perspective and value

53
How do artists show the illusion of reality and real space on a 2D surface? Composition Perspective Value

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Page 1: Perspective and Value

How do artists show the illusion of reality and real space on a 2D surface?

• Composition

• Perspective

• Value

Page 2: Perspective and Value

Composition

The way that the Elements of Art are organized by the Principles of Design

!Space is an element of art and can be manipulated by a

thoughtful composition !

Page 3: Perspective and Value

The space within the view finder represents the paper - the

picture plane. !

You can use it to crop out what is unnecessary and to arrange the positive and negative space

effectively. !!!

Page 4: Perspective and Value

When looking through the view finder, consider the Rule of Thirds in order to effectively organize the space.

Page 5: Perspective and Value

Consider also the Golden Rectangle

A grid using the proportions of the Golden Mean (not

exactly thirds).

Page 6: Perspective and Value

Claude Lorrain Landscape with Ruins, Pastoral Figures, and Trees, c. 1650

What compositional devices are used here? Perspective devices?

Page 7: Perspective and Value

Cropping

DiminutionHorizon line/Eye level line

Overlapping

Level of detail

Linear perspective/Orthogonal lines

Vanishing point

Atmospheric perspective

Placement of objects (fore/middle/back)

Page 8: Perspective and Value

Perspective

A general term that expresses the way that depth or distance is represented on a two-dimensional surface.

In addition to compositional devices, this depth can be achieved through two types of perspective:

1) Atmospheric

2) Linear

!

Page 9: Perspective and Value

Atmospheric Perspective

Shows how atmospheric conditions ("the air") influence our perception of objects in the distance

!As objects get closer to the horizon (farther away), they appear lighter in tone, less detailed, and bluer or cooler in

color !

Page 10: Perspective and Value

A photograph illustrating atmospheric perspective

Page 11: Perspective and Value

Leonardo da Vinci Mona Lisa, c. 1503–1506

Sfumato (“to smoke”). A hazy background effect

created by many layers of glazing with multiple

layers of translucent paint. !

The diminished saturation of colors creates

atmospheric perspective and the illusion of depth.

!!

Page 12: Perspective and Value

Linear Perspective

A system of converging lines (orthogonals) that meet at one or more vanishing points !Using this system in drawing and painting creates the accurate illusion of real space on the picture plane !!!

Page 13: Perspective and Value

intuitive scientific

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One Point Perspective

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Leonardo da Vinci’s “The Last Supper”

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Raphael’s “School of Athens”

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http://www.bigboxdetox.com/one-point-perspectiveBird’s eye view

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Worm’s eye view

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Two Point Perspective

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The vanishing point is not always on the paper!

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Three Point Perspective

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Leonardo da Vinci Perspectival study for The Adoration of the Magi, c. 1481

Leonardo da Vinci and other Italian Renaissance painters became masters of the technical skill of linear perspective.

Page 27: Perspective and Value

Rounded forms utilize linear perspective as well

Page 28: Perspective and Value

A modern chalk drawing that is only possible by understanding how to use linear perspective

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Value makes FormImplied lines vs. Actual Lines

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Shapes are 2D

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Forms are 3D

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Drawings of forms, made with actual lines

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Drawing of a form, made with value = implied lines

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!

A value scale reminds you of the range of values needed in your work

!

At a minimum, use: a highlight, midtone, shadow edge and cast shadow

Page 37: Perspective and Value

Once you make your value scale, keep it handy as you draw.

Check periodically to see that you are

using the necessary values.

Page 38: Perspective and Value

Value is one of the 3 properties of Color

!

The red value scale is Monochromatic

!

Chromatic !

Achromatic

Page 39: Perspective and Value

See the shapes and the forms?

!

Most objects can be broken down

like this. !

If you understand form and how to shade forms using value then you can

draw anything.

Page 40: Perspective and Value

Apply different values to each plane, suggesting the illusion of a real form. Why do the outlines visible here detract from the illusion?

Page 41: Perspective and Value

Pushing the values to the edge (“shadow edge”) will eliminate the actual line and allow the implied line to do the work.

Page 42: Perspective and Value

In addition to blending, there are other pencil and pen techniques that can be

used to show value !!!!

Page 43: Perspective and Value

Jean-François Millet

A beautiful drawing that captures FORM with a

variety of shading techniques and WITHOUT OUTLINES

!Note: LINES are not bad but,

if you use them, make sure they are really necessary and

that they have the appropriate LINE QUALITY!

Page 44: Perspective and Value

A beautiful figure study by Leonardo

da Vinci !

Notice how LINES begin to disappear when VALUE takes

over?

Page 45: Perspective and Value

!

!In this fabric study, FORM is created

with VALUE, not LINE

Page 46: Perspective and Value

In this example, VALUE is created

with LINES !

FORM is created

with VALUE

Page 47: Perspective and Value

M. C. Escher was a master of the “magic” that happens when VALUE is added to a contour drawing.

Page 48: Perspective and Value

Chuck Close Fanny/Fingerpainting, 1985

FORM created with VALUES made with fingerprints

Page 49: Perspective and Value

Chuck Close Georgia, 1984, 56 x 45"

FORM created with VALUES

made with blobs of handmade

paper

Page 50: Perspective and Value

Do these FORMS look real? Why?

Page 51: Perspective and Value

How is linear perspective used in this drawing?

Page 52: Perspective and Value

How is linear perspective used in this drawing?

Page 53: Perspective and Value

Now, put all of that information together into a still life drawing that is well-composed, accurately drawn,

and correctly shaded