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PLAYLIST Sept. 28th 2014

9AM

The Beatles - I Want You (She’s So Heavy) - Abbey Road

(Lennon-McCartney) Lead vocal: John

The Beatles, with Billy Preston on keyboards, and with Glyn Johns as producer, recorded 35 takes at Trident Studios on February 22, 1969. From that session, take 9 was the

best for the early part of the song, take 20 had the best middle eight, and take 32 was the best for the rest. The three “best” sections were edited into one all-encompassing

master take. On April 18, at Abbey Road Studios, without Preston, and with Chris Thomas producing, John and George overdubbed layers of guitar parts onto the Trident “best” take, and a reduction mixdown was made, called “take 1.” Overdubs were added

onto that. More overdubs followed on April 20. Fast forward to August 8. Now with George Martin producing, John overdubs sounds from the white noise generator of

Harrison’s Moog synthesizer which produced the swirling, gale-force wind effect for the last three minutes of the song, and Ringo adds more drums (mostly crash cymbals). To complicate things, the group has been adding overdubs to two different master tapes of the song, so the best of each master is edited together to create the final album version

of the song. The final album master has “take 1” for the first 4:37 and the original Trident tape for the remaining 3:07. The final album master of John’s sprawling song

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ran 8:04, but John opted for a surprise ending. Engineer Alan Parsons: “We were putting the final touches to that side of the LP and we were listening to the mix. John said, ‘There! Cut the tape.’ Geoff [Emerick] cut the tape and that was it. End of side one.” At 7:44 it is second only to the sound collage/clip compilation “Revolution 9” as the longest Beatles track. It was the last song to be mixed for inclusion on the “Abbey

Road” album. This final mixing date, August 20, 1969, is significant in Beatles history - it is the last time all four Beatles were together in a recording studio.

9.12  BREAK    

The Beatles - For No One - Revolver (Lennon-McCartney)

Lead vocal: Paul Written entirely by Paul in March 1966 while on vacation with then-girlfriend Jane Asher at the Swiss ski resort of Klosters. The backing track was recorded in 10 takes on May 9,

1966 with only Paul (piano) and Ringo (drums) present. John and George do not perform on this song. Overdubs included Paul on clavichord, and Ringo on cymbals and maracas. Paul’s lead vocal was recorded on May 16. The baroque-style French horn solo

was credited to Alan Civil and recorded on May 19. Ringo’s original drum part was removed from the track in the reduction mixdown. The song was originally called “Why Did It Die?” Paul: “I was in Switzerland on my first skiing holiday. I'd done a bit of skiing in ‘Help!’ and quite liked it, so I went back and ended up in a little bathroom in a Swiss

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chalet writing ‘For No One.’ I remember the descending bass line trick that it's based on, and I remember the character in the song - the girl putting on her make-up.”

The Beatles - I’m Only Sleeping - Revolver

(Lennon-McCartney) Lead vocal: John

Written by John and Paul at Kenwood, John’s estate in Weybridge, in one writing session. Recording of the backing rhythm track began at 11:30 p.m. on April 27, 1966.

John recorded his lead vocal on April 29. Both the vocal and backing track were recorded at variable speed. It was during the recording of “I’m Only Sleeping” that The

Beatles discovered the “backwards guitar.” On May 5, 1966, as the band continued working on the song, George painstakingly transcribed the notes in his guitar solo and flourishes and then wrote them out backwards. He then played them in that reverse order. The tapes were then superimposed BACKWARDS in the mix, playing the solo notes and embellishments in the correct order, but maintaining the eerie backwards

sound. “I’m Only Sleeping” was one of three songs issued in America six weeks prior to their official release in the UK. American and Canadian Beatles fans heard “I’m Only Sleeping,” “And Your Bird Can Sing,” and “Doctor Robert” first on Capitol Records’

“Yesterday And Today” album, issued June 20, 1966. The rest of the world had to wait until the first week of August for them to appear on the “Revolver” LP.

On U.S. album: Yesterday And Today - Capitol LP

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The Beatles - She’s Leaving Home - Sgt. Pepper’s Lonely Hearts Club Band

(Lennon-McCartney) Lead vocals: Paul and John

Recorded March 17, 1967 in six takes. Written primarily by Paul with lyrical assistance from John, the song is based on a story appearing in the February 27, 1967, edition of the Daily Mail about seventeen-year-old runaway Melanie Coe. Paul begins the story about the girl leaving a note for her parents before slipping out of the house, John

provides the parents’ anguished point of view. When Paul called George Martin to ask if he’d create a string arrangement for the song he was told that Martin had already

committed to a Cilla Black session and Paul would have to wait. Paul then contacted Mike Leander to score the song. Paul had met Leander at the October 11, 1965, Decca Studios session for Marianne Faithfull’s cover of “Yesterday.” The score called for four violins, two violas, two cellos, a double-bass and a harp. The harp is played by Sheila

Bromberg, who became the first woman to play on a Beatles recording. As was the case with “Eleanor Rigby” eleven months earlier, no Beatles played an instrument on “She’s Leaving Home.” Martin made only slight adjustments to Leander’s arrangement when it

was recorded on March 17. An interesting side note…Melanie was a dancer on the Ready Steady Go! TV show and met the Fabs Oct. 1963 when she won a mime contest

and was awarded prizes by the Beatles!

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George Harrison – All Things Must Pass - All Things Must

Pass ’70 – REMASTERED FOR A 3rd time ? Another track that was written and rehearsed during the “Let It Be” sessions, it was considered sub-par and never considered for a Beatles album. The wait did the song wonders, as George brought it back and gave it a thorough shine. The

song was also inspired by The Band’s song, “The Weight.”

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Let  start  real  quick  with  the  1st  album’s  that  preceded  All  Things  Must  Pass…WONDERWALL  (Apple)  &  ELECTRONIC  

SOUND  (Zapple)      

The  1st  Apple  Album  ….interesting  as  it  features  Eric  Clapton  Ringo,  Peter  Tork  ,    

 GH1  

George Harrison – Ski-ing - Wonderwall Music ‘68

This is the track with, as George put it, “Clapton playing backwards guitar over the Indians.” The Indian part is just a simple drone and could just as easily have been played by George in the studio. Also features Ringo. The stereo version is

thirteen seconds longer than the mono mix.

The Beatles - While My Guitar Gently Weeps - The Beatles (Harrison)

Lead vocal: George In his book, “I Me Mine,” George explains that while visiting his parents he decided to

create a song from the first thing he saw upon opening a book. George randomly opened a book and saw the phrase “gently weeps.” He put the book down and started

writing lyrics.

The first proper recording of “While My Guitar Gently Weeps” took place on July 25, 1968. Nearly two months into recording the Beatles’ new album, this was George’s first chance to record some of his new material. George: “I always had to do about ten of

Paul and John’s songs before they’d give me the break.” On this first day George recorded several rehearsals and one proper take. At this stage, “While My Guitar Gently

Weeps” was an acoustic song, with George’s solo vocal and some organ overdubbed near the end that ran 3:13 and had a final verse not found in the final version. This

exquisite “take 1,” which was a demo for the other Beatles, is one of the highlights of the “Anthology 3” album. George would continue working on the song at home, and

eventually re-imagined the song as a rocker. On August 16, the full band revisited the song, making 14 takes of a rhythm track.

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QUIZ # 1 5 – REEL TO REEL: WONDERWALL AND WONDERWALL MUSIC AT THE GRAMMY MUSEUM THIS THURS OCT 2ND

7:30PM The GRAMMY Museum's executive director Bob

Santelli and Emmy-nominated music journalist and TV writer David Wild will discuss the film and George

Harrison's music.

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The new GH Apple Box set is OUT. Containing all of GH’s APPLE albums and one Zapple album Electronic Sound…Here’s yer QUIZ ? > Name the John Lennon

Zapple album released the same day as George’s Zapple album in 1969….?

9.42 BREAK

 Winner  HERE    

Put  some  of  that  Under  The  Mercy  Wall…under  me…  and  our  winner…  

 2  albums  ya  never  listen  to  all  the  way  through  …both  sides?  

…right  background  researcher    Matt  Hurwitz  ?    

ALL  THINGS  MUST  PASS  REMASTERED  An  LP  close  to  my  heart  and  wallet!  

Remastered?  Again?    

Dylan  connection  started  here/  interesting  John  &  Paul  so  enamored    

 

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GH2  George Harrison – I’d Have You Anytime (co-written with Bob

Dylan) – All Things Must Pass ‘70 This composition began at Bob Dylan’s home in Woodstock, New York during Thanksgiving 1968. George completed the song when he returned to England.

 The Beatles - You’ve Got To Hide Your Love Away - Help!

(Lennon-McCartney) Lead vocal: John

Recorded in less than two hours on February 18, 1965. Written entirely by John Lennon, who freely admitted the obvious Bob Dylan influence. Lennon wrote this at Kenwood, his home on the St. George’s Hill estate in Weybridge, Surrey (where the Beatles would be

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photographed for the cover of their “Rubber Soul” album). John’s original lyric was “I can’t go on feeling two foot tall,” but when singing it for Paul the first time he

accidentally said, two foot “small.” Lennon then laughed and said, “Let’s leave it … all those pseudes will really love it.” The first of their songs since “Love Me Do” in 1962 to

feature an outside musician. Johnnie Scott provides the flute solo at the end of the song, though he is not credited on the album jacket.

On U.S. album: Help! - Capitol LP

   

George Harrison – Let It Down - All Things Must Pass ‘70 Also written during the “Let It Be” sessions, this track shows Phil Spector running

rampant with the Wall of Sound.

 BREAK HERE  

 The  Beatles  –  Let  It  Down  –  Let  It  Be  sessions  

 BREAK HERE

   Speaking  of  The  Beatles…here  is  a  song  written  by  George  in  

1966      

There's nothing Sister Mary can do, will keep me here with you

Was  originally….  There's nothing Mr. Epstein can do, will keep me here with you

NEWS  HERE    

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George Harrison – Bangla Desh – Single July `71

George wrote the song in “ten minutes,” for his friend, Ravi Shankar’s war-torn homeland. While in LA working on the soundtrack for the Raga film, Ravi

informed George of the atrocities occurring in his native India. Leon Russell, who played keyboards on the session, contributed the idea for the “story” introduction

to the song. The song included George, Eric Clapton, Ringo, Bobby Keys, Billy Preston and Leon Russell. Although the lineup is disputed by Jim Horn, who

recalls that himself, George, Leon Russell, Klaus Voorman and Jim Keltner were present.

 No  Bangla  Desh  LP  in  Box…why?  

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 LIVING  IN  THE  MATERIAL  WORLD  

June  1973  Apple  The  album  did  very  well  for  George  in  the  U.K.  album  

charts  where  it  reached  number  2.    #1  USA  

 George Harrison – Living In The Material World - Living

In The Material World ‘73 Written in the late summer of 1971, it includes references to his friends, “John and Paul, “ and a little drum-fill from “Ritchie,” made the reference complete.

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GH4

 

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George Harrison – Don’t Let Me Wait Too Long - Living In The Material World ‘73

This track was the single that should have been, almost was, but never appeared. This is a prime piece of pop songwriting, and was scheduled as the

second single from the LP for release on September 24th, 1973. It was assigned an Apple catalog number (Apple 1866), but was mysteriously cancelled at the

last minute.

 The Beatles - Wait - Rubber Soul

(Lennon-McCartney) Lead vocals: John and Paul

Recorded June 17, 1965 during the “Help!” sessions, the song was left unfinished when The Beatles had hit the deadline to submit the album. Five months later, as the deadline

to submit “Rubber Soul” was upon them, they grabbed the unfinished song, threw on some overdubs and decreed it finished. Specifically, they added a tone pedal guitar,

tambourine, maracas, and more vocals on November 11, 1965, the final day of recording for “Rubber Soul.”

On U.S. album: Rubber Soul - Capitol LP

Switch CD’s

QUIZ BREAK / 3 winners ONLY

For tickets to Fest For Beatles Fans! The  Beatles  Apple  records  was  their  very  own  label  so  they  could  stick  anything  they  wanted  on  the  labels  of  their  solo  records.  They  stopped  using  the  Apple  and  put  pictures  sometimes  of  themselves  and  sometimes  

even  their  WIVES  on  the  labels….right  Matt?  Here  is  yer  Apple  Records  quiz  question  for  tix  to  Fest  

For  Beatles  Fans…  Name  the  records  (LP’s  or  singles)  where  a  Beatle  wife  has  a  photo  her  face  on  the  records  label….  

I  can  think  of  4  off  the  top  of  my  head…  

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Name  the  Beatle  wife’s  and  the  name  of  the  Beatles  solo  records  (LP  or  45)  where  their  faces  

are  on  the  record’s  label…  Go  Google  that!  

 Matt  pick  a  moderately  short  song  from  LITMW  

while  we  wait….    

WINNER  HERE    

Back  w/  Dark  Horse  remastered    

10.42 BREAK  

 

DARK  HORSE  

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Dec.  1974  #4  US  

UK  Not  Charted!???!!!!  GH5  

George Harrison – Simply Shady - Dark Horse ‘74 Written in Bombay, George’s voice was very hoarse during this track (a problem that would plague him throughout his tour). With mentions of drink, drugs and

Sexy Sadie.

  The Beatles - Sexy Sadie - The Beatles (Lennon-McCartney)

Lead vocal: John On February 19, 1968, the Beatles left the comforts of the UK for an oft-postponed extended trip to Rishikesh, India. Arriving the next day, they had come to learn the

powers of mediation under the direction of Indian guru Maharishi Mahesh Yogi at the Academy of Transcendental Meditation. The compound was located 150 feet above the Ganges surrounded on three sides by jungle-covered mountains. Students would live in

stone cottages. Each cottage had twin beds and modern bathroom facilities. George Harrison had been enlightened by the Indian culture and the Maharishi’s teachings and invited his band mates to immerse themselves in it as well. But instead of rejuvenating the other Beatles, the trip became tedious. Ringo and wife Maureen left Rishikesh after 10 days, complaining of missing their children and not liking the food. John and Paul turned it into a songwriting vacation, much to Harrison’s irritation. Paul and girlfriend Jane Asher returned to England on March 26. In April, things came to a head when a rumor circulated that the Maharishi had made sexual advances toward at least one of the women at the compound. John: “We went to see him after we stayed up all night discussing was it true or not true. When George started thinking it might be true, I

thought well, it must be true, because if George started thinking it might be true there must be something to it. So we went to see Maharishi, the whole gang of us, the next

day, charged down to his hut, his bungalow, and as usual, when the dirty work came, I was the spokesman.” But instead of accusing the Maharishi outright of wrongdoing or

inquiring about the specifics of the rumor, Lennon announced cryptically “We’re leaving.” When the Maharishi asked why, Lennon’s response was “Well, if you’re so cosmic you’ll know why.” True or not, Lennon and Harrison had had enough and left with their entourage immediately. “Sexy Sadie” was written by John while waiting at Delhi Airport, and was originally titled “Maharishi” with lyrics being “Maharishi, what

have you done? You made a fool of everyone.” At Harrison’s request, Lennon backed off and substituted ‘Sexy Sadie’ for ‘Maharishi.’

 

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GH6  

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George Harrison – Far East Man (written with Ron Wood) - Dark Horse ‘74

Written in late 1973, the track was originally given to Ron Wood for use on his LP “I’ve Got My Own Album To Do,” which was issued in September 1974.

George revisited the track for his own take. He had wished for it to be sung by Frank Sinatra, joining the ranks of Paul’s “Suicide,” and John’s “Nobody Loves

You (When You’re Down and Out)” as songs earmarked for the crooner.    

The  Beatles  -­‐  Something  -­‐  Abbey  Road  (Harrison)

Lead vocal: George The Beatles’ twenty-first single release for EMI, and fourth on the Apple

Records label. Although initially crediting Lennon and McCartney as the songwriters, legendary crooner

Frank Sinatra called George Harrison’s “Something” “the greatest love song ever written.” Commonly referred to as George’s first Beatles A-side, some sales chart makers

at the time considered the single a “double-A,” as both sides of the record received significant radio airplay, and charted both “Something” and its flip side (John’s “Come Together”) as one combined chart listing. The song is the first of two CLASSIC songs

George delivered for the “Abbey Road” album, the other being “Here Comes The Sun.” It was a phenomenal one-two punch that had to have Lennon and McCartney wondering

what else Harrison had up his sleeve.      

11.12 BREAK

 

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 EXTRA  TEXTURE  (READ  ALL  ABOUT  IT)  

Sept/Oct  1975  UK  #16  US  #8  

BUMPER / George Harrison – You Originally written for Ronnie Spector, and recorded during the sessions for her

sole Apple single, “Try Some, Buy Some,” in February 1971. According to George, they “recorded four or five tracks before Phil fell over,” (something Phil Spector had a tendency to do often. George dug this tape out during the Extra Texture sessions, but didn’t bother redoing the backing track, which is why you can hear Ronnie Spector singing one of her trademark “Be My Baby” oh-oh-oh’s

in the background.

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 EXTRA  TEXTURE  (READ  ALL  ABOUT  IT)  

Sept/Oct  1975  UK  #16  US  #8  

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Still  gotta  come  up  with  a  question  for  the  George  Apple  Box…..  

 Talk  about  this  LP…Extra  Texture  (Read  All  About  It  )  

GH7  George Harrison – Tired Of Midnight Blue - Extra Texture

‘75 Originally titled, “Midnight Blue,” but Melissa Manchester had a big hit with her own version titled the same in 1975, so George tacked on extra words, as he

was still smarting over the verdict of the “My Sweet Lord/He’s So Fine” situation (though both songs are dissimilar). Although not credited, Leon Russell is

featured on piano.

The Beatles - For You Blue - Let It Be (Harrison)

Lead vocal: George Recorded on January 25, 1969, and completed in six takes. John Lennon provides the

lead guitar part playing a lap steel guitar and using a shotgun shell as a slide. Paul McCartney plays piano. Nearly a year later, on January 8, 1970, George Harrison re-

recorded his lead vocal to the already completed backing track. During the instrumental break he ad-libbed “go Johnny go” and “Elmore James’ got nothin’ on this baby” to give the impression he was singing live with the band. Immediately prior to the start of the

song, John can be heard saying "Queen says no to pot-smoking FBI members." It is one of the few inclusions of film dialogue heard on the soundtrack LP. Written by George

Harrison for his wife, Pattie, “For You Blue” was a straight-forward blues song. George: “It's a simple 12-bar song following all the normal 12-bar principles, except that it's happy-go-lucky!” “For You Blue” was the flip-side of the American “The Long And

Winding Road” single, released on May 11, 1970. A new mix of take six was made in 2003 for “Let It Be... Naked” and an alternative take from the January 25, 1969, session

is included on the “Anthology 3” album.

QUIZ BREAK

George’s various Blue periods

Better come up with a question here for the Box

set…researched by Matt Hurwitz!

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For the box set… 800-955-KLOS

George released 7 LP’s while an Apple Artist. Wonderwall 1968

Electronic Sound 1969 ATMP 1970

Concert For Bangladesh 1972 LITMW 1973

Dark Horse 1974 & Extra Texture 1975

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Which of those albums used the original green

Apple as the label when originally released. (read LP’s titles again)

800-955-KLOS The solo Beatles liked to mess around and a lot

of the time wouldn’t use the standard green Apple label.

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While we wait for that answer how about another one from Extra Texture

George Harrison – This Guitar (Can’t Keep From Crying)

- Extra Texture ‘75 Jesse Ed Davis provided the guitar overdubs. “This Guitar” would be the A-side

(It Is “He” on the flip) and the final Apple released single for George Harrison. It also has the dubious honor of being the first Beatles solo single NOT to make the

Billboard Hot 100.

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WINNER HERE!!!!!

George Harrison – I Don’t Care Anymore Recorded in a single take with simply George and a barely in-tune guitar. While

recording the tune, George had complained that recording a B-Side was a pain in the a**, and definitely complains about the lack of volume in his headphones

while the tape is rolling - he just didn’t care anymore! December 6th, 1974 – US December 21st, 1974 – UK

QUIZ BREAK

Get a few FEST tickets left… Wanna

Play who’s singing that Beatles song????

11.43 BREAK

George Harrison – Dark Horse - Demo