paper 14; module 29; e text

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1 Paper 14; Module 29; E Text (A) Personal Details Role Name Affiliation Principal Investigator Prof. Tutun Mukherjee University of Hyderabad Paper Coordinator Prof. Asha Kuthari Chaudhuri, Guwahati University Content Writer/Author (CW) Anindita Das Guwahati University Content Reviewer (CR) Dr. Manasi Bora Dept. of English, Guwahati University Language Editor (LE) Dr. Dolikajyoti Sharma, Assistant Professor, Guwahati University (B) Description of Module Item Description of module Subject Name English Paper name Indian Writing in English Module title An Introduction to Life Writing in India: Its Forms and Development Module ID Module 29

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Paper 14; Module 29; E Text

(A) Personal Details

Role Name Affiliation

Principal Investigator Prof. Tutun

Mukherjee

University of Hyderabad

Paper Coordinator Prof. Asha Kuthari

Chaudhuri,

Guwahati University

Content Writer/Author

(CW)

Anindita Das Guwahati University

Content Reviewer (CR) Dr. Manasi Bora

Dept. of English, Guwahati

University

Language Editor (LE) Dr. Dolikajyoti

Sharma,

Assistant Professor, Guwahati

University

(B) Description of Module

Item Description of module

Subject Name English

Paper name Indian Writing in English

Module title An Introduction to Life Writing in India:

Its Forms and Development

Module ID Module 29

2

MODULE 29

An Introduction to Life Writing in India: Its Forms and

Development

Life writing is a written narrative account primarily concerned with telling the truth, related

to the lives of people in historical, political and cultural context. In India, life writing has

undergone a lot of changes across the centuries. The country renders quite a critical location

for the study of life histories. For several reasons the scholars in India did not give much

impetus to life history unlike other regions of the world. Firstly because it was observed that

previously the thrust was more on community than individual. The reason behind it was both

religious as well as social. It is pertaining to the idealistic nature of the people and also that

only a single section of the society produced literary output, as the writers, composers and

thinkers were basically Hindus, and that they maintained a low profile. Though there had

been a considerable body of literature produced, life writing could only be found in

biographical form in the earlier times. Thus, biographical writing began from the time of the

Vedas, which is about 8th century BC, while the history of autobiographical writing in Indian

literature is merely around hundreds years old. The kind of poetry written in Vedas was also

autobiographical. In Ramayana (2nd century BCE) and Mahabharata (4th Century BCE)

biographical narration and poetry can be found respectively. The mediaeval poets of ancient

India narrated the life histories of princes and incarnations. The Jataka Tales narrating the

life of Buddha are considered to be the earliest biographical prose narrative. Moreover,

during the Islamic rule in India court poets were engaged to venerate the deeds of the kings.

Those were turned out to be socially informative history and can be marked as the beginning

of modern Indian biography.

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Autobiographical life writing gained recognition in India in the nineteenth century with the

development of women’s studies and oriental studies. Though the earliest record of

autobiographical writing in Indian literary tradition dates back to the period of 5th century

BCE, as the Buddhist nuns wrote about their life experiences in poetic form known as

therigathas, only some of those were autobiographical by nature. Those were orally

transmitted until several centuries before being written down in the 1st century BCE, and

translated into English in the nineteenth century. In this context, it becomes imperative to

mention that the women were the first to write about their life and they were also regarded as

the earliest women in India describing their reality of existence as women in the patriarchal

society. In the later period, a group of saint poets such as Kabir(15th century), Mira(16th

century), Surdas(16th century), Tukaram (17th century) and others wrote poetry consisting

autobiographical elements to a great extent.

Gradually, the genre of life writing developed in India in different forms. It is seen to be

existent in the forms of autobiographies, biographies, memoirs, letters, diaries, speeches and

journals. While endeavouring to trace the evolution and development of the genre in India,

as mentioned before, life histories written earlier reflect more of the society rather than the

self. There are various factors contributing to such practise. First of all the structure of the

Indian society, which was stringently caste based, had a considerable influence in the literary

output across time. The identity of an individual was dominated by caste and religion in such

a manner that there was no scope for selfhood. Mc Kim Marriot observes in this connection

that a person in India is a “dividual”, being dependent and divisible, not an individual as in

western sense of the term, which considers a person as an independent and indivisible entity.

Owing to the fact that earlier people in India were more socially conditioned rather than

individual beings they used to keep their public and private spheres separate, concealing

their personal life. But after the Mughal conquest in the medieval period, writing of lives

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began to flourish. The autobiographies of the Mughals such as the Baburnama, Akbarnama

and Humayunnama comprise the significant events of their life and political career. While in

the present times the focus on life writing in the forms of biographies, autobiographies,

together with oral histories and stories is directed towards the expression of self, prioritising

a person’s life in the broader social and cultural milieu.

Biographical tradition was there to be found in the Indian literature of the ancient times,

including Sanskrit. But due to its paucity and irregularity, they could not become a vital part

of Indian National culture. Nevertheless, Harshacharitra by Banabhatta is the oldest

surviving biography in India. In the Mughal period historians were appointed in the courts to

record the lives and deeds of the emperors. However, it is in the decade of 1870s that the

tradition of biographies of Indians written by Indians emerged. The subjects in the

biographies written in India, who were mostly religious leaders revered by all, have always

been models to be followed. They were written to tell the history of the nation through the

depiction of the life stories of individuals. Biographical sketches began to appear in

collections in the twentieth century of the great leaders of India. The lives and speeches of

them were incorporated in the sketches. A few examples of such collection include India’s

Nation Builders (1919) by Debendranath Banerjee, Men and Supermen of Hindustan (1943)

by Alva Joachim. However, the Dictionary of National Biography edited by S.P Sen and

published by the Institute of Historical Studies of Calcutta has been a very important

compilation in four volumes, which is being updated time to time. The Government of India,

institutes and organisations sponsored the biographies of the great Indian people. Numerous

biographies have been written of the nationalist leaders, such as My Master Gokhale (1946)

by V. S Srinivas Sastry, The Great Indian Way: The Life of Mahatma Gandhi (1998) by

Raja Rao, Jawaharlal Nehru(1975) by S. Gopal and the notorious biography of B.R

Ambedkar Worshipping False God (1997) by Arun Shourie. The biographies written in this

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period were critical in nature, primarily based on facts and scientific analysis. Documenting

the lives of saints, philosophers and thinkers has always been a preoccupation with the

biographers in India. A huge number of absorbing biographies of Sri Aurobindo, Swami

Vivekananda and Raja Ram Mohan Roy have been written. Biographies of known women

personalities such as Indira Gandhi, Sarojini Naidu and Kamala Nehru have also been

written. The lives of people having contribution towards society, arts, culture and science

have been documented. But very few biographies have been written on literary people of

India and among the few which have been written are Rabindranath Tagore: A Biography

(1962) by Krishna Kripalani, Munshi Premchand: A Literary Biography (1964) by Madan

Gopal and R.K Narayan, the Early Years:1906-45 (1996) by Susan Ram and N.Ram to name

a few. Ved Mehta, Khuswant Singh and Ramachandra Guha are considered to be the

important biographers of independent India.

Autobiography developed as a distinctive genre in India in the nineteenth century, a growth

that evolved breaking away with prevalent conventions. Prior to that, in the mid 18th century

to mid 19th century, the literature produced in India, specifically poetry, displayed

individualism and celebration of self. It in fact was the impact of colonialism that the

literary people began to attach value to individualism. Subsequently, considerable numbers

of autobiographies were written in the second half of the nineteenth century and the early

twentieth century, particularly in Gujrati, Marathi, Bengali and other Indian languages. It

needs to be mentioned here two different types of writings which could document the

“progressive and personal view of the writers”, and those are Govardhanram Madhavram

Tripathi’s Scrapbooks (1957-59) and Rassundari Devi’s Amar Jiban (1876). These are thus

the ones which mark the attainment of maturity in autobiographical writing in India. Being a

graduate of the Modern English education system, Govardhanram possibly wrote his

Scrapbooks in English as it seems that he was preoccupied from within by the colonial

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surroundings. It is also regarded as the landmark in Indian Self Writing. On the other hand

there is Rassundari Devi, a self taught woman who never had any access to education. In

order to read the Bhagavad Purana, and tell its stories to the people, she learned to read and

write herself. Though she was not a renowned personality and despite of the fact that she did

not write her autobiography self-consciously, she becomes the first woman in India to write

an autobiography in modern times, not being influenced by the western mode but by

following the traditional Bhakti saint-poets.

Moreover, the early twentieth century literature in India exhibited a spirit of nationalism. It

was the phase when prose forms gained more social significance. The autobiography of

Mahatma Gandhi The Story of My Experiments with Truth is the most dazzling specimen of

life writing of the period. It was initially written in Gujrati as “Satyana Preyogo Athava

Atmakatha” (1927). It is exceptional for the reason that it encompasses a lot of issues,

expressed in a very lucid language with absolute genuineness, also highlighting his spiritual

quest to adhere to the principles he set for himself. As Gandhi notes:

What I want to achieve, what I have been striving and pinning to achieve these

thirty years, is self-realisation, to see God face to face, to attain Moksha. I live

and move and have my being in pursuit of this goal. All that I do by way of

speaking and writing, and all my ventures in the political field, as directed to this

same end.

Another example is Jawaharlal Nehru’s An Autobiography, which is an account of his quest

to situate himself in the country as well among the larger human race. His style of writing

the autobiography influenced several South Asian writers of 20th century. Many

autobiographies were written in regional languages, though they did not draw much

readership mainly because of dearth of proper translation. In Bengal, Rabindranath Tagore’s

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Apan Katha and Primal Goswami’s Smriticharan in the vernacular language are noteworthy.

Among the Hindi autobiographies the most prominent are poet Harivanshray Bachchan’s

Nid ka nirman, which stands out for its intensity and Ateet ke chalchitra by poet, freedom

fighter and activist Mahadevi Verma, which are sketches from the memories of her past.

The autobiography, written in English, which entailed a lot of controversy, is Nirad C.

Chaudhuri’s Autobiography of an Unknown Indian, published in the year 1951. He talks

about his anxiety of being in the clutches of two diverse cultures, the British and the

Bengali. His dedication of the book ‘To the memory of British Empire’ made him an anti-

Indian and a pro-British in the eyes of many. But his aim of writing the autobiography

seems to be plain enough when he notes in the preface:

The story I want to tell is the story of the struggle of a civilisation with a hostile

environment, in which the destiny of British rule in India became necessarily

involved. My main intention is thus historical, and since I have written the

account with the utmost honesty and accuracy of which I am capable, the

intention in my mind has become mingled with the aspiration that the book may

be regarded as a contribution to contemporary history.

However, the other renowned autobiographies that were published in the 1950s are At the

Crossroads: An Autobiography (1950) by Nripendra Chandra Banerji, Autobiography (1959)

by N.B Khare and Inside Lahore Fort (1959) by Jayprakash Narayan. A similar mode of

writing as autobiography, memoirs have also been written, R.K Narayan’s My Days being

the prominent one, written by the eminent Indian writer in English. The basic distinction

between the two lies in the fact that a memoir tends to be informal, based on memory, not

relying much on chronological order of events, while autobiography is written

chronologically, relying strictly on facts.

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However, there was a transition from the life histories of the known personalities to the

subaltern and the marginalised. The genre of life writing hence gained a great deal of

magnitude while trying to understand and study those who are socially marginalised and

does not usually raise their voice. The Dalits and the women come under this group. To talk

about the Dalits, the earlier upper caste writers have written about them, but without

undergoing their experiences it was not possible to understand their plight. Dalit

autobiographical narratives have become an integral part of Indian literature. The subaltern

consciousness, the quest for identity and the struggle to assert their dignity have been the

main concern of such narratives. The Dalit Marathi authors have written their

autobiographies, the most remarkable of those are Things I Never Imagined (1975) by N.S

Suryavanshi and Baluta by Daya Pawar which marks as a rising in the category of Dalit

autobiography. Autobiographies are basically a form of social protest for the Dalits, a way of

raising their voice by breaking the silence against all the injustice and suppression they have

been subjected to since ages.

On the other hand, women have also been a marginalised group in the patriarchal social

structure in India. They have also adopted autobiography as a means to vent out their

feelings, to write about their self, confined only to a few things due to lack of formal

education. The autobiographies of women mostly deal with their relationships with the

people in their lives. Their identity is primarily based on those relationships. Whereas men

mostly records their achievements and work life. As K. Satchidanandan observes:

It has been said that for a woman the autobiography is often a means to survive

traumas of childbirth, illness, deaths of spouses and children, loss of cultural

identity and personal regard, fear of failure, ageing, loss of beauty and strength as

well as death, and they struggle to find a voice to express what cannot be

expressed by other means. ........ Man enforces a unity and identity across time by

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reconstructing the ego as a bulwark against disintegration. He thus denies the

effects of having internalized the alienating world order.

It thus suggests that men do not bring forth their insecurities and internal conflicts unlike

women. Nevertheless, the experiences of Dalit women, being the doubly oppressed group of

the society, first as women and then as Dalits, add up to an essential fraction of life writing

in India . Shantabai Krushnaji Kamble was the first Dalit woman to write an autobiography.

The autobiography of Baby Kamble, who is the first Dalit woman to write an autobiography

in Marathi, puts forward the plight of the Mahar community, blending the complex issues of

caste, class and gender.

However, diary writing in India, like autobiography, was originated in the west and began to

be practised in India in the nineteenth century. For the people of the west, diary is the

reflection of a disciplined life, the record of their day to day life. But in Indian Literature,

diary writing is a way to put forward one’s thoughts and feelings, practised by socially aware

people to document their activities. In the regional sphere we have Durgaram Mehtaji (1809-

1876), social reformer and founder of Manav Dharma Sabha hailing from Gujarat is the

pioneer in the field. The lectures he delivered in the Sabha on social and religious subjects

were written in his diaries. The initiator of Prarthana Samaj in Gujrat Bholanath Sarabhai

(1827-1886) too recorded his activities in his diaries. It is interesting to note that in early

stage his diaries were written in Persian, then in English for sometimes and later in Gujrati.

Mahadev Desai’s published diary Mahadevbhaini dayari is unique in the realm of Gujrati

literature for the reason that instead of the records of his everyday life, he kept the account of

Mahatma Ghandhi’s day-to-day activities. Even though the fact that much earlier diaries had

been written in India, it obtained a substantial form in the hands of Mahatma Gandhi. One of

the excerpts from his diary written while residing in Delhi is quoted below:

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During the night as I heard what should have been the soothing sound of gentle

life-giving rain, my mind went out to the thousands of refugees lying about in the

open camps in Delhi. I was sleeping snugly in a veranda protecting me on all

sides. But for the cruel hand of man against his brother, these thousands of men,

women and children would not be shelter-less and in many cases foodless. In

some places they could not but be in knee-deep water. Was it all inevitable? The

answer from within was an emphatic No. Was this the first fruit of freedom, just a

month-old baby? These thoughts have haunted me throughout these last twenty

hours. My silence has been a blessing. It has made me inquire within. Have

citizens of Delhi gone mad? Have they no humanity left in them? Have love of the

country and its freedom no appeal for them? I must be pardoned for putting the

first blame on the Hindus and Sikhs. Could they not be men enough to stem the

tide of hatred? I would urge the Muslims of Delhi to shed all fear, trust God and

discover all the arms in their possession which the Hindus and Sikhs fear they

have. Not that the former too do not have any. The question is one of degree.

Either the minority rely upon God and His creature man to do the right thing, or

rely upon their firearms to defend themselves against those whom they must not

trust.

He made this entry in his diary on 15th September 1947, which reflects his concern over the

stirrings that were taking place after India attained freedom. In the Collected Works of

Mahatma Gandhi there are sixty four numbers of diary entries in the content.

A letter is regarded as a piece of literary work. The qualities of a good letter rest on its

probing of a subject, thought, feeling and understanding. It must have informative value as

well as aesthetic appeal. Letters in India became a very effective mode of correspondence to

exchange views and also to educate. To trace the history of the form in India, the letters

written by Ghalib should be mentioned here, which makes him famous as a prose writer also.

His letters were published in two different books Urdu-i-Mualla (1868) and Ud-i-Hindi

(1869). It is thus observed that every reader of Urdu literature has praised the letters for their

beauty, elegance, naturalness and intimacy. It marks the beginning in Indian literature that

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the epistolary prose becomes known as a literary form. Ghalib became the pioneer of a new

prose form. In the later times, this prose form was found too promising by many Indian

writers, without being aware of an Indian model established by Ghalib. Rabindranath Tagore

at his young age published Yurop Prabasir Patra in the year 1881. The letters were written

in Bengali, which are basically about his travelling in Europe. It is only those letters that

Tagore wrote during the period 1885-1895 can be matched up to Ghalib. He wrote the letters

to his niece and was published in the year 1912 with the title Chinna Patra. The eminent

Indian letter writers like Swami Vivekananda, Sri Aurobindo, Mahatma Gandhi, Sarojini

Naidu, Toru Dutt and Jawaharlal Nehru have written letters. The letters highlight a great deal

of the happenings in their life, both in personal and public level. In case of Toru Dutt, her

letters exhibit a sense of nostalgia for being away from her motherland, while Sarojini

Naidu’s letters project her as a woman who always had to maintain a balance between her

personal and public life. But there are some exceptions such as Jawaharlal Nehru’s letters to

his daughters, which constitute the history of mankind, written in a very simple and lucid

language. Those letters were written while he was imprisoned for several times during

India’s freedom struggle. Mahatma Gandhi’s letters highlight most of the correspondence he

had with his supporters and followers, discussing the agenda of their activities and also to

share his knowledge on different issues. They further served as the means to convey his

messages and seek suggestions, as manifested through his letters to Hitler and Leo Tolstoy.

The fact that Gandhi was very much influenced by Tolstoy’s philosophy is evident from

their correspondence and they had a very interesting exchange of ideas through the letters.

The journals always have a specific purpose to serve, either written for keeping personal

record or documenting events and as a form of life writing also a journal has a particular

significance. For instance, during the India’s freedom struggle, the journals played a very

crucial role. Mahatma Gandhi edited the journals Young India, Harijan and Navjivan. They

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were a means to reach out to the people with his thoughts and ideas. Writing extensively in

Gujrati, his mother tongue, had facilitated him to connect more to the people. His views on

Hindu-Muslim relationship, untouchability and Satyagraha were the issues he highlighted in

the journals. His progressive and modern views reflected through his journals motivated the

minds of the people to a great extent.

Furthermore, speeches, which are directly addressed to people, have a huge impact in their

mind as words have powerful influential capacity. The speeches delivered by the luminaries

of India like Swami Vivekananda, Mahatma Gandhi, Jawaharlal Nehru, S. Radhakrishnan

and A.P.J. Abdul Kalam are very inspirational. Many of their speeches have been

transcribed for posterity. The well-known speech rendered by Jawaharlal Nehru on the eve

of India’s independence after the long drawn struggle against the British Empire is

considered to be one of the greatest speeches of all times. An excerpt from the speech has

been quoted below:

Long years ago we made a tryst with destiny, and now the time comes when we

shall redeem our pledge, not wholly or in full measure, but very substantially. At

the stroke of the midnight hour, when the world sleeps, India will awake to life

and freedom. A moment comes, which comes but rarely in history, when we step

out from the old to the new, when an age ends, and when the soul of a nation, long

suppressed, finds utterance. It is fitting that at this solemn moment we take the

pledge of dedication to the service of India and her people and to the still larger

cause of humanity.

Similarly, Swami Vivekananda’s speech at the Parliament of the world’s Religion in

Chicago, in the year 1893, to introduce Hinduism is the most remarkable one. Through his

speech he endeavoured to elucidate the reason of disagreement between different people,

sects and religions. Such speeches are regarded as an integral part of literary studies in India

and are included in academic curriculum.

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Life writing has been established as a powerful means for its ability to enhance the growth

and development of a person, which is applicable across region and culture. In India also,

though it is a complex and hybrid phenomenon, as it is not possible to define it by

particularities of matter and method, it showcase the mystifying variety of a country.

However, many of the writers derive their creative materials from that variety itself. The

travel writings, interviews and personal essays also constitute the forms of life writing. The

recent development in the global technology, of which India is an integral part as a fast

developing country, has brought more variety in the genre of life writing. In the present

times people use internet to send mails and express their views through the virtual media. It

thus grants a scope to consider emails and blogs as forms of life writing.

Introducing the modules:

1. The first module “An Introduction to Life Writing in India: Its Forms and Development”

traces the background and prominence of life writing in India. The readers will be familiar

with the forms and development of the genre together with a critical analysis of it.

2. The Story of My Experiments with Truth by Mahatma Gandhi is the memoir that tells us

about Gandhi’s life in connection to his struggle for independence as well as his inner

conflicts and self analysis. This module will make an effort to read the autobiography in

terms of his transformation an as individual as well as a national leader.

3. Select Letters of Jawaharlal Nehru and Sarojini Naidu will make the readers know about

the national life in India during the colonial period. It will also focus on women and their

spheres in that scenario.

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4. My Days by R. K Narayan will be interpreted in the light of Narayan’s journey as a writer

together with the traumatic experience he underwent and the role of memory that permeates

all throughout the autobiography.

5. My Story by Kamala Das will make the readers come into terms with a radical

autobiography written by an Indian literary woman. The reflection of the writer’s bold

assertion of her selfhood, body and sexuality will be discussed in this module.

6. Savaging the Civilised: Verrier Elwin, His Tribals, and India by Ramachandra Guha is

based on the life of the anthropologist Elwin who studied India’s tribal customs, art, myth

and folklore.

7. The Imam and the Indian by Amitav Ghosh will be read in terms of the writer’s travel

experiences along with his inclusion of history and space in a cross-cultural context.

Points to ponder:

1. Trace the development of autobiography as a genre in India.

2. Remark on the assertion of self in Indian women’s autobiography.

3. Examine letters as a form of life writing genre in India.

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4. Assess diaries and life-sketches of prominent Indian personalities.

5. Comment on the evolution of marginalised life writing in India.

Sources/References:

Arnold, David; Blackburn, Stuart (ed.), Telling Lives in India: Biography, Autobiography

and Life History, Bloomington: Permanent Black, 2004

Chaudhuri. Nirad. C., The Autobiography of an Unknown Indian, USA: University of

California, 1951

Gandhi, M. K., The Story of my Experiments with Truth, Ahmedabad: Navajivan Publishing

Trust, 1927

Jolly, Margareta (ed.), Encyclopedia of Life Writing: Autobiographical and Biographical

Forms, USA: Fitzroy Dearborn Publishers, 2001

Naik, M.K, A History of Indian English Literature, Delhi: Sahitya Akademi, 2004

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Web Links:

http://www.isidelhi.org.in/wl/article/2013-04.pdf

http://www.mkgandhi.org/swmgandhi/chap07.htm

http://www.thebetterindia.com/11894/greatest-speeches-indians-most-inspirational/