OGUN, Chief of Strength

Awo Fategbe Fatunmbi

babalorisa Ogun-ori-ota

Ogun! Obi rere o

Fun wa ni alaafia

Ma da wahale silu

Ase

Ogun! We give you kola

Give us peace

Do not make trouble in our town

ase

Oriki

Ogun awo, Olumaki, alase ajuba

Ogun ni jo ti ma lana lati ode

Ogun oni're onile kangun-kangun

ode Orun, egbe lehin

Pa san bo pon ao lana to

Imo kimo 'bora, egbe lehin a nle a benge logbe

ase

Ogun, chief of strength, owner of power, I salute you

Ogun dances outside to the open road (dance is a metaphysical force)

Ogun, owner of good fortune, owner of many houses in the realm of the ancestors, help those

who journey (Ogun has much “wealth” in Orun that he will bless you with)

Remove the obstructions from our path

Wisdom of the warrior spirit, guide us on our spiritual journey with strength

ase

"The unique function of Ogun within the realm of Orisha awo is to remove all obstacles that

stand in the way of spiritual evolution, which includes the evolution of all there is. In order to do

this, Ogun must sacrifice all that stands in the way of spiritual evolution. Because of this sacred

responsibility, Ogun is considered the Guardian of Truth. Ogun does not protect the truth as what

we would like it to be; he guards the truth of what is. It is the process of making this distinction

that lies at the core of Ogun's mystery (Falokun Fatunmbi).”

Ogun is, in Yoruba mythology, one of the oldest Orisa. He is the Spirit of hunting, iron, and

warfare. Ogun is the force which helped humans adapt to the world. Ogun’s ase is physical

force, hotness, quickness, directness, sensuality, firmness, protectiveness, loyalty and tenacity.

Ogun is firm, forthright and honest. He has no mercy on cowards. He is supremely creative.

When we think of Ogun, usually two main concepts come to mind; two different images.

First is as a violent warrior, fully armed with weapons and charms, and ready for battle. The

other is as the ideal man, virile, courageous, brave, a man who protects and nurtures his children,

who pursues truth and justice relentlessly, and creates civilization. In Ogun we find three basic

philosophical principles regarding idealized human. One is Ogun’s metaphorical solitude. Each

of us, in the end, are on a solitary journey, the hero’s journey to self realization. We are also

ultimately responsible for our day to day survival supported by our own inner strength. Another

principle regarding the ideal human is taking a leadership role, extending our responsibility for

self to that of the community or group. The third is iwa pele. We will be judged by our

achievements and accomplishments both at the individual level but more importantly in service

to others. Although seemingly paradoxical, these themes of aggression and civilization are

actually complementary. War is an act of civilization building. Creating societies is a violent act.

Ogun’s basic truth is that death is essential to life. When is death good and when is it bad? Ogun

is an

ambivalent Orisa who reflects the contradictions of human nature.

The light shining on Ogun’s

face is not easy to behold

Ogun, let me not see the red of your eye

Ogun is a crazy Orisa who still asks questions after 780 years!

Whether I can reply, or whether I cannot reply

Ogun, please don’t ask me anything

Ogun has many faces. “Ogun meje l’Ogun-un mi.” “The Ogun that I know are seven in number.”

Ogun is the Spirit of Iron, and we can analyse the qualities of iron to get a glimpse of Ogun’s

qualities. Iron is unique in its ability to be transformed in profound ways. It can go from red hot

liquid to cold and unyielding very quickly. It always maintains its inner “ironess” thru all its

transformations. The incredible ability to undergo radical changes in temperature, color, and

temper are the essence of iron and Ogun. The tools made from iron also reflect Ogun, as they are

usually used in quick strong, decisive movements. However, to limit Ogun to the Spirit of Iron,

is to cut short his history, as iron smelting is a recent technological achievement. Similarily, to

reduce Ogun to the God of War, is to limit his divine responsibilities. Orisa exist at all levels and

expressions of the divine, in creation and in the invisible realm. At the level of universal energy,

Ogun is primal energy; the expansive and unstoppable energy of evolution. Ogun is that

force of nature that keeps matter in motion. Ogun is always bringing something new into the

world, whether it be a new political order, a new technology or a new settlement. The word

Ogun, with the appropriate tonal changes, can be translated to mean war, inheritance, medicine

and perspiration. Once Olodumare gives a being life, it is Ogun who sustains that organism. In a

well known itan (story) from the Yoruba creation myth, Ogun came to earth with the other 401

irunmole. Obatala came down to the world first, but when he started to cut his way through the

forest, his silver cutlass was not up to the task (too soft). So Ogun took over with his iron cutlass.

Ogun took the leadership role and directed the other irunmole. Ogun’s philosophy is that we

must act with courage and heroism in living and in dying while serving the needs of the

community. This

story also suggests that Obatala created human consciousness, but Ogun is the force behind its

evolution. Ogun is the instigator of beginnings, foundings and innovations.

Ogun Lakaaye

Osin Mole

Oosa to sogbo dile

Oosa to sogbo digboro

Oosa to sakitan doja

ase

Ogun, Chief Lakaaye

Chief Osin Mole

The Orisa who made the forest his home

The Orisa who made the heart of the forest into a township

The Orisa who made a refuse pit into a market

Ogun is also the Orisa in charge of making ebo (blood offerings). In this area he works closely

with Esu. Initiates learn the awo of ebo. That is, the successful elevation of the spirit of the

animal to Orun with the prayers of the person for whom the ebo is being done, as well as the

request that the animal return to earth to feed the people again. This last aspect is part of Ogun's

role as that force that pushes living things to continue to procreate. The assurance that the animal

will return assures that there will be food to eat and the species will not die out.

However, it is most probable that Ogun became Orisa through hunters and warriors. Most

cultures have a way established to readmit warriors back into society after battle. This involves

some manner of ritual purification for the warriors after killing in battle. In Yoruba culture, it is

the Ogun worshippers that carry out this task. It would seem that hunting, killing and the need to

re-establish order from the disorder of death are the conceptual roots of Ogun (Armstrong).

When we speak of Orisa, it can be confusing because we refer to Orisa in several ways without

making clear distinctions. Orisa bring together experience from both the worldly and spiritual

realms. So we have Ogun as a primal energy; as a force of nature; as a highly evolved spirit

given a job to do by God; as a personified diety, etc. The multifaceted and multidimensional

qualities of Orisa are what render any explanation wanting. Truthfully, the only way to know

Ogun or any Orisa is through possession by that Orisa, the point where knowledge and

understanding merge. Any endeavor to interpret Ogun will be incomplete.

Yoruba cosmology relates that in “Source” there is unity, but in the physical realms polarities are

created and these polarities are in constant flux. This is why Orisa seem to be illogical or

contradictory at times, for instance Ogun as bloodthirsty warrior and as nurturing protector. All

Orisa contain both positive and negative attributes. Ogun kills and he creates. Yoruba thought

regards truth as ephemeral, and good and evil as subjective. Ogun kills your enemy; this is good

for you, but an act of evil to your enemies’ wife and children. He helps the poor and the

powerless by taking from the rich and powerful. In Ogun, rather than illogical opposites, we have

the unity of destruction and creation. Through Ogun, this polarity is brought into balance. All

Orisa represent polarities and all Orisa provide a theory of how the world works; how balance

is achieved both at the universal level, at the societal level, and at the human level.

The following itan of Ogun is full of esoteric information regarding this Orisa. The story is that

once upon a time, Ororinna married Tabutu, and they had a son named Tobi Ode (skilled hunter).

He became the first Orisa to make the trip from ikole Orun to ikole Aye. The earth was covered

with dense forest. The other irunmole followed. Obatala tried to cut a path through the forest, but

his silver cutlass was too soft. Tobi created iron and made a cutlass that he used to cut through

the forest. From that day on, he was known as Ogun, osin imole, "first among the

immortals." But Ogun did not want to be their leader, he preferred solitude so he went up in the

mountains. Ogun in this primordial role as evolutionary energy is mirrored at the human level.

Ogun is the hunter/warrior who encapsulates the evolutionary progression from hunting to

agriculture and from stone tools too iron, from subsistence horticulture to urbanization and

the development of empire. As Ulli Beier put it, Ogun is the symbol par excellence, of the

superior, conquering society.

One of Ogun's primary symbols is the knife (Obe). It is because of this that a major contradiction

arises. Ogun eats first, because the knife is the first thing to taste blood in any sacrifice. It is said

that Esu must eat first, and in ritual feasts and bloodless offerings, he is presented his food first.

However, in blood offerings it is Ogun, the only one allowed to take a life, who eats first, and

it is because of him that the other Orisa can be fed blood. Ogun is the father of metamorphosis,

because with his great strength and with the aid of intense heat, he transforms carbon into

diamonds, sandstone into marbles, and marble into gneiss. Over time and space, Ogun has taken

on more facets. Ogun is the God of War, Energy and Metal. Ogun keeps matter in motion. Ogun

is the sustainer of life. Ogun lives in the knife, and with it, clears a path for man. Ogun is the

force within your computer. Ogun is technology. Ogun represents the tools that shape man,

bringing out a person's potential, enhancing one's life. Ogun is our heart beat and the final

contraction during birth. Ogun is auto accidents and gun wounds. Ogun is the warrior, hunter and

farmer. Ogun is the God of loyalty and life-long friendships. Ogun is the master of secrets, skills,

crafts, professions and creations. In Cuba he is San Juan or San Pedro. In Brazil he is Saint

George.

Ogun devotees have decorations of miniature iron tools which serve as metaphors for

civilization. In the Diaspora, we have taken to contain Ogun in an iron pot with iron tools inside

along of course with the stone. The main tools of Ogun are the anvil, which signifies the earth's

ability to transform man. the shovel, which is used fir digging into one's potential; the machete,

which is used to clear path's and to protect; The rake, which is used to gather and smooth rough

areas of the self; the hoe, which is used to cultivate one's potential; The hammer, which is used

to bend or shape one's faculties; and the pick, which is used to pierce or penetrate the hardened

areas of the self. The implements are gifts of Ogun which he uses to help a person through life.

They are metaphors for civilization. Ogun represents all occupations in which cutting

instruments are used. Ogun helped the divinities to survive in their initial settlement on earth and

to effect harmony among themselves as they struggled with new and unforeseen circumstances.

Ogun is the Orisa of barbers, doctors, butchers, etc., any occupation that uses knives or blades, or

iron tools.

OGUN Oni' re ni je aj'a,

OGUN ikola a je igbin,

OGUN gbena-gbena`oje igi ni i je!

pa si'le ps s'oko.

Laka aiye OGUN ko laso,

moriwo l'aso OGUN.

Ire kii se ile OGUN,

emu lo ya mu ni'be.

ase

OGUN, the owner of Ire, eats dog,

OGUN of circumcision, eats snail,

OGUN of carvers, saps the juice of trees!

He kills in the house and kills on the farm.

He who covers the world, OGUN had no cloth,

Palm frond is the cloth of OGUN.

Ire is not the home of OGUN,

he just stopped there to drink palm wine.

Ase

No Orisa stands alone, they are all part of a whole. Ogun’s iron tools connect him in many ways

to other Orisa. Ogun needs Sango’s fire to make iron from ore as well as to make iron into tools

and weapons. Ogun has a strong connection with Osainyin, the Orisa of the herbalists. Osainyin

devotees have a staff which has miniature iron implements as well as a bird on top. The bird

represents the mystical powers of the herbalists. The Ogun miniature implements represent

Ogun’s relationship to the herbalists as warriors receive war charms and protective medicines

from the herbalists, and it is Ogun’s ase that is in the charms and medicines (hunters also have

many charms and medicines). Much of the warriors and hunters success depends on the efficacy

of his charms. Ogun’s iron armlets could deflect the enemies sword from the warriors body and

even divert bullets. Ogun’s sword best represents his ase. It contains the essence of the twin

aspects of aggression and civilization. It cleared the forest and built the house; it cleared the

farm and planted the crops; and it defeated the enemy and crowned the king. Although the Iyami

possess the king’s crown and thus are the kingmakers, the king must be given Ogun’s sword in

ritual setting before he can sit on the throne.

Hunters who are Ogun initiates learn the secrets of Oya, who is the Spirit of the Wind and also

the Guardian of the Forest Animals. In addition, they must undergo training in the secrets of

tracking of Osoosi. In this way, we see that Orisa are parts of a whole. Ogun also has a symbiotic

relationship with Esu. Together with Osoosi, the Spirit of the Tracker, they constitute the ebora,

the warriors. They are invoked to provide us the courage, determination and strength to embark

on the path of birth, death, transformation and rebirth. These qualities are expansive aggressive

qualities and thus the ebora are male energies, but the inspiration to embark on the path and the

source of the ebora’s strength comes from the Divine Feminine. In baba Falokun’s words:

“The relationship between the ebora is a description of the fundamental structure of

consciousness itself. This description is not limited to human perception. It contains clues for

grasping the basic structure of the visual carbon based universe. The paradigm is rooted in the

structure of ori. The stories associated with Èsù, Òsóòsi and Ogun are expressions of the

symbolic language used by Ifá to describe the inner workings of the unknowable knower. The

relationship between these three primal Spiritual Forces is an expression of the relationship

between the inner self, the self and the higher self in the process of transformation and change.

All personal growth moves through the cycles described by Ifá as or the mystery of those who

take our offerings to the Immortals.

Life, death, transformation and rebirth is the way of the world. The Nigeria mathematician Dr.

Oyibo recently offered a solution to the problem of unified field theory. This problem has

plagued science since the time of Einstein. Unified field theory is a mathematical formula used to

describe the interrelated nature of all things. In an interview Dr. Oyibo said the inspiration for his

solution to this problem came from the elders of Ifá. Exactly, the Universe is hydrogen atoms

going through the process of life, death, transformation and rebirth. Stars are huge furnaces that

transform hydrogen into the spectrum of elements. Fire creates diversity, water creates stability,

air sustains life, and life returns to its source. Our consciousness reflects this cycle because it is

born of Creation. Consciousness did not become manifest in the world with the birth of humans

it came into Being at the moment of Creation of the Universe. Everything is Spirit looking for a

glimpse of Source.”

Esu is the Divine Messenger, the God of the crossroads who opens the door for our growth, who

presents us, through guiding our choices, the correct path.. He personifies the intersection

of the visible and invisible worlds, Ogun, on the other hand, is the path itself. He clears the way

for us, facilitating our path towards destiny and spiritual growth.

Ogun is a shining example of iwa pele, but is not in any way perfect (in his anthropomorphic

self). He (and his children) is not afraid to be himself. Like iron, he is rigid, self assured, and

unyielding. Because he is untiring, deliberate and focused, he accomplishes all that he sets out to

do. He is strength, but used creatively. Ogun is very creative. Children of Ogun, when trying to

figure out how to accomplish something will always think of the physical first. They like to use

their hands and their strength. Others marvel at the untiring energy of his children. Ogun sees

and makes his own way. He is economy in action; no wasted motion, catch only what you are

going to eat. Ogun is the champion of laborers everywhere. One praise name of Ogun is Ogun

Onire; Ogun as the source of good fortune. What is being alluded to here is suuru, patience, as

the source of ire.

Usually, when divination speaks of patience as related to a problem, it is saying look to Ogun for

help. At the core of Ogun's ase is the slow, steady willingness to do whatever it takes to get the

job done (baba Falokun). Ogun is the metaphoric representation of transformation brought about

by human effort. This benevolent aspect of Ogun is illustrated in a verse from Ogunda Meji:

Ogunda Meji

Alagbara ni noskun Ade was the one who divined for Ogun. He was advised to sacrifice a

cutlass, a rooster and a roasted yam. Ifa said that he must always go about with his cutlass

because it would be the key to his prosperity. He was told to eat the roasted yam. He did so. He

was

thirsty after this and he went to the river to drink water. As he finished drinking he saw two

people fighting over a fish they caught. He advised them to be patient and go home and share the

fish. They ignored him.The first man told him he came from the east and the second from the

west. After listening to their arguments, Ogun became agitated and, to the surprise of the two

men, took out his cutlass and cut the fish in two. He told each to take half. The first thanked him

and requested him to open a foot-path from where they were to his town and that he would

enrich his (Ogun's) life if he did. He further said that Ogun would receive valuable things that

would give him confidence. The other one also thanked him and made the same request. Ogun

agreed and he has been known as "Ogun-da-meji" (Ogun creates two), since the day he cut the

fish into two.

"Ko si gba ta o ni ku"

Death is the inevitable fate of all humans. There is a popular story of Ogun killing an entire

village. He started out protecting the village but loses control. In another version, he kills whole

village because of a perceived slight. In both mythical proverbs he moves to the Bush to live

alone. One

aspect of the story is Ogun's destructive capacity, that one must be careful when unleashing these

forces and the need to remain emotionless, or disconnected. At the metaphysical level, Ogun's

agressive nature signifies the will to survive that exists in all living things. In addition the story

speaks to political conflict. The story also speaks to the nature of truth, and the need to be

adaptable to new realities, and relates that there is no perfect balance between being in control

and out of control. It is by understanding the constructive-destructive cycle of self transformation

that each individual must experience for growth that we can understand Ogun the Orisa. Ogun

shows us how to balance the need for constraint with the need for freedom (Barnes).

Where does one meet him?

One meets him in the place of battle

One meets him in the place of wrangling

One meets him in the place

where torrents of blood fill with longing,

as a cup of water does the thirsty

Ogun as raw creative energy is not fit to be within civilization, that is to be King like his

"brother'

Sango. Sango incorporates Ogun's war powers and creative abilities, but tempered by Obatala.

So Ogun's color is red, then Sango white and red, and then Obatala, white. As explained to me

by my baba, it is like a continuum from the rawness of Ogun to the cool wisdom of Obatala.

Even the great leader Sango messed up real bad. He dies and was subsequently reborn with a

wider

consciousness and closer to Obatala (with Oya's help).

Ojo Ogun

Si lo, si lo, silo ni ma se aye

Dugbe dugbe a gba ode oorun keke

Ipe npe ju a si kun fe je

Paranganda ni da fomo odo

Abiri, abihun a simu Orisa

Mo ri faaji re!

ase

On the days when Ogun is angered

There is always disaster in the world

The world is full of dead people going to heaven

The eyelashes are full of water

Tears stream down the face

A bludgeoning by Ogun causes a man’s downfall

I see and hear, I fear and respect my Orisa

I have seen your bloody merriment!

ase

Ogun is stickler for justice. Children of Ogun feel the need for justice, and find it very difficult to

ignore injustice. He is truth. In Yorubaland, Ogun’s symbol, iron, is used voluntarily in courts of

law for the taking of oaths by witnesses to affirm that the truth will be told (like we do with the

bible). Few people, who believes in Orisa, would dare lie after swearing to tell the truth on Ogun.

As said in the quote at the beginning of this paper, When Ifa speaks of truth, it does not mean

some idealistic vision of the way things should be. Ogun searches for the truth about the way

things really exist in the world. Ogun represents the power of the Spirit of Evolution to mold new

life forms and new structures as creation unfolds. Ogun is a fundamental force of natural law,

and is used as a symbol for truth. Many people appeal to Ogun to remove obstacles, both

spiritual and physical. This causes Ogun to get a bad rap, because people don't understand what

they are asking for. More often than not, the obstacle in question is within the person his/herself.

Since Ogun removes the obstacles regardless, if we are not ready to face truth, the process can be

painful.

Yet another aspect of Ogun is his place in Ogboni, the cult of elders that worship the earth, called

Onile. Onile is the feminine aspect of Ogun. Being the earth diety and associated with Ogun,

gives us the best evidence yet of Ogun’s ancient roots. Woman devotees of Ogun used to

worship Ogun in the form of a snake, usually a python. As we know, the python is associated

with Osumare, the feminine diety. Snake dieties are usually associated with the earth. Maybe it

is this connection that led to Ogun being a part of the Ogboni earth cult. Ogun’s connection to

the feminine earth diety is further elaborated by baba Falokun;

“Ogun in the diaspora is usually seat in an iron pot with three legs, wrapped with a chain and

filled with spikes. There is usually a knife and maybe some tools in the pot. What do these things

represent? With the pot, we have the symbolism of the womb, and we also have the idea of

three legs. Three is symbolic number of Onile or Mother Earth. Ifá says that whenever two Awo

(diviners) meet three are always present, the third being the Earth Herself. Three symbolizes the

relationship to the Earth this gives us the symbol of the womb supported by the symbol for the

Earth a clear indication of the relationship between masculine dynamics and feminine form. The

pot is surrounded by a chain. In Ifá the chain is used as symbol for the link between Heaven and

Earth, a link that is sustain by the genetic chain of DNA. There is a piece of red cloth around the

pot which is filled with iron spikes. There is some scientific indication the rust on the iron

deposits

at the bottom of the ocean created bacteria which became the source of the first single cell life

forms on Earth. This would be the beginning of evolution and the basis for Ogun´s praise name

Oguntobi meaning Ogun is the Father of all. The seed of life in the womb of the ocean is now

symbolized by the iron spikes in the iron cauldron of Ogun. In the pot iron spikes or tools

symbolize sperm in the womb. The female component of Ogun is diminished in the West. What

is used to consecrate an Ogun pot is irosun. This irosun is red powder from the cam wood tree.

In Yoruba the word is sometimes used to refer to menstrual blood from the elision ire osun

meaning

good fortune that comes from the guardian of the head which I would interpret to mean genetic

inheritance from our ancestors. If you are putting red cam wood powder on the Ogun pot you are

symbolizing the primal procreative drive for survival. ”

Ogunda Meji

Gunnugun nii se yigbo yigbo

Akalamogbonii se yigbo yigbo

No one knows where it would be established the next time

Cast Ifa for Lakannigbo

The mother of Oloja merindinlogun

Don’t y’all know?

All observers of rituals

All you observers of rights

Don’t y’all know that we are all Running around because of wealth?

The Vulture (Iyami) is here Gee Ore

It was then that we placed good things on the ground

That the Vulture stepped in

ase

Another connection Ogun has with Ogboni is that the Ogboni act as a system of justice in

traditional Yoruba society, and as we know, Ogun is a stickler for justice and a protector of

victims of injustice.

Oni ma ma de omo omibu

Tani o gb'odo l'owo Oni?

Tani gba'le baba omo l'owo omo?

Crocodile (Oshun) is coming, a child of the chief of deep waters,

Who can take the river away from the Crocodile?

Who can take his father's house away from a child?

Things-are-difficult-at-Morgun-there-are-many-innocent-people-there

Cast the shells for Ogunda who was concerned for the people who were being treated unfairly by

the chief.

Ebo of 26,000, cloths to the poor, 3 chickens, 3 pigeons, and a pot of beans to Ogun.

Orisha says a blessing of fair treatment, fair trial, and the speaking of truth

so that no one will be accused of something that they did not do.

Ogunda says there will be a blessing of good fortune and abundance.

Ogunda says there will be a blessing of good fortune,

children and a long life for those who embrace patience.

Ogunda says there is a taboo against anger, and a taboo against harsh judgments.

Ogunda says that the successful child will be praised by the mother.

Orisha says that patience brings a blessing of appreciation.

Ogunda says that the mother will have successful children.

Ebo should be made to the head (Ori) of the children.

Orisha says that the three children took the position of the elders and became chiefs.

Ogunda says that this person must maintain all of their taboos and honor the taboos of others.

Doing so will bring good fortune.

ase

Ogun nurtures and protects the oppressed. Ogun is an outcast and protects society’s outcasts. He

makes sure that wealth is shared. He is looked to as a protector who will promptly respond

to the appeals of the oppressed in there encounter with an unjust fate. He is looked to for justice

within society, and protection from outside enemies. However, Ogun’s hot temper makes him a

dreaded figure. While he protects the innocent, the poor, victims of military attack, he inflicts

pain on others; the deceitful, the rich who don’t share, and one’s enemies in warfare. Ogun is a

solitary figure who lives alone in the forest.

Ese Ogunda Meji

Okelegbongbo-as-ofun-kilo cast Ifa for Ogun. He was told that if he made ebo, he would never

die. The whole world would always request that he help them solve their problems. But no one

would help him solve his own problems. Four rams, four goats and four covered calabashes were

the ebo. Ogun performed the ebo at each of the four corners of the world.

ase

Ogun’s undergarments are red, signifying his furious nature, but on top of this he wears Mariwo,

palm fronds. Palm fronds have supernatural connotations, and “soften” Ogun’s image. They

symbolize cool, restrained behavior.

I pay homage to Ogun Lakaaye, a divinity worthy of worship

Ogun, who had two very sharp cutlasses, sharp as fire

He used one for clearing an area for making a farm in the forest

The other he used to cut a path through the forest from one place to another

The type of clothing that Ogun wore,

On the day he made his descent from the hill to the plain,

I know very well

He wore a flame red coverlet over a blood red tunic

Mariwo yeyeye Ogun aso;

Alagbade o

Swirling palm fronds are Ogun’s garment;

The Honored One arrives

ase

In a verse of Ogunda Oturupon, we find reference to Ogun’s masculine virility and strength. In

this itan, Ogun marries Oba, who is a very powerful woman. She was a terror to men despite her

tremendous beauty. Ogun fell in love with her at first sight, as he was attracted by her physical

and spiritual strength. But Oba always wrestled any man who attempted to woo her. No man had

ever beaten her. So Ogun went to Orunmila for divination and Orunmila gave him some

medicines and also told Ogun to take some corn cobs along with him. Ogun threw them on the

ground where they were to wrestle, during the match Oba tripped on one of the corn cobs and

fell. Ogun

pinned her and won and immediately made love to her. That is why Ogunda Oturupon is also

known as "Ogundabaturupon", "Ogun da Oba tu ipon," meaning, "Ogun fell Oba and loosened

her pants" (Ayo Salami).

O se pon janna bi mo s’ile Ijanna

Agbo s’oko luku oko ero oja!

He made his penis lengthen to father a child in the house of Ijanna

We heard how the penis struck those in the market!

Ogun takes lives but also gives it. It is Ogun who cuts the umbilical cord. He is the originator of

circumcision:

Olorun placed Ogun and Olure on earth together but Olure wanted to go alone. On her way she

came across a large tree felled across the path. She returned to Olorun and asked him to have

Ogun move the tree for her. While Ogun was cutting the tree, Olure sat nearby watching. Her

legs were partially open and a splinter from the tree flew off of Ogun’s ax and lodged in her

vagina. When Ogun finished clearing the path, Olure started on her way but the pain from the

splinter was too much so she went back to Olorun and asked that Ogun remove the splinter.

Ogun removed the splinter, but a scar remained. This was the beginnings of female excision.

Ogun had sex with Olure, but because his sperm did not come out quickly enough, he cut off his

foreskin. This was the origin of male circumcision.

In another itan, we see Ogun as hunter and as evolutionary force. Two guys set out to establish a

new town. One of them is named Timoyin. In this adventure, Timoyin, who was an Ogun priest,

killed an elephant who was giving birth. Being that this was taboo, Timoyin built a shrine for the

worship of the baby elephant and was transformed into Ogun Timoyin, an incarnation of Ogun.

Timoyin would go on to settle what is now Oshogbo with the help of Oshun. The two had two

fight off the invading Muslims from the north. Like Esu, Ogun occupies marginal positions.

Hunters are marginal men, who wandere the bush and found new settlements. They suffer

through bad weather, hunger, fatigue and loneliness, but they maintain a connection to the town

as they go

back and forth from town to forest. They are the ones who, by exploring far away from home,

bring back new ideas and technologies.

Ogun as the god of iron is most interestingly seen in the elaborate ritual attending the

establishment of a smelter. The smelter constitutes a shrine to Ogun, and its flames are sacred.

In the powder that ignites the furnace, the smelters mark the Odu that incarnates Ogun – Ogunda,

as well as the Odu Ogunda Irete. Ogun’s Odu talks of victory, and success in the face of danger,

which speak to the occupation of a smelter who strives to be victorious in creating quality iron,

while playing with fire. The smelter straddles the furnace and sacrifices a rooster while

chanting invocations, pours the blood over the Odu that was marked in the powder while igniting

the furnace and chanting all the secret names of fire. He then spits what he has been chewing;

ataare pepper and kolanut on the fire as further chants are said. The chewing of ataare pepper and

kolanut activate or fortify “ofo ase” the power of the word. In the saliva of the smelter is his

essence, connecting his ase with the Orisa. Through the smelter ritual, humans shape, control and

change raw power into socially useful power, reliving the triumph and tragedy of Ogun.

Iba Ogun, Oniporin Aye’

Iba Ogun, Oniporin Orun

Iba Agbaagba me ta iporin

Igba iwa se

Ogun da kete ni popo

O rawo agada ibeje ibeje

Ina giri giri ninu ada

Oorun giri giri oke

Ina sunsu ari je

Oorun sunsu asun lolubo

Ina giri giri inu ada

Akuko rebe rebe Ogun fun o ree!

Kirin o po!

Kirin o jina

Wonron, wonron, wonron!

Ase

Homage to Ogun, the iron smelter of the world

Homage to Ogun, the iron smelter of heaven

Homage to the three patriarchs,

iron smelters when existence began

Ogun put on a big straw hat in an open place

He spun the sword as a warning, as a warning!

The blazing fire in the furnace

The sun shining brightly above

Fire cooks the yam so it is edible

The sun cooks the yam so it wilts (rendering it inedible)

Blazing fire in the furnace,

Here is the red-red rooster

which Ogun presents to you!

So let the iron be well-smelted

Let the iron be well heated

o ring well and long!

ase

Ogun’s sacred objects

Ogun’s sacred elements can be as simple as a piece of scrap iron to the most elaborate shrine.

Devotees are known to wear bracelets and necklaces with miniature iron implements. Probably

his most widely recognized sacred object is his sword, used to kill as well as cultivate. It has the

praise name, “ali su gbo gu kle,” “The road is closed and Ogun opens it.”

Ogun's otan (stone)

Three or eleven railroad ties

Ogun pot (iron cauldron)

With seven tools

cutlass (machete)

knives

guns

bomb casings

all iron objects

Ogun’s ileke (beaded necklace). Ogun’s ileke is a good example of how ideas and objects

crossed over the Atlantic and were in many cases altered and then find there way back to Afrika

and alter the original source. Ogun's beads were red in Yorubaland, but became black and green

in the Diaspora. Now, if you get his beads in Afrika, they are black and green in some places.

There are natural substances that attract the ase of Orisa. For Ogun of course iron. Other

substances are

palm oil and Irosun (red camwood powder).

Ogun’s foods

For offerings Ogun eats gin, rum, palm wine, palm kernel oil, palm oil, nuts, snail, cola nuts,

orogbo, corn, roasted yam, roasted beans, dog, ram, goat and rooster. crickets are

taboo.

Some of Ogun’s herbs ( used for cooling him down) are odundun and rinrin. In the Diaspora we

also use purple basil, cana santa, pata de gallina, yerba de sangre, yerba mora, pegojo, hueso

de gallo, adormidera, siempreviva, anamu, romerillo, amanza guapo, , palo manaju, ebano, quita

maldicion, salvadera (you can translate to English using an online translator). These herbs can be

crushed in water and used but only on Ogun's stone. We don't wash Ogun's tools like other Orisa.