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They have escaped the weight of darkness: Theproblem space of Michel SerresBook SectionHow to cite:
Brown, Steven D. (2016). They have escaped the weight of darkness: The problem space of Michel Serres.In: Steyaert, Chris; Beyes, Timon and Parker, Martin eds. The Routledge Companion to Reinventing ManagementEducation. Routledge Companions. London: Routledge, pp. 144–160.
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TheyHaveEscapedtheWeightofDarkness:TheProblemSpaceofMichel
Serres
StevenD.Brown,UniversityofLeicester
ProductionHasComeToAnEnd
ThefinalsceneinBélaTarr’sWerckmeisterHarmoniesisasingleuninterrupted
shotfollowingthecharacterGyörgyEszterintothemainsquareofthesmall
Hungariantownwherehelives.Thesquareisoddlycalmaftertheriotsand
chaosofthepreviousevening.Debrislieseverywhere.Atitscentreisthe
colossalbodyofawhale,perchedinthebrokenshellofthecircustruckthat
broughtitintothetownthedaybefore.Eszterslowlyapproachestherotting,
preservedbodyandgazesintoitsmilky,decayingeye.Werecallthewordshe
haspreviouslyspokentoValuska–‘Nemszámítsemmi.Semminemszámít’
(‘Nothingcounts.Nothingcountsatall’).
Tarr’sfilmechoestheapocalyptictoneofthenovelonwhichitisbased,Lázló
Krasznahorkai’sTheMelancholyofResistance.Thenoveldepictsaworldthatis
quiteliterallysinkingintoitsownpollution.Refuselayscompactedonthe
streetsofthetown.Publicservicesandtransportareerraticandappear
improvised.Anoldtreehasbeenmysteriouslyuprootedovernight,asthoughit
hasclaweditselfoutofthegroundinordertodie.Eventheweatherseemsto
havecometoahalt.AsMrEszthertellsValuska,‘Nomoresnow.Snow
productionhascometoanend’.Intothisgradualwinding-downofrurallife
comesatravellingcircus,promisingtodisplay‘anextraordinaryspectacle’–
whatitclaimsis‘thebiggestwhaleintheworld’.Thecircusattractsfollowers,
outsiders,whograduallyfillupthemainsquare,waitingforasign.Whenit
comes,theyunleashatorrentofviolencethatoverwhelmstheentiretown.
Theseareend-times.Butalsoopportunities.Intheshadowoftheimpending
dissolutionofthetown,thethreecentralcharacterspursuedifferentpaths.
TündeEszther,theembitteredPresidentoftheWomen’sCommittee,interprets
thisstrangeconjunctionofsignsasindicatingthemomentwhenherlong
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nurturedplanstoseizepowercanbeenacted,andinsodoingtakerevengeupon
herestrangedhusband.Forhispart,GyörgyEszter,seeksonlytodetachhimself
furtherfromcivicandpersonallife,towithdrawasfaraspossibleintonear
solitude.Finally,thereisJánosValuska,whodespitehisdisconnectedand
shambolicappearance,feelsnoseparationbetweenhimselfandhis
environment,andiscompelledtopacethetownatallhours,visitingallits
points.Bothfilmandnovelendinthesameway.Amilitarytake-overofthetown
securesTündeEszther’sposition.GyörgyEsztersubmitshimselftohiswife’s
machinations,unabletoseeanyalternative.Valuskaiscommittedtoa
psychiatrichospital.Thewhaleliesabandonedtorot.
ThinkingtheApocalypse
Throughoutthe60orsobookshehaswrittensince1968,MichelSerreshas
articulatedauniquelynon-hierarchicalviewofknowledge.Serresdemonstrates
alateralapproachoftravellingbetweenpractices,oftranslatingacross
languagesandsense-making.Knowledgeistreatedasapatchwork,ascattered
collectionofpocketsoforderandsensethatemergesfromthenoiseofthe
world.Therecanbenoformalhierarchywithinepistemology,outsideof
strategiesofviolenceorhygiene.Knowledgeisrootedinthelocal,inbodiesand
practicesandtheirencounterswithoneanother.
BornthesonofbargemanontheGaronneriver,andhavingservedforatimein
theFrenchmaritimeservice,Serreshasregularlyclaimedthathisearlyyearsof
sailingunderpinhisnotionof‘voyaging’betweenbodiesofthought.Hefamously
oncelikenedtheepistemicgapbetweenthehumanandthenaturalscienceto
the‘NorthwestPassage’thatconnectsthePacificandAtlanticoceans(Serres,
1980).Navigatingthispassagerequiresconsiderablymorethanjustagoodmap.
Itisanunpredictable‘adventure’,whereinalloftheembodiedskillsandknow-
howofthevoyagerwillbeputtothetest,andtheultimategoalisuncertain(see
SerreswithLatour,1995).Thingsdonotalwaysturnoutwell:hencethe
recurringthemeofcatastropheinhiswork,whichoftentakestheformof
referencetobeingtrappedaboardasinkingship(notablySerres,2008[1985]):
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17-21).Andyet,Serres,suggests,itisthroughthesemostdifficultofexperiences
thatwearriveatnovelpersonalandmetaphysicaldisclosures.
TheliteraryscholarStevenConnor(2005)hasnotedtheimportanceofthe
thematicofthe‘hard’andthe‘soft’acrossSerres’work.Thiscanusedto
appreciatesomethingofhisintellectualtrajectoryoverthepastfortyyears.His
earlystudiesareconcernedprimarilywithtranslationsbetweentheexact
sciences(i.e.physics,mathematics)andphilosophyandculture(i.e.literature,
art,myth),wherethisisunderstoodintermsoftransformationsinthe
movementofideas.Theseearlyworksarefairlytoughgoingforreaderswho
lacktheencyclopedicturnofmindthatSerrescelebrates.Thingsbecomealittle
easierinrelationtohisworkfromthe1980s,whichabandonsextendedexegesis
infavourofamorepoeticandoftenautobiographicalstyleofexploringideas.
ThisculminatesinAngels:AModernMyth(1995[1993])andVariationsonthe
Body(2011[1999]),bothresemblingartcataloguesintheirstructure.His
millennialworkhasmoreorlessabandonedformalreferencinginbooklength
extendedessayswritteninanaccessiblestyleresemblingtheextemporaneous,
andbearingthemarkofhispubliclecturingandbroadcasting.Thumbelina
(2015),forexample,readslikeaseriesofblogposts–preciselythemediaof
thoughtwhichformstheintellectualobjectofconcerninthebook.
Butatthesametime,thereisalsoaprogressivehardeningofintent.Onefinds
littleofthespiritof’68acrosstheearlyHermesbooks,whichfeelquite
disconnectedfromthesocialandpoliticalconditionsunderwhichtheywritten
(1969-1980).Butfrom1980onwards,Serresbecomefocusedonthenotionof
thefoundationsofsocialorderinviolence–announcedbySerresreferringto
TheParasite(1982[1980])as‘thebookofevil’andRome(1991[1983])as‘the
bookoffoundations’.Thetermshenceforthbecomesynonymousinhiswork.
TheNaturalContract(1995[1990])raisesthestakeshigherstill.Usingthe
pivotalexampleofGoya’spaintingFightwithcudgels,Serresarguesthatwhilst
wearebusykillingoneanotherinthenameofabetterworld,wehavefailedto
takeintoaccountthattheearthisathirdpartytothesebattles.Fromthispoint
on,theurgencyofthinkingtheecologicalbecomescentraltoSerreswork,
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arrivingathisrecentstatementBiogea(2012[2010]).Inthiswork,Serres
meditatesontheurgentphilosophical-practicaltasksthataccompanythehuman
transitionfromtheHolocene(11,700BPtothepresent)tothepresent
Anthropocene,theperiodwherehumanityhasaccomplishedmoreorless
completepower,asaspecies,overtheenvironment.Butthatpowercomes
withoutcontrol.Theenvironment,compromisedbyhumanactivity,perhaps
fatally,isrespondinginwaysthatwillrequirecolossaladaptationifweareto
survive.AsSerresonceputiftheAncientsdistinguishedbetweenthingsthat
dependonus,andthosethatdonotdependonus,thenthecurrentsituationis
onewhereitnolongerdependsuponusthateverythingdependsuponus(see
SerreswithLatour,1995).
Thethematicofthehardandthesoftcanbecomplementedbyasecond
relationshipbetweenthe‘apocalyptic’andthe‘ecstatic’thatrunsthroughout
Serres’work.Thesystematicandstructuralpushtowardsviolenceisarecurrent
motifforSerres.ThisissummedupinhisinvocationoftheRomanCultofDiana
atNemiinDetachment(1989[1983])i.Legendtellsofhowbyawarrior-priest
protectstheshrineofasacredtreeinthewoodsabovethetown.Whoeverseeks
tocontroltheshrinemustfirstkillthecurrentguardian.Butindoingso,the
burden–andinevitablefate-passestothenewcomer.ThelessonSerresdraws
fromthisisthatpowerdependsuponandbegetsviolenceandmurder.The
FoundationsTrilogy(Rome,Statues,LesOriginesdelaGéométrie)developsthis
furtherintoanaccountofthemythicfoundationsofhumanrelationsin
ritualizedviolenceandsacrifice.Serresarguesthattechnoscientificcultures
inheritandacceleratethistendencytofoundorderthroughdeath,withthe
stakesplayedoutaroundHiroshimaandweaponsofmassdestruction
demonstratingtheultimatehorizonii.Thisraisesthequestionofhowitis
possibletofindaspaceofliberty,fornon-proprietorialliving,whenallthe
positionsarealreadycolonizedbythelogicofviolentappropriation.
Fromthebeginningofhiswork,Serresalreadyknewthatthesearchforspace
wasnotsimplyamatteroffindinguncolonizedterritory,butratherofseeking
outnewrelationshipstospace.Thedemi-GodHermes,whopresidesoverfive
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earlyworks(LaCommunication;L’Interférence;LaTraduction;LaDistribution,Le
PassageduNord-Ouest),inventsnewmeansoftransportandcommunication
(alongwithmusicandtrade).Hermescanpassoutsideofexistingnetworksand
nodes,tofindandexploitunexpectedrelationsandpointsofcontact.Heisthe
livingembodimentoftheecstatic–literallyoutwith(ex-)place(stasis).This
allowsSerrestoreadacrossthehistoryofscienceandtechnology,andtoidentify
placesofunexpectedpassage,suchasbetweenthedevelopmentof
thermodynamicprinciplesandtheartofJMWTurner,orbetweenthecybernetic
reformulationofthebodyandtheFreudianunconscious(seeSerres,1982).The
enthusiasmforinformationtechnologyexpressedinSerres’laterwork(which
leadhimtoappearasamediaadvocatefortelecommunicationscompanies),can
beunderstoodasasearchfortheecstatic,fornewmodesofmovement,and
henceanevasionoftheinherentviolenceofhumanrelations,undertheever-
presentshadowofapocalypse.Inhiscurrentwork,thefigureof‘thebomb’is
replacedwiththe‘pollution’pumpedoutbyamassofhumanitybearingdown
upontheworldwithseeminglittlesenseoftheshortandlongterm
consequences.Discoveringnewmeansofcommunicatingwiththeplanetitselfis
themosturgenttask.
InthischapterIwanttoexploretherelevanceofthinkingthisproblemspaceof
thehardandthesoft,theapocalypticandtheecstatic,formanagement
education.ThepedagogicvalueofSerres’programmeof‘voyaging’hasbeen
muchexplored(e.gSteyaert2014),andmoregenerallyenthusiasmhasbeen
widelyexpressedforSerres’classicismandwillingnesstoovercomedisciplinary
divisions(e.g.Abbas,2005;Paulson,1997).However,itseemstomethatthe
lastingmessageofSerres’workistobefoundinthetensionbetweenthetwo
statements‘timeisrunningout’and‘nothingnewunderthesun’.Ontheone
hand,weliveinuncertaintimes,wherethedisconnectionoftheglobalfinancial
systemfromthegreaterpartofhumanityandtheravagedplanetonwhichwe
subsistisasbreathtakingasitisultimatelyfatal.AsSerresnotesinTheNatural
Contract,sailinglorehasitthatoneshouldpissfromthesideofashipinorder
nottopollutethevessel.Butthatoptiondoesnotexistataplanetaryscale.On
theotherhand,thecomingfinancial,socialandecologicalcatastrophesneednot
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paralyseourthinking.Thereareresourceswithinancienthistory,mythand
philosophy,Serressuggests,thatcaninformandenrichoureffortstofindway
throughthesetimesofperpetualcrisis.AsIwillgoontoargue,management
educationneedstobeimbuedwiththeparadoxicalcharacterofbeingboth
firmlyforwardlooking(e.g.beyondexistingepistemicandpoliticaldivisions)
andsimultaneouslyintenselybackwardlooking(e.g.toancientquestionsof
propertyandfoundation).
Inthefollowingsections,IfirstofallattempttosituateSerres’workinrelation
tocontemporarysocialscience,inordertohighlighttheproblemsfacedaround
workingphilosophicalissuesintocurriculumdelivery.Ithenmapoutthescope
oftheproblemspacethatSerresoffers,beforeproceedingtosketchoutthree
routesthroughthatspace,andtheirrelevancyformanagementknowledge.
Finally,IendwithsomereflectionsonthepracticalitiesofthinkingwithSerres.
TheScribblersofSocialScience
Therearenumerouswaysofdeliveringphilosophywithinmanagement
education,andmanyofthebestcontemporarypractitionersofthisdarkartare
contributorstothisvolume.Manywould,Ihope,agreethatthestrategiesfor
deliveringphilosophytomanagementstudentsarelimitedanddifficult.Itis
possibletoimagineofferingawholecourseonphilosophywithinamanagement
programmeiii.Buttherearenumerousbarriers,fromthepressureonspace
withinthecurriculumarisingfromtheneedtocomplywithaccreditationbodies,
throughtodifficultiesinpersuadingmanagementstudentsofthevalueof‘liberal
education’,especiallywheninternationalstudentsconstituteeitherasignificant
partoforthemajorityoftheclassiv.Thealternativeistodophilosophyby
stealth,embeddingitacrosstheentirecurriculumintheformofconceptual
discussionsoffirstprinciplesorontologicalpresuppositionsforthetopicin
hand.Thisapproachderivesfromthewell-known‘paradigm’debatesofthelate
1970s/early1980s(seeBurrell&Morgan,1979).
Thesuccessofthislatterapproachdependsuponbeingabletoconvince
studentsthattherootsforaworkableprogrammeforsocialsciencecanbe
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surfacedfromagivenphilosopher’swork.However,inthecaseofSerres,thisis
somewhathamperedbytheoutrightantagonismhedisplaystotheveryideaof
socialscienceingeneral(letalonebusinessandmanagementstudies).
Malfeasancecontainsadisparagingexampleof‘somescribblerofasocialscience
dissertation’(2011[2008]:65)whoconsidersstudyingdirt.Sincethe
immediatelyprecedingexampleconcernsa‘PeepingTom’whomapsthe
‘ejaculatorystainsonasheet’(p.65),Serres’generalviewofthestandingof
socialscientistsisprettyclearhere.Whatmakesthisallthemorepuzzlingisthe
emphasisonthecomparativethatrunsthroughbookssuchasRomeorStatues.
GeorgeDumézil’sstudiesofreligion(e.g.1988),forexample,whichextractgrand
structuralrelationsorganizedaroundthefiguesofJupiter(religion),Mars(war)
andQuirinus(commerce),areamajortouchstoneforSerres.Buttheworkof,say
ClaudeLevi-StraussorGregoryBatesonisentirelyabsent,despiteitsobvious
resonancewithSerres’concernsaroundpatternsandconnectionswithinthe
socialfabric.Mostbafflingofallisthelackofreference(tomyknowledge)to
MaryDouglas(1986),despiteSerrescontinuousrevisitingtheproblemof‘dirt’
inrelationtothefoundingofbeliefsystems.
Whenpressedonthislackofengagement,suchinthedialogueswithLatour
(SerreswithLatour,1995),Serreshaspresentedhimselfasoneofthefew‘true
structuralists’.Whathemeansbythisistakingtheprinciplesofsettheoryand
thealgebraictopologyasguidesforspeculativeinvestigationsofhuman
relationsratherthanpositingabstractstructurallawsandaxioms.Take,for
instance,hisearlyessay‘TheWolf’sGame’v(seeSerres,1982).Thispiece
describesLaFontaine’sfableofTheWolfandtheLambintermsofalgebraic
orderingrelationsthatconstituteadirectionalflow.Serresarguesthatthelogic
ofpushingone’sopponentintoarelationthatis‘upstream’whilst
simultaneouslypositioningoneself‘downstream’createsthemostpowerful
position.HethenextrapolatestowardsadiscussionofCartesianreasonandthe
birthofmodernscience,endingwiththeportentphrase‘Westernmanisawolf
ofscience’(p.28).Inthispiece,weseeoneofthesourcesofthegeneralized
modelofparasitismthatbecomescentraltoSerres’approachtorelationality
fromTheParasiteonwards.
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Ineffect,Serres’moveistocreateaspacethatlooksremarkablylikesocial
sciencethroughbypassingtheexistingtraditionsofscholarshipinthearea
altogethertocreateanalternativepassagewayfromtheexactsciencestothe
humanitiesvi.Hisworkthenresemblesakindghostlydoppelgangerthatisat
onceoddlyfamiliartosocialscientistsandutterlyalien.Thiscanbeclearlyseen
intheuptakeofSerres’workinActor-NetworkTheory(ANT).MichelCallon’s
(1980)formulationoftranslationexplicitlymarksitsdebttoSerres,andin
particulartotheessay‘Betrayal:TheThanatocracy’fromHermesIII(Serres,
1974).WhatCallondoesisinhispieceistobegintodevelophishugely
influentialmodelofhowrivalmaterialsemioticordersbecomeheldtogetherin
networks(seeCallon1986forthebestinitialformalisation).Specifically,inthis
case,howdifferentversionsofwhatconstitutedanelectriccarweretemporarily
madetocoherebyRenaultandotherstakeholdersforthedurationofan
ultimatelyfailedproject.Callon’sworkaddressestheproblemwithinthe
SociologyofScientificKnowledgeofrethinkingthenatureof‘interests’,which
acquireasocio-materialratherthanideologicalcharacterinANT.Butwhat
Serresisuptoinhispieceisbothvastlydifferentinscopeandtone,andyet
strangelysimilar.Hearguesthatthehistoryofsciencehasrendereditself
unworkablebecauseitsownhistoricityiseffacedasitseekstotranslatethe
energiesoftheworldintonetworks.Thisquestion,forSerres,isoneofthe
dramaticchangesofscaleinvolved.Forsciencetoproclaimitselfmasterof
naturerequiredacolossalseriesofconversions,transformationsandruses
(hence‘betrayal’),theconsequencesofwhicharefoundintheviolenceof
Hiroshima.
BrunoLatour’sengagementwithSerresfollowssimilarlines.Inhis
extraordinary‘infra-history’oftherelationshipbetweenpeopleandthings,
Latour(1994)drawsuponSerres(2014[1987])notionof‘pragmatogony’to
describeagenealogyofthevariousformsofsocial/politicalecologythathave
emergedasartefactshavemediatedandreshapedhumanrelations.Thekeyidea
oftheexchangeofpropertiesbetweenpeopleandthings,viatranslation,has
becomecentraltothe‘materialturn’inthekindofsocialsciencethatANThas
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helpedtoinaugurate.However,inSerres’worktherecognitionofourstatusas
subjectsthroughencounterswithobjectscarrieswithitconsiderablerisk.InThe
NaturalContract,SerresrecallstheetymologyofsubjectinLatin–sub(under)
jacere(throw).Thesubjectisthrownunder,orcastbefore,theobject,exposedto
itsmaterialaffordancesandvalences,uponwhichsheorhesubsequentlycomes
todepend.ThislineofargumentisdevelopedinSerres’writingonquasi-
objects/quasi-subjects.Inthegameofrugby,forexample,thestatusandfateof
eachplayer–asheroorvillain,victororvanquished–dependsuponhowthey
arepositionedinrelationtotheball(seeSerres,1982[1980]).Inasense,itis
theballthat‘decides’,intheoldmeaningofthephrasetomakeapath,ormakea
cut.Ourstandingassubjectsisfatallylinkedtothemovementofobjects.
Serres’ProblemSpace
Serres’influenceoncontemporarysocialsciencehasbeen,inamannerof
speaking,‘methodological’.Itishisproceduresforworkingwithdiverse
materialsthathavebeenappropriatedratherthanthebroadermetaphysicaland
ethicalargumentsthatserveastheirunderpinnings.Butitpreciselythisdark
coretoSerres’workthatspeakstothedifficultiesofteachingwould-be‘Masters’
ofthemodernbusinessworld.Forexample,inTheParasite,Serresarguesthat
appropriation–takingwithoutgiving–isattheoriginsofhumanrelations.He
modelsthisasaseriesofinterceptionswhereproductionisinterruptedand
redirected,usingthefableoftheTownRatandtheCountryRatasexample.From
aMarxistperspective,whatSerreshastosaymerelyrepeats,inadifferent
language,theprocessoftherealsubsumptionoflabourwithincapital.
Everythingbecomesexchange-value.Onecouldimagineusingthispointasa
jumpingoffpointtoadiscussionof‘culturaleconomy’orsomethingsimilar.
However,whatSerresproceedstodoistopushparasitismbackbeyond
productionitself.ForSerres,agricultureisakindofparasitismsinceitis
redirectingtheenergiesofnature;itisformofappropriation,albeitonethat
humanityhaspracticedsinceNeolithictimes.Ifproductionisparasitic,thenit
followsthatbeforeuse-valuethereis‘abusevalue’.Thisistheoutcomeof
applyingthermodynamicstopoliticaleconomy:
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Lifeworks;lifeiswork,energy,power,information.Itisimpossibleto
translatethisdescriptionintoanethicaldiscourse.Itisthus,itmustbe
thus;Ireallydon’tknow.Theworkoflifeislabourandorderbutdoesnot
occurwithoutborrowingfromelsewhere.Itmakesorderherebutundoes
orderthere.Anditreinforcesdisorderandnoise…Oneparasitechases
outtheother,asonedisorderchasesouttheother.(Serres,1982[1980]:
88)
Whatisatoncebothfascinatingandterrifyingaboutthisargumentisthat
immediatelyproblematisestheideaofaspaceoutsideofviolenceinwhichto
groundsomeformofethics.Lifeitselfhasaparasiticdimension.Orderis
createdandsustainedbyinterruptingand‘chasingout’priorformsoforder.An
ethicaldiscoursecannotreplyuponsomeunspecified‘otherness’or
supplementarysiteforitssalvation,sinceallthepossiblepositionsarealready
occupied.WhichistosaythataBusinessEthicsinformedby,say,Derridaor
Levinaswillbeoflittleuse.Thereisnospaceoutsidetheboattopissinto.
ThisrelentlesslineofargumentisappliedinSerres’recentworkonthefinancial
crisis.TimesofCrisishasarathercheekysubtitleappendedtotheEnglish
translation–‘whatthefinancialcrisisrevealedandhowtoreinventourlivesand
future’vii.Thereaderwhotakesthistomeanthatananalysisistofollowof
modernfinancialsystemsandtheirmanifoldfailingswillbebitterly
disappointed.Serresopeninggambitistoconfirmwhatweallknowaboutthis
leastopaqueeventinrecenthistory–‘Isimplythinkthereisagapbetweenthe
numbersreachedinthevolatilestockmarketcasinosandtheweightierand
slowerrealityoflabourandgoods’(2014[2009]:1).Hethenlikensthe
relationshipbetweenthe1%and99%asakintothatbetweenmortalsandGods
inGreekorRomanculture.Butthisparticulargap,thescaleofmonetaryvalues,
issimplyapointofdeparture.Therearenumerousmeasuresrelatedtorecent
humanactivitythatreflectsimilarlyastronomicalleapsinscale,suchas
demographics,health,transportationandmedialconnectivity.Serresarguesthat
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takentogether,theserunawaymeasuresreflectafissure,atectonicmovementin
humanhistoryor‘hominization’.
Hominizationcan,forSerres,beunderstoodintermsofatransformationinthe
natureofappropriation.Modernformsofappropriation–withthefinancial
crisisbeingtheapotheosis–arerootedin‘natural’actsofterritorialisation
(Serres,2011).Dogspisstomarktheboundariesoftheirrespectiveterritories,
placingchemicalsignstooneanother.Urineandexcrementaredirt,butrather
thanbeing‘matteroutofplace’,asMaryDouglasargued,thiskindofdirtisa
markerofplace.Itindicatesthatspaceisnowowned.Conversely,the‘clean’
designatesthatwhichisprovisionallynot-yet-ownedortemporarilyunmarked
space(hence,Serresargues,theobsessionwithwhitesheetsinhotels,inviting
theguesttomarkitoutwiththeirownfilth).Thedirtofothersisdisgusting,but
ourowndirtfeelsverydifferent.Itisgroundsusinplace,andhenceaccords
identity.Consider,forexample,TraceyEmin’sinfamousartwork,MyBed,
consistingofanunkemptbedwithsoiledsheets,strewnwithmenstrualblood
stainedknickersandcondoms.Fortheviewerthepiecehasa‘hard’exterior–it
ischallengingtolookatittooclosely–butfortheimpliedsubjectoftheartwork
ithasa‘soft’interior,itisaninhabitedspacethatmarksoutthesubjectivityofits
user/creator.Dirtispollutionforthoseoutsidetheterritory,andaboundary
markerforthosewithinwhoappropriateitthroughtheiractsofsoiling.Inthis
wayithasbothamaterial‘hard’dimensionanda‘soft’symbolicstatus:
Letusdefinetwothingsandclearlydistinguishthemfromoneanother:
firstthehard,andsecondthesoft.BythefirstImeanontheonehand
solidresidues,liquids,andgases,emittedthroughouttheatmosphereby
bigindustrialcompaniesorgiganticgarbagedumps,theshameful
signatureofbigcities.Bythesecond,tsunamisofwriting,signs,images,
andlogosfloodingrural,civic,publicandnaturalspacesaswellas
landscapeswiththeiradvertising.Eventhoughdifferentintermsof
energy,garbageandmarksneverthelessresultfromthesamesoiling
gesture,fromthesameintentiontoappropriate,andareofanimalorigin.
(Serres,2011[2008]:41)
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Pollutionisnotabyproduct,oranunintendedconsequenceofsocialand
businessactivity.Itisthedeliberatemarking,occupyingandappropriatingof
space.WeneedtoadviseourBusinessEthicsstudentstostarttheirdeliberations
fromthispoint.Thespreadof‘hardpollution’,ashumansseektomarkoutthe
entireplanetastheirproperty,istheobviouscauseofenvironmentaldamage.
Hardpollutionshowsthe‘weight’ofhumanityontheEarth,thewayinwhich
humanshavebecomeacollective‘globalsubject’(Serres,1995[1990]).But‘soft
pollution’intheformofthevastproliferationoftextualandvisualmarkersisno
lessproblematic.Itclearlystatesthattherenolongeranyunmarkedspaces–
everythingisproperty:
(N)atureisperishingunder‘culture’.Inthefirstdeluge,onwhichNoah
floated,culturedisappearedbeneathnature.Inthisfinalflood,the
reverseofthefirstone,willtherebeasingledensepointleftwherea
workofartcanbefound,onelastdiamonddensewithmeaning?Who
doesn’tseethattheonlythingleftfloatingwillbethehomogeneous
excrementofthevictoriousGreatOwner,Sapienssapiens?(Serres,
2011[2008]:70)
Thedisappearanceofnatureunderthedelugeofcultureisthefinalactinseveral
centuriesofecstatic‘objectivizing’,drivenbytheso-calledhardscienceswhich
rendertheworldinto‘passiveandsubmissiveobject,reducedtoafew
dimensionsofspace,time,masseenergyandpower’(Serres,2012[2010]:33),
andcompletedbythesoftsciencesofmanagement,marketingandfinance.What
thefinancialcrisisreveals,forSerres,isthatfinally,wearemastersoftheplanet,
nolongerreliantuponamysticaldependencetotheoldgodsofearthandsky.
Ourmodernscienceisabletoproduce‘worldobjects’thatpossess‘adimension
commensurablewithoneoftheworld’sdimensions’(Serres,2011[2008]:53).
Forexample,asatelliteturnsatthespeedofthemoon,human-maderadioactive
wastehasalifespanclosertothatoftheearththantothatofanygivenhuman,
financialmarketstradesumsofmoneygreaterthantheGDPofmostnations.
Serrescoinsthephrase‘hominiscence’tonamethekindofcreaturewehave
becomeaswearriveatcompleteappropriationoftheentireplanet(i.e.fromthe
HolocenetotheAnthropocene).Humanityisthemostsuccessfulparasiteofany
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invasivespecies,although,asSerres(2012[2010])notes,oursuccessmaysimply
bethe‘disembarkation’pointforothermorenimblerparasites,suchasviruses.
Butattheverymomentthattheworldbecomesa‘trash-canEarth’ofobjectsto
beconsumedanddisposed,somethingnewhappens.ForSerres,climatechange
inallitsmyriadforms–e.g.risingtemperatures,‘peaksoil’,watercrisis,
increased‘natural’catastrophes–areutterances,formsofspeechthroughwhich
theEarthisaddressingusdirectly.Yetwenolongerhavethemeansto
understandthisspeech.TheancientssubjectifiedtheEarththroughsymbolic
transformation(e.g.Neptunecametoembodystormsatsea,Vulcan’s
hammeringtamedtheunpredictabilityofearthquakes).Thistransformation
allowedrecognitionoftherebeingactorsoutsideofhumanrelations–third
parties–whosespeechandactionsneededtobetakenintoaccount.Oursurvival
henceforthdependsupon,onceagain,developingthemeanstohearand
interpretthisspeech:
Thegamewithtwoplayersthatfascinatesthemassesandopposesonly
humans,theMasteragainsttheSlave,theleftversustheright,
RepublicansagainstDemocrats,thisideologyagainsttheone,thegreens
versustheblues…thisgamebeginstodisappearwhenathirdparty
intervenes.Andwhatathirdparty!Theworlditself.Here,quicksand,
tomorrowtheclimate.ThisiswhatIcall‘Biogea’,anarchaicandnew
country,inertandalive,water,air,fire,theearth,thefloraandfaunaand
alllivingspecies.Thegamewithtwoplayersisoverandwestartagame
withthree.Thisisthecontemporaryglobalsituation.(Serres,
2014[2009]:31)
Theideaofhumanityasaglobalsubjectgaineditsmodernformmanyyearsago,
whenHobbesandRousseausetoutthatonlyacompactbetweenhumans,a
socialcontractthatelevatedindividualstobesomanypartsofasingleactor,
couldwardoffthewarofall-against-all.Athirdpartytoourdisputesnow
emerges,whichSerresnamesBiogea(frombio–lifeandgea–earth).The
questionisnotifweoughttorecognizethisthirdparty,sinceasglobalsubject
‘theworldobjectivisesus’asit‘fallsonourheadsandbecomestheformidable
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residualrealitythatkeepsusalive,transcendsusandcaneradicateus’(Serres,
2014[2009]:48).Weneedinsteadtoopenupanegationwiththisnewglobal
subject,Biogea,tofindthelegalandpoliticalmeans–ineffectbrokeranatural
contracttobewovenintoourexistingsenseofthesocialcontract(Serres,
1995[1990])–whilstdialogueisstillpossible.
TheSocialScienceofThirdness
Intheearly1990s,SerreswroteaninfluentialtextTheThird-Instructed,which
arguedthatlearningbeginswhenwerecognizeanintermediatespacebetween
twoapparentsidesviii.Theterm‘instructed’isimportanthere,becauseit
deliberatelyechoesGastonBachelard’s(1986)argumentforahierarchyof
knowledge,withPhysicsplacedatthetop,whereeachdisciplineneedstotake
‘instruction’–i.e.modelitsownpracticesandmethodsofdeliberation–from
thosehigherup.Bachelard’sargumentwasunderpinnedbythewidelyshared
view,intheearlytwentiethcentury,thatonlyPhysics,whichhadits
reformulateditsfundamentaltermsofreferenceseveraltimes,couldlayclaimto
beingagenuinely‘revolutionary’science.Fromhisveryearliestwork,Serreshas
rejectedthisnotionofahierarchyinknowledge,andindeedtheconcomitant
Bachelardianideaofprogressthrough‘ruptures’or‘breaks’.Tosaythatwemust
insteadtakeourinstructionfromthespacesbetween,from‘thirdness’,is,in
effecttoargueformultiplicity,mixtureandtheas-yet-unappropriated.
Thiskindofthinkingchimeswellwithwhatwemightcalla‘soft’formof
interdisciplinarity,whichseestheexpansionoftheintellectualpalettearound
problemdefinitionasanunalloyedgood.Butconsideragainthatword
‘instruction’.Serresisnotsimplyrecommendingthatgoodpedagogyshould
embedalternativeapproaches.Heisdemandingthatweplaceourselvesunder
thedirectionofthirdness,ofacontinuousdiscipliningofthinkingthrough
multiplicity.If,aswehaveseen,thedarkcoreofSerres’workconsistsof
articulatinghumanhistoryasviolenceandappropriation,thenitwillnotbe
enoughtomerelycelebratealternativesortheinherentvalueofcrossing
intellectualborders.Serresinsistsuponapeculiarnewsyntheticprocedurethat
arrivesfromgivingoneselfoverentirelytomultiplicity:
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Ouranalyticalhateburstsintotheselittlepuzzlepieces,intothesetexts
armouredwithcompelling,aggressive,defensivecitation.Infragmented
lives,wethinkaworldburstintotechnologies,sciences,separated
languages.Ourmeaningliesinscatteredlimbs.Bydintofquarteringthe
subjective,thecognitive,theobjectiveandthecollective,howcanIsay
therightwordandliveahappylife?Theanalysisthatuntiesthesefour
componentscomesfromthehatethatdividesthem.Whatlovewill
reunitethem?(Serres,2010:75)ix
Howmightsuchanextraordinaryproposalbeputintopractice?Veryroughly,I
thinktherearethreeroutesthroughtheapocalypticproblemspacethatSerres
hassystematicallyworkedout.Iwilltrytodescribeeachinturnwithreference
tohowitmightbeoperationalizedinmanagementeducation.
i)DarkOrganizationalTheory(TündeEszter)
Thelogicoftheparasiteisthemotorofhumanrelations.Theparasitetakes
withoutgiving;itinterceptsanexistingsetofprocessesandfindsawayto
extractvalue(seeSerres,1982[1980).Theparasiteproducesnothingby
themselves–everythingtheyhaveisborrowedorstolenfromothers–but
becausetheyactas‘irritant’toapriorsystem,theyareneverthelesscatalystsof
change.Parasitismisachallengetoappropriation;itsomnipresenceamongst
humanrelationshasprovokedpowerfulstrategiesofre-appropriation.For
example,thefoundingofthegreatcityofRomewasdone,Serresargues,tosolve
thecomplexinheritanceproblems–i.e.swarmsofparasites–aroundthe
existingcityofAlbaLonga(Serres,1995[1983]).InSerres’language,anew
‘whitespace’orownedsiteneededtobecreated.Thiswasdonethrougha
sacrificethatconvertedpollutionintopurification.RomuluskillsRemus,andthe
cityisconstructedonthesitedrenchedwithhisblood.Serresseestheoriginsof
modernreligioninthisfoundationthroughsacrifice–‘deathdesignatesthesite
andoftenitslimits’(2011[2008]:10).Whenthetimecomesforanew
foundationforRome,asRomulus’powerebbsaway,heisinturnmurderedby
theRomanSenators,legendhasit,andisreplacedbyNuma,whoformalizes
Romanreligiousprinciples(‘Ontheheelsofthefirstmurdercomereligions’
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p.15).ThestrategyoftheCultofDianaatNemibecomesthefoundationofpre-
modernstatecraft.
Socialorderandinstitutionsarefoundedthroughviolence.Murderandsacrifice
cleansthesite,opensitupforre-appropriation.Bloodreplacesurineasthe
markerofproperty.ThisideabearstheimprintofReneGirard’sworkon
‘scapegoating’(e.g.2005).Girard–towhomRomeisdedicated–positsthat
humandesireshaveamimeticstructure.Wewantwhattheotherwants,and
whenourdesiresaremutuallyfrustrated,weseektocollectivelydestroythe
elusiveobjectthatisthesourceofourfrustration.Thusenvyandjealousyare
fundamentaldriversofcollectivity,bringingwithittheongoingthreatof
violence.Thescapegoatingmechanismisasolutiontothecollectivedescending
intothe‘warofallagainstall’.Ourmimeticdesiresforthesamethinginvertinto
acollectivehatredagainstthesameobject.Thisisembodiedbytheritualvictim
–RomulusinthemythofthefoundationsofRome,Christinthefoundationsof
Christianity–whosesacrificeputsatemporaryhalttoviolence.Indoingso,the
sacrificialvictim,thescapegoat,becomessacred,astheyarenowattributedwith
thepowertopreservesocialorder.
ThescapegoatisthefirstexampleofwhatSerresreferstoas‘quasi-objects’.
Theseareobjectsthatconferidentityuponsubjects.Werecognizewhoorwhat
wearethrougharelationshiptothequasi-object(i.e.Christiansarethosewho
arebothcomplicitinandredeemedbyChrist’ssacrifice).ForSerres,the
emergenceofthequasi-object–whichisalsoaquasi-subject,byvirtueofits
powerstoactuponthecollective–inauguratesthesubject/objectdichotomy
thatwillprovesopivotaltohominization(anargumentmademorefullyin
Genesis).Butquasi-objectsareunstable,theyonlyputanendtoviolence
temporarily.Theyrequireaninstitutionalstructuretobeplacedaroundthemin
ordertocontinuetosecuresocialorder.HereSerresturnstoGeorgeDumezil’s
studiesofarchaicIndo-Europeansocieties.Dumézil(1988)claimedthatsocial
ordercoheresaroundthreedistinctfunctions–worship,warandcommerce.In
RomanmythologytheseareembodiedintheGodsofJupiter,MarsandQuirinus.
OnSerres’reading,eachinstitutionalgrouphousesitsownquasi-subject–
fetishes(tracesofthebodyofthescapegoat)forreligion,stakes(pollutingand
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purifyingblood)forthemilitary,andmerchandise(circulatingsignsofsoft
pollution)forproducers.Thegoalofeachinstitutionistokeeptheirrespective
quasi-objectmovingtowardoffthethreatoftotalviolenceandthedestruction
ofthecollective.
Incontemporaryterms,whatthismeansisthatthesecuringofsocialorder
requiresevermorerelics,bloodandmoneytobeputintocirculation,inan
ecstaticmovement.Thefinancialcrisisisatestamenttothis:thesolutiontothe
failureoflegitimacyoffinancialinstitutionsistopumpmoremoneyintothem,in
thesamewaythatthesolutiontoconflictinthetwentiethcenturywastoinvent
technologiestoexponentiallyincreaseactualorpotentialdeathtoll.Foratime,
notablyinAngels:Amodernmyth,Serresappearedtobechampioningafourth
God–Hermesorcommunication–asthesourceofanew-quasiobjectof
‘information’.Andyetthistooseemstobetendingtowardshyperbolic
breakdown,wheresocialandpoliticalproblemsaretreatedasreducibletothe
needformoredata,whateverthe(social,political)cost.
Inpedagogicterms,thelessontobedrawnhereisthatorganizationisalways
parasiticuponpriorformsoforder.Contrarytotheroutineandtiresomeclaims
madeforextraordinaryentrepreneurialsuccessex-nihilo,wemayinstead
enquireastheextensivechainsofparasitismandappropriationthroughwhich
thisaccomplished.Thecurriculummayspeakofinnovationorcreativity,but
whatwearereferringtoisalwaystheftandviolence.Parasitismistherule,not
theexception.Butparasitescomeinmanydifferentforms,andtheirstrategies
mayvarygreatly.Forexample,parasitesthatkilltheirhoststendingeneraltobe
lesssuccessful,andbydefinitionareunabletogainnumericalsuperiorityover
hostorganisms.Endoparasitesthatdwellwithinthebodyofthehostare
themselvesdependentonotherparasitesthatserveastheirvectorof
transmission(recallhowSerresspeculatesthathumanitymayultimatelyhave
beenthevectorforother,asyetunknownparasitestoimplantthemselves).
Symbiontsexistinmutuallyparasiticrelationshipswithotherspecies,insemi-
stablearrangements.Iforganizationisparasitic,thenacentraltaskistodescribe
thepreciseformssuchparasitismtakes.
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Equallypressingisthetaskofanalyzingthemovementofquasi-objects.Herewe
canusefullybeginbydispensingwiththeideathatthereisaneconomiclogicat
thecoreoffinance,oralegal-politicalrationaletowar,or,indeedan
existential/spiritualneedbeingplayedoutinreligion.Whichisnottosaythat
therenothing‘economical’abouteconomics,andsoon,butratherthese
institutionalpracticesarefoundedintheadministrationandregulationof
violence.Thus‘management’itselfbecomesthemoderndomestificationofan
ancientlogicofsacrificeandscapegoating.Fromurinetobloodtospreadsheets.
Recognitionofthepersistenceofarchaicviolenceinmodernmanagement
practicesmeansthatthestudyofrecentandancienthistory,andofmythand
fable,isnolessimportantthancontemporarytheoriesandconcepts.AsSerres’
mantragoes:‘nothingnewunderthesun’.
ii)Detachment(GyörgyEszter)
OneofthemostcuriousofSerres’worksisasmallvolumeofessaysfromthe
mid-1980s,Detachment.Thefourpiecescontainedwithinitmeanderbetween
myth,real,orperhapsfalse,autobiographicalrememberingandahauntingsense
oflossanddespondency.Theguidingthreadbetweenthemisofthenatureof
endurance,whatitmeansforsomethingtopersistintime.Commonlywethink
ofthisintermsofthehistorical–thechronologicalsuccessionofevents,one
succeedingtheother.Yet,aswehaveseen,thehistoryofhumanrelationsis,for
Serres,thecontinuousevolutionofviolenceandthestrategiesthatcontainit.
Historicalendurancethenamountstoaninterplayofparasitismand
(re)appropriation.Isthisallthatcanbehopedfor?
Inoneoftheessays,‘TreesofDeath,TheTreeofLife’,Serresspeculatesonthe
symbolismoftrees.Assacredsymbols,treesappearassourcesoflifeand
rebirth,germinationandthecontinuityofspecies.Thespreadingoutofbranches
servesasapotentrepresentationofdivisionanddistributionthroughthe
growthofsuccessivegenerations.Smallwonderthenthattheimageofa‘treeof
life’findsitswayintomanydifferentreligions.Togivebutoneexample,the
JewishKabbalahprovidesarepresentationoftheemanationofGodintothe
createdworld,andhenceofthewaysinwhichhumansmaycometoknowGod’s
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creation.Thetreeoflifeisthenalso,typically,atreeofknowledge,a
diagrammaticrepresentationoftheprincipledistinctionswithinwhatis
knowable.Inthisway,thetreestructuremediatesbetweenthesacredandthe
profane.Finally,thetreeoflifeandknowledgeisalso,inevitably,thesiteof
power.IntheChristianbible,transgressingtheprohibitionsaroundthetreeof
liferesultconstitutes‘originalsin’.
Theintertwiningoflife,withthegrowthofknowledgeandtheplayofpower
rendersthetreestructureasakeysymboloftheunfoldingofhistory.Serres
recountsanexperienceofstandingbeforeaSequoiatree,oneofthelargestliving
organismsonearth.Thecurrentformofthistree,withitspowerfulattributesof
longevityandfire-resistance,speakstoalongevolutionaryhistory(datingback
totheJurassicperiod).Itmayevenbedirectlyspeakingtousofthishistory,
sinceasSerresobserveselsewhere,the‘thingsoftheworld’communicatewith
oneanother,throughchemicalandelementalprocessesfarfasterandmore
effectivelythanwedo(Serres,2012[2010]:128-130).Serresfantasisesthatat
somepointtheSequoiawasplantedbyanancientculture,whoseintentions,
knowledgeandpracticesarenowlost.Thisisnotanentirelyfancifulidea,since
themarksofcultivationanddomesticationdatebackatleasttotheNeolithicera:
Fourthousandyearsagosomegiftedancestors–Ididnotkeeptrack–
bequeathedtousplantsandanimalsonthissideoftheworld,onthe
otherslopeofthesun.Todayweeatlamb,areclothedwithwool;my
fatherraisedcattle,wetastewheat-bread,wedrinkwinefromthevine,
thankstotheirimmortalgenius…[B]reedingandcultivationperpetuated
themselveswithoutshortcoming…[O]urforefathersoffortycenturies
agotrainedphylogeny.Theyforeverdomesticatedthespecies.They
formedthematrixofallmatrices.Theyawakenedtheirgenealogy,we
onlyknowhowtolullittosleep,theycreatedittoservethem,wecan
onlykillit.(Serres,1989[1983]58-9)
Serreshereobservesthatsomeofthemostancienttechnologiesinventedbyour
ancestorsinthedeeppast–viticulture,animalhusbandry,milling–continueto
shapeourworld.Inthissenseakindof‘immortality’akintothegrowthofthe
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Sequoiahasbeenbequeathed.Serrescontraststhiswiththeformsoflongevity
thatthemodernworldaccomplishes–hazardousradioactivewastewithan
enormoushalf-life,hugecarbonfootprints,irreversiblesoilerosion.Itseems,
Serresargues,thatwehavelosttheabilitytodisappearintotheworld,to‘live
on’inperpetuitythroughtechniquesthatfosterlife.Ourtechnologiesseem,by
contrast,remarkablyshort-sightedandimposeaproblematichistorythatfuture
generationswillbeforcedtoendure:
Whydowenolongerinventdurabletraditions?Whydoweonlyfoment
revolutionslastinghardlyonegeneration?Whydowenolongerdiscover
newknow-howscuttingthroughtime?Whatdidwelosetoallowusto
enterhistory,thismythofdeath?(Serres,1989[1983]:61)
Long-termspeciessurvival–theimmortalityaccomplishedbytheancients–
dependsuponescapinghistory,understoodhereasthecontinuousviolence
playedoutaroundthetreeofknowledge/life.Serrespointstothepre-modern
conditionofChina,wheremasslabour-intensiveagriculture,createda
traditionalcultureseeminglyunchangedbythecenturies–‘Notime,nohistory,
formillenniaagriculturalChinashowstheendofhistory,theendoftime–an
adaptedeternity–theabsorptionofhumanityintotheloam’(Serres,
1989[1986]:9-10).Chinesefarmersweredetachedfromhistory,Serresmuses,
becausetheyweresunkintoanenduringlandscapeinwhichtherewasnospace
forchangex.
Wemaythenproposetoourstudentstheimportanceofthe‘offgrid’–formsof
sustainablelivingthatdeliberatelytrytoextricatethemselvesfromhistoryand
seekadifferentrelationshiptotheenvironment.Detachmentisaccomplished
herebyawithdrawal,asfaraspossible,fromexistingcircuitsofproductionand
consumption(whichSerreswouldseeasinherentlyparasiticinnature).Thisis
nottosaythatthereissomeclearlydefinedspaceoutsideofparasitism.Rather
thatitmaybepossiblethroughanti-parasitictechnologies,suchasopen-source
developmentandproduction,tofindawaytodisconnectandeffectively
‘disappear’intothefabricofsocialspace,intotheloam.Fordecadeswehave
beentellingourstudentsofthepowerandvalueofnetworks.Nowweneed
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championthenecessityforpartialdisconnection,forcuttingoneselfoutofthe
ecstaticcirculationoffetishes,stakesandmerchandise.
iii)Cords(JanosValuska)
LanguagehasacomplexstatusthroughoutSerres’work.Forathinkerwho
revelsintheuseofarchaiclanguage,whocelebratesdialectandlocalidiom,
Serresalsodisplaysireatthemannerinwhichspeechisgivenpriorityoverthe
body.Fromclassicaltimesonwards,thetonguethatspeaksisdeemedofgreater
importancethanthetonguethattastesorthatkisses-‘Socrates,Agathonand
Alcibiadesspeakoflovewithoutevermakinglove,orsitdowntoeatwithout
actuallyeatingordrinkwithouttasting’(Serres,2008[1985]:165).Acentral
concernofoneofSerres’keymid-periodworks,TheFiveSenses,istheliberation
ofthebodyfromlanguage,andreconstitutionofknowledgeandempiricismin
oursensuousembodiedengagementswithoneanotherandtheworld.
Arepeatedimageofamountainclimber,abodyshornoflanguage,recurs
throughoutSerres’work.InVariationsontheBody,aseriesofimagesof
mountainsaccompaniesastrangegymnasticexperiment,wheretheauthor
invitesreaderstostretchoutandtracetheedgesofageometricshapeformedby
theirfurthestphysicalextension.‘Whoclimbsarockface?’Serresasks,‘Nota
visiblebodyexposedtothevoid,but,precisely,thismobileextensibleballinside
ofwhichthesimianorganismreposes’(Serres,2011[1999]:5).Physicalactivity
demonstratestousthatourbodiesarenotsolidcontainerssetagainsttheworld,
butareinsteadadynamicandmutablemixtureofforcesandsurfacesthat
becomemingledwiththeenvironment.Atonemomenttheclimberisspread
taughtagainsttherock,nowheldtoothersbyropes,thencurledtightlyintothe
snow.Allbodies–whetherhumanornon-human–are,inessence,mixturesor
‘minglings’ofconstituentpartsratherthandiscreteentitiesseparatedfromtheir
environment:‘thestateofthingsbecomestangled,mingledlikethread,along
cable,askein’(Serres,2008[1985:82).Theclimberis,insomesense,apartof
themountainforthedurationoftheascent,thecorporealandtheelemental
flowingtogether.Theyareknottedtogetherliketheropesorcordsthatattach
theclimbingpartytooneanother.
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Theterms‘cord’and‘contract’convergenceupontheideaof‘drawingtogether’
parties.TheNaturalContractexpoundstheideathatweneedtonotonlyarrive
atabetterlegalandpoliticalframeworkaroundtheenvironment,butalsotofind
anewunderstandingofthemannerinwhichwearejointlyattached.Thefirst
issueistoreframeourrelationshiptoproperty.Humanityisnolongerthe
owner-occupierofBiogea,butatenant–‘weshouldnolongerbethemasters
andpossessorsofnature.Thenewcontractbecomesarentalagreement’(Serres,
2011:72).Onthisformalbasis,weneedtodevelopbettermeanstounderstand
whatBiogeaissayingwhenitspeaks.Thisgivesapragmaticratherthana
principledprioritytotheLifeSciences,whichareabletoengagewiththe
processeswhereinthingscodeandbecomecodedbyoneanother:
Whetherfluidorofair–evensolidscommunicate–thingsrespire
together,theyconspirewiththeirdifferentbreaths,butinaconstantand
totalcirculationthat’schancy,torn,chaoticandconsenting.Thesebreaths
haverhythms,tempi,amusic,waves,codes.Caused,causing,certainly,but
coding,coded,Isayagain.Theworldaddsupthecodes.(Serres,2010:
129)
ThelifesciencesarebestplacedtoactaslegislativecounselsonbehalfofBiogea.
Serrescallsforapolitical-legalforuminwhichtheresultingnaturalcontractcan
benegotiated,towhichhegivesthetitlewhichtranslatesintorather
unfortunateEnglish:WAFEL(Water,Air,Fire,Earth,Living).Muchaswith
Latour’s(1993)callfora‘parliamentofthings’,whatisinterestingaboutthis
propositionisnotsomuchthedetailsofhowitbeputintopractice,butrather
thenewrelationshipbetweenlaw,politicsandecologythatitassertsas
necessary.
Thelifesciencesare,ofcourse,nottheonlyknowledgepracticesthatwillbe
needed.Fromhisveryearliestworks,Serreshasarguedforakindof‘synthesis’,
or‘encyclopedic’approachtoknowledge(seeSerres,1982;SerreswithLatour,
1995).Whoistosaywhatwewillneedtoknowinordertonegotiatewith
Biogea?Ifepistemologyhaspreviouslybeeninthralltoappropriationand
division,alternatingbetweentheGodsofJupiter,MarsandQuirinus,thenthe
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kindofknowledgenowrequiredisa‘thinkingwith’ratherthana‘thinking
against’.Itisskillsatmediationandtranslation–thinkingfromthemiddle–that
becomeimportantintheattempttounite‘thefieldsofknowledgeamongst
themselvesthewaythethingsareconnectedamongthemselves’(Serres,
2012[2010]:131).
Ultimately,thisamountstoaself-transformation.Serres(1982:7)oncedefined
thehumaninthefollowingway,asthegreatestofallparasites–‘Manisawolf
forman,aneagleforsheep,aratforrats.Intruth,araraavis’.Butparasitism
alonewillnotpreserveusformuchlonger.AnewrelationshiptoBioegais
required:
Toattempttoopentalkswith[Biogea]andnegotiatetogether,thanksto
thecodessharedinthisway,amutualaidandbenefitpact,sothatwecan
passfromparasitismtosymbiosistogether.That’swhyIwanttolistento
thevoicesofBiogeawhilecomparingthemwithours.Communication,
interferences,translation,distribution,passagesandbridgesxi.Howcan
theinvasiveorderbecomeareciprocaldialogue?Howcantheobject
becomesubject?Inwhatlanguagedoesthismuteworldspeak?(Biogea,
2012[2010]:171)
SerresismuchtakenwithAldoLeopold’sphrase‘thinkinglikeamountain’.To
thinkamongstBiogea,withBiogea,likeBiogeameansfindingwaysof
encounteringwind,sea,fire,earth,beingexposedtotheircontingencies.Hence
thetextBiogeaiscomposedofnumerousnarratives–reliableandunreliable–
whereextraordinaryeventsovertaketheauthor.Atthecloseofone,heoffersthe
gnomicphrase‘Rare,thesemomentsofbeingonthelam.Mostoften,everything
toisdecidedatthecrossroads’(Serres,2010:150).Tobe‘onthelam’istotravel
asafugitive,awayfromhome,towardsanuncertaindestination.Itistooffer
oneselfuptoevents,tocontingencies.Thereisthechanceofunexpected
hospitality,theriskofsuddenhostility.And,mostofall,therearetheuncertain
momentsinbetween,atthecrossroads,wheredecisionshavetobemade.Thatis
perhapssomethinglikewhatitmeansto‘thinklikeBiogea’.
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Thegoalofmanagementeducationistypicallyframedaroundsomedesired
archetype–thereflectivepractitioner,theeffectivemanager,theservantleader
etc.WhatSerresproposesisthatwedispensewiththesekindsofimagesand
recommendthinkinglikemore-than-humans.‘ThinkinglikeBiogea’means
understandingstrategyfromtheperspectiveofatree,marketingfromthebelly
ofthesnake,financeamidsttheexcessoffrogspawn,innovationamongstcoral.
Managementeducationneedtobe‘de-hominized’ifwearetounderstandhow
wecanlivewithratherthanagainstBiogea.
ThinkingWithSerres
LetmeconcludebytryingtodevelopsomepracticalimplicationsofSerres’work
formanagementeducation.IhavesuggestedthattheproblemspacethatSerres
drawsupbetweenthehardandthesoft,theapocalypticandtheecstatic,sees
therootsofmodernorganizationandhumanrelationsinviolenceanditsfuture
inongoingpollution.Onepossibilityistodevelopthisargumentfurtherintoa
counter-narrativeoforganizationalandinstitutionallife.InTheParasite,Serres
developshisgeneralizedmodelofparasitisminoppositiontoanaccountof
systems,withtheirguidingprinciplesorequilibriumandfeedback.WhatSerres
describesaresystemsthatarebeingleached,subjecttointerference,drawn
downunpredictablepathways.Butwhichstill,neverthess,‘work’.Heaskswhat
weshouldmakeofthisrelationshipbetweenapparentorderandtheparasitical
–‘Whathappenswouldbetheobscureoppositeofconsciousandclear
organization,happeningbehindeveryone’sback,thedarksideofthesystem.But
whatdowecallthesenocturnalprocesses?’(Serres,1982[1980]:12).Elsewhere,
Ihavesuggestedthephrase‘darkorganizationaltheory’asawayoftreating
parasitismnotasanexception,butastheverycentralmotoroforganizational
lifexii.
Darkorganizationaltheoryisamyth,afable,atalltale.Butitisonethatis
satisfyingtonarrate,and,Ihope,tohear.Ratherthanconvincestudentsthat
organizationisourdefenceagainstnoise,ourmeansofsecuringourcommon
interests,weshouldtelltheminsteadofhowitisfoundedonexcrementand
murder.Thatorganizationsonly‘work’becauseofthecontinuousmovementof
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parasitesupanddownstreaminrelationtooneanother.Insteadoftellingthema
Kantianoraneo-Derrideanfairystoryaboutthe(im)possibilityofethics,we
shouldletthemknowwhathistorytellsus,that‘thecollectivecollectsitselfby
killing’(Serres,2012[2010]:21).Organizationisfoundedupontheft,
appropriation.Itis,intheonesense,inherentlyevil.ThetranslatorofLeMal
Propresettledupon‘malfeasance’asameansofcapturingtheplayoneviland
propertyatworkinSerres’fable.Butitseemstomethat,atleastina
managementcontext,thedirectrenderingof‘cleanevil’betterarticulatesthe
hardandsoftpollutionpiledupbythemoderncorporation.Itwouldseema
littleambitioustosuggestthatourstudentstaketheoaththatSerres
recommendstonoserveanyofDumezil’sthreegods–religious,militaryand
economicinterests.Butwecouldatleastinvitethemtoconsiderhowtoplace
theinterestsofBiogeaaboveallelse.
Anotherpossibility.InTheFiveSenses,Serresarguesforthecorporeal,lived
dimensionofknowledge.Welearnthroughencounters,throughphysical
engagementwiththeworld.Themetaphorofthevoyage,theadventurehas
alwaysbeencentraltoSerres’work.Itiswhatonelearnsalongtheway,atthe
crossroads,perhaps‘onthelam’thatmatters.Ourstudentscometousthrougha
varietyofroutes,somewithmoreorlessinterestingstoriestotell.Butallof
themcomefromsomewhere,fromaplaceinwhichtheirknowledge,their
language,theirexperienceisrooted.Howmightthisbemobilized,liberatedas
centralratherthanasperipheraltoteaching?Itisnotsimplyamatterofadding
afewculturalreferencestoleavenoutthelecture,butinsteadsomethingmore
far-reaching.Whynotgiveoversessionstothediscussionofancientandmodern
mythology?Ortoexplorationsoflocalpracticesofbrewing,culinaryarts,rituals
ofconsumption?Insteadofspeakingandwriting,whynotmakingorcreating–
fashioningobjects,theusecraftskills,visualarts,demonstrationsofaesthetic
preferences?Serresarguesthatultimatelyitisnot‘hard’analyticknowledgethat
gainimmortality,butinstead‘soft’technologies:
[F]orthetwoeconomicsystemsknowntothisday,nottakinganyaccount
ofthisworld,haveonlytakenafewdecades,negligibleatthescaleof
Biogea,toexhaustthemines,therivers,theentiretyoftheavailable
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stocks,destroyingtheseas,pollutingtheair,layingwastetotheEarth,
killing,atalightning-fastpace,thelivingspecies,inaword,devouringall
earthlycapital,hardaccumulatedovermillionsofyears,notwithout
drowningwhat’sleftofhumanculturesunderafloodofugliness;better,
saidsustainabledevelopmentservesasdeceptiveadvertisingforthemto
finishtheplundering.Whatisleftthat’slasting?Yes,thesoft.Waterlasts
longerthanearth,airlongerthanwater…signslongerthanfire.Hereis
mytheoreminfull:theharddoesnotlast,onlythesoftlasts.(Serres,
2010:192)
Finally,whyremainintheclassroomitself?DonnaHarawayhasdevelopeda
pedagogicstrategyshereferstoas‘implosion’(seeGhelfi,2015).Studentsare
askedtopickanobjectanduseitasastartingpointforadiscussionofthe
historiesthatmaybetiedtogetherwithinit.Forexample,acottonshirtmaylead
tothehistoryofpesticidesandCaliforniawaterprojects.However,tofollow
Serres’suggestionof‘goingonthelam’,whynotjustleavethelecturehall
altogetherandexplorethemyriadobjectsandsitesinnearbysurroundings?
Architecturecanleadtoaccountsofsocialhistory,oftheparasitismofsocial
space.Gardenscanprovokediscussionoftheshapingofhumanandnon-human
relations.Observingtheskylinecanrevealmoreaboutglobalcommunication
networksthanmosttextbooks.Weneedtofreetheeyeofpowerpoint,liberate
theearfromlecturing,releasethebodyfromthetorporofmanagement
education.
ProductionHasComeToAnEnd
TheopeningsceneofWerckmeisterHarmonies.ItisclosingtimeatthePeafeffer
inn.Oneofthedrunksadvancestowardsthecamera,holdingtheirdrink
precariously.Valuskaissummoned–‘Comeon’,‘Showus’.Tablesarepulled
awaytomakeaspace.Valuskamovesthedrunksintopositiononebyone,
assigningtoeachtheroleofaplanetarybody.‘Thesun’swaysonhisfeet,
wigglinghisfingerstoimitatesolarrays.‘Theearth’isslowlywaltzedaround
‘thesun’,gentlyspuninitsrotationbyValuska.Withgreatereffort‘Themoon’is
drawntogetherintowhatisnowacrowdedspace,andsetonitscoursearound
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‘theearth’.Valuskatellsoftheimmortal,unchangeablevastnessofspace.Ofthe
powerandweightydarknessofaneclipse.Theremainingdrunksjoin,forminga
moving,turningthronginwhichValuskabecomeslost.Hisfaceisrapturous,
ecstatic.Thelandlordintervenes,showsthedoor.Valuskaleaveswiththewords
‘ButMrHagelmeyer,it’sstillnotover’.Hewalksaway,thecamerafollowinghim
untilhebecomeslostinshadow.
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iTheexampleisalsocentraltoFrazer’sTheGoldenBough.iiGeometryhaslongservedasanexampleof‘Martial’scienceinSerresworks–themathematicaltechnologyofdivisionandcontroloverspace.iiiThedegreeprogrammesinBusinessAdministrationandPhilosophyrunfromtheDepartmentofManagement,PhilosophyandPoliticsatCopenhagenBusinessSchoolareexcellentexamplesofthispractice.ivThishasbeenasignificantissuearoundourprovisionofphilosophyandrhetoricontheundergraduateBusinessandManagementStudiesprogrammeatLeicester.vThishasrecentlyreceivedanewtranslationbyRandolphBurks(thebesttranslatortodateofSerresinEnglish)alongwithasetofothershortpiecesfromHermesIVas‘Streams’.viIcannotresistmentioninghereaphrasecoinedbymyformerdoctoralsupervisor,RexStaintonRogers,whoreferredtothesiteconnectingthegreatdivisionsofthescienceandthehumanitiesasthe‘istmus’ofsocialscience,akintotheplaceofPanamabetweenNorthandSouthAmerica.Serres(1980)famouslyoffersthealternativemetaphorofexploringtheNorthwestpassagetogetbetweenthegreatdivisions,ratherthantakingthemoreobviousrouteofthePanamacanal…viiThismayhavebeenaddedbecausetheoriginalFrenchtitleLeTempsdesCrisisisarathersatisfyingpunonLeTempsdesCerises(‘CherrySeason’),asongassociatedwiththeParisCommune(‘Iwillalwayscherishtheseasonofcherries,ItisthattimethatIkeepinmyheart…’).TheFrencheditionreinforcesthiswithanimageofthefruitonthecover.Inaddition,thedualmeaningofletempsand‘time’and‘theweather’suggeststhelinkbetweenhistoryandecologythatisimportanttoboththistextandTheNaturalContract.Anglophonereadersaredeniedthesehooksintothetext.viiiTheEnglishtranslationtitleistheratherunhelpfulbutperhapsmorecatalogue-friendlyTheTroubadourofKnowledge.ixIleaveittothereadertodecidewhetherquotingthissectionthisisitselfaninstanceofacompelling,aggressivedefensivecitation.xTheexampleisclearlynotunproblematic–orevenperhapshistoricallyaccurate–andisaninstanceoftendencytowardsromanticidealizationofsupposedruralidyllthatrecursthroughoutSerres’work.
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xiTheseareinorderthesubtitlesofthefiveHermesbooksfrom1968-1980.xiiBrown,2013