Penpoints, Gunpoints, and Dreams : Towards a Critical Theory of the Arts and theState in Africa: Towards a Critical Theory of the Arts and the State in Africa, 1998,Ngugi wa Thiong'o, 0191583375, 9780191583377, Oxford University Press, 1998

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Penpoints, Gunpoints, and Dreams explores the relationship between art and political power insociety, taking as its starting point the experience of writers in contemporary Africa, where theyare often seen as the enemy of the postcolonial state. This study, in turn, raises the wider issuesof the relationship between the state of art and the art of the state, particularly in their struggle forthe control of performance space in territorial, temporal, social, and even psychic contexts. Kenyanwriter, Ngugi wa Thiong'o, calls for the alliance of art and people power, freedom and dignityagainst the encroachments of modern states. Art, he argues, needs to be active, engaged,insistent on being what it has always been, the embodiment of dreams for a truly human world.

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Ngugi Wa Thiong'o An Anthology of Recent Criticism, Mala Pandurang, Jan 1, 2008, Kenyanliterature (English), 232 pages. Contributed articles on works of NgЕ©gД© wa Thiong'o..

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Dreams in a Time of War , Ngugi Wa Thiong'o, 2011, Africa, 256 pages. Ngugi wa Thiong'o wasborn the fifth child of his father's third wife, in a family that includes twenty-four children born tofour different mothers. He spent his 1930s.

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