photos - schools and phases in photographic art€¦ · john szarkowski the photographer’s eye...
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JOHN SZARKOWSKI
THE PHOTOGRAPHER’S EYE
(discussed in Edwards, pp.57-61)Source:Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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THE THING ITSELF
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p. 13Unknown, Bedroom Interior, c. 1910
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Lee Friedlander, Untitled, 1962.Image removed due to copyright restrictions. Please see p. 14 in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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Edward Weston, Hot Coffee, Mojave Desert, 1937.Image removed due to copyright restrictions. Please see p. 16 in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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Wright Morris, Model T, 1947.Image removed due to copyright restrictions. Please see p. 17 in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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p. 19Unknown, Couple with Daguerreotype, c. 1850
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p. 39Matthew B. Brady or Staff, Conspirator Payne, 1865
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THE DETAIL
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p. 46Timothy H. O’Sullivan, Historic Spanish Record of the Conquest, 1873
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Roy Decarava, Untitled, 1959.Image removed due to copyright restrictions. Please see p. 48, bottom, in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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Homer Page, American Legion Convention, San Francisco, 1946.Image removed due to copyright restrictions. Please see p. 49, center, in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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Berenice Abbott, Hands of John Cocteau, 1927.Image removed due to copyright restrictions. Please see p. 49, bottom, in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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p. 50Edward Steichen, Sunday Papers: West 86th Street, New York, c. 1922
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Harold Corsini, Erie Canal, New York, 1946.Image removed due to copyright restrictions. Please see p. 58 in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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Walker Evans, Torn Movie Poster, 1930.Image removed due to copyright restrictions. Please see p. 65 in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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THE FRAME
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p. 71John Runk, Pine Boards and Frank Stenlund, 1912
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André Kertész, Billboard, 1962.Image removed due to copyright restrictions. Please see p. 74, right, in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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p. 79Unknown, Theodore Roosevelt Speaking at Grant’s Tomb, 1910
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Robert Frank, US 90, Texas, 1955.Image removed due to copyright restrictions. Please see p. 86, bottom, in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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Arnold Newman, Portrait of Arp, 1949.Image removed due to copyright restrictions. Please see p. 86, top, in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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TIME
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p. 102Lawton S. Gray Parker, Billy Green and Foolish, 1890
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Dr. Harold E. Edgerton, K. J. Germeshausen, and H. E. Grier, Swirls and Eddies of a Tennis Stroke, 1939.Image removed due to copyright restrictions. Please see p. 104 in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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Peter Buckley, Manoletina Pass, Bilbao, 1957.Image removed due to copyright restrictions. Please see p. 118 in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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p. 119Unknown, A Wedding, n.d.
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VANTAGE POINT
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p. 127Alvin Langdon Coburn, The Octopus, 1912
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Ehud Locker, From 1 Chase Mangattan Plaza, 1960.Image removed due to copyright restrictions. Please see p. 130 in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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Joseph Sterling, Teenagers, 1960.Image removed due to copyright restrictions. Please see p. 132 in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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Bill Brandt, Child Resting, c. 1950.Image removed due to copyright restrictions. Please see p. 135, top, in Szarkowski, John. The Photographer’s Eye. New York, NY: Museum of Modern Art, 1966.
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