PINOCCHIOROSELAND MUSICAL & FRANC ALEU https://vimeo.com/192602342

PINOCCHIO_____________________________________________________________

Imagine the following atmosphere, a stage illuminated by a soft light, in front of the stage a transparent tulle allows us to see the background of the stage, the big screen shows the place where our story begins, we hear some strange and metallic sounds, suddenly someone come into the stage dragging a big bag.

Something is about to be alive inside the bag; we are going to meet our main character.

Between the tulle and the background screen, only two characters perform and interact with the virtual characters that are projected on the tulle and on the background screen.

With more than 150 performances this show took part in several Internationals festivals as:

• Haifa International Children’s Festival. Israel (2012)• The Calgary International Chidren’s Festival. Canada (2013)• Bergen International Children’s . Norway (2014)• The International Theatre Festival for Children „100, 1.000, 1.000.000 stories” (2015): The Jury’s

Special Award• Festival Internacional Cervantino (2017): Cuilacán and Mazatlán (Festival Sinaola 2017), México

D.F, León, Guanajuato, Mérida (VI Festival Internacional de la Cultura Maya).• Festival Iberoamericano de Teatro de Bogotá 2018• NAJ, NAJ, NAJ Festival Zagreb, Croatia 2018. The Goden Bird awardfor the best performance of

the festival

PINOCCHIO_________________________________________________________SUMMARY

This Pinocchio of 21st century is inspired by the

novel written by Carlo Collodi almost two centuries

ago,

A show which combines dance, music and visual art

tells the story of Pinocchio using the linguistic codes

of our times: the new technologies, the syncretism of

the arts and aesthetics, the image over the word and

the integration of people of all ages.

For an hour the mythical character comes to life

thanks to the creative love of his father, the famous

Geppetto, who in this version builds Pinocchio with

cans, newspapers and other recycled materials.

Jiminy Cricket, in its virtual appearances, as always

symbolizes the consciousness that wants to prevent

Pinocchio against his temptations.

Tangled in situations renovated from the classic tale,

Pinocchio moves through an animated mutant

scenery enveloping the viewer in a fantasy world full

of references, feelings and emotions.

ARTISTIC AND MANAGEMENT TEAM

Artistic direction : Marta Almirall

Audiovisual direction: Franc Aleu

Choreographic direction: Anna Planas

Script: Manel Veiga

Music: José Manuel Pagán

Dancers: Mariona Camelia and Marcos Elvira

Video technician: Marcel Bagó

Lighting technician: Gonzalo Colosia

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__________________________________________________________ROSELAND MUSICAL

Since 1983, Roseland Musical produces and distributes dance performances for all

audience especially for children. Our goal was and is to produce quality shows in every aspect

of creation, which is why the company has worked from the start with professionals in each artistic

field. Dancers as Montse Colomer, Alicia Perez - Cabrero, Francisco Loberas, Mercedes Recacha,

Rafael Mendez, Luis Mendez, among others, have participated in our productions.The music

has been specially created for each of our shows by composer José Manuel Pagán (2011 Gaudí

Award for Best Original Music of the movie "Pa Negre"). Our scripts by David Cirici in a first stage

and in a second by Manuel Veiga, are born from original and daring ideas adapted to our

language, which is the dance. Artists of such stature as Franc Aleu (National Prize of Culture,

Audiovisual category 2012), Perico Pastor, Ines Batllo, Montserrat Ginesta and Rosa Ros have

provided the company with a exceptional job as a stage designers.

In 2007 the company received the National Prize of Culture in Dance category becoming the first

company of family audience to receive this award.

The career of the company is supported by 10 productions that have been performed in

many countries, "Flit, Flit" (1990), "Crazy Face " (1993), "The House by the Window" (1997),

"A Thousand and One Nights" (1999), "The country without a name" (2001), "Roseland

Canal" (2004), "Catalonia Stars" (2007), "The triplets and Leonardo da Vinci" (2008 ), "Navy

Blue" (2009) and the show on tour "Pinocchio" (2010). The company has produced a new project

in the artistic line of Pinocchio; it is a free version of the novel written in 1864 by Jules Verne,

"Journey to the Center of the Earth".

Roseland has participated in important festival as:

•Feria Europea de Teatro para ninos FETEN. España (2011, 2015) with Pinocchio and Journey to the center ofthe earth•Haifa International Children’s Festival. Israel (2012) with Pinocchio•Festival Cadiz en Danza. España (2012) with Pinocchio•The Calgary International Chidren’s Festival. Canadá (2013) with Pinocchio•Bergen International Children’s . Noruega (2014) with Pinocchio•Festival GREC 2015, Barcelona, coproducer of Journey to the center of the earth•2The International Theatre Festival for Children 100, 1.000, 1.000.000 stories” (2015 ) Special Jury Price for ourAudiovisual Direction of Pinocchio•Festival de Théâtre Le Grand Bornand, Haute-Savoie, France (2016) with Journey to the center of the earth•Festival Saperlipopette Montpellier (2017) with Journey to the center of the earth•57th International Children' s Festival. Sibenik, Croatia (2017) with Journey to the center of the earth•25th Kotor Festival of Theatre for Children, Montenegro (2017) with Journey to the center of the earth•Festival Internacional Cervantino, México (2017) with Pinocchio•Festival Iberoamericano de Bogotà (2018) with Pinocchio•NAJ, NAJ,NAJ Festival in Zagreb, Croatia. Best performance Award for Pinocchio

____________________________________________ FRANC ALEU: Multidisciplinary artist

Visual artist, at present candidate Goya Award for Best New Director for the film El somni del Celler

de Can Roca, winner of the 2013 edition of Premis Nacionals de cultura de la Generalitat de

Catalunya in the audiovisual section for the impact of his visual creations that make a singular and

unique, emotional stage experience. Through its scenic and visual effects videography, he has

captivated audiences for theater, dance and opera, he premiered as well in theaters and opera

houses in the world such as El Gran Teatre del Liceu in Barcelona, La Scala in Milan, La Monnaie in

Brussels , the Teatro Colon in Buenos Aires, the Florence Maggio and Taschenoper Wiener Vienna

among others. This allowed him to work with the most prestigious conductors in the world, Zubin

Mehta, Valery Georgiev, Lorin Maazel and Kirill Petrenko.

His eclecticism makes his work to cover other creative disciplines such as visual projections on

facades of landmark buildings (mappings Barcelona’s city hall, the Catalan Parliament, etc..),

Advertising, design, conceptualization and direction of all kinds of events , the architectural design of

exhibition pavilions as happened in the Expo Zaragoza 2008 where he designed the exhibition

building Extreme Water, conceptualized and he also conducted all the exhibition content of the

building. Besides his artistic side, he gives master classes and lectures about his work in major

European cultural centers such as Milan, Cologne, Madrid and Barcelona. http://www.francaleu.com

Franc Aleu and El Celler de Can Roca lead us to el somni of all senses

The image, the art, the music, the taste and smell, are united in a cross-media work piece: an opera-dinner about the cyclical journey of human existence. A dream through twelve emotions that takes us to the table where the dinner will be held, where the kitchen and video creation are transformed into a new artistic experience. A reference piece of art and cuisine that breaks the boundaries of creation themselves to offer a total perception of beauty.

To see the 12 acts

Münchhausen (2011) Turandot (2011) Mapping “El Llac dels Cignes” · Mercè’11 · La Casa Màgica – Mapping Ajuntament Barcelona Mercè’11

Sonntag aus Licht (2011) Quartett (2011) Tristan et Isolde (2011) Mapping sobre plats al Celler de Can Roca (2011)

Window of the City (2010) Pinocchio (2010) Splash (2010) Tannhäuser (2010)

Der Lichtmaler Franc Aleu (2009) Götterdämmerung (2009) Le Grand Macabre (2009) Scan Girl (2009)

Les Troyens (2009) Rauxa Visual Siegfried (2008) Pavelló Agua Extrema (2008)

___________________________________________________ MANUEL VEIGA: Playwright

Graduate from Institut del Teatre de Barcelona

Resident actor at the National Theatre of Catalonia for “16.000 pessetes”.

Writes in Catalan and Spanish. Has published and premiered several texts in Barcelona, Madrid

(España), Buenos Aires (Argentina), La Habana (Cuba), Montevideo (Uruguay), Puerto Rico, Lima

(Perú), Chile, Toronto and Saskatoon (Canadá).

His plays has been traslated into English, French and Greek. In 2011 he won The Premi LLeida for

“Allà on la ciutat del Candel canviava de nom”, in 2009 he won Gaudi Academy Catalonia Film Prize

for best short film for “Turismo” (based on a text by the author). Accesit SGAE 2006 and finalist

International Onassis Prize for “Cartones”, finalist in the Premi Fundació Romea 2005 for

“Aluminosi”, Premi M. de Pedrolo 2004 for “El Cant de la Sirena”, Premi Serra i Moret 2001 for

“Trayecto final”, Premi Nacional SGAE 97 for “Recreo”, Premi S. Espriu 95 for “La mort dins una

barilla de naips” and Premi AADPC 95 for “Tempesta de Neu”. He has been awarded a grant from the

Institució de les Lletres Catalanes in order to write a new text.

PUBLISHED WORK

THE THOUSAND AND ONE NIGHT Release (Catalan version) ROSELAND MUSICAL. (January 2001)

Release (Spanish version) -Published (Catalan version) Ed Casals (Barcelona) - Published (Spanish

version) Ed Casals (Barcelona)

ONE HOUR OF HAPPINESS Release (Catalan version): Sala Muntaner in Barcelona. Directed by

FREDERIC RODA I FABREGAS. Cast: PILAR MARTINEZ, IMMA BRACONS and MANUEL VEIGA

(December 1997)Release (Spanish version) Puerto Moon Theatre Montevideo (Uruguay). Directed by

LUCIA ARBONDO. Cast: GABRIELA IRIBARREN, DANIEL BERGOLO and PAULA PICCIATTORE.

(November 2002)

JAR (CARMEN AMAYA IN MEMORIAM)

Premiere: T. Adrià Gual (December 1993) and the Sala Triangulo Madrid (May 1995). Directed by:

ISABEL RODRIGUEZ. Cast: PILAR MARTINEZ and MANUEL VEIGA.

Published in Antonio Machado theatrical collection. (Ed. Viewer / Eastern) and in Entreacte the

journal of the Catalonia Association of Professional Actors and Directors

. CANAL ROSELAND .Premiered in October 29, 2004 Festival Temporada Alta Girona. ROSELAND

MUSICAL

http://www.manuelveigadramaturgia.net

___________________________________________ ANNA PLANAS: Choreographic director

Graduate in Dance. Classical Dance Specialty

Theatre Institute of Barcelona. High school of Drama and Dance.

2015 Choreographic direction of the show "Journey to the Center of the Earth" a

production by Roseland Musical and Franc Aleu

2014 Artistic director of Badalona Christmas Parade

Artistic direction of some venues of Mercè Festival.

2011 – 2013 Artistic director of Badalona Christmas Parade

Artistic direction of some venues of Mercè Festival.

2010 Barcelona Christmas Parade. Artistic team coordinator.

Choreographic direction of the show "Pinocchio" a production by Roseland Musical

and Franc Aleu

2009 Barcelona Christmas Parade. Artistic team coordinator.

10 years of THEATRE ZORRILLA. Artistic direction

2008 Assistant director and choreography of the show“Catalonia Stars”. Roseland

Barcelona Christmas Parade. Artistic team coordinator.

EXPO ZARAGOZA 2008. Opening ceremony. Choreography

Festes de la Mercè. Artisitc direction of Fabra i Coats venue.

2007 Barcelona Christmas Parade. Artistic team coordinator.

Assistant director and choreography.of the show “Crazy face” by Roseland Musical.

2006 Assistant stage direction and choreography of the show “Els músics de Bremen” a

Gran Teatre del Liceu production.

2004 Barcelona Christmas Parade. Chariot of King Melchior. Assistant director and

choreography.

Universal Forum Cultures. Assistant director and choreography.

“The thousand and one night” by Roseland Musical. Dancer and choreographer

assistant

GAMPER Ceremony . Barcelona football club

TECHNICAL REQUIREMENTS OF PINOCCHIO BY ROSELAND MUSICAL

STAGE: 10 X 10 m x 5 m

1.50 m free space next to the stage in both sides

3 entrances each side

Height of the scenography: 4.5 m

SOUND: 1 mixer

P.a. powerful enough for the space

2 monitors on just two points in the scenario

Power amplifiers and wiring needed

LIGHTING: 21 P.C. 1000 w

19 cuts 50º

2 cuts 15º/30º

4 par 64 Nº1 (very narrow)

4 par 64 Nº2 (narrow)

33 channel dimmer 2 kW.

Programmable lighting console

Structures needed to set-up 3 streets in each side of the stage

TECHNICAL REQUIREMENTS

Black linoleum floor

Venetian black camera with 3 streets

Rear Projection Screen 8m x 6m

1 Ethernet cable from the technical control cabin to the rear projector

1 Ethernet cable from the technical control cabin to the frontal projector

2 DVI cables, 2 long meters each one

1 computer screen with keyboard and mousse

An open rod for hanging the curtain of tulle between the mouth and the first electrified rod

it’s basic that theatre provides 2 projectors, one minimum 12.000 lumens projector with the appropriate optic

according to the projection distance and the other with 8.000 lumens overhead projector.

2 lighting technicians and 1 stagehand

2 dressing rooms

SETTING UP:

6 hours minimum

Technical Manager of light and sound:

Gonzalo Colosia: 650559184 - gonzalo_colosia@hotmail.com

Video technician:

Jordi Pont: 626082178 – jordi_pont@icloud.com

Show’s duration: 55 min.

BOCA ESCENARIO

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___________________________________________________________Contact information

Artistic production: Ester Rodriguez

Distribution and communication: Silvia Framis

Eugeni d’Ors 12

08028 Barcelona

cell: +34639667498 / +34630027286

mail@roselandmusical.com

silvia@roselandmusical.com

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