playing techniques prism

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ñ ï ó flute (bass flute) and bass clarinet playing techniques toneless almost tonless ordinario breathe in @@ @ closed mouthpiece semi - closed mouthpiece ordinario breathe out articulation (for flute "t","k") > pizzicato "slap" for flute slap bass clarinet j r This notation can have various combinations and means always as fast as possible. Shall cease to in connection with this sign : it means still as fast as possible but with small rhythmical variations. the rhythmic information above is only for guidance and has no influence on the sounding result. ± - drum set - big bass drum - timpani with pedal + china cymbal - 5 diffrent metallic trash instruments percussion: splash snare drum bass drum ride ( # tip) crash hi-hat high tom low tom ( offen) # middle tom A superball ! A and ^ A soft mallets 1 - ¿ h ¿ ¿ ¿ œ œ ¿ œ œ œ

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Page 1: Playing techniques prism

ñïó

flute (bass flute) and bass clarinet

playing techniques

tonelessalmost tonlessordinario

breathe in

@@@

closed mouthpiece semi - closed mouthpieceordinario

breathe out articulation (for flute "t","k") > pizzicato "slap" for flute slap bass clarinet

j™ r This notation can have various combinations andmeans always as fast as possible. Shall cease to in connection with this sign : it means still as fastas possible but with small rhythmical variations. therhythmic information above is only for guidance andhas no influence on the sounding result.

±

- drum set- big bass drum- timpani with pedal + china cymbal- 5 diffrent metallic trash instruments

percussion:

splash

snare drumbass drum

ride ( #tip)crash hi-hat

high tomlow tom

( offen)#middle tom ™A superball !A and A soft mallets

1 - ¿ h

¿¿¿œœ¿œœœ

Page 2: Playing techniques prism

piano:

The chambered noteheads are limited to very fast passages. As always in conjunction with playinga cluster, they serve only as an aud to understandbetter the "melodic structure"

÷Û÷here is a cluster to be played over the entirewritten space. Additionally displayed if onlywhite, black, or as in this case all keys ar to be played

In this notation the specified sound must be played without tone by pulling the trigger inside the piano

Here you have to play a tremolo with soft mallets (felt)inseide the piano over the deepest sites on the register

1) ›oder

2) ›

ÍÍÍÍÍÍÍÍÍÍÍÍ Here is to be played with a coin inside the piano. Where to play1) a glissando over the specified tones or 2) along the side of the written tone. The direction of scratching is marked with arrows inthe score

¡Here are the notes to be played inside the piano on therespective sides with a bottleneck (or glass bottle) and damped simultaneously with the attack. in combinationwith this sign a "bottleneck tremolo" (fast up and down movements) have to be played

˘

q

strings:

bow postion:

bow: Ñ

Here you need to play fast movements over thewritten fingering. The sequence needs to bevaried

low bow pressure · ord. ‚vicino al pont.

Ö strong bow pressure„ vicino al pont. estremo

ÑÖ extreme bow pressure‰ sul pont.

Here you play in a tapping technique with your left hand (witheither thumb and little finger or thumb and ring finger). Sinceno pitches listed, there are only indications of AST (alto sul tasto)or FDT (fine del tasto). The tapping movements have to be as fastas possible

… v … v

This icon come in several combinations before and meansthat the required playing technique needs to be performedas quickly as possible

Here is to be scratches on the specified strings with the wood of the bow. Side and scratch directions are given

œ œœ ¿

æææU œ œ œ

œœœœ

œœœœ

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