optimal design of bass reflex loudspeaker ports• bass reflex ports enhance low frequency output of...

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Bass reflex ports enhance low frequency output of loudspeakers. Oscillating air can become turbulent and shed vortices Vortex shedding produces port noise Optimal flare rate of ports has never been established BACKGROUND Optimal Design of Bass Reflex Loudspeaker Ports A. Bezzola 1 1. DMS Audio Lab, Samsung Research America, Valencia, CA, USA Describe turbulence and vortex shedding Too slow for optimization, even in 2D-axisymmetric models COMPUTATIONAL METHODS Valid below level at which port becomes turbulent Well suited for optimization problems NAVIER STOKES EQUATIONS ACOUSTIC HELMHOLTZ EQUATION Can Acoustic Helmholtz Equation be used to predict port shape with lowest propensity for vortex shedding? SIMULATIONS Optimized port shape with different flare rates to tune at desired frequency Optimized and simulated ports with length-to- central-diameter aspect ratio of 3:1, and 4:1 Length : Central Diameter 4:1 3:1 Optimally flared Under flared (concave) Over flared (convex) HYPOTHESIS: Ports with lowest curvature of particle velocity contour at port exit are optimal NOISE MEASUREMENTS Vortex shedding excites first port eigenmode 1 Measure ratio of spectral content around 1 to total spectral content DOUBLE-BLIND LISTENING TESTS 15 listeners participated in listening tests Result validate hypothesis and measurements CONCLUSIONS Helmholtz equation can predict optimal port flare rate REFERENCES 1. Roozen, N. B., et al., “Vortex sound in bass-reflex ports of loudspeakers,” JASA, 104(4), pp. 1914–1918, (1998) 2. Salvatti, A., et al., “Maximizing performance from loudspeaker ports,” JAES, 50(1-2), pp. 19–45, (2002) 3. Bezzola, A., et al. “Loudspeaker Port Design for Optimal Performance and Listening Experience,” accepted for AES Conv. 147, New York City, (2019) Optimally flared ports can be played 0.8 to 3 dB louder than slightly under- or over-flared ports and 10 to 16 dB louder than straight ports Rating (0 - 100) 100 75 50 25 0 Port Rating by Playback Voltage Overflared Optimally flared Underflared Straight with blends Straight no blends Ports 4 V 20 V 40 V 60 V Excerpt from the Proceedings of the 2019 COMSOL Conference in Boston

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Page 1: Optimal Design of Bass Reflex Loudspeaker Ports• Bass reflex ports enhance low frequency output of loudspeakers. • Oscillating air can become turbulent and shed vortices • Vortex

• Bass reflex ports enhance low frequency output of loudspeakers.

• Oscillating air can become turbulent and shed vortices

• Vortex shedding produces port noise• Optimal flare rate of ports has never been

established

BACKGROUND

Optimal Design of Bass Reflex Loudspeaker PortsA. Bezzola1

1. DMS Audio Lab, Samsung Research America, Valencia, CA, USA

• Describe turbulence and vortex shedding• Too slow for optimization, even in 2D-axisymmetric

models

COMPUTATIONAL METHODS

• Valid below level at which port becomes turbulent• Well suited for optimization problems

NAVIER STOKES EQUATIONS ACOUSTIC HELMHOLTZ EQUATION

Can Acoustic Helmholtz Equation be used to predict port shape with lowest propensity for vortex shedding?

SIMULATIONS

• Optimized port shape with different flare rates to tune at desired frequency

• Optimized and simulated ports with length-to-central-diameter aspect ratio of 3:1, and 4:1 Le

ngt

h :

Ce

ntr

al D

iam

ete

r

4:1

3:1

Optimally flared

Under flared(concave)

Over flared(convex)HYPOTHESIS:

Ports with lowest curvature of particle velocity contour at port exit are optimal

NOISE MEASUREMENTS

• Vortex shedding excites first port eigenmode 𝑓𝑝1

• Measure ratio of spectral content around 𝑓𝑝1 to total

spectral content

DOUBLE-BLIND LISTENING TESTS

• 15 listeners participated in listening tests• Result validate hypothesis and measurements

CONCLUSIONS

• Helmholtz equation can predict optimal port flare rate

REFERENCES

1. Roozen, N. B., et al., “Vortex sound in bass-reflex ports of loudspeakers,” JASA, 104(4), pp. 1914–1918, (1998)

2. Salvatti, A., et al., “Maximizing performance from loudspeaker ports,” JAES, 50(1-2), pp. 19–45, (2002)

3. Bezzola, A., et al. “Loudspeaker Port Design for Optimal Performance and Listening Experience,” accepted for AES Conv. 147, New York City, (2019)

Optimally flared ports can be played 0.8 to 3 dB louder than slightly under- or over-flared ports and 10 to 16 dB

louder than straight ports

Rat

ing

(0 -

10

0)

100

75

50

25

0

Port Rating by Playback Voltage

OverflaredOptimally flaredUnderflaredStraight with blendsStraight no blends

Ports

4 V 20 V 40 V 60 V

Excerpt from the Proceedings of the 2019 COMSOL Conference in Boston