philippine folk dances with asian influence - mapeh 8 (p.e. 4th quarter)

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Philippine Folk Dances with Asian InfluenceMr. Carlo Justino J. LunaMalabanias Integrated SchoolAngeles CityPHYSICAL EDUCATIONUnit 4 Regional and National Dances with Asian Influence

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Physical folk dances speak so much about the heartbeat of our people.

customsideasbeliefssuperstitionsevents of daily living

Just by looking at the costumes, props, and implements of a certain group or tribe, you can tell the origin of the dance.

The kind of music being used readily also tells about the influences brought about by trade and settlement of our neighboring countries.

IndonesiaChinaCambodiaBurmaMalaysiaThailandJapan

DANCE LITERATUREHistorical Background and Context

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

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Folk Danceswith Asian Influence

BINISLAKAN

Philippine Folk DancesWith Asian Influence01020304

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

Dance ResearcherMeaningDance CulturePlace of OriginCountry of InfluenceEthno-linguistic GroupClassification

BINISLAKAN:Francisca Reyes-Aquino:With the use of stick:Christian-lowland:Lingayen, Pangasinan:China:Pangasinense:Social Dance

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

BINISLAKANLingayen in Pangasinan means having to look backward and upwardIt was derived from Li-King-Tung, a Chinese word given to the name Lingayen, the capital of Pangasinan, by the Chinese settlers of this place a long time ago.BACKGROUND

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

BINISLAKANThe dancers look backward or upward in some of the movements hence, the name Lingayen.They also use two sticks to produce rhythms, imitating the chopsticks used by the Chinese in eating.Thus, the dance is called Binislakan, which in Pangasinan means with the use of sticks.BACKGROUND

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

BINISLAKANCostumeFemale: Siesgo and kimono with loose and long sleeves and soft panueloMale: Camisa de Chino and red pantsMusic2/4 composed of two parts A and BPROPERTIES

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

BINISLAKANCountOne, two, one and two, and one and two andFormationPartners stand about six feet apart.One or more pairs in a set can take part in the dance, in any formation desired.PROPERTIES

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

BINISLAKAN

KimonoCamisa de ChinoRed pants

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

Folk Danceswith Asian Influence

BINISLAKANSUA-KU-SUA

Philippine Folk DancesWith Asian Influence01020304

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

Dance ResearcherMeaningDance CulturePlace of OriginCountry of InfluenceEthno-linguistic GroupClassification

SUA-KU-SUA:Ramon A. Obusan:My Pomelo Tree:Muslim-lowland (coastal):Jolo, Sulu:China, Malaysia, Indonesia:Tausug:Courtship Dance

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SUA-KU-SUAAside from being known as fierce warriors, the Tausugs are also remarkable as seafarers and farmers.In Sulu, extensive orchards are planted with coconuts and pomelos and the fields with staples like rice and root crops.BACKGROUND

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SUA-KU-SUAPomelo fruits serve as an important source of income of the people of Sulu.Their dependence on pomelo fruits for their livelihood inspired them to create Sua-Ku-Sua dance.BACKGROUND

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SUA-KU-SUAThe movements of the dance compare suas gentle leaves, slender branches, attractive fruits, and fragrant flowers to a lady.During the performance, the couples sing while flapping two white fans which represent the leaves rustling in the wind.BACKGROUND

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SUA-KU-SUACostume (Female)Barawasi topSawal or Kantiu pantsSiyag shoulder bandHeadpiece: tusuk, paper bills, pasteboard cutouts similar to Chinese crownsAccesories: gold or imitation gold earrings, necklace, bracelets, and broochesSuggested footwear: Dancers are barefoot.PROPERTIES

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SUA-KU-SUACostume (Male)Bajo topSawal or Kantiu pantsAccessories: money-belt, Sarok hat, Pis siyabit (scarf), Kris (wavy knife), or barong (leaf-knife)Suggested footwear: Dancers are barefoot.PROPERTIES

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SUA-KU-SUAMusic2/4 and 4/4; composed of three parts A, B, and CGabbang bamboo xylophone are shaped like a small boat.Count1, 2 to a measure in 2/4 time signature1, 2, 3, 4 to a measure in 4/4 time signaturePROPERTIES

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SUA-KU-SUA

SiyagBajoBarawasiSawal or Kantiu

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

Folk Danceswith Asian Influence

BINISLAKANSUA-KU-SUAPANGALAY

Philippine Folk DancesWith Asian Influence01020304

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

Dance ResearcherMeaningDance CulturePlace of OriginCountry of Influence

Ethno-linguistic GroupClassification

PANGALAY:Francisca Reyes-Aquino:Fingernail:Muslim-lowland (coastal):Sulu:Thailand, Malaysia, Burma,Cambodia, and Indonesia:Tausug:Wedding / Festival Dance

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

PANGALAYis also known as Daling-Daling or Mengalai in Sabahis the traditional fingernail dance of the Tausug people of the Sulu Archipelago and Sabahresembles the movements of kontaw silat, a martial art common in the Malay ArchipelagoBACKGROUND

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

PANGALAYis performed mainly during weddings and other festive eventPangasik male version of the Pangalay; features more martial movementsPangiluk features both a male and female dancerBACKGROUND

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

PANGALAYCostumeDancer wears a typical Joloana costumeAccessoriesExperts and professional dancers use janggay, extended metal finger nails in each finger.The rich people have janggay made of solid gold or silver.PROPERTIES

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

PANGALAYSuggested FootwearDancer are barefoot.MusicPlayed as many times as necessaryCountOne, two; or one and two and to a measurePROPERTIES

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

PANGALAYThere are no definite directions, sequence of figures, number and kinds of steps, hand movements, and positions used when performed by the natives.For teaching purposes, the figures of this dance may be created and dancers may form their own combinations.MOVEMENTS

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

PANGALAY

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

Folk Danceswith Asian Influence

BINISLAKANSUA-KU-SUAPANGALAYSAKUTINGPhilippine Folk DancesWith Asian Influence01020304

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

Dance ResearcherMeaning

Place of OriginCountry of InfluenceClassification

SAKUTING:Francisca Reyes-Aquino:Refers to rhythmic sticksproducing the accompanimentfor the dance:Abra and Ilocos Norte:China:Social Dance

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SAKUTINGis a dance of the ethnic people living in the western side of the Cordillera way back before the coming of the Americans to our countryDuring Christmas, young boys and girls accompanied by their elders would go to lowlands, especially in Abra and Ilocos Norte, to dance in front of the houses and ask for gifts.BACKGROUND

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SAKUTINGThese young children hold sticks, one on each hand and strike them together to make their dance livelier.The people in the homes would give them money, homemade delicacies, and other things.BACKGROUND

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SAKUTINGCostumeFemale: native Ilocano kimono style with sleeves of elbow length; ankle-length skirt of bright-colored plaids shirred at the waistMale: Camisa de chino, red trousers, and a native hatPROPERTIES

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SAKUTINGMusic2/4 and 3/4 rhythms and composed of 9 parts: A, B, C, D, E, F, G, H, and IFormation

PROPERTIESAUDIENCEXOOXXOOXOne set of dancers

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SAKUTING

kimonoCamisa de chino

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

SUMMARYName of DanceLiteral Meaning of the NamePlace of OriginDance ClassificationCountry of InfluenceBinislakanWith the use of sticksLingayen, PangasinanSocial danceChinaSua-Ku-SuaMy Pomelo TreeJolo, SuluCourtship danceChina, Malaysia, IndonesiaPangalayFingernailSuluWedding / Festival danceThailand, Malaysia, Burma, Cambodia, IndonesiaSakutingRefers to rhythmic sticks producing the accompaniment for the danceAbra and Ilocos NorteSocial danceChina

PHYSICAL EDUCATION: PHILIPPINE FOLK DANCESCARLO LUNA

Philippine Folk Dances with Asian InfluenceMr. Carlo Justino J. LunaMalabanias Integrated SchoolAngeles CityPHYSICAL EDUCATIONUnit 4 Regional and National Dances with Asian Influence

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