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TRANSCRIPT
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CONTENTS
Sponsors 2
Introduction 3
The Company 4
Judges 6
Shop and Marquee 9
Colleges and Universities 10
Open Design Competition 11
Student Competition:
Architecture and Furniture 15
Decorative Arts 21
Fashion – Jewellery and Accessories 32
Fashion – Total Look 39
ABPC 42
The Hall 43
Design Rights 44
Pewter Live
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The Worshipful Company of Pewterers would like to thank
City and Guilds
Conran & Partners
Esmee Fairbairn
Giftware Association
Hopeman Associates
NAG – the National Association of Goldsmiths
Neish Trust
Rathbones
Speechly Bircham
The Worshipful Company of Loriners
Wildshaw Ltd
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The Worshipful Company of Pewterers is proud to present Pewter Live 2008. The
diversity and range displayed in the pewter produced is truly inspiring and we hope
that many of these pieces will go forward to be produced commercially. We have
had a particularly good response form the Students and we are especially pleased
to now have the London Metropolitan University on board. Over 80 students from 12
different colleges and univresities are taking part in the Student Design Competition
with ten designers competing in the Open Design Competition. The Student Design
Competition comprises four categories each with a brief: Architectural Furniture –
Fixtures and Fittings; Decorative Arts; Fashion – Jewellery and Accessories, and
Fashion – the Total Look. For the Open Design Competition the brief was to design an
item in pewter for use outside the home – in the garden, conservatory, patio, window
box, or even on a picnic. Pewter weathers beautifully and its patina often benefits
from ageing: it is therefore an ideal material for a water feature or garden
ornamentation as well as more practical items such as planters, table-tops, sundials,
lighting or outdoor eating.
Pewter Live is organised by the Worshipful Company of Pewterers with the
support of the Association of British Pewter Craftsmen. New products have reached
the market as a direct result of this competition. Pewter is a fine material to work
with which is often overlooked as it is perceived as a 'base 'metal, however, the
softness and sheer versatility of the material lends itself to a multitude of applications.
Modern pewter contains no lead; it is an alloy of tin with other metals such as
copper and antimony. The beauty of this is that pewter requires very little maintenance,
and 'polished' pewter will retain its shine if simply cleaned with a soft cloth.
The Pewterers' Company today is a far cry from the early days when, for example, a
supply of armour was kept at Pewterers' Hall and an armourer employed to keep it
in top condition. The original role of the livery company was to support the artisan
trades and in this respect we are still fulfilling our role. The Pewterers' Company
today remains in the forefront of the promotion of pewter and maintains connections
with pewter trade associations throughout Europe via the European Pewter Union, of
which it was a founder member.
Introduction
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The history of the Company reflects that of the use of pewter. The
first reference to 'the makers of vessels of pewter' is dated 1348
when they asked the Mayor and Corporation for approval of articles
drawn up for trade governance. It was much later that Edward IV
granted the first charter in 1473/4. This gave the Company the right
to be self-governing, to hold goods and property in perpetuity and to
govern the trade throughout the kingdom. This last is unlike the
powers granted to the majority of other companies whose jurisdic-
tion was limited to the City and its environs. Arms were granted to
the Company at the same time.
Groups of tradesmen naturally congregate to discuss matters of
mutual interest. Since in feudal times any gathering was considered
suspect by the authorities, companies usually had a religious
affiliation. Ours was to the Virgin Mary, and her symbol, a lilypot,
appeared in our original arms. This was changed in 1533, during the
Reformation, when the one in present use was granted. The
Company was concerned with trade matters, costs, prices, raw
materials, quality of pewterware and training of apprentices, as well
as relief to the poor within the trade, funeral expenses, general
charity and civic duties.
The Company continues to support the trade, charities and the City
as well as meeting together in Pewterers' Hall. The first Hall,
completed in 1496, was destroyed in the Great Fire. The second Hall,
on the same site in Lime Street, was demolished in 1932, although
from the mid 19th century the premises were let to a firm of hatters.
We do however still own the site. The present Hall was opened, on a
new site in 1961.
The Worshipful Company of Pewterers is one of the older Livery
Companies in the City of London. It is number 16 in the Order of
Civic Precedence among over a hundred companies. The earliest
documented reference to it is in the records of the Corporation
dated 1348 when the ‘goodfolk, makers of vessels of pewter’ came
before the Mayor and Aldermen asking for approval of the Articles
which they had drawn up for the regulation of the trade.
Master and Company
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The members of the craft had formed together into a guild some
while before this for, fundamental to the medieval conception of
social organization, was the doctrine of collective rights and
responsibilities, and no trade could rise above a rudimentary level
without assuming some form of association. It is probable that the
Fraternity was originally semi-religious and the connection with
pewter was secondary and subsequent to its foundation. The
Company's own records are extant from 1451.
Today, the Pewterers' Company is actively involved with the pewter
trade through support for the Association of British Pewter Craftsmen
(ABPC). The ABPC was formed in 1970 as an initiative of the
Pewterers' Company and its members are required to touchmark
their finished products, much as Pewterers were obliged to do in
centuries past. The seahorse to the left is the modern touchmark
signifying high quality, the centre mark is that of the ABPC and the
European Pewter Union mark is shown at the bottom.
The Pewterers' Company today remains in the forefront of the
promotion of pewter and maintains connections with pewter trade
associations throughout Europe via the European Pewter Union, of
which it was a founder member.
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SEBASTIAN CONRAN was born in London in 1956. After gaining Maths Physics & Chemistry‘A’ levels at school, he studied Industrial Design Engineering at the Central College of Art &Design where he was treasurer of the Student Union and student representative on theGoverning Council and gave the Sex Pistols their first-ever booking. Subsequently he workedwith the Clash, designing record sleeves, promotional material, posters, T shirts and otherclothing. Sebastian started his own design business in 1986, 'Sebastian Conran Associates'(SCA), a product and brand development consultancy that worked with a variety of internationalbusinesses to develop healthcare and consumer goods, industrial design, and luxury goods.1992 Sebastian started a separate partnership with designer Tom Dixon. In 1999 SCA studiomerged with the Conran Group to form Conran & Partners. Sebastian has written severalbooks, articles and papers on design; he was a founding contributor to Blueprint magazine; hehas taught furniture design at the Royal College of Art and lectures frequently as well as judging(and sponsoring) many international design awards such as D&AD, Design Week, Red Dot,and the RSA. An active member of several bodies, he is, amongst others, an Honorary Fellowof the Royal College of Art and Fellow of Royal Society of Arts.
KERRY NICHOLLS joined John Lewis in 1994. Before moving to the buying office she spenteight years on the selling side and managed departments in various product areas includingSilverware. Kerry has been buying silverware, cutlery, frames and clocks for four years,working with a wide supply base using diverse materials across a range of product types.Within the silverware area she finds it exciting working with suppliers to develop traditionallyhandcrafted products using materials like sterling silver and pewter that reflect current designtrends.
The Pewterers’ Company is delighted to welcome Deyan Sudjic as the VIPguest and Presenter of Prizes for Pewter Live 2008.
DEYAN SUDJIC, DIRECTOR OF THE DESIGN MUSEUM, LONDON. Founded in 1989, theDesign Museum is the UK's cultural champion of design and wins internationalacclaim for exhibitions of modern design history and contemporary design.
Before joining the Design Museum in August 2006, Deyan was Dean of the Faculty ofArt, Architecture and Design at Kingston University, Visiting Professor at the RoyalCollege of Art and the Academy of Applied Art in Vienna, and the Observer newspaper's design and architecture writer. He was Director of Glasgow 1999, UK Cityof Architecture, and in 2002 was Director of the Venice Architecture Biennale. From2000 to 2004 he was Editor of Domus, and Founding Editor of Blueprint magazine from1983 to 1996. Deyan has published many books on design and architecture.
In 2004 Deyan was awarded the Bicentenary Medal of the Royal Society of Arts forthe promotion of design, and was made an Honorary Fellow of the Royal Institute ofBritish Architects. He was awarded an OBE in 2000.
Judges
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LAUREN SIZELAND is Head of Business Development and Licensing at the Victoria & AlbertMuseum. Lauren has 15 years experience as a senior brand developer within the establishedarts and museum sector. In 1988 she was involved in the pioneering development of retailingat the Royal Academy of Arts and was later recruited to develop 'Art Room' – a new conceptfor retail and mail order. Lauren has also worked as a consultant for the New MillenniumExperience Company, BBC Worldwide, British Museum, National Portrait Gallery, RSC andHarrods. She became Head of Retail & Brand Development for NMSI; managing the commercial functions at three UK national museums, achieving marked success with theScience Museum, which now has its brand in more than 300 high street stores. As Head ofBusiness Development & Licensing at the Victoria and Albert Museum since 2005, Lauren isresponsible for directing the V&A's international licensing programme. The museum holds anextensive collection of pewter, which is especially rich in European pieces. The licensing programme also has long-term partnerships with pewter manufacturers across the globe.
GEORGINA GODLEY began her career as a designer and developed into becoming a creative director for international fashion and life-style brands. Having trained as a fine artist atChelsea School of Art, she was recruited into fashion, and launched two successful labels,CROLLA 1981, and GEORGINA GODLEY 1986. In 1999 she focused on homewares, whenshe was appointed Style Director and Head of Home Accessories with Tom Dixon at Habitat.In 2004 she was appointed Creative Director at Wedgwood, where she developed their product ranges of ceramics, glass, crystal, metal-ware, jewellery and textiles. She openednew stores and re-positioned the perspective of the brand. Georgina's reputation rests on herinnovative use of materials and unerring forecasting of trends in all areas of fashion, dress,product-design, and interiors. She now works in a recently established Creative Consultancyof unique power in the world of international fashion and life-style.
STEPHEN WIDDOWS is Managing Director of DJH Engineering Limited a business he co-founded in 1983. Specialising in the centrifugal casting and finishing of pewter DJH has invested heavily in state-of-the-art automated machinery and operates from a modern purpose-built 20,000 square foot factory in the north east of England. DJH processes over 50tonnes of pewter per year and prides itself on retaining its design, tooling and manufacturingfacilities in-house. DJH's main service is that of contract casting of which 60% is exported. Itskey markets are domestic hardware (kitchen and bedroom), corporate gifts and quality collectables.
JEAN CARR is the Features Editor of Country Homes & Interiors, an IPC SouthBank monthlypublication and the only country decorating magazine in the market. It offers inspirationalcountry homes and gardens, property trends, seasonal decorating and food, leisure and travelideas, and real lifestyle stories. It frequently showcases new and established British design-ers, craftspeople and their work. Jean has always been a passionate champion of crafts, par-ticularly artist designers from her native Cornwall, including silversmith Charles Hall. Sheadvises on promotion and publicity at workshops for Cornish based designers held byCreative Kernow and the Cornwall Crafts Association. Her interest in pewter began whileresearching a feature on antique pewter tableware and she discovered Pewter Live and thestunning range of contemporary items by established and student designers. The magazinehas since featured pewter work by master craftsman Keith Tyssen and Pewter Live winnersLoretta Harmer and Tim Parsons.
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The Pewtersmithing Marquee, on
the grass outside Pewterers' Hall,
offers visitors the opportunity to see
skilled craftsmen spinning, turning
and casting pewter with some of
the items on sale – hot from the press!
shop@pewterlive
Shop and Marquee
marquee
We will be selling items from:
A. R. Wentworth (Sheffield) LtdSheffield Tel: 0114 244 7693 Fax: 0114 242 [email protected]
A. E. Williams Ltd Birmingham Tel:0121 643 4756 B5 5DEFax: 0121 643 [email protected]
Edwin Blyde & Co. Ltd. Sheffield Tel: 0114 249 1930 Fax: 0114 249 [email protected]
Glover & Smith SalisburyTel: 01722 741 096 Fax: 01722 741 096 [email protected]
Keith Tyssen DesRCA SheffieldTel: 0114 273 0639 Fax: 0114 273 [email protected]
St Justin Cornwall LtdPenzanceTel: 01736 369 600 Fax: 01736 341 [email protected]
Partners in PewterTel: 01628 485 764www.partnersinpewter.co.ukinfo@partnersinpewter.co.ukwww.partnersinpewter.co.uk
Fleur [email protected] Tel: 07761 385 267
Pewter Live 2008 will once again host shop@pewterlive
where visitors can purchase contemporary and
traditional pewter from members of the Association of
British Pewter Craftsmen.
Public opening times
11.00 – 17.30www.fleurgrenier.co.uk
Wednesday 11 June
www.pewterers.org.uk
Colleges and Universities
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Birmingham City University www.bcu.ac.ukTutor: Terry Hunt
Buckinghamshire Chilterns UniversityCollegewww.bcuc.ac.ukTutor: Andreas Fabian
Hastings College of Arts & Technologywww.hastings.ac.ukTutor: Ashley Heminway
Hereford College of Art & Designwww.hereford-art-col.ac.ukTutor: Clive Hickinbottom
Manchester School of ArtManchester Metropolitan Universitywww.mmu.ac.ukTutor: David Grimshaw
South Devon Collegewww.southdevon.ac.ukTutor: Trish Woods
Staffordshire Universitywww.staffs.ac.ukTutor: John Grayson
Truro Collegewww.trurocollege.ac.ukTutor: Martin Page
University College for the Creative Artsat Farnhamwww.ucreative.ac.ukTutor: Susie Fortune
University College for the Creative Artsat Rochesterwww.ucreative.ac.ukTutor: Brian Hill
University College Falmouthwww.falmouth.ac.ukTutor: Jason Cleverly
London Metropolitan Universitywww.londonmet.ac.ukTutor: Beaulagh Brooks
Pewter Live could not be run without the colleges and universities which take
part. Once again, our thanks to go the tutors and students for their support
and the tremendous effort and enthusiasm which goes into the competition.
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Open Design Competition P r i z e s
First £3,000 Second £1,000 Third £500
This year the judges are seeking a design
in pewter for use outside the home – in the
garden, conservatory, patio, window box,
or even on a picnic. The judges will be
looking for originality in both the visual
design and the use of pewter as well as
appeal for the contemporary 'leisure/out-
door' retail market. The fact that pewter
weathers well makes it an ideal material
for outdoor use.
Sculptural Timepiece - solid yew stakewith intricate pewter inlayLaura Carnell and Grant Jones Ra Ra Design The age of the wood and the tradition whichpewter brings to this sculptural timepiece allude topast histories, while Ra Ra's use of digital technologies engages with a possible future. Itsform echoes strength and endurance and as thepewter weathers it will develop a patina thatreflects the passage of the time it is built to measure.
Garden JewellerySusan BradleyThis pewter wall design adds a sculptural decorative feature to any outdoor vertical surfaceand can be used alone or combined with plants toact as a trellis. The design is like a piece of over-sized jewellery which will weather and age overtime and was inspired by sketches of plants madeat the Oxford Botanical Gardens, which have thenbeen manipulated and abstracted.
[email protected] www.susanbradley.co.uk
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Open DesignCompetition
Roman LampMartin PageInspired by the combination of Roman oil lampand new technology, this whimsical design usingthe malleability of pewter to create the form withLED lit acrylic flames will add interest and visualfun to any outdoor eating event.
'Hooky'Jon Martin'Hooky' is a new look multi-hook that brings ahelping hand, leg, or tail to hanging things in thegarden or home. Easily made by laser cutting, ormoulded for larger runs, 'hooky' came from mydesire to bring fresh life to mundane objects andplayfulness to pewter.
Picnic setTim Parsons This picnic set comprises four cups and platesthat borrow their form from the archetypal paperversions. The directness and simplicity of theforms make them ideal for showing off the properties of pewter, turning the throwaway intothe durable and desirable. Aimed at departmentstores, the pieces are easy to produce usingpressing (plates) and spinning (cups).
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Open DesignCompetition
Winter FlowersKaty HolfordThe stylized pewter flowerheads topaluminium/stainless steel stakes for use in thesummer to stake tall flowers or support climbingplants. The Winter Flowers come into their own inthe winter when the plants die down, catching thelow winter sunlight creating a striking feature.They can also be used as adornment on patios ordriven into gravel in Mediterranean-style gardens,adding a beautiful sculptural element.
'Away with the Wind'Sian Jones'Away with the Wind' is an outdoor pewter urn forstoring someone's ashes. Inspiration came fromlosing someone I was extremely close to. After thefuneral, I could not find an attractive urn to storeher ashes in. 'Away with the Wind' can be pushedonto the branch of a newly planted tree. As itgrows bigger, the urn will be surrounded by biggerbranches and will become part of the tree.
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Open DesignCompetition
Planter and Hanging basketStephen CorlessThis planter will display decoratively one or morealpine plants in the garden, as a table centrepiece orintegrated into the landscape. Each one is handmade and can be altered to suit individual customerrequirements. The pewter is cast and then blockedinto shape and can be turned over and utilised as ahanging basket.
Telephone 0161 431 5846
Integrated DishDenise ThompsonStrawberries and cream at Wimbledon? Asummer garden party? With a quirky nod to disposable picnicware, this elegant piece is perfect for alfresco dining, combining practicalitywith sophistication. Interchangeable mould-formed glass, slipcast ceramic or spun pewterbowls sit stably within the stamped pewter plate,allowing easy holding and stacking.
'Te-Lys' - a leaf shaped tea light holder,with leaf/floral cut-out patternsPolly Glass'Te-Lys' is the Norwegian name for a tealight and Ibegan this project whilst studying in Oslo. My aimis to develop the design so that it can be madefrom pewter and be suitable for outdoor dining.The design offers the user a chance to explorepattern-making by arranging the tealight holders indifferent ways.
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Architecture and Furniture Student Competition
P r i z e s
First £500 Second £350 Third £150
Pewter offers students tremendous
potential to design contemporary interior
fixtures and fittings – from handles and
hooks, shelves and brackets to light
fittings, lamp bases and bathroom
accessories. Students are asked to design
a one-off item or a range of pieces which
show originality. Today's homes adopt a
variety of 'looks' – minimalist urban-loft
living, country-style cosiness, revivalist or
traditional – and most successful
businesses have a corporate 'look' which
inspires confidence through its
professionalism. Pewter fixtures and
fittings can enhance them all.
6 Pewter HooksBenjamin RyanBuckingham Chilterns University CollegeThese Pewter Hooks are designed as an attemptto bring pewter as a material into the 21stCentury. The Pewter Hooks differ from the major-ity of fixtures/fittings in the market by using thetechnology of magnets. They therefore have noneed for screws, nails or adhesives. The beautyof the Hooks is they can be attached to anythingmagnetic. Pewter is the perfect material for thehooks due to its durability, casting capabilities, and light weight properties.
Ghost Table Lamp James DougallBuckingham Chilterns University CollegeThe ghost table lamp delivers an exciting and luxurious new concept in the use of pewter as anambient lighting solution for modern living.Inspired by the beauty of pewter and with the opulence of fine gold the sleek simplicity of itsshape perfectly complements the design orientatedinteriors associated with contemporary style.
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Architecture
Decorative, Lit Table Centre PieceKirsty LynnBirmingham City UniversityA decorative, illuminated table centre piece whichdramatically changes a space and continuouslychanges any atmosphere. This fresh and abstractpiece constantly changes colour; adding interestto any room or occasion; the simple, yet dramatic textured pewter discs, combined with funky andsophisticated lighting technology, scream 'contemporary'!
Decorative Cast Pewter Wall PanelsAlison KellySouth Devon CollegeUsing Pewter in an architectural application, the slightly rough casting of these panels gives a dullreflective surface and adds an unusual and interestingfocal point when used over a large area. A whole wallof panels of a horizontal or vertical arrangement wouldtransform and enliven an interior, especially whenused within a commercial setting.
Contemporary Door HandleHannah Chantelle Fewtrell-BoltonBirmingham City UniversityDoor handle in striking contemporary designideal for stylish architectural spaces. Exploitingthe soft warm feel of pewter with the hardnessand colour of resin. Pierced using laser technology.Designed to be part of a range; colour way/pattern can be changed seasonally, without thecost of changing presses and moulds.
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Architecture
Decorative Drain HoleZoë-Elissa GeorgeTruro College Every day we gaze down into our sink or showernot taking any notice of the drain hole. I haveinjected style and beauty into what we usuallytake for granted as an everyday object. Inspirationhas come from the elaborately decorated remnantsof ship interiors found inside my local pub.
Remote Control Holder Amanda WheatonBuckingham Chilterns University CollegeTraditional material with a contemporary design –bringing pewter into the twenty first century. Awall-mounted remote control holder with a beautiful deep embossed pattern showing justhow versatile the material is. A simple rolled bottomwith pierced shapes and a leather lining provides aplace to keep that ever elusive controller!
Wall Plaques/tilesLaura Jayne BrannonBirmingham City UniversityContemporary and sophisticated wall plaques tobe used in various architectural spaces; laser cutpewter utilises new technology and allows the positive and negative elements in the design tobe produced without any wasted material. Theycan be made in a range of colours using letters, numbers or symbols.
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Architecture
Squashy Ball Door HandleChristopher Strange UCCA, Rochester This is a fun but functional door handle, usingunusual squeezey balls and a contemporary eye-catching design. The foam balls are interchangeable to match a variety of interiordesigns and situations. This proposal makes adramatic and distinctive impact to any hotelentrance, boardroom or corporate building.
Wall Hung Water FeatureSandy AshtonLondon Metropolitan UniversityA vertical, wall-hung panel of polished pewter;pProjecting centrally is a long slim stalactite sculpture, deeply fissured and tapering to thebase. Water seeps through a hole at the top ofthe panel, over the stalagmite and down the surface, collected in a basin then returned to [email protected]
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Architecture
Pewter Poste Conleth MoranLondon Metropolitan UniversityThe 'Pewter Poste' is an accessory that disguises uglyletterboxes inside the front door, without affecting thefunction of the aperture or hindering the retrieval ofmail. Due to its simplistic modernist design it can bemass produced at minimal cost, thus fitting in both thegallery and the home.
Amour LightshadeAmieé CraddockTruro CollegeThe lightshade was inspired by Paco Rabanne'scollection of metal plate dresses from the 60's.Press forming was used to create the repeatedpanels, giving it an 'armoured' effect.
Organic Garden OrnamentsHeather RimmerBirmingham City UniversityTwo original one-off garden ornaments to reflectthe beauty in your garden. Based on the organicshapes of a bird’s nest, the forms are meant toenhance the natural beauty of your outdoorspace. These ornaments will fit into any garden,contemporary or traditional.
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Architecture
Table-top Fountain Sarah JohnSouth Devon CollegeBring the outside, inside! Made from pewtersheet formed into tubes and then melted to emulate the erosive nature of water whichinspired it. Mounted on a thrown ceramic basebeneath which a pump is submerged. Pewter isinert, versatile and combines well with othermaterials.
Lever Action Pillar TapRachel NewhamUniversity College Falmouth A bathroom fitting influenced by the Arts andCrafts movement, incorporating a hand madeaesthetic. The soft, fluid lines and the figure,imbued with vitality and optimism, adds an unusual twist to the contemporary bathroom.
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DecorativeArts P r i z e s
First £500 Second £350 Third £150
The brief for the category of Decorative
Arts is to design a pewter item that could
be used to 'celebrate' an event. The
design can be for a functional, fun or
merely decorative item and might
celebrate an anniversary, birth, exam or
sporting success, or something less
obvious such as moving house, passing a
driving test, or completing the marathon.
The judges want the students to move
away from traditional uses for pewter and
typical celebratory designs by innovating
on gender and age definitions.
'Nibbles Bowl'Sarah HousleyManchester Metropolitan University'Nibbles bowl' is a fresh interpretation of pewter.Birds perch on the edge of the bowl, leaning in toreach the contents. This visual gives a sense ofhumour to the piece and makes it a charming,unique gift for social gatherings and lazy afternoons in the garden alike.
Balloon Centre PieceEmma MogridgeBirmingham City UniversityBalloon Centre Piece is a bespoke productdesigned to bring elegance and sophistication tospecial occasions, including wedding, goldenanniversary, and birthday celebrations. The centre piece can be arranged as desired. Whenassembled it forms a dynamic balloon display,and when placed apart it accentuates individualballoons around the party venue.
Student Competition
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Decorative Arts
Birthday WishesDanielle AlderBuckingham Chilterns University CollegeThis is a beautiful, contemporary piece which isboth functional and decorative. The clean linesand highly polished pewter will reflect the lightfrom the lit candle. This unique cake decorationwill make a statement on top of a cake and canbe kept as a memento of your special day.
"Corporate Gift Pack for Sporting Events.Brooch Pin and bottle stopper."
Yvonne LynnUCCA, RochesterThis brooch pin and wine stopper form part of acorporate gift pack produced for entertainmentand marketing at formal dinners and specialoccasions. The contents offer commemorativeand promotional opportunities using thematickeepsakes based on the Olympics and sportingendeavour. Athletic figures in motion are pre-selected from a disc range of sports and are featured on brooch pins, place settings and menuholders. Being detachable, my design is interactive and can be worn immediately providing conversation and reinforcing both brandand activity.
Sealed with a Loving KissLouise WalkerBuckingham Chilterns University CollegeThe red kissing lips of love inspired this contemporarydesign. This intimate piece is intended for the weddingcouple, to hold their chosen favours. The kissingfavour is also suitable for holding condiments or fortable centrepieces. The piece could also be flexible forany special occasion.
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Champagne FluteLuisella ContuManchester MetropolitanUniversityA champagne flute made for thecelebration of the best things inlife. Each one is as unique asthe person who holds it. Its production unifies casting anddipping techniques that are complemented by a subtle handfinishing creating a visual andtactile contrast that blends therough with the smooth.
Decorative Arts
Decorative Objects YunHee KimUCCA, RochesterMy inspiration is taken from the highly effectiveand visually appealing areas of gift wrapping.They require decorative presentation and specialeffects for unique occasions. My design reflectsvisual temptation that ribbons, papers, thread etc.offer through powerful impact from presentation.My versatile idea allows the design the uses asnapkin rings, certificate holders and bracelets.
[email protected] Drip CandlestickClare Knox-BenthamManchester Metropolitan UniversityThe 'Drip' candlestick uses the inimitable natureof molten pewter to allude to the melting wax ofthe candle, and the distinctive design gives theillusion that the candle is floating. The manufacturing process ensures each piece isunique, yet ultimately repeatable, providing anindividual centre piece for the table.
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Decorative Arts
Festival of SpringRosalyn KatzHastings College of Arts and TechnologyThis glass and pewter festival bunting is a celebration of the season of spring. The pewtercaptures the rhythm of a tree’s life cycle and thedifferent shades of green glass symbolize growthand rebirth at this time of year.
Table-Top Sheet Music and Book StandEmmeline Hastings UCCA, FarnhamInspired by the lines and material of acousticguitars this individual one-off table-top musicstand could be a celebration of a special performance or graduation. The wood grain andrepetition is representational of rhythm andsound waves of music and the natural quality ofmaking or appreciating music. Constructed fromreclaimed pine, rolled sheet pewter and clearacrylic.
Set of Decorative Nesting BowlsRuby Mogford Manchester Metropolitan UniversityBased upon mathematical geometry and the naturalqualities of pewter, the form of these nesting bowlsdescribes a smooth transition from square base to circular rim. The bringing together of two forms andthe symbol of changing from one state to anothermakes these a perfect gift to celebrate a wedding orbirthday.
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Decorative Arts
Pewter and Walnut Fruit DishJenny BlandManchester Metropolitan UniversityThe complementary material qualities of metaland wood are combined in this reversible pewterand walnut fruit dish. Either used as a large dishor upturned to display smaller fruit, the cleanlines and mirror like pewter surfaces provide aplatform for the natural beauty and colours of thefruit.
An Appealing Memento TreeDiana SymondsLondon Metropolitan University This expandable tree is designed to hold a myriad of different mementos to celebrate anyspecial occasion such as a wedding, birthday oranniversary. Once full, extra sections can beadded so that it continues to be the focus andcentrepiece of any celebration and is a lifelongtreasure.
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Decorative Arts
Two Pewter PlattersJade Alicia Graham Hastings College of Art and TechnologyI have created the use of natural light in a rhythmic way against the pattern of the non-organic pewter. The pewter is used as a canvasfor my patterns. The shape and style of mypewter platters is derived from observing landscapes and patterns which occur naturally.
Women's Rights?Julie LinnStaffordshire UniversityThis work 'celebrates' women's rights and freedom. Itreflects my personal observations about female roles.It's weight is synonymous with the meaning it aims toportray. The historical context begins with medievalpersecution of women. The work references Cinderella,restraint and breakthrough. Its aims are to encouragequestioning and reflection.
Water Lily LanternAlison Hanlon Truro College A lantern inspired by the way a Water Lily floweropens out. The simple spiral mechanism enablesthe petals to open and close according to howmuch light you require.
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Decorative Arts
Spoon SculptureInga WinsonHereford College of Art and DesignMy work is inspired by spoons. I love the comforting,secure feeling of the smooth indent and the elegance ofa long handle. Explosions of yarns, metal spines anddeteriorating surfaces really inspire me. The fibrous energy within my drawings is transferred to my sculptures.For this piece I have incorporated pewter solder wire intothe making, with small additions of nickel and [email protected]
'A Tale of Two Lovers'Emily WinningUniversity College FalmouthWith this piece I have endeavoured to identify thestory behind the 'Willow pattern'. I have workedwith the two main characters of the story, the twodoves. By removing them, the two birds are setfree, celebrating a lovers search for eternal happiness. The space where the doves were hasbeen filled in with layered sheet pewter.
Presentation PlaqueMary MicklewrightSouth Devon CollegeThe certificate holder is inspired by the cleanlines and forms seen in Japanese textile art andin tensile structures. Sheet pewter is gentlyshaped to form a stand, based on a mortar-board. A slot and tassel secure the certificate. University logos, name and date ofachievement personalise the piece.
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Decorative Arts
Decorative VesselSarah SchrammHereford College of Art and DesignInspiration for my work comes from my love andfascination with the sea. The form of my vesseldeveloped from watching the beautiful movementof waves building and breaking. The main formis pewter and the inner weaving is a mixture ofsilver and silver plated wire and textiles.
Decorative Fruit BowlJohn LillymanHereford College of Art and DesignMy design has been inspired by the forms of sailsand the tension and line contained within. Acombination of forged steel and pewter has beenused to capture the flow of the sails, creating anobject which is both functional and [email protected]
Decorative BowlJane Drummond Truro College The design for this piece has developed through aprocess of studies directly taken from a selection ofdried wild mushrooms. The technique used in makingis known as 'raising' which is the process using hammers and stakes. It is a decorative piece as wellas being suitable for serving or display.
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Decorative Arts
Nest Pods in Three PartsMaria UdvarHereford College of Art and DesignMy experimental work aims to create a dialoguebetween contrasting elements. The three pewtervessels rest within soft felted nests, these createa protective impression. The collection celebratesdiversity and unity through juxtaposing materials,textures and [email protected]
Decorative Vessel Harmony JutleHereford College of Art and DesignMy love of period costume has been the inspiration for this vessel. Linear qualities from skirts and dresses are reflected in the con-struction of the form. I have used a mixture ofpewter and fabric panelling, connecting them with intricate stitching. The pewter has a fabricappearance and the metallic embroideryenhances surface qualities.
TrayMeral SanliHastings College of Arts and TechnologyI have used a lace pattern in my work as a motiffor my tray. This motif would usually be used asa tablecloth, but I would like it to become part ofthe tray. The motifs are interlinked and become apattern. I have used block and sheet pewter,applying the technique of casting and then fixingit onto the pewter sheet. The handles and edgesare in the form of a [email protected]
30
Decorative Arts
MP3 caseLaura IwanyckyjManchester Metropolitan UniversityOne of a proposed range of MP3 cases that combine traditional pewter ware with the digitaltechnology of the 21st Century. The design allowsfor individualism through a choice of pressed oretched surface decoration, and the option toengrave a personal message thereby making it atruly unique gift.
SpringSteve RutterHastings College of Arts and TechnologyPewter is a new material for me and this piecehas allowed me to explore some of its potentialthrough casting, pressing, soldering and selective polishing. The work represents two figures in celebration of the coming of spring.
[email protected] Fish knife and forkRose HowesSouth Devon CollegeChinese New Year knife and fork; fish is a traditional dish on Chinese New Year. I wantedthe cutlery to emulate the motion of a fish swim-ming. The sinuous flexibility and gentle sweepingcurve of its body as it weaves through the water. Iwanted the pewter to reflect this gracefulness.
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Decorative Arts
Pewter PlantsLindore McClartyLondon Metropolitan UniversityA series of multi-functional objects which lookequally fabulous as decorative curtain jewellery,functional curtain tie-backs or shallow dishes forthe table. Inspired by underwater plant-life, theyare part spun, hand raised and partially pleatedwith a satin finish. Easily secured vertically to thefabric where they seem to float.
Let It Snow, Snowflake Christmas treedecoration Bianca WoolerBuckinghamshire Chilterns UniversityA simple Christmas tree decoration inspired by awintery storm and the way in which a snowflakerests where it falls. Choose the length in whichthe flasks hang by bending its shaft. The perfectlittle sparkle for any Christmas tree
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Fashion Jewellery and Accessories
P r i z e s
First £500 Second £350 Third £150
In this popular category the judges are
looking for fashion accessories which
embrace the use of pewter. Students are
asked to design a piece (or range) of
jewellery, or a personal accessory which
would appeal to young people to
complement today's free-form fashion –
which creates visual and tactile 'value'
with pewter.
Student Competition
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BLING – Kerz! Fashionable Spectacles Beth Ashton LewisSouth Devon CollegeA range of spectacles with a difference 'BLING-Kerz' has been designed with a combination oftraditional pewter with modern day acrylic to givea contemporary twist in order to target a marketwhere spectacles are as much a fashion accessory as they are an aid to improve sight.
Crocheted Necklace Lydia Feast Birmingham City UniversityThe initial inspiration for this necklace wasderived from the roots of an aloe-vera plant. I have endeavoured to capture a delicate andintricate quality using pewter. The initial formwas crocheted and then electroformed. It wasthen translated into metal before being cast inpewter.
Range of Pewter Decorated ScarvesCelina JacquesStaffordshire UniversityA range of hand knitted woolen scarves with pewterdecorations, inspired by flora and fauna. The castflowers are stitched on to the scarves at one end toallow visibility in many different compositions. Theflowers used are the sunflower, tulip, primrose anddaisy.
33
Fashion
'A Stitch in Time' Claire Elizabeth StanleyUCCA, FarnhamThe discovery of old dressmaking patterns inspiredthe idea of stitching these pieces together. The ringsand neckpiece contrast the dressmakers' patternpaper with the pewter. The forms are based on corsages and include stamped text from a textile glossary. Using the pewter like fabric, the dressmakers'patterns became a set of instructions for creating thejewellery.
Decorative Pewter BeltCaroline LinnecarStaffordshire UniversityWorking with simple castings I have developed abelt with a contemporary look. The style ties inwith the current trends and captures the essenceof both traditional and modern objects.
NeckpieceEmily BurnettHereford College of Art and DesignMy work is inspired by patterns in tribal clothingand by using pewter I have created texturedsurfaces, reminiscent of cultural costumes. Myfascination with tribes is shown through the redblood cell as a motif both in a singular form andas a [email protected]
34
Fashion
Funny Face Rings #5Sarah JohnSouth Devon CollegeThe ring faces were cast from original headsmade in clay. Pewter's ability to cast detailenables the pieces to show their expressivequality. The pewter adds character of its ownand the faces become imbued with anancient/gothic quality relating to the materialshistory.
Articulated Bracelet Ema FoxTruro CollegeThe bracelet is made of identical, individualpieces joined with brightly coloured fishing wire,giving flexibility and a splash of colour. The exterior has been sand-blasted to leave a mattfinish, the interior highly polished to give a reflective quality. When viewed from differentangles this piece projects different shapes andforms.
Keepsake Brooches.Sophie BradburyHastings College of Arts and TechnologyPewter, soft and malleable, picks up everynuance of texture from the letters I use for rollprinting. The folds, fibres and, perhaps, the sentiment of the words are recorded here. Thepewter forms the centre of a patinated copperbrooch, inset for protection and held in placewith silver wire.
Leaf Collar Simple Necklace Helen LepperTruro College The leaf collar consists pressed pewter leaveshung on a silver cable and spaced with pinkpearly crystal glass beads.
Fashion
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Killer HeelsMargaret BarkerTruro College Classic black high heeled shoes with a sharpand edgy trim. Discreet at close quarters, snappyas they walk away. Designed for the woman whoknows her mind and gets her way! The matt surface was created by milling in tissue paper.The fluidity of finely milled pewter allowed theshape to mould to the shoes.
[email protected] Rose HowesSouth Devon CollegeThis set was achieved by reticulating pewter andadding pewter wire to the surface to give anotherdimension. Then I polished different pieces togive another contrast. This set can be worn in acombination of ways, either as a set or by addingthe bracelet to the neckpiece.
Schmetterling Rose Howes South Devon CollegeThis is a collection of rings that show both thedelicate and strong side of the butterfly. Theetching representing the delicate detail on thewings and the natural beauty of the insect inflight. The cut outs representing the strongerside and the strength in its flight.
Victory – Pewter Necklace Margaret BarkerTruro CollegeThis piece is inspired by the form of winners' laurel wreaths worn by early Greek Olympians incombination with modern medals. The necklacewas created by texturing the pewter, press-forming the shape, then cutting using the RTBlanking Plate system and a jig punch. Thepiece was joined by hand. The back fasteningand front ring are silver.
Seed Pod Necklace Rosalind AndainTruro College Inspired by the twisting shape of a seed pod,the curves of the petals and construction createits spiralled form. The design hides links andfastenings to keep the look organic.
Fashion
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Vintage Frame NecklaceGracie HinittHereford College of Art and DesignTaking inspiration from line and shape in architecture and the surfaces of worn objects,my work focuses on elegant lines and repeatedforms. Using aged and well loved pattern booksand buttons set into resin, this has created apiece of jewellery with a vintage twist.
Neckpiece Fiona McAlearManchester Metropolitan UniversityThrough the exploration of two part moulds Ihave cast a collection that echoes historical costume jewellery and reinvents it for a modernage. Existing earrings, rings and necklaces arepressed to form individual moulds and reveal adifferent design on either side. The piece is thenpolished and linked using ribbon.
Celtic Inspired Bangles Debbi SilcockStaffordshire UniversityThese bangles are inspired by the 'ancients' andtheir use of symbolism in the way it transcends allancient cultures and is based on the forces ofnature. The spiral is indicative of rebirth and thecycle of life and the triple aspect is respected inmany faiths.
Fashion
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‘Now She Is Whole’ Necklace with CharmsKaty MoloneyStaffordshire UniversityMy piece was made as a look at how young girlsare being socially conditioned into becoming theperfect housewife. The bride and groom charmsare cast in plaster moulds then cut in half and thesmaller charms sand cast. The pearls representthe female and the collar the male.
Inside Out Pewter and Steel Bag Sancha DemetriouUCCA, FarnhamThis exclusive evening bag draws inspiration fromairport x-ray machines, the piece explores the ideaof revealing on the outside of a bag what is normallykept hidden. The main external bag is made ofpewter sheet, the handles are steel cable and plastictube and the internal bag is made from steel mesh.All fixings are pewter.
'A British Product Filling A Long-Felt Want'Emily HubbardHereford College of Art and DesignThe aesthetics of mended, fixed, hand me downobjects appeal to me and I feel a need to givethem a home.My pieces incorporate remnants ofthe past and are reminiscent of childhood. Thepewter directly contrasts the textured, worn [email protected]
Fashion
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Suit Pocket DecorationKimberley May PiggottUCCA, FarnhamThis suit pocket decoration can be worn by bothmen and women. Inspired by London FashionWeeks Autumn/Winter Armour trends, the piececombines the form of a folded handkerchief withthe appearance of armour, drawing further inspiration for detail from old pewter touch markplates. The detail was developed by using aspecially created stamp tool.
Histological RingsAvril StansfieldUniversity College Falmouth A collection of cast pewter rings in which pieces ofcast coloured glass have been set. These ringsare based on magnified images of human organs.
Dot to Dot BraceletChristopher Thompson-RoydLondon Metropolitan UniversityA cast piece the original form laser cut usingCAD cam technology. The smooth ergonomicform of this bracelet make it very wearable, theribbed bands gently running over the wrist.
Royal Blue Woven Tote BagVikki HarrisUCCA, FarnhamThis bag has been designed to demonstrate theflexible quality of pewter and its potential to becombined with fabrics to create a desirable fashion object I have used a traditional weavingtechnique to bring it up to date and showpewter's versatility.
1
Fashion The Total Look
P r i z e s
First £500 Second £350 Third £150
The key elements of fashion design –
material, colour, construction and shape
– are what the judges are looking for.
Pewter should be an integrated and
essential part of the 'look'. The design is to
have a strong fashionable image relating
to current high street trends and students
have been encouraged to create an
entire outfit as if it were to be presented at
a fashion show.
Student Competition
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Theatre and Imagination Anelia KuprinaUCCA, RochesterMy ultimate catwalk outfit demonstrates pewter asan essential fashionable material combined in aharmonious manner to create a stunning designthat is distinctive and attractive. The garment issleek, sophisticated and will put you in the spot-light. The sensual satin of the dress, enticing laceand a dramatic pewter piece, creates a theatricaland fairytale effect.
'You've Been Framed'Owen Darryl BatherUCCA, RochesterThis high fashion outfit juxtaposes the rustic feelof the traditional picture frame against the modern fashion of hoodies and jeans. This pieceis designed to be noticed and is aimed at theyounger generation who wish to make a dynamicstatement in this fashion conscious world.
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Fashion
Blue Satin Dress with Pewter LaceDetailing Nadia Jessean CrystalBirmingham City UniversityBlue satin dress with 'lace' pewter detailing tocreate a one-off dress with a unique look. Thedress is designed to be worn on a special occasion, when you want to stand out from thecrowd without making too much of a statement. A simple, yet classy, dress with lace patternedpewter embellishment.
'Embellish Me' – Embossed Pewter andEmbroidered Smock Top.Kirsty AlmanUCCA, Farnham 'Embellish Me' combines traditional lacework andpewter. Inspired by geometric patterns in lace, Ipressed this fragile fabric into the pewter to create adelicate textured effect. Once cut up, the pewter losesthis regimented pattern, and appears disorganisedand random. The embroidery connects each disc andstarts to bring structure back into the design.
A Unisex Waisty Jane MurtaghUCCA, RochesterA contemporary adaptation of the traditionalwaistcoat, in oriental silks and exaggerated neckfixings for visual appeal designed to be made inalternative fabrics such as pinstripe (tomorrow'sfashion prediction), neoprene, denim or in combination. The design includes optional magnetic buttons and a neck-fixing in pewterwhich may be reduced in length for high street use.
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Fashion
Over-UnderwearJayne TurnbullLondon Metropolitan UniversityA signature piece for high street collection; Over-underwear. A sculptured bra, top stitched andembossed with lace in thin pewter, with transparentvacuum formed plastic cups, teamed with a widesuspender belt to sit on the hips. Worn over a frivolously frothy dress, stockings and ridiculouslyhigh heels.
Quilted Pewter Skirt Laura JacksonBirmingham City UniversityThis unique design inspires elegance and beauty.It is a wearable one-off garment to be saved forspecial occasions to impress and create excitement at any event. With the use of raw silkand pewter it achieves a high quality and complements the shape of the design.
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Harkinson Jewellery [email protected]
Lionheart Replicaslionheartreplicas@tinyworld.co.ukwww.lionheartreplicas.co.uk
Park Metal Construction [email protected]
Partners in Pewterwww.partnersinpewter.co.ukTel: 01628 485764
Peter [email protected]
Pinder Brothers [email protected]
St Justin Cornwall [email protected] www.stjustin.co.uk
Tom Neal PewterTel: 01235 224 226
Welsh [email protected]
Zinc Counters [email protected]
ASSOCIATE MEMBERS
The Freeman [email protected]/rmet.org.uk
Association of British Pewter CraftsmenThe resurgence in trade can in the
main be attributed to the formation
in 1970 of the Association of British
Pewter Craftsmen (ABPC).
The initiative was taken by a group
of manufacturers, the metal suppliers
and the Worshipful Company of
Pewterers. By promoting high
standards, raising awareness of
pewter and encouraging innovation
and excellence in manufacturing,
the ABPC has achieved impressive
results and together with the
Pewterers' Company has helped
to establish British pewter firmly in
both domestic and international
markets.
http://www.britishpewter.com/
MEMBERS
A. E. Williams [email protected]
A .R. Wentworth (Sheffield) [email protected]
Alchemy Carta [email protected]
Ancestors of Dover [email protected]
Benchmark Woodworking Ltds.sutcliffe@benchmarkwoodworking.comwww.benchmarkwoodworking.com
Blyde Edwin & Co. [email protected]
Cool Blue [email protected]
Chimo [email protected] www.chimoholdings.co.uk
DJH Engineering [email protected]
Gibson [email protected]
Glover & [email protected]
Keith Tyssen Des [email protected]
43
The first Hall, completed in 1496, was
destroyed in the Great Fire. The second
Hall, on the same site in Lime Street, was
demolished in 1932, although from the
mid 19th century the premises were let
to a firm of hatters. We do, however, still
own the site. The present Hall was
opened on a new site in 1961.
The Company is pleased to offer for hire
parts of its imposing Hall in the City of
London for special occasions. Few
venues in the capital can rival a Livery
Hall for prestige, splendour and an
atmosphere of heritage. It is only a few
minutes walk from three underground
stations in the heart of the City.
MEETINGS, CONFERENCES AND PRESENTATIONSIdeally situated in the heart of the City and with its flexible suite of air conditioned rooms, Pewterers' Hall is a wonderful backdrop for meetings,conferences and presentations. Audio Visual equipment can be arrangedand our Beadle will be pleased to organise whatever support services yourequire to ensure your event runs smoothly.
THE COURT ROOMThe first floor Court Room, right, features panelling and chandeliers recovered from the previous Hall in Lime Street. It is a setting of elegance for special committee meetings, luncheons, presentations orreceptions. The room is available for functions.
THE ANTEROOMThe Court Room is reached through the anteroom, left. If making a grandentrance is on the agenda, there can be few more natural settings.
THE LIVERY ROOMThe ground floor Livery Room, right, which lends itself to any occasion, isavailable for functions, including luncheons, presentations, receptions ordinners.
BOARDROOM STYLE MEETINGS Court Room and Livery Room up to 70 Guests. Theatre style presentationsup to 75 Guests.
RECEPTION AND STAND UP BUFFETSCourt Room up to 150 Guests, Livery Room up to 150 Guests, Ante Roomup to 65 Guests.
SEATED MEALSCourt Room up to 90 Guests (long and round tables)Livery Room up to 90 Guests (long and round tables)
The Hall
Our Beadle will be delighted to discuss your specific event.
Email: [email protected] Tel: 020 7397 8192 Fax: 020 7600 3896
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Statement of Design RightsThe works shown in the exhibition and in this catalogue are required by the Worshipful Company ofPewterers to be original works, but the Company does not make any warrantee in this regard.
Unregistered Rights. All the works shown in this catalogue and exhibited at Pewter Live 2008 atPewterers Hall, London EC2V 7DE on 10th June 2008 may be protected automatically byUnregistered Design Right for 10 years in the UK as provided by the Copyright, Designs and PatentsAct 1988 and for 3 years in Europe as provided by EC Council Regulation No. 6/2002 on CommunityDesigns, subject to fulfilment of the requirements fot qualification for UK Design Right protection and/orEU Unregistered Design protection. Unregistered Design rights protect only against copying by a thirdparty.
Registered Rights. EC Council Regulation No. 6/2002 also provides that an application for EURegistered Design may be submitted for any of these designs so exhibited that fulfil the requirementsfor EU Registered Design protection within 12 months of the date of first exhibition of the design, aslong as the exhibition was the first disclosure of the design otherwise than in confidence. The application would receive the filing date of the actual date of submission of the application but the exhibition disclosure will not be taken into account for the purpose of assessing qualification forRegistered Design protection. Registered Design protection is also available in the UK only.
Further Details. Advice regarding asserting Unregistered Design Rights and the procedure involved inapplying for the Registered Design Rights can be obtained at no charge by the authors of the designs (or with their written permission) by application to The Clerk, The Worshipful Company of Pewterers,Pewterers Hall, Oat Lane, London EC2V 7DE by post or email to [email protected] .
These details are kindly provided by Kilburn & Strode, 20 Red Lion Street, London WC1R 4PJ.
Copyright A Rurhmann 2008