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    Poetry andVerse

    Chapter 4

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    Defining Poetry

    Poetry is a poets intuition of truth

    Deals with the essence of life

    the opposite of hypocrisy (Corso)

    Poetry has a beat that repeats, words thatchime, and images we have not imagined before.

    Poetry is rainbow writing

    Eve Merriam

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    Values of Poetry

    1. share feelings, experiences, and visions

    2. discover the power of words

    3. expand vocabulary

    4. look at details of the world in new way

    5. can find a poem to match every mood

    6. succinct - less intimidating than books

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    Criteria for Evaluating Poetry

    p. 94Language is innovative and surprising

    Astonishes readers with careful word choices andoriginal comparisons

    Sounds are combined in ways that make words singRhyme, rhythm, repetition, and other sound elementsare used purposefully to convey meaning

    Form helps the reader understand more about the

    subject or moodSubjects speaks to reader and are highly engaging

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    Childrens Poetry

    Preferences

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    Characteristics of Poems

    children Prefer

    Grades 1 3

    (Primary)

    narrative, limericks,

    about strange and

    fantastic events,alliteration,

    onomatopoeia, rhyming

    Grades 4 6 (Upper

    Elementary)

    humorous, rhythmic,

    contemporary,

    narrative, limericks,poems related to their

    experiences

    Grades 7 9

    humorous narratives,

    rhyme, familiar

    experiences

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    Research Findingspage 97

    Like

    Narratives and

    limericks popular with

    all ages

    Prefer rhyme, rhythm,and sound

    Prefer contemporary

    poems

    Poems they can

    understandPoems that relate to

    personal experience

    Dislike

    Free verse and haiku

    most disliked

    Dislike imagery orfigurative language

    Highly abstract poems

    Haiku poems

    consistently disliked

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    Research Findings(McClure, 1985)

    Classroom experiences change childrensresponses to poetry

    Children like serious poetry, blank verse,

    and extended imageryPossible reasons for difference betweenthis and other research findings:

    poetry was on required classroom list

    books included visual aspects of poetryteaching methods emphasize both study andstructure of poetry responses

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    Poets UseLanguage in

    Interesting Ways

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    Figurative Language

    Similes

    Metaphors

    Serve as models and

    expand methods ofexpression

    Personification

    Metaphor

    By Eve Merriam

    Morning isa new sheet of paper

    for you to write on.

    Whatever you want to say,

    all day,

    until night

    folds it up

    and files it away.

    The bright words and the dark words

    are gone

    until dawn

    and a new day

    to write on.

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    Rhythm, Rhyme, and Repetition

    Rhythm

    the movement of

    words in the poem;

    the stress; numberand pattern of

    syllables;

    pronounced beats

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    Uses of Rhythm

    Highlight or

    emphasize specific

    words

    Enjoyment (initiatejoining in orally)

    Dramatic effect

    Establish moodReinforce content

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    Rhyme and Other Sound

    Patterns

    Can be at the end of

    a line or within a line

    Consonance:

    repetition ofconsonant sounds

    Assonance:

    repetition of vowel

    sounds

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    Repetition

    Enriches or

    emphasizes words

    or phrases

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    Alliteration:

    repetition of initial consonants

    The Meal

    Timothy Tompkins had turnips and tea.

    The turnips were tiny.

    He ate at least three.And the, for dessert,

    He had onions and ice.

    He liked that so much

    That he ordered it twice.

    He had two cups of ketchup,

    A prune, a pickle.Delicious. said Timothy.

    Well worth a nickel.

    He folded his napkin

    And hastened to add,

    Its one of the loveliest breakfasts Ive had.

    .Karla Kuskin

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    Onomatopoeia:

    words sound like what they mean

    Galoshes

    Susies galoshes

    Make splishes and splashes

    And slooshes and sloshes.

    As Susie steps slowly

    Along in the slush.They stamp and they tramp

    On the ice and concrete,

    They get stuck in the muck and themud;

    But Susie likes much best to hear

    The slippery slushAs it slooshes and sloshes,

    And splishes and sploshes,

    All around her galoshes?

    Rhoda Bacmeister

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    Imagery

    Use ofsensoryimages of

    sight, sound,touch, smelland taste

    words whichhelp us see,hear, feel,taste, smell

    and touch

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    Shape

    Shape and space

    increases impact of

    words

    word divisionline division

    punctuation

    capitalization

    stanzas

    white space

    arrangement of

    poem

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    Poetry Comes in a

    Variety of Forms

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    Tell StoriesRapid action and

    typically

    chronological order

    Narrative Poems

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    Ballad

    narrative folksongs

    usually focus is

    heroism ortragedy

    dramatic and

    fast-pacedincidents and

    dialogue

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    Lyric Poems

    musical, sing a song

    usually brief,

    descriptive, and

    focus on personal

    moment

    emphasize sound

    and pictureimagery rather than

    narrative or drama

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    Limerick

    short, witty, poem

    Lines 1, 2, and 5 rhyme with

    3 beatsLines 3 and 4 rhyme with 2

    beats

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    Concrete

    shape and

    content match

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    Haiku

    lines 1 and 3 = 5

    syllables

    lines 2 = 7 syllables

    A tanka is a poetic

    form in which two

    seven-syllable lines

    are added to a haiku. Spring : AHaiku Storyby G.Shannon &

    M. Zeldis

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    Free Verse

    Generally unrhymed

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    line 1 = 1 noun

    line 2 = 2 words describing the title

    line 3 = 3 action words related to titleline 4 = 4 words about feelings about title

    line 5 = 1 word related to title

    Cinquain

    Because of complexity,

    cinquain and haiku not

    recommended for

    beginning poet

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    Using Poetry in the Classroom

    1. Share poetry frequently.

    Adults rarely share poetry with children. Over 75%of middle school teachers said they read poetry to

    children less than once a month.2. Use in context, not isolation.

    Anthologies discourage enjoyment.

    Share at appropriate times and in total curriculum,

    not just literature.

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    3. Provide many and frequentexperiences with poetry.

    4. Read aloud.Allow interaction and time for the poem to beinternalized.

    Dont introduce by having children read silently.

    5. Discuss it. Dont worksheet it to deathSometimes what is left unsaid is more important thanwhat is said.

    6. Memorizing poems does not enhancetheir enjoyment.

    7. Understanding poetry is a continualprocess that builds on experience.

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    Criteria for Selecting Poetry

    1. Can children understand it? With adult help?

    2. Does it stir emotion (delight, sadness)?

    3. Does it play with the sounds of language?4. Is it age appropriate?

    5. Does it allow the the reader to be interactivewith poem?

    6. Is the subject matter appealing, appropriate?7. Will it be able to stand up under repeated

    readings?

    8. Will it accompany you through life?

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    Anthologies vs. Single Volumes

    Anthologies-Textbooks and

    anthologizers ofteninclude well-knownpoems that are public

    domain-May offer more use

    because of multipletopics, themes includedand indexed

    -Can be found in generalindexes

    Single Volumes- More costly to build a

    collection of individualtitles

    - May be utilized more by

    individual students

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    Types of Poetry

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    Nursery Rhymes

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    Appeal of Mother Goose

    Rhythm - like a songwithout notes

    develop language,

    auditory, and listening

    skillsrepetition - alliteration

    (consonant sounds)

    hyperbole - exaggeration

    good and bad characters

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    Types of Mother Goose Books

    collections

    Individual titles

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    Nonsense and Humorous

    Lewis Carroll

    Shel Silverstein

    Jack Prelutsky

    William Jay Smith

    John CiardiN. M. Bodecker

    Lear

    Laura Richards

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    Nature Poems

    Robert FrostAileen Fisher

    Byrd Baylor

    Paul

    Fleischman

    C S

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    Characters, Situations, and

    Locations

    Myra Cohn

    Livingston

    Valerie Worth

    David McCord

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    Moods and Feelings

    Langston Hughes

    Cynthia Rylant

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    Sports

    Growing Up

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    On the Road of Stars :Native American NightPoems and Sleep

    Charmsby John Bierhorst, JudyPedersen

    fifty-one poems

    and sleep charmsin a large-format

    picture book

    http://www.amazon.com/exec/obidos/search-handle-url/index=books&field-author=Pedersen%2C%20Judy/104-7636807-6152756http://www.poets.org/http://www.poets.org/http://www.poets.org/http://www.poets.org/http://www.amazon.com/exec/obidos/search-handle-url/index=books&field-author=Pedersen%2C%20Judy/104-7636807-6152756
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    Animals

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    Witches and Ghosts

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    Methods of Sharing Poetry

    Listen to poetry

    Move to poetry

    Dramatize poetry

    Choral speaking

    Write poetry

    Share poetryread aloud, post it, accordion- pleated

    book

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    Choose Your Own Poetry Award

    Winner.Read a poem every day

    Choose a poet of the week month

    Use poems across the curriculumUse poems around a theme

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    Good Resource Books

    Dunning & Stafford (1992). Getting

    the Knack: 20 Poetry Writing

    Exercises.

    McCord. One Day at a Time:

    Collected Poems for the Young

    Larick, N. (1991). Lets Do a Poem

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    Web Sites of Note

    http://www.poets.org/ (see p. 118 of

    text)

    http://www.surfnetkids.com/games/pu

    bpoem-ws.htm [try the virtual poetry]

    http://www.poetryzone.ndirect.co.uk/in

    dex2.htm

    http://www.amazon.com/exec/obidos/search-handle-url/index=books&field-author=Hopkins%2C%20Lee%20Bennett/104-7636807-6152756http://www.amazon.com/exec/obidos/search-handle-url/index=books&field-author=Hopkins%2C%20Lee%20Bennett/104-7636807-6152756