popular photographic histories in nigeria dr. olubukola … · 2019-12-03 · “let’s read a...

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Lets Read A Photoplay!Popular Photographic Histories in Nigeria By the 1950s, photographs became an increasingly familiar sight in popular print media throughout Africa. Com- monly found in modernmagazines, photographs were also enlisted to illustrate graphic novels that told dramatic pulp stories based on American models. This paper takes a closer look at one of these magazines—Atoka: The Yorùbá Photoplay Series—which was written in local Yoruba dialect, with stories inspired by local traveling theatre practices in southwestern Nigeria. Although, Atoka was part of a continent-wide phenomenon of photonovels”, it stood out by using photographs to address local audiences through sensory (visual, oral, etc), didactic (moral, comedic, etc) and discursive (political, religious, etc) registers. Amid historical debates about modernist consciousness, class, consumerism, and national- ism, Atoka offered an informal and highly dialogic space for public discourse. This talk will explore how artifacts of cultural histories mediated local, national”, and pan-African discussions about cultural and political identity, even as African states navigated decolonization and its postcolonial aftermath. Dr. Olubukola Gbadegesin Visiting Associate Professor of African & African - American Studies TUESDAY 12.03.19 SEIGLE 306 4:30PM - 6:OOPM

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Page 1: Popular Photographic Histories in Nigeria Dr. Olubukola … · 2019-12-03 · “Let’s Read A Photoplay!” Popular Photographic Histories in Nigeria By the 1950s, photographs became

“Let’s Read A Photoplay!” Popular Photographic Histories in Nigeria

By the 1950s, photographs became an increasingly familiar sight in popular print media throughout Africa. Com-monly found in “modern” magazines, photographs were also enlisted to illustrate graphic novels that told dramatic pulp stories based on American models. This paper takes a closer look at one of these magazines—Atoka: The Yorùbá Photoplay Series—which was written in local Yoruba dialect, with stories inspired by local traveling theatre practices in southwestern Nigeria. Although, Atoka was part of a continent-wide phenomenon of “photonovels”, it stood out by using photographs to address local audiences through sensory (visual, oral, etc), didactic (moral, comedic, etc) and discursive (political, religious, etc) registers. Amid historical debates about modernist consciousness, class, consumerism, and national-ism, Atoka offered an informal and highly dialogic space for public discourse. This talk will explore how artifacts of cultural histories mediated local, “national”, and pan-African discussions about cultural and political identity, even as African states navigated decolonization and its postcolonial aftermath.

Sponsored by the Department of African & African-American Studies

Dr. Olubukola Gbadegesin

Visiting Associate Professor of African & African-American Studies

TUESDAY 12.03.19 SEIGLE 306

4:30PM-6:OOPM