older story

8/2/2019 Older Story

1/10

Older story Newer story

Blue Frog Lounge by Serie Architects27 February 2008

Angle-Indian architectsSeriehave completed the Blue Frog acoustic lounge and studios in Mumbai, India.
http://www.dezeen.com/2008/02/27/towel-with-further-options-by-niimi/http://www.dezeen.com/2008/02/27/towel-with-further-options-by-niimi/http://www.dezeen.com/2008/02/27/towel-with-further-options-by-niimi/http://www.dezeen.com/2008/02/27/sand-bag-houses-by-mma-architects-2/http://www.dezeen.com/2008/02/27/sand-bag-houses-by-mma-architects-2/http://www.dezeen.com/2008/02/27/blue-frog-lounge-by-serie-architects/http://www.dezeen.com/2008/02/27/blue-frog-lounge-by-serie-architects/http://www.serie.co.uk/http://www.serie.co.uk/http://www.serie.co.uk/http://www.serie.co.uk/http://www.dezeen.com/2008/02/27/blue-frog-lounge-by-serie-architects/http://www.dezeen.com/2008/02/27/sand-bag-houses-by-mma-architects-2/http://www.dezeen.com/2008/02/27/towel-with-further-options-by-niimi/


2/10

The lounge will be used as a music venue within a complex of sound recording studios in a converted warehouse and incorporates a restaurant,

bar and live music stage.


3/10

The different sized cylindrical booths seat between 4 and 10 people and are arranged at various heights to stagger the eye levels of seated diners

and standing customers, intended to afford uninterrupted views of the stage.


4/10

The empty central area can be used as additional space for standing visitors or as an extension to the stage.


5/10

Bumpy, textured walls help to absorb sound.


6/10

The undulating booth structure is made from block board finished with mahogany and topped with back-lit 8mm acrylic sheets.


7/10

The following information is from Serie Architects:

Blue Frog Acoustic Lounge and Studios

by Chris Lee and Kapil Gupta / SERIE

A large north-lit industrial warehouse within the old mill district in Mumbai is to be converted into a complex of sound recording studios and an

acoustic lounge. This lounge will consist of a restaurant, bar and a live stage. Beyond this amalgamation of provisions, Blue Frog seeks to stage

an acoustic experience par excellence.

Based on this desire to have it all, the question for us is: how do you collapse a theatre, restaurant, bar and club into a warehouse whilstmaintaining all the performative characteristics of each individual type?


8/10

The deep structure that was employed is of a cellular organization composed of circles of varying sizes in plan approximating a horse-shoe

configuration. The differential extrusions of these circles encapsulated at different levels as tiered cylindrical seating booths, allow the eye levelof diners and standing patrons to be distributed across staggered levels that increase in height away from the stage.


9/10

These booths seat between 4-10 people and are arranged around an open centre that can either double up as a potential 360 degree stage oraccommodate standing patrons, bringing them closer to the main stage to create an intimate viewing experience.These mahogany paneled

cylindrical booths maintain not only uninterrupted views to the stage, but also constant distance between diners irrespective of how crowded thelounge gets.

The undulating height of the seating booths is gently modulated by a glowing acrylic resin surface, which unifies the disparate types together and

retains the presence of the architecture even in the midst of the spectacle of a state-of-the-art sound and light show at the Blue Frog.Construction:

Given the age of the warehouse, the construction of the club involved considerable renovations to the roof and glazing of the north light trusses.

The positive acoustic qualities of the massive load bearing walls of the warehouse worked to the projects advantage. The poured concrete finishfloor is terraced by infilling at different levels to create the cylindrical steps that increase in height away from the centre.

The primary challenge of the project was the construction of the cylindrical booths.We wanted to minimize the wall thickness of the cylindrical

partitions of the booths to maximize the area of the back-lit acrylic resin surface. The only way to do this was to avoid a supporting frame, and

rely on the wall thickness of the mahogany clad partition to provide structural strength and stiffness to the booths. This is achieved by bending

19mm block board which is comprised of wooden blocks sandwiched between 2 sheets of plywood. One of the layers of plywood is stripped off


10/10

and the exposed wooden blocks are scoured to allow the sheet to bend to the desired radius. The scoured block board panels are placed in

position, before a layer of plywood is re-laminated onto the exposed surface. The resultant curved panel is very rigid and structurally stable. Theundulating profiles of curves were mapped onto the block board panels before being cut to the desired shapes. Solid mahogany fluting is clad on

before the 8mm acrylic resin sheets are glued onto the 3-dimensionally curved profiles of the block board panels.

The ceilings of the single- slop roofs are acoustically treated to be completely absorptive and clad with 4 layers of rockwool and foam. Thebumped plasterboard wall paneling helps disperse sound waves and is also layered with rockwool to absorb low frequencies.

Project credits:

Serie London [formerly Chris Lee Architects]

Serie India [formerly Contemporary Urban India]Client: Blue Frog Media Pvt. Ltd

Area: 1000 sqmDesign: Chris Lee / Kapil Gupta

Project Team: Tomas Ruis Osborne, Santosh Thorat, Purva Jamdade, Suril Patel, Dharmesh Thakker, Niti Gourisaria, Vrinda Seksaria and

Udayan Mazumdar.

Acoustic Design: Munroe Acoustics (UK)

Lighting Design: Abhay Wadhwa Associates

Project Management: Masters Management ConsultantsGeneral Contractor: Zigma Enterprises

Duration: October2006- November 2007

Photographer: Fram Petit

http://modernarchitecturecenter.com/03/03/2012/tori-tori-restaurant-at-mexico-city/

http://archidialog.com/2011/02/

http://www.mytophomes.com/architect/3-level-house-plan-timber-facade-wraps-irregular-frame/

http://archidialog.com/2011/02/28/zaha-hadid-conscious-inspiration-%E2%80%9Cdancing-

pilotis%E2%80%9D-2/

http://interiorsdesignz.com/ideas/art-corrugated-ladder-for-unique-home

http://www.arthousetexas.org/blog/?p=864

http://www.atmosstudio.com/Surf
http://modernarchitecturecenter.com/03/03/2012/tori-tori-restaurant-at-mexico-city/http://modernarchitecturecenter.com/03/03/2012/tori-tori-restaurant-at-mexico-city/http://archidialog.com/2011/02/http://archidialog.com/2011/02/http://www.mytophomes.com/architect/3-level-house-plan-timber-facade-wraps-irregular-frame/http://www.mytophomes.com/architect/3-level-house-plan-timber-facade-wraps-irregular-frame/http://archidialog.com/2011/02/28/zaha-hadid-conscious-inspiration-%E2%80%9Cdancing-pilotis%E2%80%9D-2/http://archidialog.com/2011/02/28/zaha-hadid-conscious-inspiration-%E2%80%9Cdancing-pilotis%E2%80%9D-2/http://archidialog.com/2011/02/28/zaha-hadid-conscious-inspiration-%E2%80%9Cdancing-pilotis%E2%80%9D-2/http://interiorsdesignz.com/ideas/art-corrugated-ladder-for-unique-homehttp://interiorsdesignz.com/ideas/art-corrugated-ladder-for-unique-homehttp://www.arthousetexas.org/blog/?p=864http://www.arthousetexas.org/blog/?p=864http://www.atmosstudio.com/Surfhttp://www.atmosstudio.com/Surfhttp://www.atmosstudio.com/Surfhttp://www.arthousetexas.org/blog/?p=864http://interiorsdesignz.com/ideas/art-corrugated-ladder-for-unique-homehttp://archidialog.com/2011/02/28/zaha-hadid-conscious-inspiration-%E2%80%9Cdancing-pilotis%E2%80%9D-2/http://archidialog.com/2011/02/28/zaha-hadid-conscious-inspiration-%E2%80%9Cdancing-pilotis%E2%80%9D-2/http://www.mytophomes.com/architect/3-level-house-plan-timber-facade-wraps-irregular-frame/http://archidialog.com/2011/02/http://modernarchitecturecenter.com/03/03/2012/tori-tori-restaurant-at-mexico-city/

older story

Documents