A QUARTERLY NEWSLETTER FROM NIKON

PHOTO: JED WEE

ISSUE 04 • JUL 04MITA (P) 107/07/2004FOCUS

A QUARTERLY NEWSLETTER FROM

NIKON SINGAPORE PTE LTD 11 Chang Charn Rd #02-01/02 Shriro House Singapore 159640Tel: (65) 6559-3630 Fax: (65) 6559-3671 www.nikon.com.sg

Up to shots144 0.2 secondstartup time 3 fps framing rate 6.1effective

megapixels 1,005-pixelMatrix sensor flash controli-TTL

With its unmatched speed, power and compatibility, the new D70 carries all the characteristicsof the Nikon family line – including a spirit that can never be fenced in. Lightning fastresponses, 6.1 effective megapixels and a smooth, effortless operability help separate theD70 from all other digital SLRs. And that's just what to expect from Nikon – the breed apart.

consecutive

A breed apart

PHOTO: DAREN TAN

02 EDITOR’S NOTE

03 FREE PHOTOGRAPHYWORKSHOP

04 - 09 NEW RELEASES

10 REVIEW: COOLPIX 8700

14 - 19 TIPS & TECHNIQUES

20 - 23 PORTFOLIO: JED WEE

25 - 26 PHOTOGRAPHY CONTEST

28 - 29 EVENTS

30 Q & A CONTEST

32 CALENDAR/CONTACTS

WHAT’S WITHIN

QUICK GLANCE

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Epson Ad

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FREE PHOTOGRAPHY WORKSHOP

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Dear Readers

I have little knowledge about soccer, and understandably,the Great Singapore Sale commands a greater interest inmy leisurely priorities. But I am clearly aware of the numeroussoccer fans sacrificing their beauty sleep and overloadingon caffeine just to survive the wee hours of the morning, tocatch the Euro Cup live on TV. Just watching the matchesover TV can already have a fully-grown man squeal withdelight or grunt in anger, imagine watching the match livein Portugal!!! Jed, our feature photographer of this month,not only watches the matches live, he also gets to rub shoulderswith famous footballers, thanks to his interesting job as aprofessional sports photographer with a London-basedagency, Sportbeat Images. Besides sports photography, healso has an extensive collection of images in other variedfields, with particular passion on wildlife.

On another exciting note, the winner for last issue’sPhotography Contest is Mr Joselito L. Guevarra. His winningentry, ‘The View in My Window’ was artistically taken witha Nikon F65. This caught our judges’ attention amidst manyother good submissions. Good equipment does play asubstantial role in photography, but the visual manner inwhich one interacts with the subject, plays a bigger part ingetting that captivating shot. ‘Macro Shot’ is the theme forthis issue’s Photography Contest. To offer some informationand hopefully kick-start your passion in this field, my colleague,Max Sim, has spent some time researching and writing thearticle ‘World on Macro Photography’.

Don’t miss out our Q&A contest on Pg 30, this time we aregiving away a CF 512MB Lexar Media Card worth S$200.

Have something to share with us? Email to us at or if youwish to be included in our mailing list, just email us yourname and address to.

*Available to selectedNikon Digital Cameras only.

Conditions apply.

Organised by: Brought to you by:

Phot

o:Th

eSt

raits

Tim

es

A Step & Plunge Into Great Photography

FOR FREE!FOR FREE!

TakeEffective from now, when you

purchase a Nikon digital camera*,you are just a step away from

enjoying great photography withthe guidance of professional

photographers.

A free workshop will beconducted to arm you with

knowledge that allows you to fullyexplore and harness the powerfulfeatures in your new Nikon digitalcamera*, creating quality images

that you are proud to exhibit.

To enrol, simply log on to our website:

www.nikon.com.sg/freelessonor call SAFRA at Tel: 6377 3681

DIGITALPHOTOGRAPHY

WORKSHOP WITHYOUR NEW NIKON

DIGITAL CAMERAS*NOW!

FREEENJOY

Editor : Brenda Ang

Contributors : Max Sim

Production : Wang Design Station

Distributor : Nikon Singapore Pte Ltd

11 Chang Charn Road

#02-01 Shriro House

Singapore 159640

Tel: (65) 6559 3630

Fax: (65) 6559 3671

Feedback Email : focus@nikon-asia.com

Website : w w w. n i k o n . c o m . s g

Front Cover By JED WEE

NEW PRODUCTS

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NEWRELEASES

The fast lens of the AF-S VR Nikkor 200mm f/2G IF-ED can also be combined with the additional benefitof VR (Vibration Reduction) - an innovation that makesit possible to take quality handheld shots indoors andin dark locations with a reduction in blur equivalentto when shooting at a setting three stops faster. VRperformance is further augmented by a VR selectionswitch, which enables the photographer to choosebetween two different VR modes to best suit the subjectat hand - Normal mode is ideal for most commonshooting conditions, panning, and use in combinationwith a tripod. Active mode, as its name suggests, isbetter suited to conditions involving more movement,such as when the photographer is shooting from amoving vehicle, for example.

When used with Nikon D-SLR cameras, the focallength of the AF-S VR Nikkor 200mm f/2G IF-EDincreases by a factor of 1.5. Similarly, picture anglealso depends on whether the AF-S VR Nikkor 200mmf/2G IF-ED is used with a 35mm film camera or aNikon D-SLR. When used with a 35mm film camera,the AF-S VR Nikkor 200mm f/2G IF-ED offers anangle of view of 12˚ 2'. When used with a Nikon D-SLR, the lens offers an angle of view of 8˚.

A FAST TELEPHOTOLENS WITH VIBRATIONREDUCTIONAF-S VR Nikkor 200mm f/2G IF-ED

TOKYO - Nikon Corporation is pleased to announcethe introduction of a fast telephoto lens with VibrationReduction developed for use with both Nikon digitaland film SLR cameras - the AF-S VR Nikkor 200mmf/2G IF-ED.

An important addition to the acclaimed range of EDlenses, the AF-S VR Nikkor 200mm f/2G IF-ED iscrafted from Super ED glass, which is significantlymore resilient than fluorite and offers class-aboveoptical qualities. It also achieves exceptional expressivepower through the incorporation of fast f/2.0 capabilitywhich effectively allows subjects to be given moreemphasis by throwing background elements out offocus - enabling effective portraits free from distractingelements and the adding of impact to smaller partsin expansive scenes.

For the ultimate in focusing convenience, a switchlocated on the bottom of the lens gives swift accessto the AF-L function, which allows a desired focusposition to be easily preset. The same switch can alsobe used to access the AF-ON function too, whichenables the photographer to achieve more subjectivefocus with fine manual manipulation. It also activatesthe handy function that allows the lens to revert backto the preset focus position whenever desired.

The fast lens of the AF-S VR Nikkor 200mm f/2G IF-ED can also be combined with the additional benefitof VR (Vibration Reduction) - an innovation that makesit possible to take quality handheld shots indoors andin dark locations with a reduction in blur equivalentto when shooting at a setting three stops faster. [ continue on pg 6] . . .

Combining Fast f/2.0 Performance With The Precision OfSuper ED Glass and Innovative Vibration Reduction.

NEW RELEASES - LENSES

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The AF-S VR Nikkor 200mm f/2G IF-ED can also beused in combination with the TC-14EII teleconverter,the new TC-17EII teleconverter and the TC-20EIIteleconverter too, which increase focal lengths by afactor of 1.4x, 1.7x and 2.0x respectively.

The use of such teleconverters is an ideal way ofadding further versatility without the expense andweight of additional lenses. Indeed, just by carryingthe AF-S VR Nikkor 200mm f/2G IF-ED and theaforementioned three teleconverters, photographerscan gain access to a range of focal lengths that wouldnormally be only possible with four different lenses.

The AF-S Teleconverter TC-17E II also has the abilityto communicate with the signals from most lenses.Furthermore, it supports the convenient Nikon VibrationReduction (VR) function, has a design that is consistentwith the current TC-14EII and TC-20EII, and Eco-Glass is also used.

THE FIRST TELECONVERTERLENS TO OFFER 1.7XPERFORMANCEAF-S TELECONVERTER TC-17EIITOKYO - Nikon Corporation is pleased to announcethe introduction of the AF-S Teleconverter TC-17E II- the first teleconverter to offer 1.7x performance.Designed exclusively for use with AF-S and AF-I lenses,the AF-S Teleconverter TC-17E II completes the Nikonlineup of 1.4x, 1.7x, and 2.0x compact teleconverters.

With dimensions of just 66 x 31.5mm (2.6 x 1.2 in.)and a weight of only 250g (8.8oz.)(approx.), the AF-S Teleconverter TC-17E II allows focal length to beextended by a factor of 1.7 times while retaining asense of overall comfort in the hand. Many suchteleconverters can also have a detrimental effect onthe speed of the lens, however the AF-S TeleconverterTC-17E II makes available f-stops only 1.5 stopsslower.

Teleconverters are ideal for adding photographicversatility without the high expense of an extra lens.Indeed just by carrying a single lens and a set ofteleconverters comprising the TC-14E II, the TC-17EII and the TC-20E II, a photographer can experiencea freedom of focal lengths normally only possiblewith four different lenses.

Compact and lightweight, the AF-S Teleconverter TC-17E IIadds further versatility to AF-S and AF-I lenses

AF-S VR NIKKOR 200MM F/2G IF-ED SPECIFICATIONS

Focal length 200mm

Maximum aperture f/2.0

Minimum aperture f/22

Lens construction 13 elements in 9 groups (3x ED glass lens elements, 1x Super ED glasselement), 1x meniscus protective glass lens

Picture angle 12º 20' (Nikon DX Format: 8˚)

Minimum focus range 1.9m (74.8 in./ 6.2 ft.)

Max. reproduction ratio 1/8.1 (0.12)

Attachment size 52mm

Dimensions approx. 124 x 203mm (4.9 x 8.0 in.)

Weight approx. 2.9kg (6.4 lb.)

Included accessories

Attachment-type filter holder (with 52mm NC), Front cap (non-interchangeable), Rear Cap (LF-1), Strap(LN-1), Hood (HK-31), Semi soft case (CL-L1)

Optional accessories

Attachment-type polarized filter (C-PL3L), Teleconverter TC-14E II, TC-17E II, TC-20E II

AF-S TELECONVERTER TC-17E II SPECIFICATIONS

Maximum reproduction ratio 1.7

Lens construction 7 elements in 4 groups

Dimensions (diameter x length) Approx. 66 x 31.5mm (2.6 x 1.2 in.) (length measured mount to mount)

Weight Approx. 250g (8.8oz.)

Included accessories

Front cap (BF-3A), Rear cap (LF-1), Soft case (CL-0715)

AF-S VR Nikkor 200mm f/2G IF-ED Major Features

• Super ED lens elements for a lower refractiveindex and reduced dispersion

• VR function

• Offers choice of Normal mode or Active mode,with three steps of adjustment for each to suitshooting circumstances

• Remains effective even when used with a tripod

• SWM (Silent Wave Motor) provides exceptionallyquiet high-speed autofocusing

• M/A switch on the side of the lens speedsswitching from manual to automatic modes

• AF switch located on lens enables easy selectionof settings:

• AF-L allows a desired focus position to be presetat will

• AF-ON allows fine manual manipulation

• Preset Return reverts the lens to the preset focusposition

• Meniscus protective lens

• Supports focusing from as close as 1.9m

• Adoption of Eco-Glass

AF-S Teleconverter TC-17E II Major Features• Compatible with AF-S and AF-I lenses• The body of the lens is only 31.5mm thick - just

7mm thicker than the TC-14EII• Communicates with the signals from most lenses• Supports the innovative Nikon VR function• Minimal effect on f-number of 1.5 stops• Adoption of Eco-Glass• Design consistent with the current TC-14EII and

TC-20EII

[Continue from pg 5] - NEW RELEASES - LENSES NEW RELEASES - LENSES

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[detaildetailsography]

14.5MB of internal memory. This allows the user toshoot pictures when there’s no SD memory cardinserted, or copy shots between the internal memoryand SD cards as desired.

Like all other models in the popular COOLPIX series,the E4100 has been designed to make things simplefor the user and to allow increased versatility withoutcompromising the fun of the moment. In line with thisit features 15 handy Scene modes, four of which offera Scene Assistance function. These do away with mostof the preparation when shooting in common situations,achieving quality results when taking shots that rangefrom sunsets to fireworks, to portraits. Users can alsoenjoy recording movies with sound, preserving specialmoments in a much more expressive way.

Tokyo — Nikon Corporation is pleased to announcethe introduction of the COOLPIX 4100, a lightweightnew digital camera with slim dimensions, 4.0-megapixel performance and surprisingly simpleoperation.

Building on the success and capabilities of the COOLPIX3200 and featuring the same stylish grip, the COOLPIX4100 feels comfortable in the hand and makesoperation easy through its enhanced Graphic UserInterface (GUI), which displays easy-to-see menus ona bright 1.6-in. TFT LCD monitor. Furthermore, allcontrols are placed on the back of the camera forconvenient access.

The COOLPIX 4100 even has the advantage of

NEW RELEASES - COOLPIX 4100

With a high-quality 3x optical Zoom-Nikkor lens and4x digital zoom, the COOLPIX 4100 gives users ahigh degree of control over the way they composetheir shots. The COOLPIX 4100 makes it easy for theuser to zoom in close on a single subject or person,zoom out to take group shots, and even use the handyMacro mode which can be used as close as 4cm sothat small objects can fill the frame. However youcompose, you’ll find the COOLPIX 4100 achievesvibrant colors, faithful contrast, and impressive clarity— all made possible by Nikon’s advanced imageprocessing algorithms.

A range of other features make shooting more fun.Five Color options comprising Standard color, Vividcolor, Black-and-white, Sepia, and Cyanotype canbe used to achieve creative results. A handy AFillumination assist function makes it easier to achievesharp focus when shooting in poor light. A useful BlurWarning function alerts users of shots compromisedby camera shake, giving them the choice to recordthem or not. The COOLPIX 4100 is also compatiblewith a wide range of rechargeable and disposablebatteries, including alkaline batteries, which are easyto find. There’s even an AC adapter too, which isavailable as a handy option.

NIKON COOLPIX 4100 FEATURE HIGHLIGHTS

Exceptionally easy to useWith slim dimensions, a surprisingly light weight andthe same stylish grip as the popular COOLPIX 3200,the COOLPIX 4100 enables comfortable shootingwith a natural feel. To allow easy access to a varietyof convenient functions, all mode dials and controls

[Continue from pg 8] - NEW RELEASES - COOLPIX 4100

are located on the back of the camera, while a larger,clear LCD (1.6-in., 80,000-dot TFT) makes for easycomposition and pleasing playback.

Achieves satisfying resultsWith 4.0 effective megapixels and a 3x optical Zoom-Nikkor lens, the COOLPIX 4100 blends high-levelclarity with compositional freedom. It also offers theadvantage of an AF assist illuminator, which makesit so much easier to obtain sharp focus when shootingsubjects in low light.

Further convenienceWith 14.5MB of internal storage memory, theCOOLPIX 4100 allows the user to take shots at anytime, even when not carrying compatible memorymedia, and enables the copying of shots between theinternal memory and SD cards as desired. It’s alsocompatible with a wide range of rechargeable anddisposable batteries, including alkaline batteries,which can be easily purchased virtually anywhere.

Furthermore, a waterproof case is available as anexciting option, allowing users to push the limits oftheir digital photography by shooting in the rain, inthe snow, or when scuba diving to depths of 40m.

3Optical Zoom

4Megapixels

15Scene Modes

14.5MB Internal

Memory

1 1 S c e n e M o d e s a n d 4 S c e n e A s s i s t M o d e s

OptionalUnderwater CasingWP-CP1

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NEW RELEASES - COOLSCAN NEW RELEASES - COOLPIX 4200/5200

Information provided by HWM

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NEW RELEASES - PROMOTION BUNDLENEW RELEASES - COOLPIX 4200/5200

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Information provided by HWM

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the lens barrel. The image is also overexposed, asthe built in flash does not effectively cut down theflash power to provide a more even exposure.

WORLD OFMACRO PHOTOGRAPHY

By Max Sim

of your Nikon Coolpix Camera to shoot wonderfulMacro shots by providing useful tips.

1. Should I Use Flash When Taking MacroMost of the compact digital camera does not havean advance flash system that is able to cut down theflash power to a minimum value to give a correctexposure. Most of the time, it will over expose thesubject.

Another problem that can be created when usingflash is the casting of shadow due to the positioningof the flash and the lens barrel. For example theimage 1A(Right) was taken with Flash using Coolpix5200. The bottom right hand corner of the imageshows a circular shadow. This shadow is casted by

Macro or close up photography is an interesting field.It opens a whole wide range of subject that you canshoot. From close up shots of your collector coins tothe wonderful world of nature such as insects andflowers.

Macro photography needs not to have the top-notchequipment such as SLR with Macro Lens to accomplishthe task. Most of the Coolpix Camera even from thelowest range of Coolpix 2200 has a built in MacroMode that is capable of taking close up shot of 4cmfrom the subject. Amazingly the Coolpix 5400 pushesthe limit to a Super Macro of 1cm. Even professionalcamera may not be able to perform that close shot.

In this article we will teach you how to make full use

Image 1B(Below) is taken without flash. It is correctlyexpose with no shadow casted on it.

Taking Macro is recommended without flash especiallyfor reflective object like coins or for our case a pewterware.

2. How Do I Take Good Macro Without Flash?In the previous section, we mentioned that it is advisableto take macro without flash, however by switchingthe flash off, it will cause the camera to adjust otheraspect of the camera in order to give you a goodexposure. Most commonly adjusted setting is theshutter speed.

Image 1A: The image shown above is taken with flash at 4cm.

Image 1B: The image shown above is taken without flash at 4cm.

Shutter speed controls how fast the shutter open toexpose the image on the image sensor. The durationof the shutter will depend on the lighting condition.With flash, the camera will try to maintain a shutterspeed of 1/60 seconds most of the time. This willeventually prevent blurring of the image due to camerashake or from the movement of the object.

However if you take a macro shot without flash, thedigital camera will automatically adjust the shutterspeed to expose the image on the image sensor fora longer period of time. In this slow shutter speedsetting, the slightest movement of the camera willcause the image to be blurred.

To prevent this, our Nikon Coolpix camera comeswith a built in Best Shot Selector (BSS) mode. Thisbest shot selector mode will automatically turn off thebuilt in speedlight. The BSS Mode enables you toobtain sharp focus images without the use of flash.

The BSS mode works by taking a maximum of 10images of the same scene. Internally they will comparethe images and save only one image with the bestquality (Brightness, contrast and sharpness).

Image 2A : The above image is a macro shot of wordings found inour newsletter. You can see that viewing the “4.0” wordings at fullsize is sharp. This is with the help of BSS.

IMAGE TAKEN WITH BEST SHOT SELECTOR

MACRO PHOTOGRAPHY [Continue from pg 14] - MACRO PHOTOGRAPHY

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[Continue from pg 16] - MACRO PHOTOGRAPHY

5. Getting The Correct ColorsWhen using external lighting, it may create a colorcast on your image. To overcome this issue, we canuse the camera to take a White Balance Preset.White Balance Preset is found in all Nikon DigitalCamera. It involves using a 18% Grey Card as asubject and using the camera to take a shot of theGrey Card in the lighting condition. This will causethe camera to memorize the cast and offset the colorcast accordingly. If 18% gray card is not available(Can be found in Photographic equipment shop), awhite piece of paper or anything that is white andfound in the same lighting condition can be use asa reference.

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3. Getting The Correct Area In FocusMost of the compact digital camera will always focuson the nearest object that is to the lens.Therefore itmay not give you the desirable result especially whenyou are taking a macro shot with different depth likea flower.

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Imagine if your object of interest is the innerflowerpollen, by using compact digital in Auto Modewill cause the flower pedal or twits in front of thesubject to be in focus instead of the flower’s pollen.Therefore it is useful to manually set the focusing areato the area that you want to focus on. Cameras likeCoolpix 8700, 5700, 5400, 5200 and 3700 willenable user to select different focusing area.

The below image 3A shows the screen capture ofCoolpix 5200 in the Manual Focus Area Selectionmode. User can selects an area from 99 focus areasmanually using the navigator dial.

4. Using External LightingIf BSS does not work well due to extreme slow shutterspeed caused by poor lighting, it is recommended touse external lighting such as a Halogen lamp or eventhe natural sunlight to help you brighten up yoursubject. A tripod can be useful to stabilize the shot.

Image 3A: The above image shows the screen capture ofCoolpix 5200’s Focus Area Selection Mode in action.

Image 5A: The above image shows the screen capture of CoolpixWhite Balance Preset in action.

Under the White Balance Preset Mode, the LCD Screenwill show a live preview screen. Positioned yourcamera in a way that the live preview screen is filledwith the gray card or white area. Navigate down toMeasure and confirm the option. This will cause thecamera to memorize the colorcast and offset for youaccordingly in the same lighting condition.Note : If you happen to move out of that lightingcondition, it is advisable to re-preset the white balanceor change it to auto to have a more accurate color.

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Sample image taken using COOLPIX 3700

Therefore the BSS Mode is extremely useful whentaking macro without flash.

Image 2B: The above image is taken without BSS. A close up lookreveals the “4.0” is blur due to slight movement of the camera.

IMAGE TAKEN WITHOUT BEST SHOT SELECTOR

[Continue from pg 15] - MACRO PHOTOGRAPHY

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Once Bink Video is activated, the below screen willbe shown. You can browse to the directory thatcontained your .MOV file as shown below.

4) Choose the .MOV file to be converted.

5) Click on “Convert a file” button.

QUICKTIME MOVIE

8) Now you can play the newly created AVI file inyour popular Windows Media Player.

NEW RELEASES - COOLWALKER MSV-01

CONVERTING QUICKTIMEMOVIE TO AVI

By Max Sim

With the implementation of unlimited movie recordingwith audio and at 30fps for our latest Coolpix DigitalCameras such as Coolpix 3200, 3700 and 5200,we have received quite a number of enquiries onhow to manipulate QuickTime Movie format (.MOV)from our Coolpix Cameras.

In this section, we will show you the tools that canbe downloaded freely from Internet.

Most of the consumers in Singapore are usingMicrosoft Windows as their operating platform; thevideo formats that are natively supported by Microsoftare AVI (Audio Video Interleave) and WMV(Windows Media Video). With the recent demand,Microsoft has included support for third party formatsuch as MPEG.

However as QuickTime Movie is a Macintosh’s Videoformat, Windows Media Player will not be able toplay back the movie. User will have to downloadand instal l QuickTime Movie Player fromwww.quicktime.com .

Similarly, if you wish to edit QuickTime Movie files,you will face lots of restriction to it.

Therefore to make editing of the QuickTime MovieFiles, you will have to convert the .MOV format to.AVI or .MPG, which Windows can readily acceptand allow you to edit.

How Do I Convert .Mov To .AviThere is tons of free software that is available on theInternet. You can do a search for “converting MOVto AVI” and it will list out all the application that you

6) The below screen will be shown when user clickon the “Convert a file” button. You can click onthe Browse button to select the directory to storethe video file to.

Note: The Video file in AVI Format can be very big.For example, a 12 seconds TV Mode Movie at 30fpswill become 44MB.

You can also make changes to the Brightness, bytyping any value above 100 will cause the movie tobe brighter and any value below 100 will cause itto become dimmer.

7) After finalizing all the settings, click on Convertbutton and a Windows will pop up as shownbelow asking for the type of compression to savethe new file as. For smaller file size and withbest compatibility with Windows Media Player,we chose Microsoft Video 1.

Microsoft Video 1 is a compress form thus it willresult in a poorer quality. If you are looking for thebest quality, you can choose to save the new videofile as Full Frames (Uncompressed) but it will resultin a huge file size. Use this only when you want toperform additional editing on it.

can use ranging from professional software that costfew thousands to free software.

In this short guide, we willrecommend BINK Video fromRADGAMETOOLS. I t is afreeware, which will allow youto convert MOV file to AVI filethat Microsoft’s platform canreadily support. BINK Video can be downloadedfrom www.radgametools.com/#Bink

Beside conversion, you can also adjust various aspectof the video such as Brightness and Contrast, Colorand even convert the Mono Audio to virtual Stereo.

1) Take a shot movie clips with your camera.Depending on the camera models, some of theolder models like Coolpix 4300, 885, 775 arenot capable of capturing movie with Audio.

2) Transfer the .MOV movie file to your local harddisk.

3) Install and execute Bink Video. The installationof Bink video is straightforward, download thefile from the website and double click the file toinstall it. Accept all the default settings and youare ready to go.

TV MOVIEMODE

BINK Video is a trademark of RADTOOLSGAME

QuickTime are registered trademark of Apple Computer

Windows Media®, Microsoft ® and Windows ® are registered trademarkof Microsoft Corporation

All other trade names mentioned in this article are trademarks or registeredtrademarks of their respective holders.

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PORTFOLIO : JED WEEJed Wee began photography in 1997 at the age of 19 after having the chance to use his father's

manual focus Nikon equipment. Since then, his enthusiasm for his hobby has helped him develop

rapidly as a photographer, and after leaving university; he decided to pursue photography as

a career.

He is currently working as a sports photographer with the London agency Sportsbeat Images,

where he has been since 2001. His work has been published around the world including

newspapers and magazines in the UK, Norway and China among others. He has exhibited his

work in both Singapore and the UK, and his images have won him awards in various photographic

circles. In 2004 he was admitted to Associateship of the Royal Photographic Society, for his

portfolio in Visual Journalism. Jed’s aim is to always try to capture something different from the

rest, and this has resulted in a unique style of photography within the sports arena.

In addition to his sports images, Jed photographs a wide range of subjects, with a particular

passion for photographing wildlife. Working as a professional has not jaded him and he strongly

believes that he is as enthusiastic about photography now as the day he first picked up a camera.

Creating images gives him a buzz, and he is happiest when his images convey his vision.

Jed regularly gives talks and slideshows to local camera clubs in his home in the North East of

England, and is actively involved with the photographic society in his alma mater, the University

of Durham. Although he is settled in the area, he hopes one day to return to Singapore and

establish himself as a photographer in the country of his birth.

To view more of his works, you can log on to his website at , and he can be reached via email

at jed@essence-of-light.com.

David Beckham:England Skipper David Beckham at a Press Conference.

Nikon D2H, AF-S II Nikkor 400mm f/2.8, 2 units ofSB800 used wirelessly

FEATURED PHOTOGRAPHER - JED WEE FEATURED PHOTOGRAPHER - JED WEE

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David Beckham:England Skipper David Beckham at a Press Conference.

Nikon D2H, AF-S II Nikkor 400mm f/2.8, 2 units ofSB800 used wirelessly

FEATURED PHOTOGRAPHER - JED WEE FEATURED PHOTOGRAPHER - JED WEE

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PORTFOLIO : JED WEEJed Wee began photography in 1997 at the age of 19 after having the chance to use his father'smanual focus Nikon equipment. Since then, his enthusiasm for his hobby has helped him developrapidly as a photographer, and after leaving university; he decided to pursue photography as acareer.

He is currently working as a sports photographer with the London agency Sportsbeat Images, wherehe has been since 2001. His work has been published around the world including newspapers andmagazines in the UK, Norway and China among others. He has exhibited his work in both Singaporeand the UK, and his images have won him awards in various photographic circles. In 2004 he wasadmitted to Associateship of the Royal Photographic Society, for his portfolio in Visual Journalism.Jed’s aim is to always try to capture something different from the rest, and this has resulted in aunique style of photography within the sports arena.

In addition to his sports images, Jed photographs a wide range of subjects, with a particular passionfor photographing wildlife. Working as a professional has not jaded him and he strongly believesthat he is as enthusiastic about photography now as the day he first picked up a camera. Creatingimages gives him a buzz, and he is happiest when his images convey his vision.

Jed regularly gives talks and slideshows to local camera clubs in his home in the North East ofEngland, and is actively involved with the photographic society in his alma mater, the University ofDurham. Although he is settled in the area, he hopes one day to return to Singapore and establishhimself as a photographer in the country of his birth.

To view more of his works, you can log on to his website at , and he can be reached via email atjed@essence-of-light.com.

Newspaper1:Lee Bowyer with bloody nose,Manchester United vs. Leeds

United, Front-page,The Guardian newspaper,

19 December 2001.

Nikon D1x, AF-S Nikkor 80-200mm f/2.8

Newspaper2:Wayne Rooney celebrates agoal, England v Iceland, Frontpage, News of the Worldnewspaper, 6 June 2004Nikon D2H, AF-S Nikkor 80-200mm f/2.8

Jed’s works onnewspaper…….

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Duckling:Mallard Duckling, Washington Wildfowl and Wetlands Trust.Nikon D1x, AF-S II Nikkor 400mm f/2.8 with TC14E

Glencoe:Cottage in Glencoe, Scotland.Nikon D1H, Tamron AF 14mm f/2.8

Rugby:England 7s training for the Commonwealth Games in Manchester.Nikon D1x, AF-S Nikkor 80-200mm f/2.8

FEATURED PHOTOGRAPHER - JED WEE FEATURED PHOTOGRAPHER - JED WEE

Puffin2:Puffin in flight with sand eels, Farne Islands, England.Nikon D2H, AF-S II Nikkor 400mm f/2.8 with TC14E

PHOTO CONTEST WINNER

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THE WINNING ENTRY OFFOCUS - SCENIC SHOT PHOTOGRAPHYCONTEST

PHOTO CONTEST WINNER

Title:

THE VIEW IN MYWINDOW

Nikon F65,Landscape Mode

Joselito L. Guevarra

Winner

Photo Taken by (Model& Setting/Mode)

EVENTS

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PHOTOGRAPHY CONTEST

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F O C U S P H O T O G R A P H Y C O N T E S T

TERMS & CONDITIONS• Eligibility – Open to all Nikon users residing in Singapore except Nikon staff; photo must be taken by Nikon camera only • Each photographeris only allowed one entry with one photo • Only prints in 8X10 size will be accepted or send to focuspc@nikon-asia.com • Print submitted are notreturnable • Nikon will not be held for entries lost or damaged Nikon reserves the rights to use any photograph entered for publicity and otherpurposes related to the contest • The entries will be judged on their relevance to the theme, creativity and overall technical quality • The winnerwill be notified by post and his/her name will be published in the next issue of FOCUS

To participate, fill in the form and attach it with your entry

Closing Date:10 September 2004

Send entry to:

FOCUS PHOTOGRAPHYCONTEST - MACRO SHOT

Nikon Singapore Pte Ltd

11 Chang Charn Road#02-01 Shriro HouseSingapore 159640

FOCUS PHOTOGRAPHY CONTEST - MACRO SHOTMaleFemale

Age:Name:

Address: Contact No. (HP):

Contact No. (O):

Email:

Title of Photo:

Photo Taken by (Model & Setting/Mode):

PHO

TO:

DA

VID

J Z

HA

NG

Send in your best macroshot and WIN a NikonCoolpix 3700 DigitalCamera worth S$599plus a chance to haveyour work featured inour next issue. Contest isopen to all Nikon users.

Send in your best macroshot and WIN a NikonCoolpix 3700 DigitalCamera worth S$599plus a chance to haveyour work featured inour next issue. Contest isopen to all Nikon users.

EVENTS

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EVENTS

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The PC Show is in its 14th year running and is one of Asia’s largest and longest running microcomputershows. This year they drew a huge crowd of 542,000 visitors compared to 387,000 last year.

Crowds were seen queuing patiently outside for our ‘Loss Leader’ even before the show started, andour Coolpix 4500 bundle promotion were all snapped up within minutes. Leading the sales was ourD70 Digital SLR, coupled with the attractive bundles in our COOLPIX range, it all attributed to thegreat success of the show, as represented by T K Foto & Technic.

THE PC SHOW 20043 - 6 June 2004, Singapore Expo

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Q & A CONTEST

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Simply send this completed coupon with your answers to:

FOCUS Q & A Contest,Nikon Singapore Pte Ltd11 Chang Charn Road, #02-01, Shriro House,Singapore 159640 by 10 September 2004

WINa Lexar Media 512MB

Compact Flash Cardworth S$200.00

Prize sponsored by

ALAN

PHOTO

ANSWER:

Q1. Q2. Q3. Q4.

NAME:

NRIC:

ADDRESS:

TELEPHONE (HP/O/R):

EMAIL:

Questions:

Q1. How many image/images a COOLPIX camera willstore when taken in the Best Shot Selector Mode?

1) 12) 3

Q2. How many different focusing areas do Coolpix5200 has?

1) 32) 5

Q3. What does VR stands for as mentioned in AF-S VRNikkor 200mm f/2G IF-ED?

1) Virtual Reality2) Very Rugged

Q4. How many times the focal length of a lens will beextended when using with TC-17EII?

1) 1x2) 1.4x

TERMS & CONDITIONS:

• This contest is opened to all readers except employeesof Nikon Singapore Pte Ltd

• Prize must be taken as provided and is neithertransferable nor exchange for cash

• Winner will be notified by post

???

Q & A CONTEST

3) 54) All

3) 804) 99

3) Very Real4) Vibration Reduction

3) 1.7x4) 2x

WINNER OF FOCUS 3RD ISSUEQ&A CONTEST

Name: Mr Alvin Koh

NRIC: S1545036C

ANSWER:

Q1: 3 Q2: 3 Q3: 3 Q4: 2

MAR

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COMING EVENTS

Exhibition Name : COMEX 2004Content : IT ExhibitionDate : 26-29 August 2004Venue : Suntec Convent ion Hal l

EXHIBITION 2004• • • NOV D E CAUG

Exhibition Name : SITEX 2004Content : IT ExhibitionDate : 25-28 November 2004Venue : Singapore EXPO

PHOTO: DAREN TAN

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Service Centre : 11, Chang Charn Road, #02-01, Shriro House, Singapore 159640Service Hours : Monday – Friday (Closed on Weekends & Public Holidays). 9am –5pmService Hotlines : Tel: (65) 6559 3638 / 6559 3662, Fax: (65) 6559 3669, Email: servicesg@nikon-asia.comSales & Marketing Hotline : Tel: (65) 6559 3630, Fax: (65) 6559 3671, Email: mktsg@nikon-asia.comTechnical Support : Email: nikonsg@nikon-asia.com

AUTHORIZED DEALERS:[ Ang Mo Kio Central ]: M.S. Colour Service 6457 6380. [ Causeway Point ]: Posh Photo (Metro Dept Store) 6893 9363 • Standard Photo 6893 2267.[ Centrepoint ]: Max Photo 6733 3848. [ Far East Plaza ]: Ngen Seng 6734 9342. [ Holland Village ]: Parisilk 6466 6155. [ Junction 8 ]: Standard Photo6353 5071. [ Lucky Plaza ]: Aik Seng Photo 6734 5771 • Apo Foto 6235 2686 • Ishida Marketing 6734 7679 • Lord’s Camera 6235 4605.[ Marina Square ]: Cathay Photo 6339 6188. [ Mustafa Centre ]: Mohamed Mustafa & Samsuddin 6295 5855. [ Pagoda Street ]: Max Photo 6226 7226.[ Peninsula Plaza ]: Cathay Photo 6337 4274 • De-Luxe 6334 2589. [ Peninsula Shopping Complex ]: Ishida Marketing 6338 4656.[ People’s Park Complex ]: Tan Union 6534 1918. [ Raffles City ]: Boon Hi-Tech Superstore 6339 3421. [ Sembawang ]: Parisilk 6452 1593.[ Shaw Towers ]: T K Foto 6292 8167. [ Sim Lim Square ]: Alan Photo 6337 7245 • Dynasty Audio 63398280 • Nobel Photo 6883 0271 • Song Brothers6336 8001. [ Changi Airport T1 ]: Boon & Co 6542 5043. [ Changi Airport T2 ]: Boon & Co 6545 1852. [ Suntec City Mall ]: Boon Hi-Tech Superstore6336 5221. [ Tanglin Shopping Centre ]: Gope’s Foto 6737 2633. [ Wisma Atria ]: Standard Photo 6235 0930. [ Yishun ]: M.S. Colour Service 6758 0538.

CHAIN STORES: [ Ables Foto’s (Best Denki) ]: Century Square 6783 5607 • IMM Building 6564 7248 • Ngee Ann City 6835 2932 • Plaza Singapura6339 4309. [ Courts ]: Ang Mo Kio Central 6453 3772 • Bukit Timah 6468 1355 • Causeway Point 6894 2030 • Centrepoint 6733 2131.[ Harvey Norman ]: Funan The IT Mall 6334 5432 • Jurong Point 6795 2135 • Millenia Walk 6311 9988 • Raffles City 6339 6777.