playlist april 13th - breakfast with the beatles

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PLAYLIST APRIL 13th 2014

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Live From The Kobe Steakhouse /Seal Beach

Special guest Badfinger’s Joey Molland!

9AM

The Beatles - Magical Mystery Tour - Magical Mystery Tour (EP)

(Lennon-McCartney) Lead vocals: Paul and John

When Paul McCartney was in the U.S. in early April 1967 he came up with the idea for a Beatles television film about a mystery tour on a bus. During the April 11 flight back home he began writing lyrics for the title song and sketching out some ideas for the film. Upon his arrival in London, Paul pitched his idea to Brian Epstein who happily

approved. Paul then met with John to go over the details and the two began work on the film’s title track. The title track was written primarily by Paul but was not finished

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when McCartney brought the song in to be recorded on April 25, 1967. John helped with the missing pieces during the session.

On U.S. album:

The Beatles - Sgt. Pepper’s Lonely Hearts Club Band - Sgt.

Pepper’s Lonely Hearts Club Band (Lennon-McCartney)

Lead vocal: Paul Recording began on February 1, 1967 for what would become the title track of the new

Beatles album. The song was written entirely by Paul McCartney. It was McCartney’s idea to give the Beatles alter egos -- they would become Sgt. Pepper’s Lonely Hearts Club Band -- for this album. Nine takes were attempted, two of which were complete run-throughs. For the first time ever an instrument (Paul’s bass guitar) was directly

injected into the recording console instead of through an amplifier. Vocals were added the following evening, and the track sat for a month while the band worked on other material. The group returned to the title track on March 3 with the addition of four

French horns played by outside musicians. Paul also came up with the idea of simulating a concert performance by the alter-ego band. The sound of the band warming up was

taken from the February 10 orchestra session for “A Day In The Life.” Other effects (the crowd settling down, applause, and laughter) were taken from the vast Abbey Road

tape archives. The screaming at the end of the song was taken from the Capitol-recorded Beatles concert at the Hollywood Bowl. On the “Sgt. Pepper” album the end of

the title track segues into Ringo’s “With A Little help From My Friends.”

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The Beatles - With A Little Help From My Friends - Sgt. Pepper’s Lonely Hearts Club Band

(Lennon-McCartney) Lead vocal: Ringo

The first instance on a Beatles album where one song segues into another without the usual few seconds of silence between the tracks. This was to give the listener the feeling

of a continuous concert performance. Written on the afternoon of March 29, 1967 by Paul with help from John at Paul’s house on Cavendish Avenue in St. John’s Wood

specifically as a song for Ringo Starr to sing on the new album. It was recorded that evening. Although he liked the song, Ringo refused to sing the original lyrics to the

opening verse. Ringo: “The original first verse to that was ‘What would you do if I sang out of tune? Would you throw a tomato at me?’ And I said, ‘I’m not singing that.’” John and Paul quickly changed the line to “Would you stand up and walk out on me?” The

rhythm track was recorded in ten takes the same day Paul and John write the song, with Paul on piano, George on Hammond organ, John on guitar and Ringo on drums. Vocals

were added as Take 11. Originally titled “Bad Finger Boogie.” The screaming at the beginning of the song was taken from the Capitol-recorded Beatles concert at the

Hollywood Bowl. On the “Sgt. Pepper” album the end of the title track segues into “With A Little help From My Friends.”

The Beatles - A Hard Day’s Night - A Hard Day’s Night (Lennon-McCartney)

Lead vocal: John with Paul The Beatles’ seventh single release for EMI’s Parlophone label.

The title is a Ringoism, coined by the drummer sometime in 1963 and used by John in his book “In His Own Write.” With the film nearly completed the last bit of business was

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to give the film a name. The project was being filmed with the working title “Beatlemania.” On April 13, 1964 The Beatles met with key personnel from the studio and bounced title ideas. It was felt they’d find no better suggestion than Ringo’s off-

hand remark “it’s been a hard day’s night” and John volunteered to write the title song that evening. The next morning he brought the song in and taught it to Paul. Paul

cleaned up the middle section and the two played it for producer Walter Shenson. Two days later The Beatles would formally record the song. It was a rarity for an outsider to be allowed in the studio or control booth while The Beatles rehearsed and recorded. An exception was made for the director of the “A Hard Day’s Night” film, Richard Lester.

Lester was in the control booth and offered many suggestions during the morning while this key song was worked out, much to the dismay of producer George Martin. It was

Lester’s suggestion that the song open dramatically (as it would open the film), and fade out at the end in a cinematic way. He got his wish. George’s striking a G suspended 4th

chord on his 12-string Rickenbacker make this record instantly recognizable in its opening two seconds. Released as a single in the UK on July 10, 1964, it went straight

to #1. On U.S. album:

A Hard Day’s Night - United Artists LP

9.11 BREAK

The Beatles - Mother Nature’s Son - The Beatles

(Lennon-McCartney) Lead vocal: Paul

Another Paul McCartney solo performance for the “White Album.” Paul remembers writing the song at his father’s home in Liverpool and that it was inspired by Nat “King” Cole’s recording of “Nature Boy.” After the other Beatles went home on the evening of

August 9, 1968, Paul went through 25 live performances of the song, each featuring his vocal and his Martin D-28 acoustic guitar. Take 24 was deemed the best. Overdubbing took place on August 20 with Paul playing drums and timpani, double-tracking his lead

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vocal at the end of the song, and adding a second acoustic guitar part. George Martin’s brass arrangement was also added to the mix.

John Lennon – Woman - Double Fantasy ‘80 John considered this to be his “Beatle Track” on the album, and seemed a bit

ashamed by it. But he had nothing to fear, as this is another truly great Lennon tune. With a superb vocal, gorgeous melody and a non-cloying, truly affective

sentiment to the song.

The Beatles - Norwegian Wood (This Bird Has Flown) - Rubber

Soul (Lennon-McCartney)

Lead vocal: John Originally recorded on October 12, 1965, The Beatles decided to scrap this version and re-record the song nine days later, on October 21. George Harrison provides the sitar, the first appearance of the instrument on a Beatles recording, though the sitar can be

heard in the instrumental introduction on the American version of “Help!” Written mainly by John with some lyrical assistance from Paul. John: “I was trying to write about an

affair without letting me wife know… so it was very gobbledegook. I was sort of writing from my experiences, girls’ flats.” Paul has said that the ending lyrics, “so I lit a fire,” refer to the house being burned down in an act of revenge by the spurned lover. Bob Dylan did a slight parody of the song on his 1966 album, Blonde on Blonde. Check out

the song “4th Time Around.” On U.S. album:

Rubber Soul - Capitol LP

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George Harrison – If Not For You - All Things Must Pass ‘70

This track was retrieved from the session George did with Bob Dylan earlier in the year. Dylan was to release the track himself the following year on his New

Morning LP, but George’s take definitely has the edge over Dylan’s lackadaisical reading.

The Beatles - The Fool On The Hill - Magical Mystery Tour (EP)


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Sitting alone at the piano, Paul McCartney recorded a mono two-track demo of “The Fool On the Hill” on September 6, 1967. A more proper recording would take place September 25. On the 25th three takes of the basic rhythm track were recorded,

including harmonicas played by John and George. Paul first brought the song to John’s attention in mid-March while the two were working on the lyrics for “With A Little Help From My Friends.” John said to write down the lyrics so he wouldn’t forget them. In the “Magical Mystery Tour” film you can see Paul (by himself) standing atop a hill near Nice,

France, during sunrise. The scene also includes ad-libs of Paul spinning, running and dancing, and close-ups of Paul’s moving eyes. It was an interesting trip for Paul as he forgot his wallet, passport and his money! They also didn’t have the correct camera

lenses. It ended up costing over 4,000 pounds to film the scene. Paul’s September 6 live piano/vocal solo demo can be found on the “Anthology 2” album.

On U.S. album: Magical Mystery Tour - Capitol LP

The Beatles - I’ve Just Seen A Face - Help!


Written by Paul at the Asher family home on Wimpole Street. Paul had the tune prior to coming up with the lyrics and originally named the song “Auntie Gin’s Theme” because his aunt liked it. George Martin’s instrumental “Help!” album includes an orchestrated version of “I’ve Just Seen A Face” using the title “Auntie Gin’s Theme.” Recorded in six

takes at the same June 14, 1965 McCartney-dominated session that produced “Yesterday” and “I’m Down.” One of only five Beatles songs Paul chose to perform live

on his Wings Over America tour in 1976. On U.S. album:

Rubber Soul - Capitol LP

The Beatles - I Don’t Want To Spoil The Party - Beatles For

Sale (Lennon-McCartney)

Lead vocal: John and Paul

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Written primarily by John, who called it one of his favorites. Recorded in 19 takes (only five of which were complete run-throughs) on September 29, 1964. The B-side of the

“Eight Days A Week” single in the U.S., issued February 15, 1965. On U.S. album:

Beatles VI - Capitol LP

A semi acoustic easy listening set to ease ya into yer Sunday morning as we broadcast LIVE from KOBE SEAL BEACH…

9.41 BREAK

Yell out a song crowd member

The Beatles - Hey Bulldog - Yellow Submarine

(Lennon-McCartney) Lead vocal: John

In early February 1968, the Beatles were on a tight schedule. They had two weeks to audition and record possible songs for their next single, which would be released while

they were away on an extended trip to India where the group would meditate with Maharishi Mahesh Yogi. In addition to picking the single sides they would need to spend

a day with a film crew making a short promotional film for the song. The Paul McCartney-penned “Lady Madonna” was chosen as the A-side and would be the subject

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of the promo film. On the last weekend of recording, the Beatles were informed they were one song short of the four new songs needed for “Yellow Submarine,” and a new

song had to be recorded before they left for India. The song shortage was due to “Baby, You’re A Rich Man,” which had been earmarked for the film soundtrack, being used as

the B-side of the “All You Need Is Love” single.

The Beatles – Polythene Pam - Abbey Road

Recorded July 25th w/ “She Came in Through The Bathroom Window “. The only Beatles song inspired by a woman in New Jersey who dressed in

polythene (but not jack boots or kilts). Written in India, demoed for the White LP.

Lennon 1.00

The Beatles – She Came In Through The Bathroom Window - Abbey Road

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Recorded July 25th 1969. Written while in NYC to announce Apple. Based on a true story about some Scruffs breaking into Paul house at St. John’s Wood. Paul wrote w/ Joe Cocker in mind…who later coved it as he did

with most Beatle songs. McCartney 1.00

The Beatles – Mean Mr. Mustard - Abbey Road

Recorded July 24th. Written in India as we heard on the White LP demos from Esher.

When the band is playing it during the Let It Be sessions Pam was then a Shirley.

Lennon 1.00

The Beatles - Her Majesty – Abbey Road Recorded July 2, 1969.

Originally fit between” Mean Mr. Mustard” and “Polythene Pam” McCartney 1.00

The Beatles - Cry Baby Cry - The Beatles


Work began in the studio on John’s “Cry Baby Cry” on July 15, 1968, with the Beatles filling four 30-minute tapes with unnumbered rehearsal takes of the song. It is

estimated that the band played the song approximately 30 times. Proper recording took place on July 16. Ten takes of the basic track, consisting of John’s vocal plus bass,

organ, drums, and acoustic guitar, were recorded. George Martin playing the harmonium

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and John playing piano would be overdubbed onto the best take. During the July 16 session tensions amongst the band members flared and sound engineer Geoff Emerick quit. He would be coaxed back the next year to work at their new Apple studios and at Abbey Road Studios for the “Abbey Road” album. Emerick says he lost interest in the “White Album” because the group was arguing amongst themselves and swearing at

each other. Emerick said, “the expletives were really flying.”

Paul & Linda McCartney – Ram On (reprise) – Ram ‘71

A continuation, yet shorter version heard earlier on the album. It also contained a snipped of “Big Red Barn” that would appear on “Red Rose Speedway.”

Paul & Linda McCartney – The Back Seat Of My Car – Ram ‘71

Originally played during the “Let it Be” sessions, Lennon again thought this song was about him with the lyrics, “We believe that we can’t be wrong.” This was intended to be more a Beach Boys style tune, which had nothing to do with

Lennon.

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Back Seat Of My Car from Paul & Linda…what song would go nice after that any thoughts kids?

The Beatles - Drive My Car - Rubber Soul

(Lennon-McCartney) Lead vocals: Paul and John

The lead off track to Rubber Soul on the UK version was recorded on October 13, 1965. This session was the first in Beatles recording history to go past midnight. The music

was written by Paul but he needed help with the lyrics. He and John worked through the song and came up with “baby you can drive my car” in place of temporary lyrics Paul was using (“you can give me golden rings”). “Drive my car” is an old blues expression

for sex. The basic track was completed in four takes. Thanks to overdubbing, McCartney plays bass, piano and slide guitar (his Epiphone Casino). Paul provides the guitar solo in

the song’s introduction, middle and ending. On U.S. album:

Yesterday and Today - Capitol LP

NEWS w/ Jackie HERE

10.12 BREAK

The Beatles - Twist And Shout – Please Please Me

(Medley-Russell) Lead vocal: John

The last song recorded during the marathon session on February 11, 1963. Two takes were completed before Lennon’s voice gave out. The released version is the first take.

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Originally recorded by The Isley Brothers in May 1962, The Beatles performed it regularly in their live act between 1962 and 1965. Its inclusion in the 1986 film “Ferris Bueller’s Day Off” sent the song up the Billboard singles chart 22 years after its initial

U.S. release. On U.S. albums:

Introducing… The Beatles - Vee-Jay LP The Early Beatles - Capitol LP

The Beatles - Tell Me Why - A Hard Day’s Night


Completed in eight takes on February 27, 1964 in between “And I Love Her” and “If I Fell.” “Tell Me Why” was written primarily by John and was his attempt to mimic the

New York girl group sound The Beatles were so fond of. On U.S. album:

A Hard Day’s Night - United Artists LP Something New - Capitol LP

Got an email from a listener named John.. Son Matt…bit a musical prodigy of sorts Matt 11 …Dad is John from San Pedro

http://youtu.be/SyYQT-‐ubsgc Blackbird 4 years ago (at 7) wait until you hear this now ! http://youtu.be/VNNxogGuako “New” Piano cover http://youtu.be/spbeQmf1NVE “Hey Jude” Classical guitar cover

Beatle Matt – Yesterday – Live

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The Beatles - I Saw Her Standing There – Please Please Me

(McCartney-Lennon) Lead vocal: Paul

Recorded February 11, 1963. A Paul McCartney original, the song was written in one day in September 1962 in the front parlor of 20 Forthlin Road, Allerton (the McCartney

family from 1955 to 1964), with John Lennon helping with some of the lyrics. It was recorded under its working title, “Seventeen,” at the marathon recording session that

produced the majority of songs for the Beatles’ debut album. A fan favorite, the Beatles recorded “I Saw Her Standing There” eleven times for BBC Radio between March 1963

and May 1964. McCartney has said that his bass line was lifted almost note for note from the obscure Chuck Berry song “I’m Talking About You,” released by Berry in

February 1961. The Beatles performed “I’m Talking About You” at some of their club shows in 1962 and 1963. It is included on the “Live! At The Star Club” CD.

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Specially selected by Capitol Records staff members to be the b-side of the American “I Want to Hold Your Hand” single on Capitol in the U.S., replacing “This Boy” for the

honor. The first song on the first Beatles LP. On U.S. albums:

Introducing… The Beatles (with “1, 2, 3” inexplicably missing from Paul’s count-in) - Vee-Jay LP

Meet the Beatles! - Capitol LP

The Beatles - For You Blue - Let It Be

(Harrison) Lead vocal: George

Recorded on January 25, 1969, and completed in six takes. John Lennon provides the lead guitar part playing a lap steel guitar and using a shotgun shell as a slide. Paul

McCartney plays piano. Nearly a year later, on January 8, 1970, George Harrison re-recorded his lead vocal to the already completed backing track. During the instrumental break he ad-libbed “go Johnny go” and “Elmore James’ got nothin’ on this baby” to give the impression he was singing live with the band. Immediately prior to the start of the

song, John can be heard saying "Queen says no to pot-smoking FBI members." It is one of the few inclusions of film dialogue heard on the soundtrack LP. Written by George

Harrison for his wife, Pattie, “For You Blue” was a straight-forward blues song. George: “It's a simple 12-bar song following all the normal 12-bar principles, except that it's happy-go-lucky!” “For You Blue” was the flip-side of the American “The Long And

Winding Road” single, released on May 11, 1970. A new mix of take six was made in 2003 for “Let It Be... Naked” and an alternative take from the January 25, 1969, session

is included on the “Anthology 3” album.

10.42 BREAK

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Badfinger – Sometimes – Straight Up

Badfinger –Day After Day– Straight Up

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Welcome from Liverpool…. Joey Molland… who’s her cuz Badfinger is playing at The Canyon

Club Saturday 19 April 2014

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Badfinger - Baby Blue – Straight Up

Joey– Sweet Tuesday Morning – LIVE/ Straight Up

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George – My Sweet Lord

Quiz Name a Beatles song and a Badfinger song with the

same song title (2) ///

Love Me Do/Flying

11.12 BREAK

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The Beatles - Love Me Do – Please Please Me

(McCartney-Lennon) Lead vocal: John and Paul

The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best

(June 6, 1962, EMI), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as

Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company.

Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood,

which took the two songs “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL

Communications and Lenono Music. Fun fact: John Lennon shoplifted the harmonica he played on the song from a shop in Holland.

On U.S. albums: Introducing… The Beatles (Version 1) - Vee-Jay LP

The Early Beatles - Capitol LP

Badfinger - Love Me Do – No Dice

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Badfinger - No Matter What – No Dice

Mal Evans….credited producer

Back w/ Joey Molland who is playing at The Canyon

Club/ Saturday 19 April 2014

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11.42 BREAK

The Beatles – Two Of Us – Let It Be

Badfinger – Meanwhile Back At The

Ranch/Should I Smoke – Wish You Were Here

Paul – Goodbye - demo

playlist april 13th - breakfast with the beatles

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