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  • 8/12/2019 Oblique Strategies_ Brian Enos Prompts for Overcoming Creative Block, Inspired by John Cage _ Brain Pickings

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    Oblique Strategies: Brian Enos Prompts for OvercomingCreative Block, Inspired by John Cageby Maria Popova

    If a thing can be said, it can be said simply.

    Stop thinking about art works as objects, and start thinking about them as

    triggers for experiences, ambient music pioneer Brian Eno wrote in his diary . It

    is precisely this ethos that explains Enos medium-blind, experience-centric

    creative impulse underpinning the visual arts career that he undertook in the

    1960s, which developed in tandem with his growth as a musician. That is

    precisely what Christopher Scoates , director of the University Art Museum at

    California State University, explores with unprecedented depth and dimension

    in Brian Eno: Visual Music ( public library ) a magnificent monograph

    spanning more than four decades of Enos music projects and museum and

    gallery installations, contextualized amidst a wealth of exhibition notes,

    sketchbook pages, and other never-before-revealed archival materials.

    http://www.worldcat.org/title/brian-eno-visual-music/oclc/829744360&referer=brief_resultshttp://www.amazon.com/exec/obidos/ASIN/1452108498/braipick-20http://www.brainpickings.org/index.php/2013/05/15/happy-birthday-brian-eno-the-father-of-ambient-music-on-art/http://www.brainpickings.org/index.php/author/mpopova/http://www.brainpickings.org/index.php/2014/01/22/brian-eno-visual-music-oblique-strategies/
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    Brian Eno lecturing at the MoMA, 1990.

    In a 2005 interview for the British Arts Council, Eno came to compare his work to that of John Cage :

    John Cage made a choice at a certain point: he chose not to interfere with the music content anymore.But the approach I have chosen was different from his. I dont reject interference; I choose to interfere andguide. . . . The music systems designed by Cage are choice-free, he doesnt filter what comes out of his

    mind; people have to accept them passively. But my approach is, although I dont interfere with thecompletion of a system, if the end result is not good, Ill ditch it and do something else. This is a fundamentaldifference between Cage and me. If you consider yourself to be an experimental musician, youll have toaccept that some of your experiments will fail. Though the failed works might be interesting too, they are not

    http://www.brainpickings.org/index.php/2012/07/05/where-the-heart-beats-john-cage-kay-larson/http://www.amazon.com/exec/obidos/ASIN/1452108498/braipick-20
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  • 8/12/2019 Oblique Strategies_ Brian Enos Prompts for Overcoming Creative Block, Inspired by John Cage _ Brain Pickings

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    Strategies on the song Sense of Doubt.

    Oblique Strategies, 1974

    http://www.amazon.com/exec/obidos/ASIN/1452108498/braipick-20
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    Oblique Strategies, 1974

    http://www.amazon.com/exec/obidos/ASIN/1452108498/braipick-20
  • 8/12/2019 Oblique Strategies_ Brian Enos Prompts for Overcoming Creative Block, Inspired by John Cage _ Brain Pickings

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  • 8/12/2019 Oblique Strategies_ Brian Enos Prompts for Overcoming Creative Block, Inspired by John Cage _ Brain Pickings

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    Oblique Strategies, 1974

    Eno first confronted this interweaving of music and visual art in his formal arts education, amidst the groundswell

    of the avant-garde and the Fluxus movement with its bold proclamation that anything can be art and anyone can do

    it. He empathically embraced this inclusive model of creativity in defiance to the specializations and constraints of

    the traditional art world, asserting:

    Art schools manage to balance themselves on the fence between telling you what to do step by step, andleaving you free to do what you want. Their orientation is basically towards the production of specialists, andtowards the provision of ambitions, of goals, and identities. The assumption of the correct identity painter,sculptor fattens you up for the market. The identity becomes a straightjacket; it becomes progressivelymore dangerous to step outside of it.

    http://www.amazon.com/exec/obidos/ASIN/1452108498/braipick-20
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    '77 Million Paintings,' Sydney Opera House, 2009

    Brian Eno: Visual Music is beautiful and compelling in its entirety. Complement it with the psychology of getting

    unstuck and some of todays most celebrated writers, artists, and designers on how to break through your creative

    block .

    Im ages courtesy of Chron icle Boo ks

    http://www.brainpickings.org/index.php/2012/10/01/breakthrough-alex-cornell/http://www.brainpickings.org/index.php/2013/10/17/ok-plateau/http://www.amazon.com/exec/obidos/ASIN/1452108498/braipick-20http://www.amazon.com/exec/obidos/ASIN/1452108498/braipick-20