only the important stuff

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English 9 2013-2014 ONLY THE IMPORTANT STUFF.

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Page 1: ONLY THE IMPORTANT STUFF

English 92013-2014

ONLY THE

IMPORTANT

STUFF.

Page 2: ONLY THE IMPORTANT STUFF

Setting

2

… is WHEN and WHERE a story takes place

Sights

Sounds

Colors

Textures

•Helps readers visualize

•Helps set tone or mood of story

Time of day

Time of year

Time in history

Scenery

Weather

Location

Page 3: ONLY THE IMPORTANT STUFF

Character

3

… the people or animals in a story.

Major: The conflict

revolves around these

characters.

vs.

Minor: Help move plot

events forward but are

not essential to the

conflict.

Static – does not change over time

Dynamic – changes over time

Round - has a complex personality

Flat – has a one characteristic type of

personality

Page 4: ONLY THE IMPORTANT STUFF

Plot

4

The sequence of events in a story.

Page 5: ONLY THE IMPORTANT STUFF

Conflict

5

The struggle between opposing characters or forces.

What does the character want?What is keeping the character from getting

what he or she wants?

Sometimes brings

About changeNot always bad

Page 6: ONLY THE IMPORTANT STUFF

Conflict

6

External Conflict

A character struggles against

something outside of himself

Man v. Man

Man v. Society

Man v. Nature

Internal Conflict

A character struggles against

something inside of herself

Man v. Himself/Herself

Without CONFLICT there is no plot!

Page 7: ONLY THE IMPORTANT STUFF

Point of View

7

The perspective from which the story is being told.

First Person

The narrator is a

character in the story.

I, me, my, our, we

Third Person

The narrator is an outsider

looking in on the story as it

unfolds.

Him, her, them, their

Page 8: ONLY THE IMPORTANT STUFF

Characterization

8

The way we get to know the characters in a story.

Direct Characterization

What the speaker

directly says or thinks

about a character.

The speaker tells what

the character is like.

Indirect Characterization

What the character says

or does.

The reader has to infer

(gather clues) what the

character is like.

Page 9: ONLY THE IMPORTANT STUFF

Theme

9

The central message or insight into life revealed through a literary

work.

•May be stated directly

•May be implied (hinted at) – readers think about what the work

suggests about people or life.

Page 10: ONLY THE IMPORTANT STUFF

Flashback

10

An interruption in the action of the plot to tell what happened earlier

time.

Page 11: ONLY THE IMPORTANT STUFF

Irony

11

The differences between appearance and reality, or between

expectation and result.

There are three types of Irony.

1.Verbal Irony

2.Situational Irony

3.Dramatic Irony

Page 12: ONLY THE IMPORTANT STUFF

Foreshadow

12

Clues that suggest events that have yet to occur.

•Helps create suspense

•Keeps readers wondering about what will happen next.

Page 13: ONLY THE IMPORTANT STUFF

Mood

13

The feeling created in the reader by a literary work or passage.

Created by descriptive details.

Often described in a single word.

Page 14: ONLY THE IMPORTANT STUFF

Imagery

14

The descriptive or figurative language used in literature to create

word pictures for the reader.

Sight

Sound

Taste

Touch

Smell

“The train brakes screeched in the

distance…”

“Her weathered and leathery skin

showed the abuse from the sun…”

“The burning spice left its mark in

their mouths…”

“Her velvety soft and gentle hands

reassured me…”

“Our noses cringed as the stench of

death wafted past us…”

Page 15: ONLY THE IMPORTANT STUFF

Simile

15

A figure of speech in which the words like or as are used to compare

two apparently dissimilar items.

Ex. “Does it dry up/like a raisin in the sun?”

Page 16: ONLY THE IMPORTANT STUFF

Metaphor

16

A figure of speech in which one thing is spoken of as though it were

something else.

Ex. “…if dreams die/ Life is a broken-winged bird/ That cannot fly.”

Page 17: ONLY THE IMPORTANT STUFF

Personification

17

The type of figurative language in which a nonhuman subject is

given human characteristics.

Ex. “ Tossing their heads in sprightly dance…”

Page 18: ONLY THE IMPORTANT STUFF

Hyperbole

18

A deliberate exaggeration or overstatement

(often used for comic effect)

Ex. “If someone told you to ‘take a long walk

off a short pier,’ would you do that too?”

Page 19: ONLY THE IMPORTANT STUFF

Onomatopoeia

19

The use of words that imitate sounds.

buzz

thud

sizzle

hiss

Page 20: ONLY THE IMPORTANT STUFF

Diction/Tone

The author’s attitude toward a subject.

20

Page 21: ONLY THE IMPORTANT STUFF

4. Protagonist

Meaning – the main character

Example

– Alice from Alice in Wonderland

– Tarzan from Tarzan

– Cinderalla from Cinderella

Page 22: ONLY THE IMPORTANT STUFF

5. AntagonistMeaning – the character that the

protagonist struggles against

– The “bad guy”

Example:

– Captain Hook from Peter Pan

– The Big Bad Wolf from The Three Little Pigs

Page 23: ONLY THE IMPORTANT STUFF

FOIL CHARACTER

a character whose main purpose is to

offer a contrast to another character ,

usually the protagonist

23

Page 24: ONLY THE IMPORTANT STUFF

Symbolism

The use of a symbol to convey an idea.

SYMBOL – a person or thing that

represents both itself and a larger idea.

24

Page 25: ONLY THE IMPORTANT STUFF

Repetition

25

The use of any element of language (sound, word, phrase, clause, sentence,

line, etc.) more than once.

Examples:

(repetition of sounds

and sound patterns)

Alliteration

Assonance

Rhyme

rhythm

** used for musical effect and/or

emphasis

Page 26: ONLY THE IMPORTANT STUFF

Monologue

Long speech made by one character

while other characters are on stage

26

Page 27: ONLY THE IMPORTANT STUFF

Soliloquy

Long speech made by one character

ALONE on stage (no other characters

involved)

27

Page 28: ONLY THE IMPORTANT STUFF

Rhyme

28

The repetition of sounds at the ends of words.

Ex.

“Swans sing before they die – ‘twere no bad thing

Should certain persons die before they sing.”

Page 29: ONLY THE IMPORTANT STUFF

Alliteration

29

The repetition of initial consonant sounds.(used to give emphasis to words, to imitate sounds, and to create musical effects)

Ex.

“Once upon a midnight dreary,

While I pondered weak and weary…”

Page 30: ONLY THE IMPORTANT STUFF

Assonance

30

The repetition of vowel sounds followed by different consonants in

two or more stressed syllables.

Examples:

"If I bleat when I speak it's because I just got . . . fleeced."

(Al Swearengen in Deadwood, 2004)

"It beats . . . as it sweeps . . . as it cleans!"

(advertising slogan for Hoover vacuum cleaners, 1950s)

"The law may not change the heart, but it can restrain the heartless."

(Martin Luther King, Jr., address to the National Press Club on July 19, 1962)

"Those images that yet

Fresh images beget,

That dolphin-torn, that gong-tormented sea."

(W.B. Yeats, "Byzantium")

Page 31: ONLY THE IMPORTANT STUFF

Consonance

31

The repetition of final consonant sounds in stressed syllables with

different vowel sounds, as in hat and sit.

’T was later when the summer

went

Than when the cricket came,

And yet we knew that gentle

clock

Meant nought but going home.

’T was sooner when the cricket

went

Than when the winter came,

Yet that pathetic pendulum

Keeps esoteric time.

(Emily Dickinson, "’T was later

when the summer went")