olympus is-3 dlx
TRANSCRIPT
INSTRUCTIONSBefore using your IS-3DLX, read this manual carefullyto ensure correct use.We recommend that you take test shots to getaccustomed to your IS-3DLX before takingimportant photographs.
Thank you for purchasing the Olympus IS-3DLX.
MAIN FEATURESBuilt-in 35mm ~ 180mm approx. 5X zoom lens for increased shooting range.Powerful built-in, dual-element intelligent flash system rated at GN 28 (ISO100·m)/GN92 (ISO100·ft), for telephoto and GN 20 (ISO100·m)/GN 66 (ISO100·ft), for wide angle,corresponding to distant subjects and zoom shooting with high magnification andassuring beautiful pictures.ED (extraordinary dispersion) glass is used in the lens, achieving crisp, clear images withhigh contrast.The standard shooting mode lets anyone take beautiful pictures easily.Panorama photographs are possible when the optional panorama adapter isattached.Other various easy-to-use functions include versatile flash, subject, drive, and exposuremodes and more.Optional remote control for Bulb shooting, etc.Date imprinting function.
Incorrect Manualoperation
Operationorder
Automaticoperation
Indicator on Indicatorblinking
Attention Depresshalfway
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Symbols used in this manual:
PREPARATIONSNames and functions of parts ......... 4Viewfinder display/LCD panel ......... 6Attaching the strap ........................ 7Outline of operations ................ 8
Loading the batteries ......................10Checking the batteries ................ 11Points to remember .................... 12Reset operation ............................. 14
BASIC OPERATIONS
ADDITIONALFUNCTIONS
TAKING BETTERPICTURES
CAMERAMAINTENANCE
Loading the film ...................................................................................................... 15Taking pictures ............................................................................. 18Unloading the film ..................................................................................... 21
Using the focus lock ................ 22Flash photography .................... 23Selft imer ...........................30Macro photography .................... 32Using the exposure modes ............ 34Flash photography in the manual
exposure mode ............................ 45Exposure compensation..................... 46
Using the drive modes .................... 47Power focus .......................................... 52Spot metering ................................. 53Zoom exposure ............................ 54Autofocus beep ................................... 55Remote control (optional) ............... 56Printing the date and time ................. 61Correcting the data ...................... 62
Flash .................................... 63Electronic flash G40 (optional) ......... 65Effects of zoom and its advantages .. 68Autofocus (AF) .................................. 70Exposure ....................................... 72Metering the amount of light ............. 74
Exposure compensation.................. 75Film speed............................................... 75Macro photography............................... 76Panorama photography..................... 77Accessories (optional)........................... 78
Care and storage ........................................................................... 79Battery handling ............................................................................................... 80Troubleshooting ....................................................................................... 81Questions and answers .................................................................................... 84Specifications .............................................................................................. 85
3
NAMES AND FUNCTIONS OF PARTS
Remote control sensor(rear)
Hot shoe cover
Shutter release button
Shift dialSelects the flash, exposureand drive modes. (The sameoperation can also beperformed with the shiftbuttons in the rear.)Selects the shutter speed.
Remote control sensor(front)
AF illuminatorAlso blinks when the selftimeris activated.
Power ON/OFF switch
Selftimer/remotecontrol button
Flash
Flash release (See p. 23.)
Strap attachment stud
Zoom (T/W) buttons(See p. 18.)
Become the focus buttonsin the PF mode.
PF button
Macro button
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PR
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Viewfinder(See p. 6.)
Exposure mode button
+/- button
Spot button(See p. 53.)
Film windowFor confirmation of
film ISO speed
Back coverrelease
Mid-roll rewindbutton
Drive mode button
Flash mode button
Date MODE, SET andADJUST buttons
Battery compartmentcover
Tripod socket
Shift buttonsSelect the flash, exposure and drive modes.(The same operation can also be performedusing the shift dial in the front)Select the aperture setting.
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VIEWFINDER DISPLAY/LCD PANELVIEWFINDER DISPLAYSpot frameAutofocus frame
AutofocusMacro
Flash
ADAPTER is required
LCD PANELExposure modes:
Program auto-exposure/ESP light metering
Aperture-preferredauto-exposure
Shutter-speed-preferredauto-exposure
Manual exposureSportsPortraitLandscapeNight scene
Drive modes:Single-frame advance
Continuous-frame advanceDouble exposure
Shutter speedAperture setting
Spot meteringExposure compensation/
Manual exposure
Battery checkShutter speed
Aperture settingFlash modes:
Auto flashAuto-S flash
Fill-in flashExposure compensation
Exposure counter/Exposurecompensation level
Spot meteringPower focus (autofocus
override)•Macro
Selftimer/Remote control
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Panorama marks**Optional IS/L PANORAMA
ATTACHING THE STRAP
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OUTLINE OF OPERATIONSBasic Shooting Procedures
Load the batteries (p. 10). Open the back cover (p. 15).
Press the zoom buttons todetermine the composition(p. 18).
Place the autofocus frame onthe subject you want to focus on(p. 19).
Depress the shutter releasebutton halfway, making sure theautofocus indicator in theviewfinder lights and theautofocus beep is heard (p. 20).
Load the film (p. 15).
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Close the back cover (p. 17). Turn the power switch ON(p. 17).
Make sure the exposure counteron the LCD panel reads " "(p. 17).
Depress the shutter releasebutton fully to take a picture(p. 20).
When the film reaches the end, itwill automatically rewind (p. 21).
Open the back cover to removethe rewound film (p. 21).
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LOADING THE BATTERIESUse two 3V lithium batteries (CR123A or DL123A).
Turn the lock screw on thebottom of the cameracounterclockwise toopen the battery cover.
The types of batteries that can beused are also shown inside the batterycover.When replacing the batteries, makesure to turn the power switch OFFbefore unloading the batteries.
Insert the batteries asshown and replace thecover, turning the lockscrew clockwise.
Read "Battery Handling" on page 80.
10
CHECKING THE BATTERIES
Turn thepower switchON.
Press the exposuremode and +/-buttons simultane-ously to check thebatteries.
Blinks
Lights
Batteries are OK.The mark disappearswhen the finger isreleased from thebutton.
Batteries arelow.Have spareshandy.
Batteriesshould bereplacedimmediately.
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POINTS TO REMEMBER
Hold the Camera Correctly.
Correct. Correct. Incorrect.
Note: As the focal length becomes larger, shaking thecamera becomes more noticeable. Hold the camerafirmly with both hands while keeping elbows at sides toprevent the camera from shaking.
Caution:Keep your fingers awayfrom the lens, AFilluminator and flash.
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Proper Shutter Release.Keep the shutterrelease buttondepressed halfway.
Depress theshutter releasebutton fully.
To lock the focus.
The image is clear, theautofocus beep is heard,and the autofocus indicatorlights in the viewfinder.
To release theshutter and takethe picture.Note: When the autofocusindicator doesn't light, theshutter won't release.(See p. 70.)
Practice before loading the film.
Press the shutter releasebutton gently.
Avoid shaking thecamera when pressingthe shutter release buttonto prevent blurry pictures.
Cautions:
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Make sure
RESET OPERATIONReset operation restores the standard shooting mode, forworry-free photography that anyone can perform. Also usethis mode when you don't know what operation to perform.
Press the exposure mode and+/- buttons simultaneously.
The camera will return to thestandard shooting mode, andother set modes will becanceled.
Standard Shooting Mode
Exposure mode: Program Auto(P)Drive mode: Single (S)*Light metering mode: ESPFlash mode: AUTO or AUTO-SExposure compensation: ±0Focusing: AFAutofocus beep: On
* This mode won't be restored by performingthe reset operation once the DoubleExposure mode is activated and the firstshot is taken. (See p. 50.)
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LOADING THE FILM
Slide the back coverrelease upward to openthe back cover.
Push in the film cartridgeuntil it clicks.
Shutter curtains Note: Use DX-coded film.Caution: Do not touch the shuttercurtain, and do not press it with theedge of film.
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BA
SIC
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Note: Make sure the film is lying flat. Ifnot, push the cartridge down.
Pass the edge of the filmunder the film guide, andalign the film leader with thefilm loading indicator.
Film loading indicator Film guide
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Close the back cover. Turn the power switchON.
The film automaticallyadvances to the first frame.
The exposure counter on the LCD panelreads .
Note: If blinks in the exposurecounter, reload the film.
17
Make sure
TAKING PICTURESFollow the procedure here to cover ordinary photography.
Remove the lens cap,and turn the powerswitch ON.
While looking through theviewfinder, press the zoombutton to determine thecomposition.
The lens advances, and theLCD panel lights.Note: If no operation is made for approx. 30seconds, the LCD panel goes out and will come onagain when the operation is resumed.
There are two zoom speeds. Press thezoom button halfway for slow zoomingand fully for fast zooming.
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Make sure
How to Use the ZoomButtons
Position the autofocusframe on your subject.
Telephoto: Press the button to zoom in.Max. telephoto focallength: 180mm
Wide-angle: Press the button to zoom out.Max. wide-angle focallength: 35 mm
Working distance 1 2 m (3 9 ft) ~
Autofocus frame
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Depress the shutterrelease button halfway.
Depress the shutter releasebutton fully to take the picture.
The autofocus beep is heard and theautofocus indicator lights when the subject is in focus.It will blink if the subject is difficult for the autofocus tolock on, and when the subject is too close.Note: When the autofocus indicator blinks, the shutterwon't release. (See p. 70.)
The shutter releases and the filmautomatically advances to the nextframe.
20
Make sure
UNLOADING THE FILMThe camera automatically rewinds the film when youreach the end of a roll.Make sure the motor has stoppedand the E is blinking on the LCDpanel, before opening the backcover and removing the film.
Rewinding the film beforethe end of the roll
If the power is turned OFF while rewinding, operationswill stop. Rewind mode, however, is not canceled.Rewinding will continue when the power switch isturned ON again.The final number of exposures may sometimes exceedthe number of exposures specified on the film.
After confirming that the power is ON,press the mid-roll rewind button with thetip of a ballpoint pen, or the like. Do notuse an instrument with a sharp tip.
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USING THE FOCUS LOCKWhen the main subject is not in the center of the Autofocusframe, use the focus lock.
Position the autofocusframe on your subject andpress the shutter releasebutton halfway.
Reposition your subjects in thepicture frame while keepingthe shutter release buttondepressed halfway. Then pressthe shutter release button fully.
The autofocus beep is heard, and theautofocus indicator lights in theviewfinder.
Note:When the focus is locked, theexposure is also locked (AE lock).
Autofocus frame
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AD
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Make sure
FLASH PHOTOGRAPHYThis camera has two flash tubes that are automatically selected and firedaccording to the shooting conditions. There are also various flash modes thatcan be selected to match your needs.
Mode Function
Automatically fires inlow-light conditions.(p. 26)
Significantly reducesthe phenomenon of"red-eye" (when a subject'seyes appear red). (p. 28)
Fires regardless ofavailable light. (p. 29)
Slide the flash release toflip up the flash.
Note: See p. 45 for flash photography in the ManualExposure mode.
Flash Modes How to Select the Flash Mode
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Press the flash button. While pressing the flashbutton, select the mode usingthe shift buttons or shift dial,
The available modes appear, andblinks on the left of the mode currentlyengaged.
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Release the flashbutton to engage themode.
is blinking on the left ofthe selected flash mode.
disappears, and theengaged flash mode remains on theLCD panel.
25
Make sure Make sure
Auto FlashThe flash fires automatically when there is insufficient light.
When blinks in theviewfinder, the flashshould be used. Slidethe flash release.
When the flash isflipped up, the camerawill start recharging theflash.
AUTO lights on the LCD panel. Whenthe flash is recharged, in the viewfinder will light.
Note: The flash won't fire untilrecharging is finished.
AUTO
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Make sure
Press the shutter releasebutton.
Auto Flash Range*(with color negative film)
Focal length
ISO 100
ISO 200
ISO 400
35mm
6.3 m (20.7 ft)
8.9 m (29.2 ft)
12.6m (41. 3 ft)
180mm
7 m (23 ft)
9.8m (32.2ft)
14 m (45.9 ft)
* The Auto Flash mode can be combined withthe Macro mode.
Note: The shutter speed is automatically set at 1/100-sec. when the flash fires. If the subject requires a fastershutter speed, the flash won't fire.
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Red-Eye Reducing Flash AUTO-S
Approximately 20 pre-flashes are emitted before the main flash fires,significantly reducing the phenomenon of "red-eye" (when a subject's eyesappear red). This mode is the same as Auto Flash except for the pre-flashes.
Flip up the flash, andselect the Auto-S mode.
Press the shutter releasebutton.
Notes:The pre-flashes are not emitted in the Sports mode.After pressing the shutter release button, hold the camera securely until the shutter has been released.To cancel the Auto-S mode, select another mode following the procedure on page 23.
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Forced ActivationIn this mode, the flash always fires. Even in backlighting, both the subject and backgroundcan be shot clearly. And portraits look lively by reflecting light into the subject's eyes.
Make sure the exposuremode is set to P(program).
Flip up the flash, andselect the FILL-IN Flashmode. Press the shutterrelease button.
In exposure modesother than Program, theFILL-IN Flash modecannot be engaged.
Note: The shutterspeed is automaticallyset at 1/100-sec.
FILL-IN
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SELFTIMER
Press the selftimer/remote control button.
is displayed on theLCD panel.
Note: When the selftimer/remote controlbutton is pressed again, will startblinking, but the selftimer will operate in thesame manner as when lights.
Position the autofocus frameon the subject. Press theshutter release button half-way to focus on the subject.
The focus and exposure willbe locked.Important: Do not press the shutter releasebutton while standing in front of the cameraas this may cause out-of-focus pictures.
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Press the shutterrelease button fully toactivate the selftimer.
The shutter will be released12 seconds later.
Notes:Use a tripod, etc., to hold the camerasteady.The selftimer will be automaticallycanceled after the shot.To cancel the selftimer in the middle ofoperation, press the selftimer buttonagain.
The viewfinder display disappears and the AF illuminator blinks duringthe operation.
Important:To prevent backlight from enteringthrough the viewfinder, do not moveyour eye from the viewfinder when youpress the shutter release button.
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Make sure
MACRO PHOTOGRAPHYClose-up photography is possible at working distance of 0.6 m (2 ft) to , between focallengths of 35 mm and 120 mm.
Press the macro button.
Note: When the lens is at a settinggreater than 120 mm, it will bewithdrawn to 120 mm automatically.
appears both in theviewfinder and on the LCD panel.
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Make sure
Press the zoom buttonsto determine thecomposition.
Note: To cancel the Macro mode, pressthe macro button again.
33
USING THE EXPOSURE MODESThere are seven exposure modes: four with preset settingsfor easy shooting in various common situations, and threeallowing you to select your own settings.
Exposure ModesProgram Auto (ESP metering)Standard exposure mode for ordinary shooting.
MODE
The modes are accessed in the ordershown
For creative expressions making good use ofyour experience:
Aperture-Preferred Auto (center-weighted averagemetering) (P. 41)The aperture is set manually, and the cameraautomatically controls the correct shutter speed.Shutter-Preferred Auto (center-weighted averagemetering) (P. 42)The shutter speed is set manually, and the cameraautomatically controls the correct aperture.Manual Exposure (center-weighted averagemetering) (P. 43)Both the aperture and shutter speed are setmanually.
For easy, effective shooting in variouscommon situations:
Sports (P. 36)For fast-moving subjects.Portrait (P. 37)For pictures with blurred backgrounds for "portrait"effect.Landscape (P. 38)For pictures with extended in-focus backgrounds.Night Scene (P. 39)For night scenes or night scenes with subjects inthe foreground.34
How to Select the Exposure ModeWhile pressing themode button, select themode using the shiftbuttons or shift dial.
Release the modebutton to engage themode.
blinks to show the selected exposuremode.
The engaged exposure mode lights.
35
Make sure Make sure
SPORTSTo shoot fast-moving subjects.
In this mode, the camera automatically selects both a faster shutter speed andthe Continuous Shooting mode. This results in increased clarity, and lets youcapture fast moving photo opportunities you might otherwise miss.
Select the Sports modeto display on the LCDpanel.
As long as the shutter releasebutton is pressed, the shutterwill release continuously.
Notes:In the Sports mode, for faster flash response, Auto-S pre-flashes will not be emitted.The camera exposes a maximum of two frames per second.
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PORTRAITTo take pictures with blurred backgrounds for a "portrait" effect.
Portrait mode lets you take beautiful portrait photographs. This isespecially effective when the lens is at the telephoto setting.
Select the Portraitmode to display onthe LCD panel.
Press the shutter releasebutton.
Note: The aperture is wide open.
37
LANDSCAPETo take pictures with extended in-focus backgrounds.
When shooting landscapes or landscapes with subjects in the foreground, boththe nearest and farthest objects are sharply in focus.
Select the Landscapemode to display onthe LCD panel.
Note: Set the lens at wide angle foroptimal results.
Press the shutterrelease button.
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NIGHT SCENETo shoot night scenes or night scenes with subjects in the foreground.
In this mode, the camera automatically selects the ideal exposure compensation for shootingnight scenes free of subjects, and for shooting night scenes with subjects in the foreground.
Shooting Night Scenes Free of SubjectsSelect the Night Scenemode to display onthe LCD panel.
Press the shutter releasebutton.
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Shooting Night Scenes with Subjects in the Foreground(Slow-Synchro)
Engage the Night Scenemode. Flip up the flash. Pressthe shutter release button. With Auto Flash
Both the subject and background will beperfectly exposed.
In the Auto Flash mode, only the subjectin the foreground can be shot.
Note: Since a slow shutter speed is automatically selected in low-light situations, the use of a tripod isrecommended to prevent blurred pictures caused by shaking the camera.Shutter speeds in the Night Scene mode: Wide-angle: 3 sec. max. Telephoto: 4 sec. max. (With negative color film, ISO 100)
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APERTURE-PREFERRED AUTOThe background blur can be controlled by adjusting the aperturesetting. The shutter speed will be selected automatically.Enter the Aperture-PreferredAuto mode. Press the shiftbuttons to adjust theaperture setting.
Note: If the shutter speed indicator blinks,adjust the aperture until the shutter speedlights steadily.
Smalleraperture
Larger aperture settings will often give a blurredbackground, and smaller aperture settings will givea sharper background
A
F22
Largeraperture
F5.6
41
SHUTTER-PREFERRED AUTOSubjects in motion can be captured by adjusting the shutterspeed. The aperture will be controlled automatically.Enter the Shutter-Preferred SAuto mode. Turn the shift dialto adjust the shutter speed.
Note: If the aperture indicator blinks,adjust the shutter speed until the apertureindicator lights steadily.
Faster shutterspeed
1/500-sec.When the shutter speed is set slower, fast-movingsubjects will be blurred, showing motion. When it'sset faster, fast-moving subjects will be frozen instop-motion.
S
Slower shutterspeed
1/60-sec.
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MANUAL EXPOSUREBoth the shutter speed and aperture can be set as desiredto reflect your photographic intentions.
Select the ManualExposure mode todisplay M on the LCDpanel.
Press the shift button toadjust the aperture.
Note: Exposure compensation cannot be performed in the Manual Exposure mode.
M
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Turn the shift dial toadjust the shutterspeed.
The exposure level willbe displayed on theLCD panel and in theviewfinder.
Blinks: OverexposedLights: Slightly overexposedLights: Correctly exposedLights: Slightly underexposedBlinks: Underexposed
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Flip up the flash,and set the shutterspeed to 1/100-sec, or slower.
Set the aperture setting according tothe camera-to-subject distance in thetable below,
Aperture setting (color negative film)
Distance
ISO 50
ISO 100
ISO 200
ISO 400
Zoom Macro
0.6 ~0.8m
2.0 ~2.6ft
F22
-
-
0.8 ~1m
2.6 ~3.3ft
F16
F22
-
-
1 ~1.2m
3.3 ~3.9ft
F13
F19
-
-
Standard
1.2 ~1.5m
3.9 ~4.9ft
F11
F16
F22
-
1.5 ~2m
4.9 ~6.6ft
F8
F11
F16
F22
2 ~2.5m
6.6 ~8.2ft
F6.7
F9.5
F13
F19
2.5 ~3.2m
8.2 ~10.5ft
F5.6
F6.7
F9.5
F13
3.2 ~4m
10.5 ~13.1ft
_
F5.6
F8
F11
Calculation formula for ISO 100: Aperture setting = GN20 ÷ Distance (m)Aperture setting = (GN66 ÷ Distance (ft)
FLASH PHOTOGRAPHY IN THE MANUAL EXPOSURE MODE
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EXPOSURE COMPENSATIONThe exposure compensation levels canbe set up to ±4EV in 1/3EV steps.
While pressing the +/-button, set the desiredcompensation level usingthe shift buttons or shift dial.
The exposure level is displayed inthe viewfinder and on the LCD panel.
Note: While pressing the +/- button, theexposure counter changes to thecompensation level display.
+2EV
±0EV
-2EV
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Make sure
Display Function
SingleStandard single-frameadvance mode
Continuous ShootingThe camera releases the shuttercontinuously while keepingmoving subjects in focus andcorrectly exposed. (p. 49)
Double ExposureYou can combine two imageson a single frame. (p. 50)
The available modes appear, andblinks on the left of the mode currentlyengaged.
USING THE DRIVE MODES DRIVE
There are two film-advance modes in addition to thestandard single-frame advance mode.Drive Modes Selecting the Drive Mode
Press the drive button.
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While pressing the drivebutton, select the modeusing the shift buttons or shiftdial.
is blinking on the left of the selecteddrive mode.
Release the drive buttonto engage the mode.
disappears, and the engaged drivemode remains on the LCD panel.
48
Make sure Make sure
CONTINUOUS SHOOTINGThe camera releases the shutter continuously while keepingmoving subjects in focus and correctly exposed.
Select the ContinuousShooting mode todisplay CONT. on theLCD panel.
While the shutter releasebutton is fully pressed,the shutter releasescontinuously.
Notes:The camera exposes a maximum of approximately 2 frames per second.When used in combination with the flash, the flash may not fire after the secondframe. The exposure will be adjusted automatically instead.The autofocus beep will not function even when the subject is in focus.
CONT.
49
DOUBLE EXPOSUREYou can expose two images on a single frame.
Select the DoubleExposure mode todisplay D.EXP. on theLCD panel.
Press the shutter releasebutton fully to take thefirst exposure.
D.EXP. on the LCD panel will blink.The film will not be advanced.
D.EXP.
50
Make sure
Take the second exposure.The film will advance, andthe Double Exposuremode will be canceled.
Note: The Double Exposure modecannot be canceled after the first shot(See p. 14).
51
When the distance at which you want to shoot is predetermined, youcan set the focus in advance and wait until the photo opportunity
when autofocusing is difficult (see P. 70).When you want to wait until the photoopportunity comes, focus on the subject firstby using autofocus. Then press the PF button.
After making sure is blinking on the LCDpanel, press the shutter release buttonwhen the photo opportunity comes.
Note: Manual focusing is possible using thezoom buttons, but zooming cannot beperformed in the PF mode. To cancel the PFmode, press the PF button again.
Note: There are two PF speeds, available formanual focusing, functioning in the samemanner as the zoom.
Power Focus
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comes. Manual focusing is possible in this mode, so PF can also be used
SPOT METERINGIn this mode, the camera limits light metering to a particular area, suchas a subject's face, and sets the correct exposure.
Position the subject forspot metering within thespot frame, and pressthe SPOT button.
Recompose the shot,then press the shutterrelease button to takethe picture.
will bedisplayed on the LCDpanel and in theview/finder, and theexposure is locked.
Notes:When the flash is flipped up, or the Night Scenemode is engaged, the camera does not performspot metering.After the shot, the Spot Metering mode iscanceled. To cancel the mode without taking ashot, press the SPOT button again.
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Make sure
ZOOM EXPOSURE
While pressing the shutter releasebutton halfway to keep thesubject in focus, press either W orT on the zoom buttons.
Select the Night Scene mode todisplay on the LCD panel,Set the focal length where youwant to start zooming.
Using this mode, the film is exposed while zooming, resulting in intriguing"streaked" images.
Note: The lens will not move until theshutter release button is fully pressed.
Notes:This exposure method is most effective when thefocal length is set at either the maximum (180 mm)or the minimum (35 mm) setting.Use the flash when photographing a person.
54
AUTOFOCUS BEEP
While keeping the zoombutton depressed, pressthe shutter release buttonfully to take the picture.
When not required, the beepcan be overridden.
Press the drive and flash buttonssimultaneously to override thebeep. To reactivate it, press thebuttons again.
Note: If the shutter speed is faster than1/3-sec., zoom exposure willautomatically be canceled, and thecamera will operate in the standardNight Scene mode.
When overriding or reactivating thebeep, a confirmation beep is heard.Note: When the power is switched offand on again, the beep will befunctioning.
55
REMOTE CONTROL (OPTIONAL)The optional RC-100 Remote Control is required.
Position the autofocus frameon the subject.
Press the selftimer/remotecontrol button to engage theRemote Control mode.
Note: When there is no subject in the positionyou want to focus on, first focus on an objectat the same distance as the desired position.Then enter the PF mode, and recompose theframe. (See page 52.)
Press
Once
Twice
Thrice
Display
Lights
Blinks
Goes out
Shutter will be:
Released 3 sec. later
Released right away
Canceled
56
Aim the remote control at the camera from within the range shown inthe illustrations below, and press the button. The shutter will be releasedafter the autofocus beep is heard and the AF illuminator blinks.
When releasing the shutter from in front of thecamera:
When releasing the shutter from behind thecamera:
Notes:Use selftimer outside this range.When the IS/L B-28 H.Q. CONVERTER 0.8X ismounted, the remote control may not work evenwithin the above range because the signaltransmission is blocked by the converter.
Important: After the shot(s), be sure to press the selftimer/remote control button again to cancel theRemote Control mode.
Notes:Use the remote control from behind the camera to preventthe camera from shaking by pressing the shutter releasebutton when in macro photography or when the tele-converter is mounted.When using the remote control from behind the camera,aim at the remote control sensor on the top of the grip.
57
Viewfinder Cap
Use the provided viewfindercap to prevent light fromentering the viewfinder.
Notes on the Remote Control:The remote control may not work whenthere is backlighting and whenautofocusing is difficult (see p. 70).Continuous shooting cannot beperformed when the remote control isused.The shutter will not release using theremote control when the remotecontrol's battery is exhausted.The battery of the remote controlcannot be replaced. The service life isapprox. 5 years (variable with operatingconditions and environments).
CAUTIONS:Keep the remote control out of thereach of children. In case it isswallowed, immediately consult aphysician.Keep the remote control away from fireand extreme heat. Never try todisassemble it.
Notes:Place the viewfinder cap securely on theviewfinder.When the viewfinder cap is not used, thecamera may not set the correct exposure ormay not focus on the subject.
58
Bulb
Select the Manual Exposuremode to display M on theLCD panel, and set theshutter speed to
Press the button on theremote control.
The shutter will open.
Note: The selftimer/remote controldisplay remains on the LCD panel aslong as the shutter is open.
59
.
Press the button on theremote control again.
The shutter will close.
Note: The shutter automatically closeswhen the camera's batteries areexhausted.
60
PRINTING THE DATE AND TIMEThere are five printing modes as shown below. Choose thedesired mode with the DATE MODE button.Month mark
Print markBlinks for 3 seconds afterthe exposure to confirmthat the data is imprinted.
As the DATE MODEbutton is pressed, themode will switch in theorder shown below.
Year-month-day
Day-hour-minute
No data
Month-day-year
Day-Month-year
DATE MODE button:Switches the mode.DATE SET button:Chooses the data to bechanged.DATE ADJUST button:Changes the data.
The data will be imprintedwhen the shutter isreleased.
61
CORRECTING THE DATA
Note: For fine-tuning of the built-in clock to the beginning of a specified minute, press the DATEADJUST button when " : " is blinking.
Press the DATE MODE button to select the mode to be corrected.
Choose the data to bechanged by pressing the DATASET button. Change the datawith the DATE ADJUST button.
After setting the data,press the DATE MODEbutton again.
The print mark is displayed.The data to be corrected is blinking.
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Make sure Make sure
FLASHFlash StrengthThe flash on the IS-3DLX employs a new exposurecontrol system that combines the advantages ofboth "flashmatic," used in compact cameras, and"auto flash," found in SLR cameras. Flashmaticemits a full-strength flash while automaticallyadjusting the aperture for proper exposure. Thissystem is effective in most cases. However, subjectsat extremely close range tend to be overexposed,and the background too dark, because thenarrowest aperture setting has been selected. Autoflash varies the amount of light emitted by the flash,and sets the exposure by measuring reflected light.Depending on the background, however, the wrongexposure for the main subject can be selected. Forexample, with a white background, the subject mayappear too dark due to the level of reflected lightreceived through the lens. The reverse is true for adark background.
The IS-3DLX adjusts both the aperture and flashstrength to give you perfect exposure every time,taking into account the effect of the backgroundlight and the distance to the subject.
Dual-Strobe Intelligent FlashThe flash of the IS-3DLX is distinguished by twoemission tubes. One of the most important functionsof a flash is to distribute light evenly throughout theframe. When a zoom lens is used, the area that canbe lit by a single flash is determined by the wide-angle focal length. When telephoto is used, the light
is wasted because the light is spread over a widearea. If this wasted light is concentrated on thepicture area, however, the working distance of theflash will be increased. Solving this problem iscrucial to effective telephoto-flash photography.
The zoom flash system found in some cameras isone solution to this problem. With this system, thedistance between the xenon tube — which is theemission source of the flash — and the reflectivematerial behind it is varied according to the focallength of the lens. When telephoto is used, the lightfrom the flash is condensed more intensely. (Thedistance between the xenon tube and tnecondenser lens can be varied for the same result.)
So why does the IS-3DLX incorporate the dual-strobe system? Because the dual-strobe system canutilize the light more effectively while achieving moreuniform lighting than the zoom flash system iscapable of. The zoom flash system also cannot alterthe actual shapes of the reflector and the condenserlens. In practice, these two factors greatly affect theeven distribution and condensing intensity of lightfrom the flash. The zoom flash sacrifices theeffective use of the light's intensity for evendistribution. To achieve both optimal condensingintensity and even distribution, Olympus developedthe dual-strobe flash system with two sets of tubesand a reflective backing that are ideal for both wide-angle and telephoto photography. This makes apowerful, versatile flash with GN 28(130 100·m)/GN 92 (ISO 100·ft)possible.
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Even when the subject is backlit, the IS-3DLX canshoot it at the correct exposure using ESP meteringor spot metering. However, this may wash out thebackground. This happens because the differencein brightness between that of the subject and thebackground is too great. When the Fill-in Flash isused in such a case, the subject is lit brightly by theflash. This minimizes the difference in brightnessbetween the subject and the background, allowingboth to be shot clearly. This light is also reflectedfrom the subject's eyes (catch light effect), makingthe picture lively.
In this mode, the flash fires no matter what light isavailable as long as the flash is flipped up. (Flashemission in well-lit conditions is called daylightsynchro.)
The lower tube is designed for telephotophotography and offers GN 28 ~ 1.4 (ISO 100 ·m)/GN 92 ~ 4.2 (ISO 100 ·ft). The upper tube is anintelligent variable-power flash offering GN20-1.4(IS0100· m)/GN 66 ~ 4.2(ISO 100·ft). When thecamera-to-subject distance is less than 1.2 m in theMacro mode, the upper flash will automatically fireto prevent the flash light from being obstructed bythe tip of the lens. The flash is also capable ofemitting minimal intensity for ideal macrophotography.
Auto-S FlashThe Auto-S Flash mode includes a series of pre-flashes that reduces the phenomenon of red-eye, inaddition to the same functions as the Auto Flashmode which prevent camera-shake and insufficientlighting by automatically firing in dimly lit and darkconditions when the flash is flipped up. Thephenomenon of red-eye is when subject's eyesappear red in printed photographs. In this mode, thecamera will start emitting approximately 20 low-power pre-flashes about a second before theregular flash.
This contracts pupils, which are wide open in thedark, significantly reducing red-eye. The pre-flashesdo not decrease the power of the main flash. Thered-eye reducing effect varies according to shootingconditions.Fill-in FlashFill-in refers to the auxiliary light that "fills in" areas ofthe subject shadowed by the main light source.
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Turn the power switchON, set the camera'sexposure mode to S.
The battery has been recharged. Note: The G40 won't fire at shutter speedsfaster than 1/100-sec.
Select 1/100-sec. orslower shutter speedusing the shift dial.
When shooting in the Shutter-Preferred Auto mode:
The G40 is a dedicated flash for the IS Series (GN 40, ISO 10Om/GN 132,ISO 100•ft).Refer to these pages when the G40 is to be used in the Shutter-Preferred Auto mode.
Electronic Flash G40 (Optional)
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Make sure
Press the shutter releasebutton.
Refer to the G40's manual for moreinstructions.
Note: When used together, the G40fires full emission but the built-in flash iscompensated by -3EV.
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Bounce (with simultaneous use ofthe built-in flash)
Follow-Synchro(Curtain-2 Synchro)
Bounce photography usesindirect lighting of subjects byreflecting the flash off the ceilingor wall. With straight flashphotography a strong shadowoften appears behind thesubject. By bouncing the flash,you can obtain soft, well-balanced lighting of the entiresubject. You can also use thebuilt-in flash together with theG40 for additional affects.
Multi-flash emits the lightseveral times in one exposure.With this flash mode, continuousmovement, such as a golf swing,can be photographedsequentially in one frame. It's amultiple exposure with flash.
With Follow-Synchro mode, theflash fires at the final point of slow-synchro. For example, the tail-lights of a moving automobile canbe captured on film.
When the IS-3DLX is equippedwith the teleconverter lens (1.7X)or the wide-converter (0.8X), thebuilt-in flash cannot be used. Werecommend you use the G40 forsuch cases.
Normal Slow-Synchro(Curtain-1 Synchro)
Advanced flash photography using the G40
Multi Flash
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EFFECTS OF ZOOM AND ITS ADVANTAGESIn a zoom lens, the focal length is changed bymoving part of the lens. In the case of the IS-3DLX,any focal length between 35 mm and 180 mm canbe selected.
35 mm wide-angleBecause the angle of view is wide and the depth offield is large, sharp photographs with enhancedperspective and contrast can be taken.
100 mmWith the lens zoomed to 100 mm, subjects appearthree times closer than when the lens is positionedat 35 mm.
More than 100 mmWhen the lens is set to the maximum focal length of180 mm, magnification is approximately five timesgreater than at 35 mm, for genuine telephotophotography. As the telephoto power is increased,the perspective narrows and the depth of fieldbecomes more shallow. The result is that objects infront of and behind your subject are more likely tobe out of focus. This can be used to interestingeffect on snapshots and portraits.Maximum telephoto lengths are particularly usefulfor taking pictures at sporting events and for naturephotography, when you want to get closer to yoursubject without disturbing it.
IS/L LENS B-28 H.Q. CONVERTER 0.8X
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The five pictures below are samples taken usingthe zoom lens. Notice the dimensions of the subjectas the camera zooms in.
Be sure to hold the camera firmly or use a tripod,as pictures tend to blur more easily at longer focallengths. Setting the shutter speed at 1/250-sec. orfaster is recommended.Angle of view and depth of fieldAngle of view is directly related to the focal depth offield (the distance in front of and behind the subjectthat the camera is able to bring into focus). Thegreater the angle of view (wide angle), the greaterthe depth of field. When the angle of view isnarrow (telephoto), the depth of field decreases.
The use of a converter lens (optional)It is possible to attach a converter lens for an evenwider angle of view, or for additional telephotopower.
Instead of 35 mm, a wide-angle converter (0.8X)enables you to reduce the camera's focal lengthto 28 mm.Instead of 180 mm, a telephoto converter (17X)enables you to increase the camera's focal lengthto 300 mm.
IS/L LENS B-300 H.Q. CONVERTER 1.7X
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AUTOFOCUS (AF)Difficult Subjects for Autofocus to Lock Onto
Although the IS-3DLX's autofocus can lock on virtually any subject,there are certain conditions, such as ~ shown below, where it maynot be possible to obtain the correct focus. In the situations shownbelow in ~ , autofocus may not lock on the correct subject eventhough the autofocus indicator lights and the shutter releases.
Subjects with low contrast Subjects that do not containvertical lines
Subjects in excessively brightlight
Use the focus lock by firstfocusing on something at thesame distance as the subject youwish to take a picture of, and thenaim at the subject. Or use thepower focus to manually focus onthe subject.
Use the focus lock first whileholding the camera vertically.Then switch the camera to thehorizontal position to take thephotograph. Or use the powerfocus to manually focus on thesubject.
Use the focus lock by firstfocusing on something at thesame distance as the subject youwish to take a picture of, and thenaim at the subject. Or use thepower focus to manually focus onthe subject.
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Two subjects at differentdistances
Subjects with repetitivepatterns
High-speed subjects at closerange
Focus on another subject at thedesired camera-to-subjectdistance first. Switch the mode topower focus, and shoot thesubject when it is at the distanceset in advance.
When the subject looks out-of-focus although the autofocuslamp lights, use the power focusto manually focus on the subject.
When the subject looks out-of-focus although the autofocuslamp lights, use the power focusto manually focus on the subject.
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Automatic Exposure ModeExposure refers to the amount of light which strikesthe film, and is controlled by a combination ofaperture size and shutter speed. The correctamount of light, called correct exposure, dependson the film speed (indicated on the film package,e.g. ISO 100 or ISO 200).The automatic exposure function automatically setsthe correct exposure. The IS-3000 employs threetypes of automatic exposure modes: (1)programmed auto-exposure, (2) aperture-preferredauto-exposure, and (3) shutter-preferred auto-exposure.With programmed auto exposure, the cameraautomatically selects the most suitable combinationof F stop and shutter speed for the existing lightingconditions. This lets you concentrate on composingyour shot and releasing the shutter at just the righttime.With aperture-preferred auto, you select the desiredF stop, and the camera automatically selects thecorrect shutter speed. Aperture-preferred autogives more artistic freedom of expression andcreativity by selecting a desired F stop to controlthe blur of the background.With shutter-preferred auto, you select the shutterspeed, and the camera automatically selects the Fstop. By changing the shutter speed, you canfreeze a fast-moving subject or blur it to convey asense of motion.
Program Chart (Standard Photography Mode)The following program chart is for 35mm wide-angle and 180mm telephoto focal lengths.According to the focal length, the camera's programitself changes. When the subject is brightly lit, the Fstop and shutter speed change simultaneously.When the lighting is darker, the aperture opens fullyand the shutter speed changes to match it.In the standard photography mode (refer to p. 14), ifthe built-in flash has been flipped up, it willautomatically fire in dark lighting conditions. Theshutter speed will be fixed at 1/100-sec.
EXPOSURE
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this mode. To shoot such high-speed action,excellent timing is essential to take the photo at justthe right moment. This mode offers the optimalcombination of continuous shooting and autofocusto maximize your timing for maximum results.
Landscape ModeThis mode is ideal when you want to focus on boththe subject and the background or when you wantto shoot natural scenery with low contrast. Thecamera automatically stops down the aperture tomake the range of focus as large as possible. Inshooting conditions for this mode, the subjects arelikely be at a distance of (infinity), so theautofocus function in this mode starts from theposition.
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Portrait ModeIn this mode, the IS-3DLX chooses a wide aperturefor a short depth of field. This results in a softlyblurred subject background, against which yoursubject stands out in sharp focus.
Night Scene ModeWhen shooting night scenes you may sometimesbe disappointed with the result, usually because thecamera's automatic exposure function works on astandard exposure ratio. In such situations aprofessional photographer would adjust forexposure compensation based on long experience,or select the manual shooting mode.The IS-3DLX's night scene mode will automaticallyadjust the exposure compensation for attractivenight scene photography. For example, whenshooting a subject with a night scene as itsbackground, the use of the flash is often desirable.Should that be the case, the camera performs themost suitable exposure compensation for both thesubject and the background. Since the selectedshutter speed may be very slow (up to 4 secondswith ISO 100 or 15 seconds with ISO 25), thecamera should be held firmly in position (with atripod for example) to prevent blurring.
Sports ModeThis mode is ideal for capturing high-speed photoopportunities such as sports scenes and children atplay. A fast shutter speed is automatically selectedto "freeze" the action on film. However, the highshutter speed is not the only important feature of
METERING THE AMOUNT OF LIGHTLight Metering
Light metering can measure the brightness of theframed picture in various ways. The IS-3DLXemploys three metering systems: (1) ESP lightmetering , (2) center-weighted average lightmetering, and (3) spot metering. The IS-3DLXallows you to select the light metering system mostsuitable in any photographic situation.At the same time, the IS-3DLX uses TTL (through-the-lens) light metering to automatically measurethe light that enters the lens. This allows you toobtain very accurate light metering that is notaffected by changes in the distance between thesubject and the camera.
Fuzzy Logic ESP (Electro-Selective Pattern) LightMetering (Exposure Mode P)
ESP light metering measures the brightness of thecentral portion and peripheral portion of the frameseparately in order to determine the properexposure. The calculation program used is basedon programmed data to properly compensate forbacklighting. ESP light metering is usedautomatically when in the P (Program) mode.
Center-Weighted Average Light Metering(Exposure Mode A or M)
Center-weighted average light metering is the mostwidely used light metering system (Fig. A). Thissystem measures the light available throughout theframe with special emphasis on the center of theframe. When in A (Aperture-preferred), S (Shutter -preferred) or M (Manual) mode, this light metering
system is automaticallyactivated. When thecontrast between brightand dark areas is not tooextreme outside the centerof the frame, this systemoffers excellent results.
Spot MeteringSpot metering (Fig. B) measures the brightness atthe center of the frame only. Because this meteringsystem calculates the correct exposure for only onepoint, it is convenient when the subject is backlit orthe picture contains strong contrasts. Whenshooting a subject in front of an extremely brightbackground, you should use spot-metering on thesubject's face. To properly expose white objects,use spot metering and then press the + side of theexposure compensation button. To properly exposeblack objects, use spot metering and then press the- side of the exposure compensation button.Spot metering can beused in any of the P, A, Sor M exposure modes.
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EXPOSURECOMPENSATION
Fixed Proper ExposureProper exposure refers to the balance of light anddark in a photo. When shooting a black and whitewall, the exposure will be based on the averageratio of black and white — thus the overallexposure is set for gray. This is technically called"fixed proper exposure." A good example of this is asubject with a strongly lit background. The reasonthe subject turns out dark is because there is morebrightness than darkness in the frame. Therefore,the fixed proper exposure is based on the total levelof light in the photo, which is significantly brighterthan the subject. In the case of strong backlighting,the exposure needs to be adjusted to compensatefor the excessive brightness.Adjusting the exposure to accommodate lightingconditions is called exposure compensation. WhenESP light metering is used, the cameraautomatically evaluates the lighting situation andcompensates for the proper exposure, so manualexposure compensation is not needed.
Exposure CompensationWith the IS-3DLX, ±4EV exposure compensation in1/3 EV steps is possible. + Compensation will makea subject appear brighter, while - compensation willmake a subject appear darker. Under backlitconditions you'll want to make your subject appearbrighter (+1 to +2EV). For shooting winter snowscenes, you may want adjust the exposure foradditional definition (+2EV). Or, suppose your pictureis composed of a black wall, (-2EV) compensationwould most likely be appropriate.
Film SpeedFilm speed is indicated on the back of filmpackages. ISO 100, ISO 200, and ISO 400 are themost common. High-speed film (ISO 400), asimplied by its name, is for taking photos of fast-moving subjects in action shots, for example.However, there are also other advantages. Withhigh-speed film, such as ISO 400, it is possible totake pictures in lower light. And the distancecovered by the flash will be greater.With this camera, we recommend the use of "DX"film cartridges: ISO 25 ~ 5000. In the case of non-DX-coded film, the camera will automatically be setto film speed ISO 32.
FILM SPEED
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IS/L LENS B- MACRO H.Q. CONVERTERf=40cm (Optional)
This is a close-up lens that lets you fill the framewith an area approx. 4.4 x 6.4 cm (1-3/4 x 2-5/8 in),about the size of an ordinary business card. Thisconverter can be used with the Aperture-PreferredAuto Exposure mode and the Manual Flash mode.Autofocus also works when using this mode,making it ideal for macro photography beginners.
Zoom Macro at 120mm Converter f=40cm at 180mm
MACRO PHOTOGRAPHY
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Zoom MacroThe IS-3DLX's Macro mode enables you to shootsubjects as close as 0.6 m (2 ft) when the focallength is set from 35mm to 120mm. The autofocusand built-in flash can also be used with thisfunction, which can fill the frame with an area ofapprox. 12 x 18 cm (4-3/4 x 7-1/16 in) at a workingdistance of 0.6m (2 ft) with the focal length set to120mm. The picture area can be adjusted bychanging the focal length and working distance.
PANORAMA PHOTOGRAPHY (OPTIONAL)By mounting the optional IS/L PANORAMA ADAPTER inside the camera,panorama pictures can be taken. Zoom in and out with the adaptermounted to obtain various compositions. When the optional IS/L LENSB-28 H.Q. CONVERTER 0.8X is used with the adapter, wide-anglepanorama photography is possible, adding extension and depth topictures.
Picture area is shown withpanorama marks as illustrated onthe left.
Panorama marksNotes:
When the adapter is mounted, the entire roll of film must be shot as panorama-format pictures.Panorama prints generally take longer to get processed than ordinary prints.Availability of Panorama format film processing facilities varies according to area. Consult yourlocal film processor or camera dealer for details.
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ACCESSORIES (OPTIONAL)
IS/L LENS B-300H.Q. CONVERTER
1.7X
IS/L LENS B-28H.Q. CONVERTER
0.8X
IS/L LENSB-MACRO H.Q.CONVERTER
f=40cm
Electronic FlashG40
Grip Strap B REMOTE CONTROLRC-100
IS/L PANORAMAADAPTER
Variable DioptricAdapter A
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CARE AND STORAGECAUTIONS
DO NOT EXPOSE THE CAMERA TOEXTREME HEAT (OVER 40°C/104°F)OR TO EXTREME COLD (BELOW-10°C/14°F).AVOID SUDDEN TEMPERATURECHANGES AND HUMIDITY.DO NOT EXPOSE THE CAMERA TOSTRONG MAGNETIC FIELDS.DO NOT APPLY EXCESSIVE FORCETO THE CAMERA OR ITS CONTROLS.DO NOT TOUCH THE CONTACTPOINTS INSIDE THE CAMERA.DO NOT USE ORGANIC SOLVENTS,THINNERS, OR BENZINE TO CLEANTHE CAMERA.AVOID STRONG IMPACTS CAUSEDBY BUMPING OR DROPPING THECAMERA.DO NOT EXPOSE THE CAMERA TOWATER, SUCH AS FROM RAIN.DO NOT EXPOSE THE CAMERA TODUST AND SAND.
In case of malfunction, consult your nearestOlympus dealer or Olympus service center.
WARNINGNEVER ATTEMPT TO DISASSEMBLETHE CAMERA; IT CONTAINS AHIGH-VOLTAGE CIRCUIT.
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BATTERY HANDLINGNOTES
Do not mix different types of batteriesor new and old batteries.When the camera is not used for anextended period of time, remove thebatteries.Keep spare batteries on hand whengoing on a long trip or to a cold area.Sweat, oil, and so on can prevent abattery's terminals from makingelectrical contact. To avoid this, wipeboth terminals before loadingbatteries.
WARNINGSNEVER TRY TO DISASSEMBLE,RECHARGE, OR SHORT CIRCUITBATTERIES. NEVER EXPOSE BATTERIESTO EXCESSIVE HEAT OR OPEN FLAMES.KEEP THE BATTERIES OUT OF THEREACH OF CHILDREN. IF A CHILDSWALLOWS A BATTERY, CONTACT ADOCTOR IMMEDIATELY.USE TWO 3V LITHIUM BATTERIES(CR123A OR DL123A). NEVER TRY TODISASSEMBLE OR MODIFY ANYBATTERY OR BATTERY PACK FOR USEIN THIS CAMERA.
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TROUBLESHOOTINGOperating Problems
SymptomThe camera doesnot work.
The displays turnoff suddenly.
The shutter speedand aperturesetting blink.
The subject cannotbe focused on.
CauseThe power is OFF.The batteries are loaded incorrectly.The batteries are exhausted.The batteries are temporarily unableto function.The loaded film has been rewound.The film is incorrectly loaded.The LCD panel and viewfinder displaysturn off after approx. 30 sec. (5 min.when the flash is flipped up) if thecamera is not used.When the light metering function ofthe camera does not work correctlybecause it's too dark, these indicatorsstart blinking. In the Manual Exposuremode, ± also blinks.When the subject is moving too fast,the camera is being shaken, or thesubject is difficult for autofocus to lockonto (refer to p. 70), the autofocusmay not work.The subject is closer than the camera'sminimum working distance.
When the PF mode is engaged,autofocus will not operateeven though the shutter releasebutton is pressed.
RemedySet the power switch to ON.Reload the batteries correctly.Replace batteries with new ones.Keep the camera warm whileusing it.Load new film.Reload the film.Press the shutter release buttonhalfway to turn on the displays.
Use the flash.
Focus on the subject by usingthe power focus, or by firstfocusing on something at thesame distance as the subject.
Use the Macro mode.
Cancel the PF mode.
Seep.17p.10p.11
p.21p.17
p.18
p.26
p.70p.22
p.32
p.52
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SymptomThe camera doesn'tfocus on the subjecteven though the AFilluminator lights.
The shutter doesn'trelease even whenthe shutter releasebutton is pressed.The flash doesn't fire
The zooming speeddoes not get fastereven when thezoom button is fullydepressed.
CauseThe autofocus may not work when thesubject is out of the AF illuminator'sworking distance (approx. 1 .2 ~ 7 m/3.9 ~ 23 ft) or when the subject has lowcontrast (blue or black).The subject is not in focus.
The rewound film is still loaded.The battery has not been recharged.
The shutter speed is set at fasterthan 1/100-sec. (except in the ManualExposure and Portrait modes).As the batteries get exhausted, thefast zooming speed becomes slower,and the difference between the fastand slow zooming speeds becomessmaller.
RemedyUse the power focus, or move thecamera closer to the subject.
Make sure the subject is in focusand the autofocus indicator in theviewfinder lights.Remove the film.Wait until lights.Set the flash mode to one otherthan Fill-in.
Check the batteries on the LCDpanel. If the display blinks, replacethe batteries.
Seep.52/70
p.20
p.21p.26p.29
p.11
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SymptomThe subjects' eyesappear red inprinted pictures.
The subject waswithin the frame ofthe viewfinder, butits edges aremissing on the print.The film isscratched.
The picture isout of focus.
The picture is toodark.
CauseThis "red-eye phenomenon" occurs withall cameras when a flash is used. It iscaused by light from the flash reflectingoff the retina at the back of the eye. Red-eye varies depending on the individualand the shooting conditions such asambient lighting. It is also more likely tooccur when using 135mm telephoto thanwhen using wide-angle focal lengths.When a negative is enlarged, sometimesthe edge of the frame is not printed.
Sand or dust is lodged in the film path.
Film particles have accumulated insidethe camera.The camera moved when the shutterrelease button was pressed.
The viewfinder's autofocus frame wasnot positioned on the subject.The subject was out of the workingrange of the flash.The subject was backlit.
Remedy© Use the Auto-S Flash mode to
significantly reduce red-eyephenomenon.
Leave some room on the edges ofthe frame when you composeyour shots.
Clean the film path while takingcare not to damage the shuttercurtains.Consult your nearest Olympusdealer or Olympus service center.Hold the camera correctly, andpress the shutter release buttongently.Position the autofocus frame onthe subject, or use the focus lock.Shoot within the working rangeof the flash.Set the flash to Fill-In mode.
Seep.28
p.12
p.22
p.27
p.29
Problems with Printed Pictures
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QUESTIONS AND ANSWERSQ: How long will the batteries last?A: Two new 3V lithium batteries will
exposure film on which the flashwas used on half of all the shots(determined under Olympus testconditions). If you do not use theflash and zoom very often, thebatteries will last much longer.
Q:How should I store the camera?A: Cameras are susceptible to
damage caused by dust, moisture,and salt. Wipe and dry the camerathoroughly before storing it. Afterusing it at the beach, wipe it with acloth that has been moistenedwith fresh water and then wrungout. Do not use mothballs.
Q:When does the camera measureand set the exposure?
A: When the shutter release button ispressed halfway, the camerameasures both the exposure andthe focus and then locks them aslong as the shutter release buttonremains halfway depressed. In theSpot Metering mode, the exposureis locked when the spot button ispressed.
Q:How should I clean the lens?A: Wipe the lens gently with lens
cleaning tissue that has beenmoistened with a small amount oflens cleaning fluid.
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last for roughly 20 rolls of 24-
SPECIFICATIONSType: Fully automatic 35mm autofocus
single-lens reflex camera with built-in35mm ~ 180mm zoom lens.
Film format: 35mm standard DX-coded film(24 X 36mm)
Lens: Olympus lens (filter available, 55mm filterdiameter) 35mm ~ 180mm F4.5 ~ 5.6, 16elements in 15 groups (5-group zoomconstruction) with extraordinary dispersion(ED) glass at third element in the first zoomlens group.
Shutter: Electronic control system vertical focalplain shutter. Shutter speed 1/2000-sec. ~15-sec. bulb.
Focusing: TTL phase-difference detectionsystem autofocus with focus lock, AFilluminator automatically lights up in lowlight. Autofocus beep available. Manualfocusing available (power focus). Focusingrange —1.2m (3.9 ft) ~ ; 0.6 m (2 ft) ~in Macro mode at 35 ~ 120 mm.
Viewfinder: Single-lens reflex system,magnification ratio 0.75 (at 50mm). Finderview-field — 85% of actual view-field.
Viewfinder information: Autofocus frame, spot
frame, panorama marks, autofocusindicator, flash indicator (to be used asflash warning), shutter speed, aperturesetting, spot metering, macro, exposurecompensation (manual exposure).
Light metering system: TTL light meteringsystem — Fuzzy logic ESP light metering,center-weighted average light metering,spot metering.
Exposure modes: (1) Program AE (Standard,Sports, Portrait, Night-Scene, Landscape),(2) Aperture-preferred AE, (3) Shutter-Preferred AE, (4) Manual exposure.
Exposure compensation: ±4 EV compensationpossible (1/3 EV step).
Exposure counter: Progressive type, displayedon LCD panel.
Film speed range: Automatic setting withDX-coded film (ISO 25 ~ 5000).
Film loading: Automatic loading (automaticallyadvances to first frame when camera backis closed).
Film advance: Automatic film winding,consecutive winding max. 2 frames/sec.(in PF mode, under Olympus test
85
conditions), double exposure possible.Film rewind: Automatic film rewind (automatic
rewind activated at end of film, automaticrewind stop). Rewind is possible at anypoint with rewind button.
Selftimer: Electronic selftimer with 12-sec.delay.
Remote control (optional): Infrared remotecontrol unit, 3-sec/0-sec. delayswitchable).
Flash: Built-in IVP (Intelligent Variable-Power)flash system with dual light emitting tubes.Manual activating system, recycling time ofabout 5 sec. (at normal temperature). Lightemission, Automatic; ISO 100 · m of GN 28/ ISO 100·ft of GN 92, Manual; ISO 100 ·m of GN 20/ISO 100 · f t of GN 66
Flash range: Wide — 1.2 ~ 6.3 m (3.9 ~ 20.7ft), Tele — 1.2 ~ 7 m (3.9 ~ 23 ft) with ISO100 negative color film; Wide — 1.2 ~12.6m (3.9~41.3 ft), Tele — 1.2 ~ 14m(3.9 45.9 ft) with ISO 400 negative colorfilm. Flash available in Macro mode.
Flash modes, Auto (automatic flash activationin low-light), Auto-S (red-eye reducing,
same as Auto otherwise), Fill-in (forcedactivation), Manual.
Battery check: Displayed on LCD panel.Power source: Two 3V lithium batteries
(CR123A or DL123A) (replaceable).Dimensions: 122(W) X 93(H) X 173(D) mm
(4.8 X 3.7 X 6.8 in) (excluding protrusions).Weight: 960 g (33.9 oz) (without batteries).
DATE UNIT SPECIFICATIONSImprinting direction: Data imprinted from
behind film in bottom left of picture.Data coding: Year-month-day, day-hour-
minute, no data, month-day-year and day-month-year.
External indication of data: Data display onLCD panel.
Automatic calendar system: Up to year 2019.Power source: Two 3V lithium batteries
(CR123A or DL123A) in camera.
Specifications are subject to change withoutany notice or obligation on the part of themanufacturer.
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~
OLYMPUS OPTICAL CO., LTD.San-Ei Building, 22-2, Nishi Shinjuku 1-chome, Shinjuku-ku, Tokyo, Japan. Tel.03-3340-2211
OLYMPUS AMERICA INC.Crossways Park, Woodbury, New York 11797-2087, U.S.A. Tel. 516-364-3000
OLYMPUS OPTICAL CO. (EUROPA) GMBH.(Premises/Goods delivery) Wendenstrasse 14-16, 20097 Hamburg, Germany. Tel.040-237730
(Letters) Postfach 10 49 08, 20034 Hamburg, Germany.
OLYMPUS OPTICAL CO. (UK.) LTD.2-8 Honduras Street, London EC1Y 0TX, United Kingdom. Tel. 071-253-2772
0295.10MM