photo 1 midterm review
TRANSCRIPT
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PHOTO 1MIDTERM REVIEW!
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THESE TOPICS
WILL BE COVERED
1. Shutter speed
2. Aperture3. Depth of field4. Point of departure5. Light metering &
grey cards6. Bracketing7. Equivalent exposures
8. Film speed
9. Parts of the enlarger10. Easels11. Dodging & burning12. Processing film
13. Darkroom chemistry14. Photoshop15. Principles of Composition
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shutter speed
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What is this?
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What is this?
shutter speed dial
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What is this?
What does it do?
shutter speed dial
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What is this?
What does it do?
shutter speed dial
controls how long the shutter isopen - in fractions of a second
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What is this?
What does it do?
What does shutter speed TECHNICALLY control inyour photograph?
shutter speed dial
controls how long the shutter isopen - in fractions of a second
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What is this?
What does it do?
What does shutter speed TECHNICALLY control inyour photograph?
shutter speed dial
controls how long the shutter isopen - in fractions of a second
how long the shutter is open - how much LIGHT gets in
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What is this?
What does it do?
What does shutter speed TECHNICALLY control inyour photograph?
What does shutter speed CREATIVELY control inyour photograph?
shutter speed dial
controls how long the shutter isopen - in fractions of a second
how long the shutter is open - how much LIGHT gets in
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What is this?
What does it do?
What does shutter speed TECHNICALLY control inyour photograph?
What does shutter speed CREATIVELY control inyour photograph?
shutter speed dial
controls how long the shutter isopen - in fractions of a second
how long the shutter is open - how much LIGHT gets in
a sense of MOVEMENT or MOTION
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What does the B stand for?
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What does the B stand for?
What does it do?
bulb
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What does the B stand for?
What does it do?
bulb
lets you have complete controlover shutter speed
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What does the B stand for?
What does it do?
bulb
lets you have complete controlover shutter speed
How?
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What does the B stand for?
What does it do?
bulb
lets you have complete controlover shutter speed
press the shutter release once to open the shutter, thena second time to close it
How?
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What does the B stand for?
What does it do?
When would you use this?
bulb
lets you have complete controlover shutter speed
press the shutter release once to open the shutter, thena second time to close it
How?
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What does the B stand for?
What does it do?
When would you use this?
bulb
lets you have complete controlover shutter speed
if you want a REALLY long exposure time - maybe toshow city lights at night, or the movement of water over
a long period of time, etc.
press the shutter release once to open the shutter, thena second time to close it
How?
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What is this?
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What is this?
a tripod
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What is this?
a tripod
When do you use this?
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What is this?
a tripod
When do you use this?
at shutter speeds of 1/60 or below
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What is this?
a tripod
When do you use this?
at shutter speeds of 1/60 or below
What happens if you dont?
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What is this?
a tripod
When do you use this?
at shutter speeds of 1/60 or below
What happens if you dont?it will be blurry and you will be disappointed. I promise.
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If you wanted to take a picture of a running man sothat the action would be frozen - what shutter
speed might you try?
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If you wanted to take a picture of a running man sothat the action would be frozen - what shutter
speed might you try? 1/1000
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If you wanted to take a picture of a running man sothat the action would be frozen - what shutter
speed might you try?What if you wanted to show movement - howwould you do that?
1/1000
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If you wanted to take a picture of a running man sothat the action would be frozen - what shutter
speed might you try?What if you wanted to show movement - howwould you do that?
1/1000
1/30 (blur)
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If you wanted to take a picture of a running man sothat the action would be frozen - what shutter
speed might you try?What if you wanted to show movement - howwould you do that?
1/1000
1/30 (blur)
1/30 & panning (sharper subject, blurred background)
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aperture
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What is this?
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aperture ring
What is this?
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What does it do?
aperture ring
What is this?
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What does it do?
aperture ring
controls the size of the aperture,measured in -stops
What is this?
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What does it do?
aperture ring
controls the size of the aperture,measured in -stops
What is this?
A low -stop number = a __________ aperture.
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What does it do?
aperture ring
controls the size of the aperture,measured in -stops
What is this?
A low -stop number = a __________ aperture.LARGE
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What does it do?
What does aperture size TECHNICALLY control inyour photograph?
aperture ring
controls the size of the aperture,measured in -stops
What is this?
A low -stop number = a __________ aperture.LARGE
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What does it do?
What does aperture size TECHNICALLY control inyour photograph?
aperture ring
controls the size of the aperture,measured in -stops
how large an aperture - how much LIGHT gets in
What is this?
A low -stop number = a __________ aperture.LARGE
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What does it do?
What does aperture size TECHNICALLY control inyour photograph?
What does aperture size CREATIVELY control inyour photograph?
aperture ring
controls the size of the aperture,measured in -stops
how large an aperture - how much LIGHT gets in
What is this?
A low -stop number = a __________ aperture.LARGE
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What does it do?
What does aperture size TECHNICALLY control inyour photograph?
What does aperture size CREATIVELY control inyour photograph?
aperture ring
controls the size of the aperture,measured in -stops
how large an aperture - how much LIGHT gets in
DEPTH OF FIELD
What is this?
A low -stop number = a __________ aperture.LARGE
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depth of field
D h f Fi ld
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Depth of Field
/16
/2
/8
D h f Fi ld
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Depth of Field
/16
/2
/8
the wall of focus
D h f Fi ld
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Depth of Field
/16
/2
/8
the wall of focus how much (forwards and backwards) of your image
will be in focus
Depth of Field
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Depth of Field
Depth of Field
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Depth of Field
Depth of Field
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Depth of Field
If you want a greatdepth of field, what
size aperture shouldyou use?
Depth of Field
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Depth of Field
If you want a greatdepth of field, what
size aperture shouldyou use? SMALL
Depth of Field
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Depth of Field
If you want a greatdepth of field, what
size aperture shouldyou use?
Such as?
SMALL
Depth of Field
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Depth of Field
/16
If you want a greatdepth of field, what
size aperture shouldyou use?
Such as?
SMALL
Depth of Field
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Depth of Field
/16
If you want a greatdepth of field, what
size aperture shouldyou use?
Such as?
SMALL
Depth of Field
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Depth of Field
/16
If you want a greatdepth of field, what
size aperture shouldyou use?
If you want a shallowdepth of field, what
size aperture shouldyou use?
Such as?
SMALL
Depth of Field
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Depth of Field
/16
If you want a greatdepth of field, what
size aperture shouldyou use?
If you want a shallowdepth of field, what
size aperture shouldyou use?
Such as?
SMALL
LARGE
Depth of Field
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p
/16
If you want a greatdepth of field, what
size aperture shouldyou use?
If you want a shallowdepth of field, what
size aperture shouldyou use?
Such as?
Such as?
SMALL
LARGE
Depth of Field
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p
/16
/1.4
If you want a greatdepth of field, what
size aperture shouldyou use?
If you want a shallowdepth of field, what
size aperture shouldyou use?
Such as?
Such as?
SMALL
LARGE
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point of departure
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What are the settings for our point of departure?
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What are the settings for our point of departure?
/8
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What are the settings for our point of departure?
/8 125
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What are the settings for our point of departure?
How do we use point of departure?
/8 125
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What are the settings for our point of departure?
How do we use point of departure?
as a STARTING POINT for light metering
/8 125
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What are the settings for our point of departure?
How do we use point of departure?
as a STARTING POINT for light metering
/8 125
Why are those settings our point of departure?
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What are the settings for our point of departure?
How do we use point of departure?
as a STARTING POINT for light metering
/8 125
they give you a lot of room to make changes in youraperture and/or shutter speed, in either direction
Why are those settings our point of departure?
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light metering
&grey cards
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Remember that your cameras
ROBOT EYE (a.k.a. the light meter/sensor) is trying to look at whatyoure photographing and find theMIDDLE VALUE.
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Remember that your cameras
ROBOT EYE (a.k.a. the light meter/sensor) is trying to look at whatyoure photographing and find theMIDDLE VALUE.
If you try to get a light meter reading from a really darkor a really light area, your picture will not come out wellbecause the robot eye will think that is the middle value.
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Remember that your cameras
ROBOT EYE (a.k.a. the light meter/sensor) is trying to look at whatyoure photographing and find theMIDDLE VALUE.
If you try to get a light meter reading from a really darkor a really light area, your picture will not come out wellbecause the robot eye will think that is the middle value.
Instead, try to meter from something IN THE SAMELIGHT as your subject, that really is a middle value.(Or you can use a grey card!)
A grey card can be used
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A grey card can be usedif you want to be sureyou are metering from
an official middle value.
A grey card can be used
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A grey card can be usedif you want to be sureyou are metering from
an official middle value.
A grey card can be used
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A grey card can be usedif you want to be sureyou are metering from
an official middle value.
18 % grey
A grey card can be used
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A grey card can be usedif you want to be sureyou are metering from
an official middle value.
I dont want to
brag or anything,but...
18 % grey
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bracketing
What is bracketing?
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What is bracketing?
What is bracketing?
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What is bracketing?taking the same photograph at different exposures
What is bracketing?
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Why would you do this?
What is bracketing?taking the same photograph at different exposures
What is bracketing?
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Why would you do this?
What is bracketing?taking the same photograph at different exposures
to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you
What is bracketing?
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Why would you do this?
What is bracketing?taking the same photograph at different exposures
to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you
How do you bracket?
What is bracketing?
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Why would you do this?
t s b c t g?taking the same photograph at different exposures
to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you
How do you bracket?1. light meter
What is bracketing?
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Why would you do this?
gtaking the same photograph at different exposures
to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you
How do you bracket?1. light meter
2. choose which setting you want to keep (apertureor shutter speed)
What is bracketing?
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Why would you do this?
gtaking the same photograph at different exposures
to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you
How do you bracket?1. light meter
2. choose which setting you want to keep (apertureor shutter speed)
3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and alsoone up and one down.)
What is bracketing?
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Why would you do this?
gtaking the same photograph at different exposures
to make sure you get a good exposure - especially insituations that are challenging to meter, or forphotographs that are really important to you
How do you bracket?1. light meter
2. choose which setting you want to keep (apertureor shutter speed)
3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and alsoone up and one down.)
4. take the three photographs
How do you bracket?
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How do you bracket?
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How do you bracket?
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1. light meter
How do you bracket?
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1. light meter
250
/8
How do you bracket?
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1. light meter
250
/8
2. choose which setting you want to keep (apertureor shutter speed)
How do you bracket?
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1. light meter
250
/8
2. choose which setting you want to keep (apertureor shutter speed)
How do you bracket?
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1. light meter
250
/8
2. choose which setting you want to keep (apertureor shutter speed)
3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and also
one up and one down.)
How do you bracket?
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1. light meter
250
/8
2. choose which setting you want to keep (apertureor shutter speed)
3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and also
one up and one down.)
500
How do you bracket?
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1. light meter
250
/8
2. choose which setting you want to keep (apertureor shutter speed)
3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and also
one up and one down.)
500 125
How do you bracket?
1 l h
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1. light meter
250
/8
2. choose which setting you want to keep (apertureor shutter speed)
3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and also
one up and one down.)
4. take the three photographs
500 125
How do you bracket?
1 l h
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1. light meter
250
/8
2. choose which setting you want to keep (apertureor shutter speed)
3. identify the 3 settings you will use when bracketing(the one directly across from the keep, and also
one up and one down.)
4. take the three photographs
500 125
/8 at 1/500 /8 at 250 /8 at 125
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equivalent exposures
Equivalent Exposures
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Equivalent Exposures
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What are equivalent exposures?
Equivalent Exposures
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What are equivalent exposures?different combinations of aperture/shutter speedsettings that give you the same exposure (range oflight/dark values)
Equivalent Exposures
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What are equivalent exposures?different combinations of aperture/shutter speedsettings that give you the same exposure (range oflight/dark values)
Why do they matter?
Equivalent Exposures
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What are equivalent exposures?different combinations of aperture/shutter speedsettings that give you the same exposure (range oflight/dark values)
Why do they matter?
to help you make use of your CREATIVE controls(depth of field and the sense of movement) while still
getting a properly exposed image
Equivalent Exposures
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What are equivalent exposures?different combinations of aperture/shutter speedsettings that give you the same exposure (range oflight/dark values)
Why do they matter?
to help you make use of your CREATIVE controls(depth of field and the sense of movement) while still
getting a properly exposed image to help you NOT use a tripod but still get a clear and
properly exposed image
USING Equivalent Exposures
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USING Equivalent Exposures
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Lets say you are asked to shoot aphotograph of a pinwheel in
motion, for the OMG itsSPRING!!! issue of a local magazine.
USING Equivalent Exposures
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Lets say you are asked to shoot aphotograph of a pinwheel in
motion, for the OMG itsSPRING!!! issue of a local magazine.
You find a pinwheel that is moving,and your cameras light meter tells
you that you should use 1/500 and/2. This is the picture you get:
USING Equivalent Exposures
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Lets say you are asked to shoot aphotograph of a pinwheel in
motion, for the OMG itsSPRING!!! issue of a local magazine.
You find a pinwheel that is moving,and your cameras light meter tells
you that you should use 1/500 and/2. This is the picture you get:
USING Equivalent Exposures
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111/391
Lets say you are asked to shoot aphotograph of a pinwheel in
motion, for the OMG itsSPRING!!! issue of a local magazine.
You find a pinwheel that is moving,and your cameras light meter tells
you that you should use 1/500 and/2. This is the picture you get:
/2 and 1/500 sec
USING Equivalent Exposures
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112/391
Lets say you are asked to shoot aphotograph of a pinwheel in
motion, for the OMG itsSPRING!!! issue of a local magazine.
You find a pinwheel that is moving,and your cameras light meter tells
you that you should use 1/500 and/2. This is the picture you get:
/2 and 1/500 sec
Youre really happy with the
exposure (the range of light anddark values) but it totally doesntshow motion. Like at all.
USING Equivalent Exposures
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113/391
Lets say you are asked to shoot aphotograph of a pinwheel in
motion, for the OMG itsSPRING!!! issue of a local magazine.
You find a pinwheel that is moving,and your cameras light meter tells
you that you should use 1/500 and/2. This is the picture you get:
/2 and 1/500 sec
Youre really happy with the
exposure (the range of light anddark values) but it totally doesntshow motion. Like at all.
What should you do?
USING Equivalent Exposures
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USING Equivalent Exposures
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/2 and1/500 sec
USING Equivalent Exposures
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/2 and1/500 sec
What setting was responsible for
freezing the motion of themoving pinwheel?
USING Equivalent Exposures
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/2 and1/500 sec
What setting was responsible for
freezing the motion of themoving pinwheel? shutter speed
USING Equivalent Exposures
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/2 and1/500 sec
What setting was responsible for
freezing the motion of themoving pinwheel? shutter speed
What could you do to create thesense of motion in your
photograph?
USING Equivalent Exposures
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/2 and1/500 sec
What setting was responsible for
freezing the motion of themoving pinwheel? shutter speed
What could you do to create thesense of motion in your
photograph? lower the shutter speed
USING Equivalent Exposures
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Since you got the EXPOSURE right, that means youre happy withthe relationship between your settings, you just need to use a
lower shutter speed such as perhaps 1/30 sec.
/2 and1/500 sec
What setting was responsible for
freezing the motion of themoving pinwheel? shutter speed
What could you do to create thesense of motion in your
photograph? lower the shutter speed
USING Equivalent Exposures
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Since you got the EXPOSURE right, that means youre happy withthe relationship between your settings, you just need to use a
lower shutter speed such as perhaps 1/30 sec.
Use an Equivalent Exposure chart to figure out what aperture touse with 1/30 sec so that you have the same EXPOSURE that youhad with 1/500 sec.
/2 and1/500 sec
What setting was responsible for
freezing the motion of themoving pinwheel? shutter speed
What could you do to create thesense of motion in your
photograph? lower the shutter speed
USING Equivalent Exposures
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Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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125/391
Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
500
/2
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
250500
/2
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
250 125500
/2
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
250 125 60500
/2
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
250 125 60 30500
/2
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30500
/2
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15500
/2
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8500
/2
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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q p g pwith 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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with 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6 /8
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Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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with 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6 /8 /11 /16
Use an Equivalent Exposure chart to figure out what aperture to use
USING Equivalent Exposures
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with 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6 /8 /11 /16 /22
Use an Equivalent Exposure chart to figure out what aperture to useh 1/30 h h h h 1/500
USING Equivalent Exposures
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with 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6 /8 /11 /16 /22
Use an Equivalent Exposure chart to figure out what aperture to useh 1/30 h h h h 1/500
USING Equivalent Exposures
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with 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6 /8 /11 /16 /22
Use an Equivalent Exposure chart to figure out what aperture to usei h 1/30 h h h i h 1/500
USING Equivalent Exposures
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with 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6 /8 /11 /16 /22
/1130
Use an Equivalent Exposure chart to figure out what aperture to usei h 1/30 h h h i h 1/500
USING Equivalent Exposures
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with 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6 /8 /11 /16 /22
/1130
Use an Equivalent Exposure chart to figure out what aperture to usei h 1/30 h h h i h 1/500
USING Equivalent Exposures
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with 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6 /8 /11 /16 /22
/1130
Use an Equivalent Exposure chart to figure out what aperture to useith 1/30 th t h th ith 1/500
USING Equivalent Exposures
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with 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6 /8 /11 /16 /22
/1130
Use an Equivalent Exposure chart to figure out what aperture to useith 1/30 th t h th exposure ith 1/500
USING Equivalent Exposures
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with 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6 /8 /11 /16 /22
/1130
these images areequivalent exposures
Use an Equivalent Exposure chart to figure out what aperture to useith 1/30 th t h th exposure ith 1/500
USING Equivalent Exposures
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with 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6 /8 /11 /16 /22
/1130
these images areequivalent exposures
Use an Equivalent Exposure chart to figure out what aperture to usewith 1/30 sec so that you have the same exposure as with 1/500 sec
USING Equivalent Exposures
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with 1/30 sec so that you have the same exposure as with 1/500 sec.
/2500
1000 250 125 60 30 15 8
/1.4
500
/2 /4 /5.6 /8 /11 /16 /22
/1130
these images areequivalent exposures
USE A
TRIPOD
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film speed
Film Speed
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Film Speedrefers to the level of light inwhich you can photograph
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which you can photograph
Film Speedrefers to the level of light inwhich you can photograph
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which you can photograph
What changes?
Film Speedrefers to the level of light inwhich you can photograph
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which you can photograph
What changes?the size of the silver particles
Film Speedrefers to the level of light inwhich you can photograph
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which you can photograph
What changes?the size of the silver particles
What is ASA/ISO?
Film Speedrefers to the level of light inwhich you can photograph
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which you can photograph
What changes?the size of the silver particles
What is ASA/ISO?
scales we use to measure film speed
Film Speedrefers to the level of light inwhich you can photograph
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which you can photograph
What changes?the size of the silver particles
LOW speed film has _______ silver particles.
What is ASA/ISO?
scales we use to measure film speed
Film Speedrefers to the level of light inwhich you can photograph
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which you can photograph
What changes?the size of the silver particles
LOW speed film has _______ silver particles.SMALL
What is ASA/ISO?
scales we use to measure film speed
Film Speedrefers to the level of light inwhich you can photograph
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which you can photograph
What changes?the size of the silver particles
LOW speed film has _______ silver particles.SMALL
it can be only used in situations that
have HIGH levels of light
What is ASA/ISO?
scales we use to measure film speed
Film Speedrefers to the level of light inwhich you can photograph
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which you can photograph
What changes?the size of the silver particles
LOW speed film has _______ silver particles.
HIGH speed film has _______ silver particles.
SMALL
it can be only used in situations that
have HIGH levels of light
What is ASA/ISO?scales we use to measure film speed
Film Speedrefers to the level of light inwhich you can photograph
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which you can photograph
What changes?the size of the silver particles
LOW speed film has _______ silver particles.
HIGH speed film has _______ silver particles.BIG
SMALL
it can be only used in situations that
have HIGH levels of light
What is ASA/ISO?scales we use to measure film speed
Film Speedrefers to the level of light inwhich you can photograph
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which you can photograph
What changes?the size of the silver particles
LOW speed film has _______ silver particles.
HIGH speed film has _______ silver particles.BIG
SMALL
it can be only used in situations that
have HIGH levels of light
it can be used in situations thathave LOWER levels of light
What is ASA/ISO?scales we use to measure film speed
You can think about film speed like little light sponges.Or like pixels.
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You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.SMALL
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.SMALL
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.SMALL low light-sensitivity
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.SMALL
low light-sensitivity low contrast
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.SMALL
low light-sensitivity low contrast low visibility of grain (pixels)
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.SMALL
low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.
HIGH speed film has _______ pixels.
SMALL
low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.
HIGH speed film has _______ pixels.BIG
SMALL
low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.
HIGH speed film has _______ pixels.BIG
SMALL
low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.
HIGH speed film has _______ pixels.BIG
SMALL
low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time
high light-sensitivity
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.
HIGH speed film has _______ pixels.BIG
SMALL
low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time
high light-sensitivity
high contrast
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.
HIGH speed film has _______ pixels.BIG
SMALL
low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time
high light-sensitivity
high contrast high visibility of grain (pixels)
You can think about film speed like little light sponges.Or like pixels.
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LOW speed film has _______ pixels.
HIGH speed film has _______ pixels.BIG
SMALL
low light-sensitivity low contrast low visibility of grain (pixels) needs a lot of light or time
high light-sensitivity
high contrast high visibility of grain (pixels) needs less light or time
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parts of the enlarger
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Parts of the Enlarger
{
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Parts of the Enlarger
{
lamphouse {
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Parts of the Enlarger
lamphouse {
lamphouse {
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Parts of the Enlarger
lamphouse {
{
lamphouse {
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Parts of the Enlarger
lamphouse
bellows
{
{
lamphouse {
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Parts of the Enlarger
a p ouse
bellows
{
{
lamphouse {
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Parts of the Enlarger
p
negative carriergoes here
bellows
{
{
lamphouse {
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Parts of the Enlarger
p
negative carriergoes here
bellows
{
{
lamphouse
heightadjustmentknob
{
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Parts of the Enlarger
p
negative carriergoes here
bellows
{
{
lamphouse
heightadjustmentknob
{ moves EVERYTHINGup and down
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Parts of the Enlarger
p
negative carriergoes here
bellows
{
{
lamphouse
heightadjustmentknob
{ moves EVERYTHINGup and down
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Parts of the Enlarger
p
negative carriergoes here
bellows
{
{
lamphouse
heightadjustmentknob
{ moves EVERYTHINGup and down
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Parts of the Enlarger
p
negative carriergoes here
bellows
fine focus
{
{
lamphouse
heightadjustmentknob
{ moves EVERYTHINGup and down
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Parts of the Enlarger
p
negative carriergoes here
bellows
fine focus
{
{
moves the bellowsup and down
lamphouse
heightadjustmentknob
{ moves EVERYTHINGup and down
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Parts of the Enlarger
p
negative carriergoes here
bellows
fine focus
{
{
moves the bellowsup and down
easel goes here
lamphouse
heightadjustmentknob
{ moves EVERYTHINGup and down
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Parts of the Enlarger
p
negative carriergoes here
bellows
fine focus
{
{
moves the bellowsup and down
easel goes here
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the easels
Easels
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Easels
This is a ________ easel.
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Easels
This is a ________ easel.CONTACT
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Easels
This is a ________ easel.CONTACT
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It is used when making:
Easels
This is a ________ easel.CONTACT
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It is used when making: contact sheets
Easels
This is a ________ easel.CONTACT
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It is used when making: contact sheets pinhole positives
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Easels
This is a ________ easel.CONTACT
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It is used when making: contact sheets pinhole positives collage negatives photograms
Easels
This is a ________ easel.CONTACT
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It is used when making: contact sheets pinhole positives collage negatives photograms
Easels
This is a ________ easel.CONTACT
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It is used when making: contact sheets pinhole positives collage negatives photograms
This is a __________________ easel.
Easels
This is a ________ easel.CONTACT
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It is used when making: contact sheets pinhole positives collage negatives photograms
This is a __________________ easel.PRINTING / MASKING
Easels
This is a ________ easel.CONTACT
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It is used when making: contact sheets pinhole positives collage negatives photograms
This is a __________________ easel.PRINTING / MASKING
It is used when making:
Easels
This is a ________ easel.CONTACT
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It is used when making: contact sheets pinhole positives collage negatives photograms
This is a __________________ easel.PRINTING / MASKING
It is used when making:
enlargements from negatives
Easels
This is a ________ easel.CONTACT
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It is used when making: contact sheets pinhole positives collage negatives photograms
This is a __________________ easel.PRINTING / MASKING
It is used when making:
enlargements from negatives
It helps your prints have:
Easels
This is a ________ easel.CONTACT
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It is used when making: contact sheets pinhole positives collage negatives photograms
This is a __________________ easel.PRINTING / MASKING
It is used when making:
enlargements from negatives
It helps your prints have: neat, white borders
Easels
This is a ________ easel.CONTACT
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It is used when making: contact sheets pinhole positives collage negatives photograms
This is a __________________ easel.PRINTING / MASKING
It is used when making:
enlargements from negatives
It helps your prints have: neat, white borders regular sizes
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dodging & burning
Dodge & Burn
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Dodge & BurnDodging and burning are darkroom (andPhotoshop!) techniques used to change the
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exposure of PART of your image - whenPART of an image is too light or too dark
Dodge & BurnDodging and burning are darkroom (andPhotoshop!) techniques used to change the
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exposure of PART of your image - whenPART of an image is too light or too dark
To _________ is to protect an area from lightwhile you further expose the rest of the image.
Dodge & BurnDodging and burning are darkroom (andPhotoshop!) techniques used to change the
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exposure of PART of your image - whenPART of an image is too light or too dark
To _________ is to protect an area from lightwhile you further expose the rest of the image.
DODGE
Dodge & BurnDodging and burning are darkroom (andPhotoshop!) techniques used to change the
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exposure of PART of your image - whenPART of an image is too light or too dark
To _________ is to protect an area from lightwhile you further expose the rest of the image.
To _________ is to further expose one specificarea of an image to make it darker while youprotect the rest of the image.
DODGE
Dodge & BurnDodging and burning are darkroom (andPhotoshop!) techniques used to change the
-
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exposure of PART of your image - whenPART of an image is too light or too dark
To _________ is to protect an area from lightwhile you further expose the rest of the image.
To _________ is to further expose one specificarea of an image to make it darker while youprotect the rest of the image.
DODGE
BURN
For example: Dodge & Burn
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For example: Dodge & Burn
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For example:The arabber (fruit merchant) is too dark because of incorrectmetering; but reducing exposure to the whole image in the darkroomwould also get rid of what little detail there is in the background.
Dodge & Burn
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For example:The arabber (fruit merchant) is too dark because of incorrectmetering; but reducing exposure to the whole image in the darkroomwould also get rid of what little detail there is in the background.
Dodge & Burn
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We shouldprotect thearabber at alower exposure,
while furtherexposing thebackground.
For example:The arabber (fruit merchant) is too dark because of incorrectmetering; but reducing exposure to the whole image in the darkroomwould also get rid of what little detail there is in the background.
Dodge & Burn
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We shouldprotect thearabber at alower exposure,
while furtherexposing thebackground.
This is called
__________
For example:The arabber (fruit merchant) is too dark because of incorrectmetering; but reducing exposure to the whole image in the darkroomwould also get rid of what little detail there is in the background.
Dodge & Burn
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We shouldprotect thearabber at alower exposure,
while furtherexposing thebackground.
This is called
__________DODGING
How to Dodge (a very basic tutorial)
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1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)
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1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)
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1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)but see how light the background is?
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1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)
2. cut out a cardboard protector that is about the same size as
but see how light the background is?
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the arabber
1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)
2. cut out a cardboard protector that is about the same size as
but see how light the background is?
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the arabber
1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)
2. cut out a cardboard protector that is about the same size as
but see how light the background is?
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the arabber3. move the protector up and down under the enlarger lamp
while exposing the background further
1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)
2. cut out a cardboard protector that is about the same size as
but see how light the background is?
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the arabber3. move the protector up and down under the enlarger lamp
while exposing the background further
1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)
2. cut out a cardboard protector that is about the same size as
but see how light the background is?
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the arabber3. move the protector up and down under the enlarger lamp
while exposing the background further
1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)
2. cut out a cardboard protector that is about the same size as
but see how light the background is?
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the arabber3. move the protector up and down under the enlarger lamp
while exposing the background further
1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)
2. cut out a cardboard protector that is about the same size as
but see how light the background is?
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the arabber3. move the protector up and down under the enlarger lamp
while exposing the background further
1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)
2. cut out a cardboard protector that is about the same size as
but see how light the background is?
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the arabber3. move the protector up and down under the enlarger lamp
while exposing the background further
1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)
2. cut out a cardboard protector that is about the same size as
but see how light the background is?
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the arabber3. move the protector up and down under the enlarger lamp
while exposing the background further
1. expose the image until you are happy with the arabbers levels
How to Dodge (a very basic tutorial)
2. cut out a cardboard protector that is about the same size as
but see how light the background is?
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the arabber3. move the protector up and down under the enlarger lamp
while exposing the background further
4. ta-da!
Dodging
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before
after
Dodging
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before
after
Dodging
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before
after
For example: Dodge & Burn
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For example: Dodge & Burn
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For example:The white floral arrangement in the lower right hand corner is fartoo light and takes away from the rest of the image, which isproperly exposed. Increasing exposure to the whole image in thedarkroom would make the majority of the image far too dark.
Dodge & Burn
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For example:The white floral arrangement in the lower right hand corner is fartoo light and takes away from the rest of the image, which isproperly exposed. Increasing exposure to the whole image in thedarkroom would make the majority of the image far too dark.
Dodge & Burn
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We shouldfurther exposeONLY the white
flowers, whileprotecting therest of the image.
For example:The white floral arrangement in the lower right hand corner is fartoo light and takes away from the rest of the image, which isproperly exposed. Increasing exposure to the whole image in thedarkroom would make the majority of the image far too dark.
Dodge & Burn
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We shouldfurther exposeONLY the white
flowers, whileprotecting therest of the image.
This is called
__________
For example:The white floral arrangement in the lower right hand corner is fartoo light and takes away from the rest of the image, which isproperly exposed. Increasing exposure to the whole image in thedarkroom would make the majority of the image far too dark.
Dodge & Burn
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We shouldfurther exposeONLY the white
flowers, whileprotecting therest of the image.
This is called
__________BURNING
How to Burn (a very basic tutorial)
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1. expose the image until you are happy with the levels in themajority of the image
How to Burn (a very basic tutorial)
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1. expose the image until you are happy with the levels in themajority of the image
How to Burn (a very basic tutorial)
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1. expose the image until you are happy with the levels in themajority of the image
How to Burn (a very basic tutorial)
2. cut out a cardboard protector that protects everything
h hi fl
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except the white flowers
1. expose the image until you are happy with the levels in themajority of the image
How to Burn (a very basic tutorial)
2. cut out a cardboard protector that protects everything
h hi fl
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except the white flowers
1. expose the image until you are happy with the levels in themajority of the image
How to Burn (a very basic tutorial)
2. cut out a cardboard protector that protects everything
t th hit fl
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except the white flowers3. move the protector up and down under the enlarger lamp
while exposing the white flowers further
1. expose the image until you are happy with the levels in themajority of the image
How to Burn (a very basic tutorial)
2. cut out a cardboard protector that protects everything
t th hit fl
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except the white flowers3. move the protector up and down under the enlarger lamp
while exposing the white flowers further
1. expose the image until you are happy with the levels in themajority of the image
How to Burn (a very basic tutorial)
2. cut out a cardboard protector that protects everything
t th hit fl
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except the white flowers3. move the protector up and down under the enlarger lamp
while exposing the white flowers further
1. expose the image until you are happy with the levels in themajority of the image
How to Burn (a very basic tutorial)
2. cut out a cardboard protector that protects everything
t th hit fl
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except the white flowers3. move the protector up and down under the enlarger lamp
while exposing the white flowers further
1. expose the image until you are happy with the levels in themajority of the image
How to Burn (a very basic tutorial)
2. cut out a cardboard protector that protects everything
except the white flowers
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except the white flowers3. move the protector up and down under the enlarger lamp
while exposing the white flowers further
1. expose the image until you are happy with the levels in themajority of the image
How to Burn (a very basic tutorial)
2. cut out a cardboard protector that protects everything
except the white flowers
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except the white flowers3. move the protector up and down under the enlarger lamp
while exposing the white flowers further
1. expose the image until you are happy with the levels in themajority of the image
How to Burn (a very basic tutorial)
2. cut out a cardboard protector that protects everything
except the white flowers
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except the white flowers3. move the protector up and down under the enlarger lamp
while exposing the white flowers further
1. expose the image until you are happy with the levels in themajority of the image
How to Burn (a very basic tutorial)
2. cut out a cardboard protector that protects everything
except the white flowers
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except the white flowers3. move the protector up and down under the enlarger lamp
while exposing the white flowers further
4. ta-da!
Burning
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before
after
Burning
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before
after
Burning
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before
after
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processing film
Loading Your Film:What goes into the changing bag?
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Loading Your Film:What goes into the changing bag?
tank (including lid & post)
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Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels
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Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels
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Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels can opener
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can opener
Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels can opener
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can opener
Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels can opener
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can opener scissors
Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels can opener
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can opener scissors
Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels can opener
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can opener scissors your film
Loading Your Film:What goes into the changing bag?
tank (including lid & post) 2 reels can opener
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can opener scissors your film
Processing Your Film (the condensed version)
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Processing Your Film (the condensed version)
1. The 1st chemical to go into yourtank is ____________.
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Processing Your Film (the condensed version)
1. The 1st chemical to go into yourtank is ____________.DEVELOPER
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Processing Your Film (the condensed version)
1. The 1st chemical to go into yourtank is ____________.DEVELOPER
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You mix developer using a 1:1ratio (one equal part of each)
of _______ and __________.
Processing Your Film (the condensed version)
1. The 1st chemical to go into yourtank is ____________.DEVELOPER
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You mix developer using a 1:1ratio (one equal part of each)
of _______ and __________.WATER
Processing Your Film (the condensed version)
1. The 1st chemical to go into yourtank is ____________.DEVELOPER
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You mix developer using a 1:1ratio (one equal part of each)
of _______ and __________.WATERconcentratedDEVELOPER
Processing Your Film (the condensed version)
1. The 1st chemical to go into yourtank is ____________.DEVELOPER
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You mix developer using a 1:1ratio (one equal part of each)
of _______ and __________.WATERconcentratedDEVELOPER
Developer is dependent on
______ and _____________.
Processing Your Film (the condensed version)
1. The 1st chemical to go into yourtank is ____________.DEVELOPER
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You mix developer using a 1:1ratio (one equal part of each)
of _______ and __________.WATERconcentratedDEVELOPER
Developer is dependent on
______ and _____________.TIME
Processing Your Film (the condensed version)
1. The 1st chemical to go into yourtank is ____________.DEVELOPER
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You mix developer using a 1:1ratio (one equal part of each)
of _______ and __________.WATERconcentratedDEVELOPER
Developer is dependent on
______ and _____________.TIME TEMPERATURE
Processing Your Film (the condensed version)
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Processing Your Film (the condensed version)
2. The 2nd chemical to go into
your tank is .
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y ____________
Processing Your Film (the condensed version)
2. The 2nd chemical to go into
your tank is .STOP BATH
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y ____________
Processing Your Film (the condensed version)
2. The 2nd chemical to go into
your tank is .STOP BATH
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y ____________
What does stop bath do?
Processing Your Film (the condensed version)
2. The 2nd chemical to go into
your tank is .STOP BATH
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y ____________
What does stop bath do?
arrests the developing process
Processing Your Film (the condensed version)
2. The 2nd chemical to go into
your tank is .STOP BATH
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y ____________
What does stop bath do?
arrests the developing process
What can you substitute for
stop bath?
Processing Your Film (the condensed version)
2. The 2nd chemical to go into
your tank is .STOP BATH
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y ____________
What does stop bath do?
arrests the developing process
What can you substitute for
stop bath?water
Processing Your Film (the condensed version)
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Processing Your Film (the condensed version)
3. The 3rd chemical to go intoyour tank is ____________.
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Processing Your Film (the condensed version)
3. The 3rd chemical to go intoyour tank is ____________.FIXER
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Processing Your Film (the condensed version)
3. The 3rd chemical to go intoyour tank is ____________.FIXER
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What does fixer do?
Processing Your Film (the condensed version)
3. The 3rd chemical to go intoyour tank is ____________.FIXER
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What does fixer do?removes unexposed silver from
the film
Processing Your Film (the condensed version)
3. The 3rd chemical to go intoyour tank is ____________.FIXER
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What does fixer do?removes unexposed silver from
the film
Fixer is the only chemical thatcannot EVER be...
Processing Your Film (the condensed version)
3. The 3rd chemical to go intoyour tank is ____________.FIXER
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What does fixer do?removes unexposed silver from
the film
Fixer is the only chemical thatcannot EVER be...
poured down the drain
Processing Your Film (the condensed version)
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Processing Your Film (the condensed version)
CHECK YOUR FILM!
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Processing Your Film (the condensed version)
CHECK YOUR FILM!
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Processing Your Film (the condensed version)
CHECK YOUR FILM!Maybe I need to
fix these longer...
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g
Processing Your Film (the condensed version)
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Processing Your Film (the condensed version)
4. Water wash!
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Processing Your Film (the condensed version)
4. Water wash!
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Processing Your Film (the condensed version)
4. Water wash!
-
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+
Processing Your Film (the condensed version)
4. Water wash!
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+
Processing Your Film (the condensed version)
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Processing Your Film (the condensed version)
5. The 4th chemical to go into
your tank is ____________.
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Processing Your Film (the condensed version)
5. The 4th chemical to go into
your tank is ____________.PERMA WASH
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Processing Your Film (the condensed version)
5. The 4th chemical to go into
your tank is ____________.PERMA WASH
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What does Perma Wash do?
Processing Your Film (the condensed version)
5. The 4th chemical to go into
your tank is ____________.PERMA WASH
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What does Perma Wash do?
Perma Wash is like soap for your
film - it removes the fixer andother gross things
Processing Your Film (the condensed version)
5. The 4th chemical to go into
your tank is ____________.PERMA WASH
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What does Perma Wash do?
Perma Wash is like soap for your
film - it removes the fixer andother gross things
Processing Your Film (the condensed version)
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Processing Your Film (the condensed version)
6. Water wash!
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Processing Your Film (the condensed version)
6. Water wash!
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Processing Your Film (the condensed version)
6. Water wash!
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+
Processing Your Film (the condensed version)
6. Water wash!
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+
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Processing Your Film (the condensed version)
7. The 5th chemical to go into
your tank is ____________.
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Processing Your Film (the condensed version)
7. The 5th chemical to go into
your tank is ____________.PHOTO FLO
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Processing Your Film (the condensed version)
7. The 5th chemical to go into
your tank is ____________.PHOTO FLO
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What does photo flo do?
Processing Your Film (the condensed version)
7. The 5th chemical to go into
your tank is ____________.PHOTO FLO
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What does photo flo do?
photo flo prevents water spotsfrom forming on your negatives,similar to that stuff at the end of acar wash or in your dishwasher
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darkroom chemistry
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sink
developer
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sink
developer
-
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sink
stop bath developer
-
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sink
stop bath developer
-
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sink
fixer stop bath developer
-
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sink
fixer stop bath developer
-
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sink
water fixer stop bath developer
-
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sink
water fixer stop bath developer
-
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sink
water fixer stop bath developerwhat do I do?
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
how long?
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
how long? 1 1/2 minutes(90 sec)
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
how long? 1 1/2 minutes(90 sec)30 sec
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
how long? 1 1/2 minutes(90 sec)30 sec
5 minutes
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
how long? 1 1/2 minutes(90 sec)30 sec
5 minutes5 minutes
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
how long?
I should bereplaced when...
1 1/2 minutes(90 sec)30 sec
5 minutes5 minutes
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
how long?
I should bereplaced when...
1 1/2 minutes(90 sec)30 sec
5 minutes5 minutes
if I am a brown color
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
how long?
I should bereplaced when...
1 1/2 minutes(90 sec)30 sec
5 minutes5 minutes
if I am a darkpurple color if I am a brown color
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
how long?
I should bereplaced when...
1 1/2 minutes(90 sec)30 sec
5 minutes5 minutes
if I get cloudy whenyou drip hypo check in
if I am a darkpurple color if I am a brown color
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sink
water fixer stop bath developerwhat do I do? develops the paper
(oxidizes silver)(pH 11 or 12 = base)
stops thedeveloping(low pH = acid,neutralizes the
developer)
stabilizesthe image
(removes unexposedsilver from the paper)
cleans the print(washes off allthe chemicals)
how long?
I should bereplaced when...
1 1/2 minutes(90 sec)30 sec
5 minutes5 minutes
N/Aif I get cloudy when
you drip hypo check inif I am a darkpurple color if I am a brown color
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sink
-
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Photoshop
(but only a few things)
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I want to select an area of my image (becausethen I can copy it, delete it, or change it!)
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I want to select an area of my image (becausethen I can copy it, delete it, or change it!)
What are some ways I can do this?
-
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I want to select an area of my image (becausethen I can copy it, delete it, or change it!)
What are some ways I can do this?
-
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I want to select an area of my image (becausethen I can copy it, delete it, or change it!)
What are some ways I can do this?
-
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I want to select an area of my image (becausethen I can copy it, delete it, or change it!)
What are some ways I can do this?
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I just want to MOVE something, and it isnt working,and I want to destroy the computer. (I feel this way
sometimes too.)
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I just want to MOVE something, and it isnt working,and I want to destroy the computer. (I feel this way
sometimes too.)
How can I make it move?
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How can I make it move?
I just want to MOVE something, and it isnt working,and I want to destroy the computer. (I feel this way
sometimes too.)
How can I make it move?