parmigianino , madonna with the long neck, 1534-40
DESCRIPTION
MANNERISM Period from High Renaissance (1520) to Baroque (1590) Comes from the Italian maniera, or "style," in the sense of an artist's characteristic "touch" or recognizable "manner." Elongated proportions Intense contrast & lighting Twisted poses. - PowerPoint PPT PresentationTRANSCRIPT
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Parmigianino, Madonna with the Long Neck, 1534-40.
MANNERISM
Period from High Renaissance (1520) to Baroque (1590)
Comes from the Italian maniera, or "style," in the sense of an artist's characteristic "touch" or recognizable "manner."
Elongated proportions
Intense contrast & lighting
Twisted poses
Curless’s Keywords: Busy, Dark, Twisted, Shadows, Dramatic, Clouds, Assymetrical
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Tintoretto, The Last Supper, 1592-94, Oil on Canvas.
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El Greco
Born in Greece and lived in Italy, but created most of his mature pieces in Madrid and Toledo (Spain)
Considered Mannerism AND/OR “Spanish High Renaissance.”
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Rosso Fiorentino
(meaning "the Red Florentine" in Italian)
Rosso Fiorentino. Deposition. 1521, Oil on wood..
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Compare the MANNERISM’s Deposition to Van der Weyden’s…
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Rosso Fiorentino, Moses Defending the Daughters of
Jethro, c1523 at the Uffizi Gallery, Florence
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JACOPO DA PONTORMO
Born Jacopo Carucci in Pontormo
Jacopo Pontormo, Deposition from the Cross, 1525-1528.
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MANNERISTARCHITECTURE
Went against the grain of Renaissance Architecture by using Classical forms in illogical ways
This is mostly due to the style being used only for secular purposes
Symmetrical but highly ornamental
Colossal order
“Blind Windows”
Il Gesu, 1550s. MANNERISM
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Interior of Il Gesu
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San Giovani in Laterano (Mannerism)