pages 185-198 (prosthetics)

14
pros thet ics (pros thet’iks), n. the branch of surgery or dentistry that deals with the replacement of missing parts with artificial structures. This word has come a long way since Webster. It no longer means some doctor making a “doll-like” part to replace a missing part. It now includes an artist altering a subject’s natural appearance so they look like something else. In effect, the art of prosthetic makeup has enabled actors to be more convincing, effects to be more realistic, and in general, movies to be more believable. One of the all time industry greats, Dick Smith, made many films “work” by enabling an actor to age before our eyes. To truly appreciate the art of aging an actor (by applying custom made prosthetic appliances to the face), you first have to understand the tremendous amount of delicate work involved in the process. It’s definitely not easy. As a matter of fact, Dick has spent most of his life lending technical assistance to any person in need, and believe us, there are plenty. He, as well as many other artist, have helped us develop a comprehensive line of prosthetic products so you won’t have to waste your time and money locating materials. The entire art form of prosthetics evolved like it did because of the vast amount of raw materials available. They started off using liquid latex and then discovered the beauty of creating light weight appliances out of foam latex. The problem is foam latex is difficult to use because it’s hard to control the “chemical reactions”. Even the most seasoned effects artist has run-ins with foam latex or any catalyzed material from time to time. It is this factor in the art of prosthetic makeup that separates the professional from the amateur. It is our advice to study as much as you can and remember there is no better way to learn than by doing. In addition to dealing with the unpredictability of foam latex, you also have to be concerned with safety. Three dimensional makeup artists use a lot of hazardous materials, and believe us, we have heard a lot of horror stories (ie: people vulcanizing their faces...developing rashes...becoming dizzy). Many of the materials we sell are not fun to work with. As a makeup artist, professional or amateur, it is your responsibility to learn about the safety hazards accompanying the products you use and the products you apply to other people’s faces. There is a vast amount of information available for those willing to learn about chemical safety; consult libraries, school chem- istry departments, request and read Material Safety Data Sheets (MSDS). Before you work with a chemical, investigate its hazardous factors. Use precautions when handling any chemicals. Consult local authorities on proper material disposal. Product Warnings We have decided to be a bit more specific about our product warnings. A product is subjected to any or all of the following labels: -FLAMMABLE -RESPIRATORS REQUIRED -SENSITIVE SKIN ALERT -TOXIC IN UNCURED STATE -HAZARDOUS TO YOUR HEALTH Basically “FLAMMABLE” means it will ignite. Don’t smoke when using it. Don’t drive around town on a hot day with this material in the trunk of your car. Basically...use your head! “RESPIRATOR REQUIRED” means just that. Wear a respirator with the proper filters for the proper type of material being used. In the SAFETY EQUIPMENT Section you will find respirators and dust masks. Although this gear is not foolproof, it does help. Always work in a well ventilated area (preferably outside during a typhoon). Install a vent system at your work bench to pull the air out. Invest in a continuous air supply system. Whatever the material calls for...do! “SENSITIVE SKIN ALERT” means this material may cause irritation to sensitive skin. Things like spirit gum, collodian, and latex have been known to irritate actors' skin. Always consult with the actor about skin sensitivity before applying any makeup to their face or body. Try one of the Barrier Creams listed in this catalogue. They really work! “TOXIC IN UNCURED STATE” means you will get a rash if you expose your skin to these chemicals when they are in a liquid state. But once these chemicals are mixed and cured, it becomes a non-toxic matter. Prime examples...Foam Latex Components, RTV Molding Compounds, and Urethane Foams. In the SAFETY EQUIPMENT Section you will find protective gloves. In many cases thin vinyl or latex gloves provide enough protection, but certain chemicals penetrate these gloves without you knowing it. From there, the chemical runs through your blood stream. Make sure you are wearing the right glove for the right chemical. “HAZARDOUS TO YOUR HEALTH” means we don’t recommend you use this product. That’s right...we’ll sell it but we don’t recommend it. You use these and all other products we offer at YOUR OWN RISK. Tech Notes Prosthetic Makeup 800-466-7446 www.alconeco.com Alcone Company 185 Tech Notes

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Page 1: Pages 185-198 (Prosthetics)

pros thet ics (pros thet’iks), n. the branch of surgery or dentistry that deals with the replacement of missing parts with artificial structures.

This word has come a long way since Webster. It no longer means some doctor making a “doll-like” part to replace a missing part. It now includes an artist altering a subject’s natural appearance so they look like something else. In effect, the art of prosthetic makeup has enabled actors to be more convincing, effects to be more realistic, and in general, movies to be more believable.

One of the all time industry greats, Dick Smith, made many films “work” by enabling an actor to age before our eyes. To truly appreciate the art of aging an actor (by applying custom made prosthetic appliances to the face), you first have to understand the tremendous amount of delicate work involved in the process. It’s definitely not easy. As a matter of fact, Dick has spent most of his life lending technical assistance to any person in need, and believe us, there are plenty. He, as well as many other artist, have helped us develop a comprehensive line of prosthetic products so you won’t have to waste your time and money locating materials.

The entire art form of prosthetics evolved like it did because of the vast amount of raw materials available. They started off using liquid latex and then discovered the beauty of creating light weight appliances out of foam latex. The problem is foam latex is difficult to use because it’s hard to control the “chemical reactions”. Even the most seasoned effects artist has run-ins with foam latex or any catalyzed material from time to time. It is this factor in the art of prosthetic makeup that separates the professional from the amateur. It is our advice to study as much as you can and remember there is no better way to learn than by doing.

In addition to dealing with the unpredictability of foam latex, you also have to be concerned with safety. Three dimensional makeup artists use a lot of hazardous materials, and believe us, we have heard a lot of horror stories (ie: people vulcanizing their faces...developing rashes...becoming dizzy). Many of the materials we sell are not fun to work with.

As a makeup artist, professional or amateur, it is your responsibility to learn about the safety hazards accompanying the products you use and the products you apply to other people’s faces.

There is a vast amount of information available for those willing to learn about chemical safety; consult libraries, school chem-istry departments, request and read Material Safety Data Sheets (MSDS). Before you work with a chemical, investigate its hazardous factors. Use precautions when handling any chemicals. Consult local authorities on proper material disposal.

Product Warnings We have decided to be a bit more specific about our product warnings. A product is subjected to any or all of the following labels: -FLAMMABLE -RESPIRATORS REQUIRED -SENSITIVE SKIN ALERT -TOXIC IN UNCURED STATE -HAZARDOUS TO YOUR HEALTH

Basically “FLAMMABLE” means it will ignite. Don’t smoke when using it. Don’t drive around town on a hot day with this material in the trunk of your car. Basically...use your head!

“RESPIRATOR REQUIRED” means just that. Wear a respirator with the proper filters for the proper type of material being used. In the SAFETY EQUIPMENT Section you will find respirators and dust masks. Although this gear is not foolproof, it does help. Always work in a well ventilated area (preferably outside during a typhoon). Install a vent system at your work bench to pull the air out. Invest in a continuous air supply system. Whatever the material calls for...do!

“SENSITIVE SKIN ALERT” means this material may cause irritation to sensitive skin. Things like spirit gum, collodian, and latex have been known to irritate actors' skin. Always consult with the actor about skin sensitivity before applying any makeup to their face or body. Try one of the Barrier Creams listed in this catalogue. They really work!

“TOXIC IN UNCURED STATE” means you will get a rash if you expose your skin to these chemicals when they are in a liquid state. But once these chemicals are mixed and cured, it becomes a non-toxic matter. Prime examples...Foam Latex Components, RTV Molding Compounds, and Urethane Foams. In the SAFETY EQUIPMENT Section you will find protective gloves. In many cases thin vinyl or latex gloves provide enough protection, but certain chemicals penetrate these gloves without you knowing it. From there, the chemical runs through your blood stream. Make sure you are wearing the right glove for the right chemical.

“HAZARDOUS TO YOUR HEALTH” means we don’t recommend you use this product. That’s right...we’ll sell it but we don’t recommend it. You use these and all other products we offer at YOUR OWN RISK.

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Page 2: Pages 185-198 (Prosthetics)

Woochie Bald Cap-Excellent for casting because it’s inexpensive, durable and yet has thin edges. It is accompanied by step-by-step instructions on application.Made of rubber.Product # Descrition Shipping Wt.PMWBC Woochie Bald Cap 3 oz.PMWBCL Woochie Bald Cap-Extra Large 5 oz.

Life Casting MaterialsTaking a facial impression involves the following: -Have your subject sit upright and drape a piece of plastic around them. (If the shot calls for the actor to be laying down, then cast the subject laying down.) -Apply an inexpensive Woochie Bald Cap. Secure edges with adhesive. -Apply petroleum jelly to the eyebrows and eyelashes. -Mix the alginate according to directions. Cold water extends the gelling time. -Apply to subject’s face using your hands with your fingers pressed together like a spatula making sure you leave the breathing passage uncovered. Work quickly yet carefully. -Once the entire face is covered, begin wrapping strips of plaster bandages around and over the face. Pay attention to reinforcing the delicate areas. -Once the plaster bandage hardens, gently remove the alginate cast by jiggling it. -Immediately brush on a thin layer of White Hydrocal making sure there are no bubbles, then pour in additional plaster. It is wise to position a handle in the back of your life cast so it will be easier to separate the molds.See the Books & Videos Section for detailed casting directions!

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Alginate Impression MaterialTeledyne - Getz Prosthetic Grade Cream-Teledyne - Getz Company, one of the major producers of the dental impression materials, has a Prosthetic Grade Cream which is a colorless, odorless, fine-grade, slow-setting alginate impression material. As Teledyne - Getz Prosthetic Grade Cream has less than three percent deformation, very accurate casts can be made with it. Recently they improved the alginate by extending its setting time to between 5 and 7 minutes. Mix with water until it’s a creamy “batter” and then apply to the face. Make sure you don’t block the subject’s airway. Reinforce with plaster bandage. Remove.For more details see the Books & Video Section.NOT FOR USE IN MOUTHProduct # Size Shipping Wt.PMPGC01 1 lb. bag 2 lbPMPGC25 25 lbs. container 29 lbs

Pink House Studio’s Algiform Slow-Set-A slow-setting alginate which may be mixed with warm water (even very warm water) and will still allow 8-10 minutes of working time. Is used in a slightly different way than traditional alginate. See the Books and Video Section for a most unusual Life Casting Video.-Perfect for body casts when the cold water used with traditional alginate causes unwanted goose bumps. NOT FOR USE IN MOUTHProduct # Size Shipping Wt.PMPHAS01 1 lb. bag 2 lbPMPHAS22 22 lb. barrel 25 lbs

Pink House Studio’s Algiform Regular-Set-A cool water alginate with a working time of approximately 3 minutes. The least expensive alginate we sell.Product # Size Shipping Wt.PMPHAR01 1 lb. bag 2 lbPMPHAR22 22 lb barrel 25 lbs

Silicone Impression Material

Life Casting & Mold Making

Algislo™ The 3-in-1 AlginateRetarder/Bonder/SoftenerA REAL STUDIO BREAKTHROUGH - ArtMolds has created the 3-in-1 alginate control formula . . . a must have for anyone who uses alginate. This is an indispensable multi-use formula for all brands of alginate.USE AS A . . .RETARDER . . . increase set time up to 5 or more minutes.BONDER . . . bond a set layer to a new layer stronger than any other method available.SOFTENER . . . soften freshly set alginate to allow application of fiber to the surface to firmly hold a mother mold.RETARDER. Algislo is the alginate-retarding agent created especially for artists, special effects, restorers, taxidermists, sculptors, mold makers and anyone who wished they had more control over their alginate product. Algislo is the answer to all alginate users! To slow set time: in 16 ounces (480 ml) of water simply substitute approximately 1⁄2 ounce (15 ml.) of your water mix to 1⁄2 ounce (15 ml.) of Algislo for each minute of additional set time desired, for up to five and even more minutes. OR for every pound of water remove 1/2 oz. (15 ml.) of Algislo to add one minute (ap-proximately) of set time.BONDER. For best results surface to be bonded should be recently set. The lon-ger the set, the poorer the bond. Thoroughly spray the surface of the alginate and apply your new alginate layer. We recommend spraying the surface rather than using a paint brush for more even results and to avoid pulling on a tacky area.SURFACE SOFTENER. When applied to a recently set surface, Algislo will soften it sufficiently to allow the application of fiber to secure a mother (shell) mold. For best results we recommend spraying the surface before it sets. This will act as a surface set retarder giving the lifecaster ample time to apply fiber on the surface.Net Wt. - 16 oz. Shipping Wt. - 1.5 lbs.Product # PMAMA16

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Product # Speed Size Shipping Wt.PALF1KG Standard 1 kg/2.2 lbs 1.8 lbs.PALF5KG Standard 5 kg/11 lbs 12 lbs.PALF10KG Standard 10 kg/22 lbs 24 lbs.PALF18KG Standard 18 kg/40 lbs 43 lbs.PALFF1KG Fast 1 kg/2.2 lbs 1.8 lbs.PALFF5KG Fast 5 kg/11 lbs 12 lbs.PALFF10KG Fast 10 kg/22 lbs 24 lbs.PALFF18KG Fast 18 kg/40 lbs 43 lbs.

Lifeform by Mouldlife-Lifeform can be cast in layers due to its ability to bond to itself, requires no release agent will release from hair & skin, has high elongation and tear strength, superior detail reproduction and can be used with a wide range of casting resins or silicone that can save valuable time that’s better spent elsewhere.Available in Standard and Fast Speeds

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Plaster of Paris sets very quickly, but it is very soft and not durable, and it will not make accurate molds. Good only for brush-in latex. NOT AVAILABLE FROM ALCONE.

Dental Stone is very hard, accurate, and can be used to make foam-latex molds, but it does not stand up to baking (curing) as long as Ultracal, and it is very expensive. NOT AVAILABLE FROM ALCONE.

We will ship 25 and 50 pound bags via U.P.S. (They have a weight restriction of 72lbs.)

White Hydrocal-Fast-setting, it is not ideal for foam latex because the latex will stick to it. Very ac-curate. Ideal for life casts.-Respirator Dust Mask RequiredProduct # Size Shipping Wt.PMWH025 25 lbs. 27 lbs.PMWH050 50 lbs. 52 lbs.

Ultracal 30-The best for foam-latex molds. It sets slowly and stands up to the heat of the oven.-Respirator Dust Mask RequiredProduct # Size Shipping Wt.PMU025 25 lbs. 27 lbs.PMU050 50 lbs. 52 lbs.

Acryl 60-Recommended for reinforcing the strength of Ultracal 30. Molds facing a lot of han-dling and repeated baking should be mixed with Acryl 60. Molds take many hours and hard work to create, avoid cracking with Acryl 60. (acrylic latex cement hardener)Product # Size Shipping Wt.PMAC6032 32 oz. 3 lbs.PMAC601G 1 gallon 9 lbs.PMAC605G 5 gallons 46 lbs.

Burlap-Used to reinforce plaster molds (loose weave) or large latex pieces (tight weave). Sold by the yard.Product # Description Shipping Wt.PMBL Burlap - loose 40" wide 3 oz.

J & J Bandage-For reinforcing impression creams.Product # Size Speed Shipping Wt.PMJJF01 4" x 5 yd roll Fast 1 lb. PMJJF12 Box of 12 rolls Fast 7 lbs.PMJJEF01 4" x 5 yd roll Extra Fast 1 lb.PMJJEF12 Box of 12 rolls Extra Fast 7 lbs.PMJJEF601 6" x 5 yd roll Extra Fast 1 lb.

Plaster is generally used to make molds although some-times a flexible or an indestructable mold is used such as RTV Rubber, Two Part Silicone, Epoxycal or Fiberglass. It is most important that the correct plaster is used for the specific job you are doing. Basically, White Hydrocal is used to make the positive mold because it is most accurate and Ultracal is used to make the negative mold because it can withstand curing at high temperatures.

It may also be necessary to increase the strength of your mold. You can do this by mixing Acryl 60 (Acrylic Latex Cement Hardener) in place of water when mixing up the Ultracal. In most cases, the negative molds must withstand multiple bakings and you don’t want them to crack. Learn to use Acryl 60. Tech notes available.

Many artists reinforce their molds with loose weave burlap. The burlap costs less and weighs less than the ce-ment, so it is an economical technique.

Due to the fact that any plaster weighs a lot, you may want to purchase it locally if available.

Silicone Rubber Impression MaterialPink House Studio’s Ply-O-Life-A non-toxic and odorless silicone rubber that may be applied directly to the skin. The advantage of Ply-O-Life over Alginate is that polyester resin and fiberglass may then be cast directly into the mold. No separator is needed. Ply-O-Life also adheres to itself. Unless there are extreme undercuts involved, it will not tear when positive cast is being removed, and is therefore reusable. To make the mold tear-proof, ap-ply the first layer of Ply-O-Life and let dry. Embed fiberglass screening or wire cloth on top of this layer and sandwich this with a fresh layer. -Besides resin and fiberglass, one may cast wax, latex, plaster, and gelatin in the mold. When casting a face, coat facial hair with petroleum jelly. Working time 7 minutes. Sets up in 11 minutes.-Molding one average size head requires 3 1/2 lbs.Net Wt. - 4 lb kit (2 lbs A & 2 lbs B)Shipping Wt. - 5 lbsProduct # PMPOL

Moulage & Silicone Impression Materials

Moulage Impression MaterialAlco-moulage-Alco moulage is an inexpensive impression material that will cast any object including props, masks and faces. It can be re-used over and over so it is per-fect for beginners who are practicing. Must be heated in a double-boiler so it isn’t easy to work with. By the time it is cold enough to apply to a subject’s face, it starts to turn back to it’s original “cottage cheese” like state. However, just like everything else, once you learn the technique, it’s easy. Reinforce with plaster bandage.NOT FOR USE IN MOUTHProduct # Size Shipping Wt.PMAM2 2 lb. bag 3 lbsPMAM110 10 lb container 13 lbs

Plaster Bandage Plaster, Acryl 60 & Burlap

Mold Making Material

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Sculpting & Molding Clay

Let us first point out that it is easier to cast a head rather than sculpt it from scratch. There is only one case that I know of where a sculpted head was required and that was the original Terminator. The late Stan Winston thought the roughness of the sculpt would enhance the look as Arnold turned into a Cyborg. Once a gypsum face cast is made, modeling clay is added to achieve the sculpture. More accurate face appliances can be achieved when developed off the actor’s life cast. If you want to create the creatures you design, it is very important to learn proper sculpting techniques. As a matterof fact, sculptors make very nice livings if they are good. A sculptor can work in many industries such as stop-animation, prototype production, and prop building, as well as the prosthetic makeup industry.

Modeling ClayProduct # Decription Shipping Wt.PMMCCM Chavant NSP Clay Medium 2lb. -Non-Sulfurated Plastilene PMMCCS Chavant NSP Clay Soft 2lb. -Non-Sulfurated Plastilene

PMMC2 Roma Plastilene #2 Soft 2lbs -Used by professionals. -A Non-hardening, oil based clay. Dark Green. PMMC3 Roma Plastilene #4 Firm 2lbs -Used by professionals. -A non-hardening, oil based clay. Dark Green.

Polytek #74-55 - Clear - firm - durable excellent for casting plasters, cement, polyester, wax, and most other materials. 15 minute pour time, demold after 24-48 hours at room tem-perature. Most resistant to shrinkage as it is nearly pure urethane containing no oils or release agents to migrate and cause shrinkage after prolonged use.-Molds of Polytek# 74-55 often require less rubber because the increased stiffness allows thinner sides and bottoms.-Release agents sold separately. Porous models such as plaster or wood should be sealed, preferably with wax or several coats of nitrocellulose lacquers, but petroleum jelly, paint, shellac (soap on plaster) also work well. Excellent for long-lasting firm molds.-TOXIC IN UNCURED STATEProduct # Size Shipping Wt.PMP74-55 Gallon kit 12 lbs.

Polytek Pol-Ease 2300 Release-A blend of silicone oils and resins in a convenient aerosol spray. We Recom-mend Pol-Ease 2300, as an effective release agent, for use with Polytek 74-55 and 74-30. The use of a soft brush to distribute the release agent evenly after spraying is recommended.Product # Size Shipping Wt.PMPE2300 12 oz. 1 lb.

Smooth-On #PMC-72 -Urethane rubber with plasticizer (part A & B). Easy to use for making molds. The more plasticizer you use, the shorter the life of the mold. The mold will start deteriorating in approximately 1-1/2 to 2 years. Chemicals have a short shelf life.Black in color.-Release agents sold separately. Sonile Seal Release wax, petroleum jelly or shel-lac (for porous casts). -TOXIC IN UNCURED STATEProduct # Size Shipping Wt.PMSOKIT Gallon kit 14 lbs.

Plastic Cap Material Prosthetic M

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p After you’ve made your life cast and have sculpted your design on it, it is necessary to coat the sculpture with cap material. It is very thin so it won’t lessen your detail. This process will make it possible for you to separate your positive and negative molds.

All Cap Materials are flammable unless otherwise specified and are restricted from air shipping service. Dangerous Goods fees and handling are additional. Safe to ship less than a gallon ORM-D Ground.

Super Baldiez-Encapsulator & PlasticSuper BALDIEZ - Encapsulates Platsil gel 10 appliances and makes bald caps.formulated to be used for both encapsulating Platsil gel 10 appliances and the creation of bald caps.Super BALDIEZ edges can be blended into the skin using IPA in the same way other bald caps plastic use Acetone.This is much less likely to irritate skin when blending edges.Super BALDIEZ stronger, clearer and gives you slightly more time to create Bald Caps. Also great for laying facial hair.BALDIEZ - Regular uses Acetone to dissolve the edges.Product # Type Size Shipping Wt.PABZS16 Super 16 oz. 1 lb.PABZ16 Regular 16 oz. 1 lb. Paramount Cap Material- A liquid vinyl/plastic used for repairing rips in and concealing edges of plastic bald caps.Product # Size Shipping Wt.PAPCM04 4oz. 4oz.PAPCM16 16oz. 1 lb.PAPCM32 32oz. 2 lbs.

Kryolan Glatzan L Cap MaterialProduct # Size Shipping Wt.KR2594 16 oz. 13oz.KR2595 33.5 oz. 2lbs

Duplicating Material

Flexible compounds (RTV or Silicone) that are used in the makeup lab for duplicating purposes, but it can also be used to make bladders, puppet heads and stop animation figures. RTV molds are used for duplicating and reproducing break away props.

RTV Liquid Rubber

Polytek #74-30 - Opaque - soft - easy to use. Loved by those who do stop-animation because of its accuracy, durability and elasticity. Easy 1-1 mix by volume or weight, low-cost, low viscosity, easy thickening to a buttery poly gel consistency, long working time and long-lasting non-stick molds that don’t creep or sag in storage are some of the reasons why this is our hottest selling RTV molding compound. -Polytek# 74-30 molds can be stored for many years with no significant deteriorating.-Excellent for puppet skins because it is transparent tan in color and very flexible.-Release agents sold separately. Porous models such as plaster or wood should be sealed, preferably with wax or several coats of nitrocellulose lacquers, but pe-troleum jelly, paint, shellac (soap on plaster) also works well.-TOXIC IN UNCURED STATEProduct # Size Shipping Wt.PMP74-30 Gallon kit 17 lbs.

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Paramount Gelatin Appliance KitExcellent for:- body parts- small appliances- when articulation and elasticity are not needed.

Low Shrinkage!No Curing!Less expensive than foam latex!Looks very similar to fleshThis improved formulation makes two part gelatin systems obsolete. The pieces are less sensitive to heat than old style gel kit formulas but are still slightly sensitive to heat. Four component kit available. plus flocking. Approx.Product # Size Total Mixture Shipping Wt.PMGAKS Small 1 Quart 3 lbs. 4 oz.PMGAKM Medium 2 Quarts 8 lbs.PMGAKL Large 2.5 Gallons 24 lbs.

Used to create a moldable skin effect. You combine ingredients, heat & pour into a mold. Or let cool and apply directly to the skin to produce an effect of underlying skin tissue, muscle, or burnt skin. It can be peeled back to show more gel skin, and once you seal it, will take both water-based and oil-based make-up well.

Separating mediums are used to ensure two materials, similar or dissimilar, can be easily withdrawn from each other when desired. The most versatile separating agent is petroleum jelly used to coat facial and body hair when taking a cast with either a rigid or a flexible impression material. Cap material (Paramount or Kryolan Glatzan) is used to seal Plastalene. ShippingProduct # Decription Size Wt .PMSMR Dow Corning Silicon 200 Fluid 32 oz. 3 lbs.PMMCMR Krylon Silicone Spray -aerosol 16 oz. 1 lb.PMPFCSR Sterate Release 4 oz. 6 oz.

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Gelatin Foam Cubes & Kits

Cubex - Foam Gelatin by M. U. D.Very easy to use cubes that you melt in the microwave. Requires a mold. Shapes of the cubes may vary, but you will always receive a pound. Product # Size Shipping Wt.PMGF 1 lb. 1 lb.

Cold Foams (Polyurethane)

These foam systems are composed of two ingredients (component A & B) that you mix according to the specific system’s directions. Requires a release agent, two part molds, and a triple beam scale. Does not require curing in an oven. Produces a porous foam. The grade of softness can be controlled by varying the catalyst. (For denser foam, add less catalyst.) Yields approximately 7 times the volume, allowing for over spill, if mixed according to the directions. A nose will cure in approximately 20 minutes.

Kryolan Cold Foam -Mold release included.The Release Agent is flammable. Dangerous Goods fees and handling are additional. Safe to ship via ORM-D Ground.Product # Description Shipping Wt . KR8040 Kryolan Cold Foam-Pint Kit 4 lbs.KR8041 Kryolan Cold Foam-Gallon Kit 16 lbs.

#GI1000 - Sought after by special effects artists, GI1000 is an extremely high tear strength, tin-catalyed RTV-2 silicone rubber. It will cure at room tem-perature. Excellent for general mold making or prototype applications. Mixed in a 10:1 mixing ratio. Cure Time: 16 hoursBase Color: White & Activator: BlueProduct # Size Shipping Wt.PMGI1000QT Quart Kit 5 lbs.PMGI1000G Gallon Kit 17 lbs.PMGI10005G 5 Gallon Kit 80 lbs.

#GI1110 - Similar to GI1000 except it is softer and is es-pecially good for molds with deep undercuts and for pieces where flexing is important in removal. Excellent for puppet heads as well as arms and legs. It will cure at room temperature. Mixed in a 10:1 mixing ratio. Cure Time: 16 hoursBase Color: Off White & Activator: Clear We sell the translucent color.Product # Size Shipping Wt.PMGI1110Q Quart Kit 5 lbs.PMGI1110G Gallon Kit 17 lbs.PMGI11105 5 Gallon Kit 80 lbs.

Silicone Mold Making Materials#P656 - Platinum based silicone used for mold making and special effects. Very quick drying and the cure time can be shortened with accelerator.Mixed in a 1:1 mixing ratio. Base Color: Clear & Activator: Clear We sell the translucent color.Product # Size Shipping Wt.PMP656Q Quart Kit 5 lbs.PMP656G Gallon Kit 17 lbs.PMP6565 5 Gallon Kit 80 lbs.PMP656A Accelerator 6 oz.

Before adhering any appliance (whether cold foam, gelatin, foam latex or silicone), prep the skin with alcohol or one of the items we sell specifically formulated for this purpose. It makes the adhesive stick better.

Alcohol Prep PadsUsed to clean the skin before applying adhesive. Helps remove oils and dirt on the skin and makes the glue stick better. Individually wrapped pads.Product # Size Shipping Wt.PAAP 200 4 oz.

Skin Prep Skin Prep PadsLess sting than alcohol. Used to clean the skin before applying adhesive. Helps remove oils and dirt on the skin and makes the glue stick better. Individually wrapped pads.Product # Size Shipping Wt.PASPW50 50 wipes 6 oz.

Skin Prep LiquidLess sting then alcohol. Used to clean the skin before applying adhesive. Helps remove oils and dirt on the skin and makes the glue stick better. Product # Size Shipping Wt.PASPS04 4 oz 6 oz.PASPS08 8 oz. 10 oz.

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A very challenging product to learn to use, but once you understand how to slightly alter the formulation with regard to atmospheric variances, excellent results can be yielded.

These systems require a two part mold, an oven to cure the foam in and a gram scale.

-A superior foam latex system for the professional. The system is based on components that produce a low shrinkage, ultra-soft, micro-cellular, natural latex foam. This foam can be cast in Ultracal 30 molds, as well as fiberglass, silicone and metal molds.This foam latex system is sold in one gallon or five gallon kits. A gallon kit is capable of 24 runs. A run is the amount of chemicals needed to produce a nose glob. Two or three runs are needed for a mask.One Gallon Kit consists of: Five Gallon Kit consists of:1 - gallon Latex Base 4.5 - gallons Latex Base2 - 16 oz. Foaming Agent 8 - 16 oz. Foaming Agent1 - 16 oz. Curing Agent 4 - 16 oz. Curing Agent1 - 16 oz. Gelling Agent 4 - 16 oz. Gelling Agent1 - 4 oz. Release Agent 1 - 16 oz. Release Agent

-TOXIC IN UNCURED STATEProduct # Description Size Shipping Wt PMGM01 GM Foam Latex 1 gallon kit 15 lbs.PMGM05 GM Foam Latex 5 gallon kit 56 lbs. GM Components:PMGMCFA Foaming Agent 16 oz. 1.5 lbs.PMGMCCA Curing Agent 16 oz. 1.5 lbs.PMGMCGA Gelling Agent 16 oz. 1.5 lbs. PMGMCRA Release Agent 16 oz. 2 lbs.

GM Ultra SoftenerUltra Softener when added to your foam mix will give you more working time and will strengthen the cells. The resulting foam is creamy and soft. The wrinkle patterns are also improved as a result of this softness. Use up to 15 gms per 150 gm batch. Product # Size Shipping Wt.PMGMCUS04 4 oz. 8 oz.PMGMCUS16 16 oz. 2 lbs.

GM Flow IncreaserFoam too thick? Won’t pour into your mold? Having trouble getting it into your injector gun? These are common problems with high volume, fluffy batches of foam. Many times such batches won’t even catch all the details in your mold.GM Foam Flow Increaser provides a drastic change in the “pourability” of your processed foam. Your seven volume batch will flow like a five volume batch. You can get better detail and your gelling agent will mix more consis-tently. The GM Flow Increaser may be added at any time during or before the processing, giving you a versatile way to control the run and the final product.-Here’s how it works: Use up to 15 grams per 150 gram batch of foam. Add at any time, or to the gelling agent.Product # Size Shipping Wt.PMGMCFI08 8 oz. 1 lbs.PMGMCFI16 16 oz. 2 lbs.

GM Latex StabilizerHave you ever had gels that were just too fast? Think it’s the temperature? Maybe the humidity? Try the GM Latex Stabilizer.Especially useful in summer, the GM Latex Stabilizer will give you that extra bit of working time you need. It you’re using older Base and are afraid it will gel too fast, this will also help you. Developed to aid the user in getting con-sistent batches every time.-Here’s how it works: Use 2 to 5 grams per 150 gram batch of foam. Add at the beginning of your run.Product # Size Shipping Wt.PMGMCFS 4 oz. 6 oz.PMGMCFS16 16 oz. 15 oz.

GM Micad“MICAD” is a foam latex additive that allows whipping to greater volumes while still keeping the cells fine. Very soft foams can be achieved using this additive. Normally, high rise foams tend to get thick, and the cells become large. With this additive, the cells still remain small, and the foam remains pourable. Use 2 to 8 grams MICAD per 150 grams High Grade Latex Base. There will be greater frothing action, and the foam will rise higher in the bowl, producing a softer foam after curing.Product # Size Shipping Wt.PMGMM08 8 oz. 14 oz.PMGMM16 16 oz. 1 lb.PMGMM32 32 oz. 2 lbs.

GM Cell Choke“GM Cell Choke” is a foam latex additive that produces finer cells, and makes softer foam, even when not whipped to higher volumes. Normally, finer cells in foam make it thick and hard to pour. With “GM Cell Choke”, the foam still pours normally, so there is less need to worry about trapping air bubbles. The cured foam ends up softer, too. Use 2 to 5 grams GM Cell Choke per 150 grams High Grade Latex Base.

Here’s how it works: GM Cell Choke causes a different kind of frothing action. The cells will be smaller, and the overall look of the foam is shinier. Since it causes a bit of extra frothing action, take care to not overwhip. You may need to turn the mixer’s whip speed down a bit earlier to achieve normal height in the bowl. At normal whipping height, the finished foam piece will be softer than usual, and the cells will be finer.

Also, since GMCell Choke has a slightly retarding effect on the gel, you may want to add about 30-seconds to your running schedule. Product # Size Shipping Wt.PMGMCC 4 oz. 8 oz.PMGMCC16 16 oz. 14 oz.PMGMCC32 32 oz. 2 lbs.

Using GM Foam - The VideoThis comprehensive guide takes you through all the important stages of foam processing. Join master foam technician Gil Mosko as he takes you behind the scenes and teaches you all the tricks to give you the competitive edge in foam processing.-In this interesting and informative video, you learn how the pros do it. From preparing your molds, to demolding your pieces, you will learn the how and the why of foam latex techniques. Gain a basic knowledge of the chemistry of foam latex and learn to use it to produce consistent results every time.Product # Format Shipping Wt.PMGMV VHS 2 lbs.PMGMVPAL PAL-European 2 lbs. (Special Order)

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Page 7: Pages 185-198 (Prosthetics)

Paramount Professional Foam Latex-Formulated in England for Alcone. There are two different types of foaming agents, Prosthetic Grade and Animatronic Grade, so you can vary your results. The Animatronic is excellent for injection into molds because it is very stable. The Prosthetic is more delicate.-Four part system complete with release agent.One Gallon Kit consists of: 1 - gallon High Solid Latex Base 1 - 32 oz. Foaming Agent 1 - 12 oz. Curing Agent 1 - 8 oz. Gelling Agent 1 - 12 oz. Release Agent Five Gallon Kit consists of: 1 - 5 gallon High Solid Latex Base 5 - 32 oz. Foaming Agent 2 - 32 oz. Curing Agent 1 - 32 oz. Gelling Agent 1 - 8 oz. Gelling Agent (Release agent not included with 5 Gallon Kit.)-Curing & Gelling Agent TOXIC IN UNCURED STATEProduct # Description Size Shipping Wt PMPFAG Animatronic Gallon 15 lbs.PMPFPG Prosthetic Gallon 15 lbs. Components:PMHSL High Solid Latex Gallon 9 lbs. Foaming Agent PMPFCFAA Animatronic Quart 3 lbs.PMPFCFAP Prosthetic Quart 3 lbs.PMPFCCA Curing Agent 12 oz. 2.5 lbsPMPFCGA Gelling Agent 8 oz. 10 oz.PMPFCRA Release Agent 12 oz. 1 lbs.

Paramount Potassium Oleate-A High Rise Foaming Agent. Add in addition to or in place of Foaming Agent.Keep Foam Log when experimenting with Potassium Oleate.

Product # Description Size Shipping Wt PMPPFCPO32 Potassium Oleate 32 oz. 3 lbs.

Gram scales (whether electronic or manual) are a must for working properly with special effects materials.

Ohaus Triple Beam ScaleProduct # Description Shipping Wt PMS Ohaus Triple Beam Scale 5 lbs.PMSW Ohaus Weight Set 2 lbs. - for large foam runs - 2500 rams of extra weight

Safety notes for using a respirator-When running foam or using large quantities of latex, it is good to use a respirator.-It is important to use a respirator that is approved to protect against the type of chemical you will be using. Latex is an organic vapor so use a respirator designated for that. NIOSH (National Institute of Safety & Health) does not approve any air-purifying respirator for use with isocyanates because they have no smell at low but dangerous levels. If your cartridge wasn’t working, you wouldn’t be aware of it. Also at high levels, cartridges wouldn’t filter out enough.

-3M endorses their 8709 Paint Spray Respirator for specified low levels of isocyanates but can do this because that cartridge has not been rated by NIOSH yet.

- It has been learned that organic vapor respirators and cartridges will filter out some amount of isocyanates and reduce your exposure. A paint spray pre-filter in front of the organic vapor cartridge gives some additional protec-tion because some of the vapor from a polyurethane foam reaction are in the form of mist that the pre-filter will screen out, thus reducing the load on the cartridge. See our Safety Equipment Section page 181. The only type of respirator approved by NIOSH is the supplied-air kind. These give you excel-lent protection even in strong vapors because you are breathing contained oxygen. Unfortunately such systems are very expensive.Whenever working with any chemical, limit your exposure. #1 -Work outside where there is the best ventilation. #2 - Wear a fresh, well-fitted organic vapor respirator with a paint spray pre-filter. See Respirator Fit Technote #3 - Keep your exposure brief. Have all the materials you’ll need ready so you can just mix, pour and walk away.

-Wear gloves (latex or vinyl) when handling chemicals to avoid skin irritation.

Foam Latex Products

Used to force foam into a vented mold. The difference between the economy version and professional injectors is the professional version holds more, is easier to clean and very durable.

Paramount Foam Kits & Additives

Burman Foam Injection Guns

-Holds 1.5 quarts of foam. Interchangeable cone-shaped nozzle. See-thru chamber allows foam to be monitored during injection. Constructed of plastic.Shipping Wt. - 3 lbs.Product # PMFLG

Gram Scale

Silhouette drawn by Mike Maddi

Gram Scale

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Page 8: Pages 185-198 (Prosthetics)

The pigments listed below are cosmetic grade and are therefore safe for use directly on the skin. When making appliances for the face, these pigments should be used. For puppet heads and props, you can use any liquid tint(ie: Universal Tints) available from a paint store. With these colors virtually any natural skin tone can be simulated. ( Of course a person with little color understand-ing will find these pigments a little difficult to use at first.)

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GM Latex Pigments Palette-One 1/2 oz. bottle of each of the following colors: red, yellow, blue, black, flesh & tan. A half ounce bottle of pigment can color up to fifty batches of foam.Shipping Wt. - 2 lbs.Product # PMLPPGM Latex Pigments - LiquidThe GM Latex Pigment dispersions, designed especially for foam latex, are water-based and very concentrated — usually 4 to 6 drops per 150 grams of latex. For darker applications, you can use as many as 50 drops per 150 grams of latex. Since the vehicle is water, you won’t over plasticize the foam. No gummy edges.-Net Wt. - 2 fl oz. -Net Wt. - 4 fl oz Shipping Wt. - 3 oz. -Shipping Wt. - 5 oz. Product# Color Product# .PMLP02R Red PMLP04RPMLP02Y Yellow PMLP04Y PMLP02BL Blue PMLP04BLPMLP02FL Flesh-Ruddy PMLP04FLPMLP02TT Tantone PMLP04TTPMLP02BK Black PMLP04BK

Slush Molding Latex-Higher solid (due to the fillers) and higher viscosities. Prevulcanized Filler sold separately to offer a varying degree of stiffness or hardness. ONCE LATEX FREEZES, IT IS RUINED. WE WILL SHIP AT YOUR RISK. ShippingProduct # Description Size Wt PML200G Slush mold Latex #L200 Gallon 9 lbs.

High Solid Latex-Its primary use is as a base for foam latex. A very pure, high solid latex.ONCE LATEX FREEZES, IT IS RUINED. WE WILL SHIP AT YOUR RISK. ShippingProduct # Description Size Wt PMHSL High Solid Latex Gallon 8 lbs.

Cosmetic Grade Pigments-These certified cosmetic grade pigments can be mixed into most water-soluble or oil-soluble substances. For instance, they can be mixed into latex, acrylic mediums, castor oil, gelatin, Karo Syrup, urethanes, silicones, glycerin... Don’t just dump the pigment in. A little goes a long way. Sift in gradually until the desired shade is achieved. Shipping Product # Description Net Wt. Wt.BK8710 Bright Yellow 2 oz. 2.5 oz.BK8715 Bright Red (Blood) 6 oz. 6.5 oz.BK8720 Light Flesh 1 oz. 2 oz.BK8725 Medium Flesh 1 oz. 2 oz.BK8730 Dark Flesh 1 oz. 2 oz.BK8740 Black 5 oz. 5.4 oz.BK8745 Brown 4 oz. 4.4 oz.BK8750 White 4 oz. 4.4 oz.BK8760 Mustard Yellow 1 oz. 2 oz.BK8765 Blue 4 oz. 4.4 oz.BK8770 Green 4 oz. 4.4 oz.

Cosmetic Fluid #GP20-A harmless, clear, slightly viscous cosmetic fluid with some unusual and useful prop-erties. It’s a moisturizer, emollient and humectant all of which means it feels great on the skin.-You can use GP-20 to mix with so many cosmetic materials. Dry cosmetic pigments blend into it easily. So do ground-up cake cosmetics. If you add enough color to undiluted GP-20, you’ll get a base with great opacity that works on skin or latex. Run a test before you go on set with it. In an emergency, when you don’t have a certain rubber mask grease color, you can mix it from other cosmetics and GP-20. You can also use it to thin creme foundations so they apply easier (ie: to loosen up Mehron Economy Rubber Mask Grease).Net Wt. - 8 fl oz. Shipping Wt. - 10 oz.Product # BK8700

Latex Color Pigments

Flesh Latex Clear Latex

Paramount Liquid Latex - Clear or Flesh-Synthetic Latex, thin bodied, prevulcanized (air cure). -Used for dipping or making thin pieces. Also excellent for aging on skin with tissue. ONCE LATEX FREEZES, IT IS RUINED. WE WILL SHIP AT YOUR RISK.Product # Color Size Shipping Wt.PMLL04 Clear 4oz. 8 oz.PMLL08 Clear 8oz. 10 oz.PMLL16 Clear 16oz. 1.5 lbs.PMLL32 Clear 32oz. 2.5 lbs.PMLLG Clear 1 gallon 9 lbs.PMLLF04 Flesh 4 oz. 8 oz. PMLLF08 Flesh 8 oz. 10 oz.PMLLF16 Flesh 16 oz. 1.5 lbs.PMLLF32 Flesh 32oz. 2.5 lbs.PMLLFG Flesh 1 gallon 9 lbs.

Barrier CreamsDerma ShieldDerma Shield Foam forms a molecular bond with the epithelial layer of the skin. The mesh-like bond actually keeps most elements from penetrating where stains, odor retention and damage can occur. The would-be problem causing elements simply stay isolated on the skin’s surface, where they can be more easily cleaned off when you have completed your task.Product # Size Shipping Wt.PADS02 2 oz. 4 oz.PADS12 12 oz. 1 lb.

Paramount Barrier Cream-A lotion form.Product # Size Shipping Wt.PMBC04 4 oz. 5 oz.PMBC08 8 oz. 9 oz.PMBC16 16oz. 1 lb.

192 Alcone Company 800-466-7446 www.alconeco.com

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Barrier Cream creates an invisible barrier that actually seals the skin and protects the skin against discoloration from pigments and the damage from chemicals. They are non-greasy, non-toxic and can be applied to any area of the skin. Simply wash hands, dry them thoroughly, rub on a generous portion, and allow to set for 4 to 5 minutes. They guard the skin from Acetone, Ammonia, Peroxide and most hazardous chemicals.

Page 9: Pages 185-198 (Prosthetics)

PA-X

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-”PA-X” was developed for professional use in painting latex masks and appliances. It is a 50 - 50 mix of Pros Aide and acrylic paint (ie: Liquidex). Once combined, the “PA-X” formula has a very strong adhesive bond. It is not recommended for direct use on skin because acrylic paint is not an FDA approved pigment for the skin.-If using PA-X formula on the skin, it is recommended that the formula be mixed 5 parts acrylic paint to 4 parts Pros Aide. The reduction of Pros Aide reduces the adhe-sive and makes it easier to remove from skin. It is the makeup artist's responsibility if this procedure is not a sufficient safeguard. Some makeup artists are using Barrier Cream or Dermashield on the skin before applying “PA-X” because this forms a pro-tective layer on the skin to shield it from the paint and to make it easier to remove.-When removing a PA-X appliance, never tear the appliance off. Some skin will come off with it. You must soak the edges with remover, the edges will begin to lift up and the appliance will come off easily. Try Tincture of Green Soap (available at your local drug store) and warm water. For stubborn residue, try Detachol or the very popular, economical remover Bond Off by Ben Nye. We have had many inquiries regarding PA-X formula. PA-X is the number one method of painting prosthetic pieces. We are supplying this technote for informational use only. All adhesives and removers are used at your own risk. Today’s adhesives are very strong and when misused can be very dangerous.-Because the use of PA-X is so common, there are a number of new products out there to make your life easier. We always want to offer you the latest and greatest products. In addition, there are several new formulas of Pros Aide Adhesive. Check out their benefits in regard to the project you are doing.-Experimenting with chemicals is very dangerous. The excessive layering of adhe-sives (ie: latex, spirit gum and Pros Aide) may be very difficult or virtually impossible to remove because each adhesive may use a different solvent and one adhesive layer may prevent a solvent from reaching a second adhesive layer.

PA-X Fomula

Pros-Aide® AdhesiveThe OriginalThis is a very strong, non-toxic, waterproof adhesive for use with prosthetic appliances. It is gentle to all skin types, and will not be affected by perspiration or moisture. Requires a specific remover.-This is the material used to create PAX Paint. -Certain skin areas such as the neck, back and chest are more sensitive and must be handled with even more care. Because removal of PROS- AIDE is difficult, avoid the eye area. When removing any latex appliance, never tear the appliance off. Some skin will come off with it. You must soak it with remover as you peel it until it comes off easily. Allow the solvents/remover to loosen the adhesive. Excessive rubbing to loosen adhesive residue will only irritate the skin. Remove the latex appliances & adhesive residue with Ben Nye’s Bond-off or Detachol.Product # Size Shipping Wt.PMPA02 2 oz. 3oz. PMPA04 4 oz. 5 oz.PMPA08 8 oz. 10oz. PMPA16 16 oz. 1 lb 4 oz.PMPA32 32 oz. 2.5 lbs.PMPA1G Gallon 10 lbs.

Pros-Aide® 2 Adhesive-A milder formula of the original Pros-Aide. It’s still strong (but not as strong) and excellent for sensitive skin. It is much easier to remove and you can use ordinary spirit gum removers.Product # Size Shipping Wt.PMPA202 2 oz. 3oz. PMPA204 4 oz. 5oz.PMPA208 8 oz. 10oz.PMPA216 16 oz. 1 lb 4oz.

Pros-Aide® No-Tack-All the great properties of "The Original" Pros-Aide® but with less residual tacki-ness. It is used just like Pros-Aide® for producing PAX Paint™ but has signifi-cantly reduced stickiness or tack after drying. Just like The Original, No-Tack has great adhesion, water-resistance and flexibility.Product # Size Shipping Wt.PMPANT02 2 oz. 3oz. PMPANT04 4 oz. 5oz.PMPANT08 8 oz. 10oz.PMPANT16 16 oz. 1 lb 4oz.

Pros-Aide® Cream Adhesive-A thick Pros-Aide® adhesive excellent for filling in seams or gaps in appliances and also great for repairs. It does not contain any artificial fillers to make it thick yet it has the properties of Pros-Aide at heavy viscosity. This adhesive can be easily colored to make thick PAX Paint for use as a filler. It can also be used to create scars or textures in molds or directly on the skin.Product # Size Shipping Wt.PMPAC06 6 oz. 9oz.

Pros-Aide® Go Kit-Contains every type of Pros-Aide you need and the Pros-Aide Remover with cotton swabs for applying and removing. Small bottles are excellent for on set touch ups. In a convenient vinyl pouch.Product # Shipping Wt.PMPAGK 13 oz.

800-466-7446 www.alconeco.com Alcone Company 193

GM Water Based Primer-You may think that PA-X paint sticks well to foam, but anyone who has had an ani-matronic skin shred before their eyes knows that the paint easily chafes off. There is an answer! GM Foam Water Based Primer allows PA-X paint (or any other paint, for that matter) to adhere to foam like gangbusters. This is not an exaggeration. A thin layer of GM Water Based Primer bonds so securely to the foam that you will be amazed. Any paint, especially PA-X, will stay where you put it.Product # Size Shipping Wt.PMGMCWBP04 4 oz. PMGMCWBP 16 oz. 2.5 lbs.PMGMCWBPG Gallon

GM PA-X Remover-GM Foam PA-X Remover offers the makeup artist an easy, comfortable way to remove appliance makeup.-Here’s how it works:-The GM Foam PA-X Remover is applied to the makeup and allowed to stand for a few minutes. It is best to apply the PA-X before appliances are removed. Never use myristate before using the PA-X remover, since myristate creates a barrier to the remover. A hot towel is then used to gently lift off the PA-X makeup. If some PA-X persists, simply repeat process. Never rub harshly with the towel. Works on PA-X paint, Pros-Aide 1 & 2.-As with any cosmetic product, test a small, inconspicuous area for sensitivity and/or allergy. If sensitivity or allergic reaction is produced, discontinue use immediately.Product # Size Shipping Wt.PMGMCPXR04 4 oz. .5 lb.PMGMCPXR32 32 oz. 4 lbs.

Prosthetic Makeup

Remember products like Pros Aide, Acrylic Paint and P-AX Formula are ruined when they are exposed to freezing conditions. We will ship in the winter At Your Own Risk! Please anticipate your needs.

Page 10: Pages 185-198 (Prosthetics)

Product # Product# Product# Product# Product# Product# Product# PARLA101 PARLA102 PARLA103 PARLA104 PARLA105 PARLA106 PARLA107 Burnt Sienna Yellow Ochre Cobalt Blue Hookers Green Raw Sienna Lemon Yellow Primary Yellow

Product# Product# Product # Product# Product# Product# Product# Product# Product# PARLA108 PARLA109 PARLA110 PARLA111 PARLA112 PARLA113 PARLA114 PARLA115 PARLA116 Cadmium Yellow Cadmium Orange Cadmium Red Naptholene Carmine Pthalocaynine Blue Primary Cyan Dk Ultramarine Dk Cobalt Violet Pthalocaynine Grn

Product# Product# Product # Product# Product# Product# Product# PARLA117 PARLA118 PARLA119 PARLA120 PARLA121 PARLA122 PARLA123 Cadmium Green Naples Yellow Burnt Umber Mars Black Titanium White Venetian Red Light Blue

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MEL PA-X ProductsThe MEL PA-X Airbrush Thinner is designed to clean PA-X out of your airbrush. The MEL Adhesive Remover is formulated to remove stubborn adhesive build-up. The MEL PA-X Thinner does just that, it thins your PA-X to give you a translucent wash. The MEL Edge Refining Cream helps repair edges that are obvious.Product # Description Size Shipping Wt.PAMPABT MEL Airbrush Thinner 8 oz. 10 oz.PAMAR04 MEL Adhesive Remover 4 oz. 6 oz.PAMPT01 MEL Pax Thinner 1 oz. 2 oz.PAMPT02 MEL Pax Thinner 2 oz. 4 oz.PAMPT04 MEL Pax Thinner 4 oz. 6 oz.PAMER MEL Edge Refining Cream 1 oz. 3 oz.

Latex Sealer

Ben Nye Castor Sealer-Apply a micro-thin layer to seal all latex appliances, balds caps, and liquid latex products. Afterwards, use creme colors to color the texture. Sealer eliminates having to use rubber mask grease.Product # Size Shipping Wt.BNKS02 2 oz. 4 oz.BNKS08 8 oz. 10 oz.

TS-100 Matting Agent-Many materials (adhesives and sealers) are shiny by nature. This, of course, is unac-ceptable in theatre and television. By adding a small amount of matting agent, any adhesive or sealer can have a matte finish.-RESPIRATORS REQUIREDNet Wt. - 8 oz.Shipping Wt. - 8 oz.Product # PMMA

Matting Agent Thickening AgentCab-o-Sil-A thickening agent (amorphous fumed silica), used to prepare the first layer of an RTV rubber or Silicone when making a negative mold. -Add approximately 2 Tablespoons of Cab-o-Sil per 100 gram batch of base rubber.-RESPIRATORS REQUIREDProduct # Size Shipping Wt.PMCOS08 8 oz. 8 oz.PMCOS1 1 lb. 1 lb.

The Chemist

We stock a variety of household chemicals used by the special effects makeup artist. The alcohol products are flammable. Dangerous Goods fees and handling are additional. Safe to ship via ORM-D Ground.

Product # Description Size Shipping Wt.PAWH16 Witch Hazel 16 oz. 1 lb.PAHP16 Hydrogen Peroxide 16 oz. 1 lb.PMA7016 70% Isopropyl Alcohol 16 oz. 1 lb.PMA9908 99% Isopropyl Alcohol 8 oz. 10 oz.PMA9916 99% Isopropyl Alcohol 16 oz. 1.3 lbs.PMA9932 99% Isopropyl Alcohol 32 oz. 1.9 lbs.PPIG04 Gelled Isopropyl Alcohol 4 oz. 6 oz.PPIG08 Gelled Isopropyl Alcohol 8 oz. 10 oz.PPIPM04 Gelled Isopropyl Myristate 4 oz. 6 oz.PPIPM08 Gelled Isopropyl Myristate 8 oz. 10 oz.PMIM08 Isopropyl Myristate 8 oz. 10 oz.PMIM16 Isopropyl Myristate 16 oz. 1.5 lbs.PMIM32 Isopropyl Myristate 32 oz. 3 lbs.PMG08 Glycerin 8 oz. 12 oz.

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Acrylic Tubes -We always told you to buy your acrylic paint for P-AX some where else, but now we have it!-Net Wt.-120 ml -Shipping Wt.-4 oz.

Also available in Gold and Silver. They offer many other colors which we do not stock. If you want other Royal & Langnickel items, please contact a sales rep. representative. Product# PARLA140 Gold PARLA141 Silver

Page 11: Pages 185-198 (Prosthetics)

Alcone Rubber Mask Grease Palettes-Made exclusively for Alcone, these very handy palettes are economical and offer a full range of color. The Fleshtone has six shades that range from light to dark. The Bright Color has Red, Blue, White, Black, Yellow & Green. Product # Color Shipping Wt.PARMGF Fleshtone 8 oz.PARMGB Bright Colors 8 oz.

Kryolan Rubber Mask Grease-The best rubber mask grease we sell. For color swatches see page 24.Net Wt. - 1.7 oz.Shipping Wt. - 3 oz.Product # Color Product # Color KR2582 070 White KR2582 517 Dark GreyKR2582 071 Black KR2582 512 Medium GreenKR2582 101 Brown KR2582 091 BlueKR2582 046 Red Brown KR2582 509 Bright YellowKR2582 303 Chinese KR2582 079 RedKR2582 033 Female KR2582 081 Dark RedKR2582 F17 Male

Kryolan Mini-Palettes- All the mini-palettes contain 16 color samples in a small clear plastic palette.Shipping Wt. - 3 oz.Product # KR25831 Flesh ColorsProduct # KR25832 Bright Colors

Kryolan Rubber Mask Grease PalettesProduct # Description Shipping Wt. KR2584 12 Shades 8 oz.KR2586 24 Shades 1 lb. as seen in “The Thriller” Video

RCMA Appliance Foundation-RCMA AF colors that have more viscosity, coverage and do not separate on standing. Very high pigment values allow brush or sponge application with ease and efficiency.For color swatches see page 37-39.Net Wt. - 1 oz. Shipping Wt. - 2 oz.Product # Color Product# Color CMAF1624 Ochre CMAFBK BlackCMAF2817 Burnt Sienna CMAFW WhiteCMAF3277 Warm Ochre CMAFKN5 KN-5 Dk BrwnCMAF6205 Red Oxide CMAFCS2 CS-2 Counter CMAFKW2 KW-2 Beige Shading 2CMAFKM2 KM-2 Dp Olive Tan CMAFKW4 KW-4 Olv BgCMAFR Red CMAFSHI Shinto ICMAFY Yellow CMAFSHIV Shinto IVCMAFB Blue CMAFKT1 KT1 Lt Yell Tn CMAFKT3 KT3 Dp Yell Tn

RCMA Appliance Foundation Kits-Requested by professionals around the world.Product # Kit # Colors CMAFK1 Kit #1 1624, 2817, 3277, 6205, KW-2, KM-2CMAFK2 Kit #2 Red, Yellow, Blue, Black, White, KN-5CMAFK3 Kit #3 CS-2, KW-4, Shinto II, Shinto IV, KT-1, KT-3CMAFK5 Kit #5 Shinto I, Shinto III, Olive 1, Olive 2, Olive 3, Olive 4CMAFK4 Kit #4 Shinto I, Shinto II, Shinto III, Shinto IV, CS-2, KT-1, KT-2, KT-3, 1624, 2817, 3277, KN-5, Red, Yellow, Blue, Black

RCMA Appliance Foundation Thinner-Specifically designed for RCMA Appliance Foundations or adding shine to powdered surfaces.Product # Size Shipping Wt.CMAFT01 1 oz. 2 oz.

RCMA Appliance Powder-Specifically designed for powdering latex appliances.Product # Size Shipping Wt.CMPP03 3 oz. 5 oz.CMPP10 10 oz. 14 oz.

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Rubber Mask Grease Products

Graftobian RMG WheelsThe F/X Rubber Mask Grease Wheel was developed with the assistance of an Academy Award winning makeup artist. He selected these six colors as the most useful and commonly required shades for creating a wide variety of characters when coating latex or foam latex appliances. The Derma Wheel was developed by the staff of one of the finest makeup training schools in the country - The Makeup Designory - or MUD.

The Primary Wheel is as you’d expect, White, Black, Red, Yellow and Blue. Ideal for Jokers and Clowns.

RMG is ideal for coating latex and foam latex due to its castor oil content which both protects the latex pieces and lends them an oil content similar to your skin. This second benefit becomes apparent when the latex coated area and your flesh yield similar finishes once coated instead of having the latex area look chalky as would happen if you had used ordinary creme foundation over untreated latex. To treat latex for use with regular creme founda-tions, see Castor Sealer on page 179.Product # Color Shipping Wt.GFRMGFX F/X 8 oz.GFRMGD Derma 8 oz.GFRMGP Primary 8 oz.

Mehron Mask Cover - An economical formulation for covering latex rubber prosthetic pieces. The draw back with this rubber mask grease is it doesn’t spread that well. Try adding a drop of GP-20 Fluid to this rubber mask grease or use a brush dipped in the GP-20 Fluid to correct this. For color swatches see page 25.Net Wt. - 1 oz.Shipping Wt. - 1.5 oz.Product # Color Product# Color ME5LMOS4 Mid-Lite Olive ME5LM10 Bronze TanME5LMOS6 Medium Olive ME5LMO OrientalME5LMOS8 Mid-Dark Olive ME5LME Ebony BrownME5LM04 Soft Beige ME5LMW WhiteME5LM06 Light Tan ME5LMR Red ME5LMG Green ME5LMBL Blue ME5LMY Yellow ME5LMM Monster Grey ME5LMBK Black

Mehron Rubber Mask Grease Palette-Most of the Mehron Mask Cover Colors (except Monster Grey) are included in a handy palette. Look for color changes in this palette in the future.Net Wt. - 2 oz.Shipping Wt. - 3 oz.Product # Description ME5LMK 15 shade palette

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Prosthetic Makeup

Page 12: Pages 185-198 (Prosthetics)

UltraTar™ Movie Tar-Very stringy. Cleans up with water. Low staining. Gallon is a special order. ShippingProduct # Description Size Wt PMUT16 UltraTar™-Black 16 oz. 1.5 lbs. PMUT1G UltraTar™-Black gallon 6 lbs.

UltraPus™ Movie Pus-Very stringy. Translucent. Special order! Special Order - Allow 2 weeks. ShippingProduct # Description Size Wt PMUP32 UltraPus™-Pink 32 oz. 1.5 lbs. PMUY32 UltraPus™-Yellow 32 oz. 1.5 lbs. PMUG32 UltraPus™-Green 32 oz. 1.5 lbs.

UltraSlime™ Movie Slime-Makes creatures look real. Super stringy consistency simulates saliva and body secretions better than Methocel. Color with food color. Non-toxic. Methocel free.Gallons are special order. ShippingProduct # Description Size Shipping Wt PMUS16 UltraSlime™ 16 oz. 1.2 lbs. PMUS32 UltraSlime™ 32 oz. 2.5lbs. PMUS1G UltraSlime™ Gallon 10 lbs.

UltraMud™ Movie Mud-A finely ground mineral that, when added to water, results in an excellent mud consistency. Start with about 10 parts water to one part UltraMud. Non-toxic. (Contains no Fuller's Earth or Bentonite.) One pound makes 1 gallon. Grey in color- not brown. ShippingProduct # Description Size Wt PMUM1 UltraMud™ 1 lb. 1.2 lbs.PMUM23 UltraMud™(Special Order) 23 lbs. 25 lbs.

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lsFake EyeballsExcellent for use in mechanical heads because they have a peg to accept armature wire. Sold by the pair.Shipping Wt. - 2 ozProduct # Description PMTEHBL Blue No VeinsPMTEHBL* Blue With VeinsPMTEHBR Brown No VeinsPMTEHBR* Brown With VeinsPMTEHGR Green No VeinsPMTEHGR* Green with veinsPMTEFE Fire Eye - Red onlyPMTECG Cat/Reptile - Green only

Ultra Materials

UltraWet™ Wet Look Stuff-A very thick, very shiny, self leveling liquid for super smooth, wet look effects on hair, skin, clothes and entire sets. Thin with water. Washes off in plain water. Also excellent for medical simulations.Non-toxic. ShippingProduct # Description Size Wt PMUW16 UltraWet™ 16 oz. 1.5 lbs. PMUW32 UltraWet™ 32 oz. 2.8 lbs.

UltraSculpt™ Opaque Face Building Gel-Unique, opaque white, sculptable gel visually becomes part of the actor's face and body transmitting even the most subtle expression or movement for unparalleled expressiveness and realism. Use water as a sculpting aid. Water soluble and non-toxic. Color with water based pigments or mix in makeup. Apply conventional makeup over gel. ShippingProduct # Description Size Wt PMUSP16 UltraSculpt™ 16 oz. 1.4 lbs. PMUSP32 UltraSculpt™ 32 oz. 2.11 lbs.

UltraIce™ Clear Face Building Gel-Simulates ice or color to simulate skin. Unique, clear, sculptable gel visually becomes part of the actor's face or body transmitting even the most subtle expression or movement for unparalleled expressiveness and realism. Use water as a sculpting aid. Water soluble and non-toxic. Color with water based pigments or mix in makeup. Apply conventional makeup over gel. ShippingProduct # Description Size Wt PMUI16 UltraIce™ 16 oz. 1.4 lbs. PMUI32 UltraIce™ 32 oz. 2.10 lbs. PMUI1G UltraIce™ Gallon 11 lbs.

Eyeballs & Understructure

Friendly Plastic-A very handy product. These little pel-lets can be heated in a microwave, in hot water or with a heat gun. Use dishwash-ing gloves so your hands can handle the heat. As a release agent for the gloves, use a little petroleum jelly. Once the pel-lets are heated, they become translucent. You can then mold and shape. This plastic hardens and will accept paint well. Even painted, it is 100% recyclable. Simply melt it down again, reshape and repaint. It's that simple. Net Wt. - 28 oz. Shipping Wt. - 1.2 lbs

Varafoam-This themoplastic is excellent for under mascot heads because it is light weight and vented. Heat with a heat gun to shape or drip in hot water.Use dish-washing gloves so your hands can han-dle the heat. As a release agent for the gloves, use a little petroleum jelly. Once the pellets are heated, they become translucent. You can then mold and shape. This plastic hardens and will ac-cept paint well. Even painted, it is 100% recyclable. Simply melt it down again, reshape and repaint. It's that simple. Shipping Wt. - 8 oz.Product # Description Size UNVFH Heavy 36” x 52”UNVFL Light 36" x 52"

196 Alcone Company 800-466-7446 www.alconeco.com

Premiere Products Clear Gloss

Clear Gloss-When applied directly to the skin, it makes the skin look shiny yet provides a matte finish. Used here by Ve Neill on the movie Artificial Intelligence.Net Wt. - 8 oz. Shipping Wt. - 10 oz. Product # PPSICG08

Heavy

Page 13: Pages 185-198 (Prosthetics)

Air-purifying RespiratorsRespirators come in two basic types, air-purifying and air-supplied. Air-pu-rifying are more common because they are cheaper and don’t restrict your mobility, but the filters have short lives and can only deal with low levels of hazardous contaminants in the air. Consequently they should be used only when there is good enough ventilation to keep the contaminants at a low level. There are several other conditions for the proper use of air-purifying respirators. Every one is important to know and comply with. Otherwise put-ting on a mask is just fooling yourself.

1. The respirator must be fitted so that all air breathed comes through the filter. Test your mask by covering the open area of the cartridges with your hands or rubber gloves, etc.; inhale gently and hold your breath for five to ten seconds. If the facepiece collapses slightly, a proper fit has been ob-tained. If leakage is detected, reposition and/or readjust the straps. Another test is to cover the exhalation valve and exhale. If the facepiece bulges slightly and no air leaks easily between the mask and the face, it fits prop-erly. If not, readjust.

2. Filters or cartridges get used up as they absorb chemicals and dust/mist. Also the absorbing material begins to dissipate the minute you unseal a car-tridge or mask package, so always mark the date on the item when you open it. The current guidelines for all chemical cartridges or respirators are to use them no longer then 10 calendar days after opening. Even unused but open, they are useless after 10 days and should be thrown away. If you are work-ing with isocyanates, at low levels, the limit is 5 days. Those are maximum times. If you smell any odor while wearing a mask, there is a leak. Tighten or change the cartridge or respirator. If breathing becomes more difficult, try changing the cartridge. Don’t be surprised if you have to change before 10 days are up. Actually a cartridge only provides filtration for about eight hours of cumulative use.

Using old, depleted respirators is the most common mistake known. If a cartridge has not been dated or is over-age, throw it away. You might as well wear an old sock.

3. Respirators should be kept clean and disinfected (especially if not always worn by the same person) and stored in a clean place. They should also be inspected and maintained according to the instructions.

4. Always use NIOSH/MSHA approved respirators. As of July 10, 1998, NIOSH/MSHA implemented new regulations thereby making all other respirators sold before that date obsolete. Therefore, we have no replacement cartridges for old respirators and you must buy a new NIOSH approved respirator.

5. If you work in dust or mist as well as fumes, use an appropriate filter in front of the cartridge to keep it from being clogged. Change the filter when breathing is more difficult. Filters are cheaper and prolong the life of the car-tridge under those circumstances.

3M Particulate Respirator Protects against certain non-oil based particlesWell suited for work settings that involve heat, humidity or long periods of wear.Sold 10 per boxShipping Wt. - 12 oz.Product #SE8511

3M Dust, Mist &Fume RespiratorsSold 20 per boxShipping Wt. - 1 lbProduct #SE8210

3M Particulate Respirator With nuisance level Organic Vapor ReliefProtects against certain oil and non-oil based aerosol particles as well as organic vapors such as solvents, degreasers and resins.Sold 10 per boxShipping Wt. - 15 oz.Product #SE8577

3M Dust MaskProtects against nuisance dust particlesDisposable, maintenance freeLightweight, comfortable, easy to breathe throughEconomy pack - 20 per boxShipping Wt. - 1.5 lbs.Product # SE8000

3M Easi-Air™ Spray Paint RespiratorProvides relief from vapors and particles when spray paintingDisposable, maintenance freeEasy to breathe throughLightweight, dependable and economicalShipping Wt. - 6 oz. eachProduct # SE8656ES

Respiratory Protection

Cartridge Paint Spray AssemblyUnique head harness cradle assembly provides comfortable, balanced, no slip supportSoft silicone facepiece for worker comfortFacepiece design permits glasses and goggles to be worn comfortablyAdjustable four point strap attachment with convenient front strap Low profile placement of cartridges designed to give wide field of visionExhalation valve cover has permanent hinge attachment so it can’t get lostCat. # Description Size SE7018S 7018S Paint Spray Small-MediumSE7019S 7019S Paint Spray Medium-LargeSE7251 Organic Vapor CartridgeSE7256 Paint Spray Pre-filterSE7287 Cartridge Retainer

Cartridges are made for specific respirators. Please have respirator make and model ready when ordering.

3M Welding Fume RespiratorLow profile - fits under face shields and hoodsProvides comfort in high heat jobsFlame retardant to help eliminate burn worriesLightweight, durable construction that can be individually shapedProvides relief from welding fume fever. Shipping Wt. - 8 oz. eachProduct # SE8656FM

Respiratory Protection

Safety Equipment

197 800-466-7446 www.alconeco.com Alcone Company

Page 14: Pages 185-198 (Prosthetics)

Disposable Foam Ear Plugs• Extremely comfortable, economical protection• Permits conversational noise levels• 200/boxShipping Wt. - 1 lbs.Product# SA1100

Hearing Protector• For moderate noise environments• Cups adjust on one-piece plastic head band• Designed for lighter tension and greater wearer comfort.Shipping Wt. - 1 lb.Product# SA1435

20-25 PERSON KIT• Contents treat most minor emergencies• Kit also contains cold pack,gauze pads, eye irritation solution, tweezers and scissors.Shipping Wt. - 5 lbs.Product# SA17

40-50 PERSON KIT• Same as 25 but designed to support the larger job site or workplace.Shipping Wt. - 8 lbs.Product# SA19

Lab Glasses• Lightweight black nylon frames• Lens wraps around to protect side of eye • Fits most head sizes.Shipping Wt. - 5 oz. Product# SA1710

Flexible Goggles• Soft vinyl frame with perforations for maximum ventilation• Optical quality, distortion-free, replaceable polycarbonate lensShipping Wt. - 8 oz.Product# SA432

Industrial• Lightweight black nylon frames• Lens curves for a tight fit • Fits most head sizes.Shipping Wt. - 5 oz.Product# SA1730

Light Weight Glasses• Lightweight red, white & blue nylon frames.• Fits most head sizes.Shipping Wt. - 5 oz.Product# SA1722

Face Shield• Designed for protection against flying particles and sparks during woodworking, metal finishing and spot welding• Adjusts for all head sizes, child to adult• Window pivots, enabling worker to raise or lower as required• Size: 17” x 8” x .060” ClearShipping Wt. - 1 lbs.Product # DescriptionSA1631 KitSA1632 Replacement Shield

Clear Vinyl Aprons• 25" x 38"• Self Ties• Cleans with a damp clothShipping Wt. - 1 lb.Product # PACVA

Latex Gloves• 100 per package• Not for use with hazardous chemicals• Non-sterilized• Better dexterity Shipping Wt. - 5 lbsProduct # Description Size PMGLM Latex Gloves MediumPMGLL Latex Gloves LargePMGLEL Latex Gloves Extra Lg

Apron Gloves

Vinyl Gloves• 100 per package• Not for use with hazardous chemicals• Non-sterilized• Use with 3rd DegreeShipping Wt. - 5 lbsProduct # Description Size PMGVM Vinyl Gloves MediumPMGVL Vinyl Gloves LargePMGVEL Vinyl Gloves Extra Lg

First Aid

“I-SPRAY” Emergency Eye Wash StationProduct # Description Shipping Wt. SA478 I-SPRAY Eye Wash 1.5 lbs.

Compact 101/2" x 16 3/4" plastic wall-mount holdstwo 16 ounce plastic squeeze bottles for emergency eye wash. Bottles are filled by user with distilled water.With quick release cap and spray-flow discharge for fast and uniform application. Bottles are easily released for quick emergency use. Sturdy wall-mount station is ready for installation.

Face & Eye Protection

Hearing Protection

Band-Type Hearing Protector• Popular in moderate noise environments• Blocks noise at outer ear passageShipping Wt. - 4 oz.Product# SA509

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198 Alcone Company 800-466-7446 www.alconeco.com