0.3 1.1 0.9 1.6 0.2 0.4
4.5 1.1 2.2 2.4 1.9 0.3 6.5 1.9 3.3 1.7 3.1 3.9 0.4 1.4 1.4 2.5 2.4 3.2 0.2 1.1
4.8 6.6 6.9 4.3 4.35.9 8.5 8.5 4.6 3.3 3.0 5.6 4.9 4.8 7.6 7.8 6.8 5.6 7.8
1.8 0.5 0.5 0.51.4 4.0 3.6 0.3 1.7 2.4 1.1 0.1 0.1 0.8 1.0 1.2 0.5 0.7
2.5 2.3 2.31.2 3.0 1.9 2.1 3.5 4.1 1.4 1.8 1.9 1.9 1.6 3.9 1.4 2.2
0.7 0.71.5 6.0 5.4 0.5 1.8 2.5 1.9 0.4 0.5 0.6 0.8 1.6 1.5 1.4
0.30.01.8 6.9 6.3 1.2 1.2 1.6 0.6 0.5 1.4 1.6 0.9 1.0 1.2
3.5 1.8 3.0 1.6 3.0 3.8 0.3 1.3 1.3 2.0 1.8 3.5 0.3 1.6
4.4 0.5 4.2 5.4 5.9 3.7 3.9 4.1 8.1 5.3 7.6 3.6 3.7
6.4 0.3 1.2 2.0 1.6 0.6 0.5 1.4 1.6 0.9 1.7 1.2
6.7 4.9 5.4 3.3 3.4 3.6 5.7 3.4 8.9 3.1 4.0
1.5 2.2 1.3 0.1 0.3 1.0 1.2 0.8 1.5 0.9
1.1 2.8 1.8 1.7 3.0 3.2 2.2 2.9 2.4
3.6 2.5 2.5 3.6 3.8 2.8 3.7 3.9
1.6 1.1 1.7 1.7 2.8 0.2 1.0
0.3 0.9 0.8 1.4 1.2 0.6
0.9 1.0 1.0 1.2 0.8
0.2 1.4 1.5 0.9
2.0 1.4 1.7
1.6 1.5
0.7
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26
POINT A TO POINT B MILESSTREET ADDRESSES
# EACH RING = 50 YEARS
HISTORIC AGE
1
7
17
4
3
26
5
6
8
9
2223
1816
11
24
20
21 25
12
13
15
HIGHER LOCATION LEADERS = GREATER POPULARITY19
10
2
14
MARKET STMARKET ST
SOU
TH BRO
AD ST
NO
RTH BRO
AD ST
WALNUT STCHESTNUT ST
SPRUCE ST
LOMBARD ST
SOUTH ST
PINE ST
ARCH ST
VINE ST
14TH ST
13TH ST
12TH ST
11TH ST
23RD ST
15TH ST
16TH ST
17TH ST
18TH ST
19TH ST
20TH ST
21ST ST
22ND
ST
10TH ST
5TH ST
ITALIAN MARKET
LIBERTY BELL CENTER
READING TERMINAL
INDEPENDANCE HALL
COMCAST BLDG
BETSY ROSS HOUSE
FAIRMOUNT PARK
FRANKLIN INSTTUTE
PATS/GENO’S
MUTTER MUSEUM
ROCKY STEPS
NATIONAL CONSTITUTION MUSEUM
LINCOLN FINANCIIAL FIELD
PMA
CITIZEN PARK
RODIN MUSEUM
PHILLY ZOO
PLEASE TOUCH MUSEUM
AFRICAN AMERICAN MUSEUM
ACADEMY OF NATURAL SCIENCES
FREE LIBRARY OF PHILADELPHIA
ROSENBACH MUSEUM
CIVIL WAR UNDERGROUND RAILROAD MUSEUM
EASTERN STATE PENITENTIARY
UNITED STATES MINT
THE FABRIC WORKSHOP AND MUSEUM
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
9TH AND FITZWATER AVENUE
6TH AND CHESTNUT ST
12TH AND ARCH ST
CHESTNUT ST, BETWEEN 5TH AND 6TH AVENUA
17TH AND ARCH ST
239 ARCH ST
KELLY DRIVE
222 NTH 20TH ST
WHARTON AND PASSYUNH ST
19 STH 22ND ST
26TH AND BEN FRANKLIN PARKWAY
525 ARCH ST
26TH AND BEN FRANKLIN PARKWAY
22ND AND BEN FRANKLIN PARKWAY
3400 W. GIRARD AVE
4231 AVENUE OF THE REPUBLIC
701 ARCH ST
19TH AND BEN FRANKLIN PARKWAY
1901 PINE ST
2010 DELANEY PLACE
1805 PINE ST
22ND AND FAIRMONT AVE
5TH AND ARCH ST
1214 ARCH ST
1.1
ITALIAN MARKET
LIBERTY BELL CENTER
READING TERMINAL
INDEPENDANCE HALL
COMCAST BLDG
BETSY ROSS HOUSE
FAIRMOUNT PARK
FRANKLIN INSTTUTE
PATS/GENO’S
MUTTER MUSEUM
ROCKY STEPS
NATIONAL CONSTITUTION MUSEUM
LINCOLN FINANCIIAL FIELD
PMA
CITIZEN PARK
RODIN MUSEUM
PHILLY ZOO
PLEASE TOUCH MUSEUM
AFRICAN AMERICAN MUSEUM
ACADEMY OF NATURAL SCIENCES
FREE LIBRARY OF PHILADELPHIA
ROSENBACH MUSEUM
CIVIL WAR UNDERGROUND RAILROAD MUSEUM
EASTERN STATE PENETENTIARY
UNITED STATES MINT
THE ABRIC WORKSHOP AND MUSEUM
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0.9 0.9 0.7 1.1 1.0 8.9 0.6 0.5 2.1 1.9 1.0 3.7 1.9 2.4 1.7 3.1 3.8 0.9 1.4 0.7 1.5 1.2 3.5 1.0 1.8
0.6 0.8 1.3 0.6 5.9 2.0 1.3 1.7 2.8 0.1 4.3 2.8 3.7 1.8 3.0 3.8 0.6 1.8 1.3 1.7 1.7 3.1 0.3 1.2
0.8 1.1 0.8 7.7 0.8 1.4 1.4 1.2 1.20.6 4.7 4.1 0.9 2.4 3.2 0.4 0.7 0.5 1.5 1.4 2.2 1.3 0.4
1.3 0.3 5.9 0.8 1.2 1.7 1.8 1.80.1 4.3 3.0 1.6 3.0 3.8 0.3 1.3 1.3 1.7 1.7 3.1 0.3 1.2
1.3 5.1 0.3 1.5 0.9 0.8 0.81.0 4.7 1.1 0.6 2.0 2.8 0.9 0.3 0.3 1.1 0.9 1.6 0.2 0.4
4.5 1.1 2.2 2.4 1.9 0.3 6.5 1.9 3.3 1.7 3.1 3.9 0.4 1.4 1.4 2.5 2.4 3.2 0.2 1.1
4.8 6.6 6.9 4.3 4.35.9 8.5 8.5 4.6 3.3 3.0 5.6 4.9 4.8 7.6 7.8 6.8 5.6 7.8
1.8 0.5 0.5 0.51.4 4.0 3.6 0.3 1.7 2.4 1.1 0.1 0.1 0.8 1.0 1.2 0.5 0.7
2.5 2.3 2.31.2 3.0 1.9 2.1 3.5 4.1 1.4 1.8 1.9 1.9 1.6 3.9 1.4 2.2
0.7 0.71.5 6.0 5.4 0.5 1.8 2.5 1.9 0.4 0.5 0.6 0.8 1.6 1.5 1.4
0.30.01.8 6.9 6.3 1.2 1.2 1.6 0.6 0.5 1.4 1.6 0.9 1.0 1.2
3.5 1.8 3.0 1.6 3.0 3.8 0.3 1.3 1.3 2.0 1.8 3.5 0.3 1.6
4.4 0.5 4.2 5.4 5.9 3.7 3.9 4.1 8.1 5.3 7.6 3.6 3.7
6.4 0.3 1.2 2.0 1.6 0.6 0.5 1.4 1.6 0.9 1.7 1.2
6.7 4.9 5.4 3.3 3.4 3.6 5.7 3.4 8.9 3.1 4.0
1.5 2.2 1.3 0.1 0.3 1.0 1.2 0.8 1.5 0.9
1.1 2.8 1.8 1.7 3.0 3.2 2.2 2.9 2.4
3.6 2.5 2.5 3.6 3.8 2.8 3.7 3.9
1.6 1.1 1.7 1.7 2.8 0.2 1.0
0.3 0.9 0.8 1.4 1.2 0.6
0.9 1.0 1.0 1.2 0.8
0.2 1.4 1.5 0.9
2.0 1.4 1.7
1.6 1.5
0.7
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26
POINT A TO POINT B MILESSTREET ADDRESSES
# EACH RING = 50 YEARS
HISTORIC AGE
1
7
17
4
3
26
5
6
8
9
2223
1816
11
24
20
21 25
12
13
15
HIGHER LOCATION LEADERS = GREATER POPULARITY19
10
2
14
MARKET STMARKET ST
SOU
TH BRO
AD ST
NO
RTH BRO
AD ST
WALNUT STCHESTNUT ST
SPRUCE ST
LOMBARD ST
SOUTH ST
PINE ST
ARCH ST
VINE ST
14TH ST
13TH ST
12TH ST
11TH ST
23RD ST
15TH ST
16TH ST
17TH ST
18TH ST
19TH ST
20TH ST
21ST ST
22ND
ST
10TH ST
5TH ST
design for stroke victimsSMART-STEP ORTHOTIC
Strokes are the leading cause of disabilities in adults in the USA. Following a stroke, many patients experience paralysis in one side of the body, partially or completely effecting motor function in the extremities.
Following a stroke, it is imperative to begin rehabilitation as soon as possible to increase the chance that motor function can be restored. This typically involves hours of hands-on physiotherapy, where the facilitator manually moves the limb, lets say a foot, through the typical motions of walking in the attempt to re-train the brain how to control the muscles and ligaments.
To this end, the Smart-Step Orthotic is presented as an aid to customary rehabilitation, and aims to bridge the gap between physiotherapy sessions.
Orthotic mimics the natural movement of the foot, providing active physiotherapy with every step while maintaining mobility
Electronic Pulse Unit (EPU) controls the internal tendons that operate the active orthotic
The orthotic is designed to be easily concealed beneath clothing, or worn in the open as medical fashion design
EPU stores data relating to the user input and adjusts to encourage the brain to re-learn how to walk
unconsciously
The Orthotic is custom-formed to the user
In essence, it acts as an active exoskeleton, mimicking the movement of the foot, and thus reduces the noticeable limp the patient may exhibit while using a traditional foot brace. Instead of visiting the physiotherapist every two or three days, every outing becomes an active therapy session.
southern cross packaging awards 2004 - bronze awardAUTO-CAFE
The Souther-Cross Packaging Awards are hosted by the Packaging Council of Australia to recognise student achievements in design.
The Auto-Cafe was created in response to the 2004 project brief ‘Dashboard Diners’, challenging design students to create a vacuum-formed food packaging that could be used while driving a car. The concept features four individual, re-sealable sections for food items, and a clip that anchors the tray in the lap of the driver by attaching to the seat-belt.
The concept was awarded a bronze award in the 2004 Southern-Cross Packaging Awards, and was featured in issue 199 (November 2004) of Desk top: magazine
clip fastens lunch tray to the passenger’s lap by sliding inside lap belt
tabs allow covers to be removed without looking at the product
featured in issue 199 (November 2004) of Desk top: magazine, page 53
furniture designALPHA-CHAIR
Deriving inspiration from the greek character ‘alpha’, the alpha-chair is a contemporary example of bent-plywood furniture designed to be both a functional object and a sculptural centerpiece for the modern lounge-room.
The free-standing back and rear leg pieces give the piece controlled flexibility, while the rib under the seat section ensures rigidity and stability for comfortable use.
Constructed from bent plywood in a rosewood finish, the work was inspired by the works of Charles and Rey Eames and pays respectful homage to their iconic Industrial Design pieces, including the Eames Lounge.
Rosewood Finish
internal web fro structural support
monash university mechanical engineeringTHESIS PROJECT: MODULAR BICYCLE
To conclude my Bachelor of Mechanical Engineering degree at Monash University, I collaborated with a local bicycle enthusiast, Stephen Nurse, to evaluate the design of his modular bicycle.
The bicycle was designed to be a modular construction, allowing it to be configured as a standard bicycle, a recumbent and a tandem.The modular nature of the components posed a significant problem to the structural integrity, as the optimal geometry of a bicycle could not be used.
After an extensive evaluation of the components using hand calculations and Finite Element Analysis (FEA), I suggested a number of modifications to the bicycle design to greatly improve the structural strength of the components.
Original Modular Bicycle Design (Stephen Nurse)
Ergonomics of the bicycle riding position
Shown right is an analysis of the forces acting on the seat-stem and the bottom bracket of the modular bicycle.
To evaluate the worst-case scenario for the maximum force the bicycle could be exposed to, I needed to know the force at which the wheels would fail. This was determined on a compression test bed, Ultimately, a force of 9500 Newtons, or 1940kg through each axle was determined to be the greates force expected.
their hard work and you enjoy your
Shown right is a Finite Element Analysis of the initial standard bicycle frame assembly, showing a maximum stress of 700 MPa, which would cause a failure in the mild-steel tubing at the bottom bracket under load. Shown Below is the proposed geometry of the modified bicycle frame, showing vast improvements in the maximum stress levels under load.
The proposed final geometry of the modular bicycle including a heavier duty rear swing-bar system and strengthened bottom bracket. In this configuration, the maximum stress expected was found to be 400Mpa, or almost half of that found with the initial geometry.
monash university kitchen designKitchen Hub
The kitchen isn’t just a place where food is kept, it is the hub of the home, and family life. The simple act of preparing a meal can be a bonding experience, and should be embraced in the modern kitchen. Unfortunately, modern kitchen design positions the majority of the preparation surfaces to the walls of the space, requiring the user to prepare their meal while looking at a wall, or if they are lucky, to the outside of their house.
The Kitchen Hub was designed to alter the current kitchen dynamic by bringing the food preparation activities to the center of the space. The round cutting surface rotates, allowing the users to move their prepared dish to the appropriate location, or to pass it along to the next step in the process. The circular design also promotes conversation, as users are looking towards eachother, and not simply a wall.
5 storage compartments are located underneath the preparation surface, and can be opened by pressing a knee or foot against the skin, releasing the lock.
corian surface