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FROM
THE
EDITORBy Nelda Sheets
THE POWER OF CREATIVE THINKING is
the theme of this issue of SilvaNews. Creativity
is one of my favorite topics. As an artist and
a person who has a mission to x things,
increasing my own creativity is a major goal.
The rst class of the Silva Method was started
because art teacher, Dord Fitz had an intense
interest in creativity. In every art class he
challenged, Kids, our Creator made you
creative. Claim your creative heritage.
Creative thinking is in the heart of the
Silva Method.
Jos Silva gave us this directive: Let us
continue to strive to take part in creative and
constructive activities to make this a better
world to live in.
Creative thinking is a tapestry, a painting,
a poem, a story, a song, a dance, a building
or sculpture. It is a new health treatment,
an invention, a social reform, a new recipe.
Creativity is a solution for any change. In the
Silva Method class it is Level One, Dream
Control, Glass of Water Technique, Mirror of
Mind, Habit Control, ESP, and Case working.
Power is the ability to make things happen.
Graduates of the Silva Method have the power
and potential to make things happen in their
personal lives, careers and to make the world a
better and better place with creative thinking.
Now, more than ever, we yearn to be a
person with power to be in charge of our lives.
We yearn for peace and justice in our families,
our neighborhood and the world. We yearn
to be a successful and prosperous person. If
a magical genie offered us three wishes, one
wish would surely be for world peace, another
for purposeful lives. Until a genie comes along, let
us make use of our personal power to make things
happen. To insure a powerful life, we have choices.
One choice is to go outside and bury our head in
the muck or sand. A smart choice is go within and
utilize the power of creative thinking to make things
better and change what isnt working. A better world,purposeful living and positive changes with the power
of creative thinking are in you hands. Creativity is
our heritage. We only need to claim it.
Another reason that I am interested in creative
thinking is a recent reminder that this month
(October) I will celebrate 75 years of adventures and
life-changing journeys. I am thinking that it is time
to be serious about doing things that makes me again
feel the kid within. A few weeks ago I read this quote
by Sophia Loren and it immediately was placed on
my bulletin board. There IS a fountain of youth. It
is your mind, your talents, the creativity you bring to
your life and to the people you love. When you learn
to tap this source you will have truly defeated age.
Makes sense to me!
In this issue of the SilvaNews, we have articles on
creativity by three pioneers of the Silva Method, Harry
McKnight, Dr. George DeSau and me.
We have poems written by the very creative Alice
McKnight. As you read them give your self a treat
and read slowly, deliberately and enjoy the music and
rhythm of the words. Let Alices creative spirit touch
yours. It is with pleasure that I can tell you that the
book I have written about the early days of Silva is
published and available on this web site and the Silva
ofce.
In this issue we introduce a rst, a ctional story,
which is another facet of creativity from our own Art
Director, George Williams. n
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CONTENTS& CONTRIBUTORS
LETTER TO GRADSLaura Silva Quesada p4
THE GENIUS LEGACYNelda Sheets p5
CONVENTION 2006Various contributors p6
CREATIVE THINKING. REALLY.Dr. George DeSau p9
NORWEGIAN DREAM TOUR p10
POETRYAlice McKnoght p11
YOU, THE CREATORHarry McKnight p12
BOOK REVIEWSylvia Smiith p13
CONVENTION DIARYVarious contributors p14
WHO IS INSPECTOR TORCH?George Williams p15
COLOPHONSilvaNews is a publication of Silva International, Inc.
P.O. Box 2249 | Laredo | Texas 78044
1.800.545.6463 | 1.956.722.6391
www.SilvaMethod.com
Managing Editor: Nelda Sheets | [email protected]
Art Director: George Williams | [email protected]
Eagle Eye: Sylvia Hodges | [email protected]
Purchase Silva Products | [email protected]
Produced with a Macintosh iMac G4 computerrunning OS X Tiger, Adobe Creative Suite 2 (InDesign, Photoshop,
Illustrator, Acrobat 7 Professional), & Microsoft Word
We are entering a very exciting time inthe Silva organization. Many wonderful changes are
being implemented at Silva International so we can
be of greater service to you.
I am happy to announce that Laura Silva
Quesada has rejoined Silva International and will
be responsible for new product development as
well as program and lecturer development. Many
of you know Laura personally or have heard of
her wonderful contributions to Silva International.
I hope you have a chance to hear her speak or
connect with her at some point in the near future.
Other family members such as Tony Silva,
Margarita (Margie) Silva Cantu, and Isabel Silva
Chateau have also come on board and will act as
advisors. Diana Silva Mendez will continue providingservice to you at the home ofce.
Our focus will continue to be on supporting
lecturers on the worldwide delivery of the core
programs developed by Jos, those being primarily
the Basic Lecture Series, with follow-up programs
such as the Graduate Seminar, and the Ultra
Seminar.
In addition, a plan is on the design table to
continue the research work on the results obtained
with the various Silva programs, researchers and
graduate practitioners. Results will be published inthe hope of serving humanity better and to spread
the Silva programs to more institutions.
You can also expect to see signicant
improvements to course materials and lecturer
services in order to provide benets for lecturers
and graduates. Just as exciting, the Silva web
site is now being revised and updated with the
latest in web technology. New functionality will be
added for lecturer services, graduate information,
graduate memberships, product sales and course
registration.
We are pulling together a team to carry on the
work of Jose and Juan Silva and to continue building
a strong research and training organization that
serves our lecturers, graduates, and build a better
world for the future.
Better and better,
Joe Silva Jr.,
President, Silva International
a message from the president
Si
lva
Int e rnatio
na
l
Serv
ing
Humani ty
Be
tt
er
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S
il
va
In ter na
tiona
l
Serv
ingHumani t
yBet
te
r
from
theoff
iceofLa
uraSilv
aQuesad
a
SilvaMetho
d
DearGraduates
,
Iamthrilledto
beworkingout
oftheSilva
Internationalho
meofceoncea
gain.Ilookforw
ard
toworkingwith
manyofyouin
hopesofprovid
ing
thebestprod
uctsandservices
foryourongoin
g
growthanddevelopmen
t.
WehereatSilv
aInternationalfeelthe
excitementinth
eairandknow
thatwehaveentered
anewera,one
ofgreatpositive
change,change
that
canrippleoutfr
omustoyou,to
yourfamilyand
the
restoftheworld
.
Webelieve,asd
idmyfatherJos
Silva,thatour
missionistose
rvehumanitybe
tterbyproviding
tools
thatwillallowy
outodiscovery
ourhumanpoten
tial,
gainself-empow
erment,solvem
oreproblemsso
astocontri
buteinconverti
ngthisplanetin
toa
paradise.Thatbeliefcontinue
stomotivatean
dfuel
ourveryexisten
ce.Weareinvitingyout
ojoinusin
accomplishingo
urmission.
Ilookforwardto
meetingyouin
yourareasoon.
Betterandbette
r,
LauraSilvaQuesada,
ProductandLe
cturerDevelopment
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ilva Internationals 40thanniversaryconvention last August was acelebration of staying connected and focused
on the vision sparked by Jos Silva of
helping humanity to evolve while converting
the planet into a paradise.
Silva graduates, instructors and Silva
family members (even some of the original
research subjects) with a diverse range of
experience with Silvafrom 40 years to 4
monthstraveled from Australia, Belgium,
Brazil, Canada, Chile, France, Germany,
Mexico, Pakistan, Singapore, and all over the
US to radiate energies of love, compassion
and co-operation nestled in the charming
ambiance of the Embassy Suites in Laredo,
Texas.
The energy was very high, the
presentations inspiring, and the research
reports very supportive. The food was
excellent and plentiful. The entertainment
of the Mexican Folkloric Dancers, and
Serenatas de Mexico was delightful.
Dr. Aretoula Fullam had just completed
a research fellowship at Harvard Medical
School on the effects of the Silva Method
with MS patients, andyou guessed itthe
positive effects were conclusively dramatic.
More information will be forthcoming.
Dr. Gary Schwartz from the University
of Arizona wound up his $5 million study
for the National Institutes of Health on
case working and remote healing. He said
the results were amazing as to the efcacy
of our work. We will have more to report on
this fascinating subject.
Thank you and deep feelings of
appreciation extend to all participants,
speakers, behind-the-scenes staff, as well
as Max and Hilda Silva Rubio for helping
to make this happen. To Nelda Sheets, the
convention director responsible for the
selection and co-ordination of the speakersand workshops, for her continued service,
commitment, and love of the Silva Method
we congratulate you.
By Ken Coscia, CSMI Connecticut
In my opinion the 40th was the best yet.
My favorites
as far as heart
is concerned
have to be
Tony Estrada
and Joan
McGillicuddy.
This is the
rst time Ive
been in their
workshops and
both were very
touching and
heartwarming.
Dr. George
DeSau was his usual fabulous self, and I was
so inspired when he talked to the instructors
on Friday. I am so motivated to teach the
Limiting Beliefs course that I cannot stop
talking about it. Rosa Rivas was her usual
dynamic and inspirational self. Ken Coscia
did a great job as Master of Ceremonies. Dr.
Moiz Hussain was a very interesting speaker
and I had to sit myself down at his dining
table to talk more about the Sus. Nancy Ho
was cute, and wow, what a little powerhouse
she is. She has taught 800 students in three
years. Lee Pascoe deserves an award for
singing her touching song in her talk about
the Magic of Make-Believe.
By Esther Seymour, CSMI Florida
What a joyous time it was to bein Laredo, Texas, the home of Jos
Silva, for the celebration of the Silvas 40 th
Ken Coscia
The 2006Silva Convention
Just a ew years ago, the mind was
a vast, uncharted territory. We can liken
what we know about the mind to what
the 15th Century Europeans knew about
America.
Once Columbus had discoveredhow to get to America, maps were drawn
and others soon ollowed the trail he
chartered and others soon ollowed
the trail he blazed to the new world o
America, which millions now inhabit.
Over the centuries, there have been
many explorers searching orand
ndingthe new world o the mind.
Jos Silva studied them all. Some
explorers were searching or the spiritualaspects such as Buddha, Mohammed,
and Jesus. A second group o explorers
were searching or mental skills that
led them to science o suggestion and
to hypnosis. Some o these giants are
Gassner, Mesmer, Braid, Bernheim and
Charcot. A third group explored brain
physiology and its connection to the
mind, psychometry and psychology.
Some o the names we know best arePavlov, Freud, Jung, Adler, and Berger.
What Jos Silva has done or us is
to create a map o the New World, the
New Frontier o the mind. From what the
explorers learned about the mind, Jos
Silva applied to creating better health
and education or his children and his
neighbors. As he explored the practical
applications o all that he learned rom
the giants in the eld o the mind, he
created ormulas or subjective education
(a treasure map), or his children, his
neighbors and eventually millions o
people around the world. That treasure
map is what we know as the Silva
Method.
Our legacy is a treasure map o
creative thinking.n
Continued from page 5
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anniversary convention! It was delightfulto see Joss children present and to be
able to speak to them about their legendary
father. The convention attendees were all
positive and fun, the weather was nice, the
food was great, and our hosts were very
hospitable. Nelda had done an awesome job
in organizing such a memorable function. I
will always remember this event.
By Kain Samiya, CSMI Texas
It was truly an enriching and inspiringexperience to attend the Silva Convention in
Laredo recently. It brought back memories
galore and reminders of what could be if I
got back to practicing all I learned from Jos
Silva and Nelda Sheets in 1968. Through the
speakers I looked back as well as forward.
The talks were certainly memory joggers as
well as challenges. Im back to going to
level at least once a day thanks to all the
presenters and participants. It was all so
soul stirring.
By Geri Eveler, Graduate Texas
This is what I remember most about theconvention: From Dr. George DeSau: Live
in fear and be manipulated into doing sub-
human things. Dont buy into the fear. The
universe always says, Yes. You think it, you
energize it, and you get it.
A special benet of celebrating our 40th
Anniversary was the sensing and feeling of
oneness as a group, which helps change, a
persons concept of who they are and can
become.
Betty Gerald, retired CSMI Texas
My objective in attending this yearsconvention was twofold: I was eager to
hear several other instructors present
40 YEARS AND STILL GOING STRONG
Continued next page
Above: Dr. George DeSau with grand-
daughter Jennifer DeSau Barber
(CSMI, chat with veteran trainer Sister
Naomi Curtin.Left: The trainer who trains the train-
ers, Betty Perry, enjoys a moment
with fellow conventioneers.
CSMIs Marianne Fitzgerald and Drs.
Joan McGillicuddy and Tony Estrada
say cheese for the photographer.
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their ideas so that I could enhance my own
knowledge base and presentation skills, and
I wanted to share an idea for increasing
class attendance. I feel that in recent years
our classes have been eclipsed by similar
offerings, many of which cost far more and
deliver much less than ours. One factor that
could position us (Silva) for exploding class
size as well as decreased promotional costs
is to get our seminar certied by national
boards that govern continuing education
for dozens of elds of study, including all
medical elds. This initiative must come
from Silva International, rather than from
one individual instructor or a group of
instructors so that every certied instructor
could benet.
I much prefer this years convention
style: showcasing many of the talented
instructors from around the world rather
than simply having a big name speaker. It
was a pleasure for us to hear such a variety
of speakers, and it was difcult to choose
which workshop to attend. While meeting
many instructors from around the world is
fun, it is even more fun to hear them speak
and to learn from them. I plan to use many
of the ideas I gleaned to improve my own
presentation, and I hope my idea falls on
fertile ground as well.
Sylvia Hodges, CSMI Texas
Folks, the convention was as excitingand energizing as I had hoped. The
workshops were some of the best ever and I
came away looking forward to using what I
have learned. Hope you make it next time.
Betty Perry, CSMI Floridan Above: Fellow directors Bill Sasaki,Japan, Lee Pascoe, France, and Kain
Samiya, Iran.
Below: Legendary CSMI LaVerne
Reed is welcomed by the members of
the convention, including Ole Iversen
and Silva Ints Laura Silva Quesada.
Continued from page 5
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with techniques to produce
new solutions to problems or
existing conditions that are in
need o change. Here again
is a dynamic that needs be
addressed. Research shows
that about 95% o what we
do and think today is what
we did or thought yesterday.
This is at once a blessing and
a curse. It is a blessing or
some, giving stability, and a
curse in that it says we have
strong tendencies to keep
things as they are. Not a great
statement or creativity.
Given the desire or
a creative change, look at
some o the Silva techniques
that allow or this conscious
and subconscious use o
Intelligence to be creative.
The Glass o Water technique
plays on conscious (state the
problem) and drink water
and of to sleep letting the
unrestricted subconscious
orm solutions that bypasses
the critical conscious let brain
as well as the reptilian and
mid-brain anxiety producing
unctions. This gives
Intelligence ull rein to come
up with creative solutions.
Working cases, health,
business, personal or
whatever, also has the
dynamic o conscious
stating a problem then using
subjective non-time space
limiting to nd inormation
and work on solution. Or the
Mirror o the Mind where one
blue-rames the problem as
dened objectively. Then
to perceive the solution and
essentially turns it over to
Intelligence to create the new
situation. Our sensitivity then
is to be alert to synchronicity
that leads to the solution
created at subjective levels to
maniest objectively.
Exploration o other Silva
techniques gives urther
evidence o the creative
process developed by Jos
Silva which gave to us the
tools to be truly creative doers
rather than just thinkers.
We all, with use o the Silva
Method, have the ability to
be Creators to make this an
exciting lie as opposed to
tiptoeing through lie hoping
to make it saely to death.
The ability to create a ull and
exciting lie is available, so
create, and use the techniques
to maniest a better lie or
yoursel and help make this a
better world in which to live.
This becomes a statement
o both opportunity and
responsibility or the privilege
o sharing your lie on our
planet.
For this 18
th
anniversary cruise,we will depart from Houston on
January 13th, stop for the day at
Progresso, Cozumel, and Belize
City. See the charm of Mexico
and Belize; visit Mayan ruins, go
deep-sea shing, scuba diving,
cave tubing, or relish the time-
honored adventure of shopping
for bargains. For three days at sea
delight in the activities on the ship:
jogging tracks, an exercise room, atheater, a casino, an Internet caf,
six restaurants, and free workshops
by Nelda Sheets and friends.
No need to be a Silva graduate,
everyone is invited.
Special Silva prices are for one
person and based on two persons
to a cabin. Interior cabins cost
$560; ocean view cabins are $610;
balcony staterooms are $980, andall prices include taxes.
Airfare is at your own expense.
Shuttle service is available
from any Houston airport to
the departure dock and must be
reserved when you make your nal
payment. We recommend that you
select your own roommates.
Call Nelda Sheets for more
information or to reserve your
place on this exciting cruise.
512.246.2427
Sail with Silva Folks aboard the
Norwegian Dream
Continued from page 5
Young dancer from the Ma-
tachinas group at the 2006
Silva convention in Laredo.
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What you desire, believe,expect, intend and choose at level, you
do achieve.
As the song goes, Youve got to
accentuate the positive, eliminate the
negative, and dont mess with Mister In-
between.
When you do all o the above rom
your centered-sel, you have empowered
your project.
To center yoursel is to practice
relaxing, neutralizing negative stress,
and ocusing your alpha-level thinking,
visualizing, imagining and verbalizing
so you can meaningully and mindully
release the creator side o your
personality, your spiritual sel.
It is then that your higher sel, the true
sel, the One Sel that we all are, reaches
through the chaotic darkness and
enlightens the reality that is.
Then you look upon It and say that
It is good. Away alls the positive, the
negative, the spaces and dashes in-
between. They, i they ever were, vanish
and you, the Creator, enjoy your creation,
along with myriad other acets in this
brilliant diamond o the Monad That Is
and that we all are.
And then you realize that there is even
more than you have experienced and
expressed, and you accept that you are
the Creator on this innite journey o sel-
expression and you are grateul, humbled
and joyous in adoration o the allthat we
all are.
Your joy is ecstatic!
You have arrived in your kingdom, out
o the swill o the pigsty.
The prodigal realizes where she/
You, The Creator
he/it always was: The Center o Being
where there is only now. Nothing was.
Everything is.
And you sigh in relie and return to
your busy days and nights, vibrating
quantum lie.
Harry McKnight
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At last! Many of us haveasked Nelda to write her
memories of the early days of
Silva classes, working with Jos
Silva, and some of her classic
graduate success stories. For
those who have been fortunateto attend a class with Nelda
Sheets, the iconic first Silva
instructor Jos certied, youveheard some of these stories,
and many grads all over the
world have heard them second
hand as instructors have used
the classic stories to illustrate
the successful use of Silva
techniques. Now you can
get these wonderful stories
straight from the woman who
lived them!
Neldas memories of the early
days, when our founder wasbuilding the presentation one
class at a time, are invaluable
to Silva instructors, and wil
be an interesting insight for
anyone who wants to peek
into the past to learn how the
classes came to be.
Silva Stories begins with a
short autobiographical sketch
that lets the reader in on
the fantastic voyages, life-
changing events, and wonderfu
synchronicity that placed Nelda
Sheets and Jos Silva on the
same path. Her biographica
bits about Jos, early-day
instructors, graduates of the
very frst class, and the artist
Dord Fitz, are revealing, funnyand sometimes poignant.
A must-read for all Silva
people.
SilvaStoriesMy Adventures and
Life-changing Journeys
with the Silva Method
Book Review by
Sylvia Smith
Silva Sports a New Logo
Yo u may have noticed new Silva logos cropping up in vari-ous places, such as the Web site and bulletins rom Joe Silva,
Jr. to name only a few.
Why did we change? The reasons are many, but mainly we
wanted to make a modern-day version o Jos Silvass origi-
nal Mind Control/Psychorientology logo.
Why didnt we go back to the original? Simple. It no longer
represents the current state of the Silva Method. We dont
use the phrase Mind Control, and we are no more the sci-
ence of tomorrow today. Instead, we teach mind develop-
ment, and we are very much the science oftoday, today.
We have retained, in an updated form, some of the most
important symbols originally designed by Mr. Silva. Most
prominent is the torch, emphasizing that we are still lighting
the way to help improve the world and its people.
Behind the torch is a green triangle, representing body, mind
and spirit, and behind it is a green feld, gradating rom light
at the top to dark at the bottom, showing the journey from
limited to greater levels of awareness and perception.
Surrounding these elements is a rich blue circle describing
the global home of the Silva Method, Silva International,
with its signature idea of Serving Humanity Better. The
black outlining of the blue circle indicates that there exist
levels still unknown to us.
The colors blue, green, red and black are mirrored in theScale of Brain Evolution chart as the beta, alpha, theta and
delta levels respectively.
Si
lva
Int e rnatio
na
l
Serv
ing
Humani ty
Be
tt
er
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Convention Diary 2006I wish to thank all o you at Silva
or making the
40 th convention a
wonderul event.
Its always great
to see people rom
past events and
meet new olks;
hearing all the ways
they are using their
techniques. The
hotels were great,
tooall the ood!
That was an added
plus. I didnt know
What an awesome experience we
had at the 40th Silva Convention, a rst or
us! It was an upliting experience, so lled
with positive energy. The speakers were
excellent and we came home with many
new ideas to incorporate into our lives.
The accommodations were frst class, the
ood was delicious and everyone was so
riendly. Thank you rom the bottom o
our hearts!
Deb Greenham and Sheryl Webber
Convention Diary 2006
CSMI in Ohio John Burleigh
Perennial conventioneers Hipolita Conchas and her sister Guadalupe, with SallyAldridge. Bill Fullam (in blue shirt) looks on.
we were having dinner at the opening
event. Im glad I hadnt eaten.
[I] enjoyed hearing LaVerne Reeds story
o her entry into Silva, and Dr. DeSaus
[lecture], too. I irst learned o Silva in
1976 at a Harold Sherman seminar held in
St. Louis. Rita Johnson rom the Chicago
area told me about it. When I heard Mind
Control I was spooked, but I fgured I could
dash out o the room should there be any
problem.
I did contact the Silva instructor here in
St. Louis, which was listed in the telephone
book, and took the class that July o 76. Bil
Tashaus was the instructor. At church jus
last year, I ound Linda and Lloyd Shantz
who had taken the BLS with Bill.
Thanks or a wonderul convention, and
heres to a better and better year.
Beverly Bretsnyder
Texas CSMI Marjorie Dearmont
Director Rosa Rivas of Mexicoshopping for books with
Singapores Nancy Ho.
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WHO IS
INSPECTORTORCH
?
Continued next page
Joel Visas is an enigma. Little is known about his past. Some say he is of
Gypsy origins; others insist that he is Egyptian, a descen-
dant of the pharaohs. Still others say they have on good au-
thority that he is definitely of Mezzo-American extraction,
and to strengthen
their position they
point out that the
famous inspec-
tor is inordinately
fond of chocolate,
especially in liq-
uid form. Drink
of the Gods, he
was heard to com-
ment on numer-
ous occasions.
Of all this, Visas
would say only
that he recognized the connection between Gypsies and
Egyptians, and pointed out the similarities of the Egyptian
and Mayan cultures. And, he went on, everybody likes
chocolate. Does that make everybody Mezzo-American?
During one of his adventures, Visas observed that the
jade-masked skeleton of a man named Pakal, found in the
stone sarcophagus deep within the pyramid called the
Temple of Inscriptions in Palenque, Mexico, was in fact the
mortal remains of a wandering Egyptiana Gypsywho
lived among the Mayan people a thousand years before
the temple was reportedly built. Pakal, when asked about
his name, said only that it meant man of the heavens and
that his brother and sisters had found refuge elsewhere
among the People of the Salmon, the first people of what
is now Canadas Pacific coast. Pakal was made ruler of the
Mayan people in the year 608 C.E., a year after his arriva
at Palenque when he was reportedly age twelve, although
stories in glyphs reveal that, a thousand years earlier, the
character written about as Pakal was eleven years old. It
would seem that he had aged only one year in a millen
nium. With a history
like that he would be a
mighty fine insurance
risk.
When, in 676 C.E.,
Pakal left his body,
(Visas reported) he
did so voluntarily and
without assistance. He
willed open the four-
ton sarcophagus cover,
climbed inside, put on the exquisite jade mask, and like-
wise willed the cover to gently lower itself. Then, withou
fanfare, Pakal checked out.
Temple of the Inscriptions
The sarcophagus
Presenting the amazing tales of Inspector Torch is aendeavor to illustrate the Silva Methods focused-think-
ing principles with gentle good humor.
Joel Visas is an anagram, and his alter-appellation,Inspector Torch, harks back to
the original Silva Mind Control logo.
In relating the adventures of the Torch there are otherclues and connections linking to the Silva Method. I
will leave it to the reader to discover them.George Williams
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6Copyright 2006 Si lva Int ernatio nal , Inc. All right s res erved. Available exclusiv ely at www.Sil vaM et hod.com
Who is Inspector Torch continued
The cover of the sarcophagus is,
by itself, an object of wonder and
much speculation. It is carved in relief
with an image of a manreportedly
Pakalssurrounded by some pretty
strange items. Some see the old boy
seated at the controls of a rocket ship
at blastoff. Its all there, they say, the
flames erupting from the bottom of
the ship, the nose cone, Pakal in his
space helmet seated at the controls.
Others say basically, that the space-
ship interpretation is so much pukky
and the real deal is that Pakal is actu-
ally shown linked with the Tree of the
World.
The Tree of the World is specially
marked as a sacred object: the sym-
bols for Te, or tree, confirm it is a
cottonwood. The symbols for Nen, or
mirror, indicate that the tree is a
shining and powerful being, called
That Which is Holy. The Tree of the
World is linked with Pakals body, in-
tertwined with his arms, legs and tor-
so. The tips of the trees branches areshaped like the bowls used to catch
sacrificial blood. Jade beads and
tubes surround the sacred square-
nosed dragons that are born from
these vessels. These jewel-covered
monsters are depicted in deliberate
contrast to the skeletal dragons below
them, illustrating the world of death
into which Pakal supposedly falls.
During his fall from the Tree of the
World, Pakal is seated upon the Mon-ster of the Sun. The Monster is aptly
represented in its state of transition
between life and death, a skeleton
from the mouth down, with eyes that
have the dilated pupils of living be-
ings. The sun enters into this state of
transition at dawn and at dusk. Here,
however, the emblem of the Monster
of the Sun contains the Cimi, or sign
of death, emphasizing imagery rep-
resenting the death of the sun or
sunset, with the sun located on the
horizon, ready to sink into the Under-
worldand take the dead king with
it.
Pakal insisted that he was separat-
ing his spirit from that particular body
for no other reason than that he had
been reassigned. His mission in Cen-
tral America was over and he was
headed elsewhereand elsewhen.
About Pakal and his extraordinary
departure, Visas would say little more
except to cryptically comment that the
end of the Mayan civilization was re-
ally just its beginning. For those who
wish to understand more, he said
simply reading the crystal skulls and
following their instructions will revea
alla difficult task since the world is
moving too fast these days. Visas has
an excellent sense of humor, a quality
equal only to his amazing powers of
observation.Some said that Joel Visas himsel
was most likely an Egypto-Maya
wizard. Visas would never contradic
them. I dont argue, he said.
If determining his lineage seems
difficult, estimating his age is jus
plain impossible. On some days Joe
looks youthful, apple-cheeked and vi-
brant; on others he appears ancient
gray of eye and demeanor.
No matter; whatever age Joel Visasseems to be, he never loses his aura of
immense and unquenchable power
He is truly a man of the ages. n
Above: The sarcophagus and lid in-
side the Temple of Inscriptions.
Below: Detail of lid showing Pakal,
The Pilot in his spacecraft.
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THE INCIDENT OF THE
INCENDIARY
MICROCHIROPTERA
Mexican Free-tailed Bat
Continued next page
Joel Visas inherited his professionalname, Torch from a curly-haired, blue-eyed eleven-
year-old during a singular occurrence involving Visas,
two dozen amateur chefs, their spouses, and several hun-
dred omnivorous bats at the annual Francis X. Tolbert Chili
Cook-off in Terlingua, Texas.
Francis X. Tolbert was a hell of a man,
Texas and chili he preached across the land.
Hes the godfather of chili everyone did proclaim
Though most hadnt met him, they all knew his name.
Francis X. Tolbert single-handedly made chili a popular
household food. Francis was a journalist and author and
worked at the Dallas Morning News. Tol-
berts most popular work,A Bowl of Red
(1962), was devoted to chili con carne.
Soon after the publication of A Bowl ofRed, Tolbert founded the Chili Apprecia-
tion Society International, which is based
in the ghost town of Terlingua in Big Bend
National Park, where the Societys annual
chili-cooking contest is held.
The incident began when a cave full of
bats were startled into flight because of
an explosion in a pressure cooker used
by one Omar Fripner, a chili aficionado,
who had driven all the way from Nez
Perce, Idaho in his mothers vintage NashAmbassador especially to participate in
the famed cook-off competition. Due to the sorry condi-
tion of the Nash, Omar had arrived late on the day of the
event and his traditional slow cooking of the chili ingre-
dients was completely out of the question. Noindeed
nothe only way he could hope to catch up was to resort
to extreme measures and, gods of chili forbid, pressure
cook his tiny cubes of rib eye by using his mothers 1950s
vintage CookRite pressure cooker, the kind with the wob-
bly little gravity valve on top, and an off-again-on-again
O-ring seal in the lid. You have to give credit to Omar for
covering at least this one contingency, albeit with obsolete
equipment.
Considering his tardiness, things were going pretty well
for Omar until he became impatient and decided to turn
up the fire in his portable propane two-burner deluxe
camping grill with the handy pot warmer on the side. You
know, he said to no one in particular, I think Ill just kick
it up a notch.
The resultant explosion, while spectacular, was messy to
say the least. All 363 mini-cutlets of ribeye shot skyward
a near-orbit event. The noise of the blast and the rich smel
of the airborne steak awakened a huge family of bats who
burst from their nearby cave and, although
frightened and grumpy, were neverthe-
less ravenously hungry. And there, just as
they took off, appeared a seemingly end-
less number of edible, precooked, spicy
and delectable beef bits just floating in
the air, waiting to be gobbled up by any
flying nocturnal mammal in the vicinity.
Bats get bad press. Vampires, say some
while cringing and blessing themselves
Chupacabras, they say, sucking the very
life out of some poor baby goat and
who can sayyour neighbors kid could
be next. As you probably know, bats are
nighttime creatures, sleeping upside-down on the ceiling of a cave or in a dense
tree during the day, waking in the evening to forage for
food. Of the entire worlds bat population very few drink
blood let alone actually suck the stuff, except for the ones
that movie directors hire for their scary films.
Our man Fripners ill-timed pressure cooker explosion
jolted the bats awake a good hour earlier than usual and
they got up pretty darn crotchety. Despite their bad mood
The beginning of the Torch
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INCENDIARY MICROCHIROPTERAcontinued
The Bat Cave
they were seriously ready for breakfast and on discover-
ing hundreds of pieces of ready-to-eat airborne meat they
were more than ready to chow downor up, in their case.
Unfortunately for the bats and anyone else nearby, Omar
had elected to perk up his steak bits with a variety of pep-
pers; cayenne, jalapeos and the deadly Red Savino Ha-
banero, the worlds hottest pepper. Registering
an amazing 500,000 Scoville Units, the Red
Savino is the Mount Vesuvius of hotness.
Hades only attempts to be as hot as a
Red Savino. When the bats gobbled
the floating beef cubes they imme-
diately developed a serious case
ofwellgas. And in an unusual
side effect, the Red Savino Habane-
ro peppers had the power to render
them temporarily insane and make
them uncharacteristically aggressive.
So now, get the picture. What we have
here is a world-famous chili cook-off con-
test in a ghost town, dozens of stainless steel
and porcelain pots of simmering chili, an erupt-
ing pressure cooker, sky-high ribeye, and flatulent, flesh-
eating, flying rats who, after clearing the air of tiny pieces
of steak, remained ravenously hungry. What else could
300-odd, voracious and psychotic bats do? They made a
mad dive for the rest of the chili, of course. Wouldnt you?
The chili pots never had a chance; but what came next
was the stuff of legends.
Along with the rest of the cook-off crowd, Joel Visas wit-
nessed the bat attack, but it was only Visas who had the
composure and acumen to do something to save the day
It was Visas, and only Visas, who realized that the airborne
rodents werein a phrasegas-driven.
Quickly snatching up a nearby long-necked, butane-
powered, professional-grade grill lighter, Joel ran
into the midst of the bat storm. Holding the
lighter aloft he clicked the trigger and it
erupted into flame. And so did severa
hundred bats, whose highly flamma-
ble methane vapor trails roared into
NASA-worthy columns of high-pres-
sure fire. It was a spectacle of epic
proportions.
Imagine, if you will, several hun-
dred jet-propelled bats shooting
skyward and exploding in a shower
of multicolored sparkles. And then, in
the middle of the best light show the resi-
dents of the ghost town of Terlingua, Texas
had ever seen, the golden-haired angel with twin-
kling blue eyes pointed to Joel Visas and said, See? Hes
the Torch.
The name stuck, and although the competition was can-
celled that year, there was still more than enough beer to
go around.
Everyone agreed that it was the best chili cook-off ever.n
COMING SOON
The Inspector Torch Mystery Dinner Theater
INSPECTOR TORCHin
The Quizzical
Quantum
Quandry
Dinner Murder Mayhem What a great combination!
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Copyright 2006 Silva Intern ati onal, Inc. All ri ghts reserved. Avai lab le exclus ively at www.Si lvaMethod.com
T
Giving
Thanks
Giving
Thanks
he celebrations usually include sing-
ing, praying and decorating churcheswith baskets o ruit and ood in the estival
known as Harvest Festival or Harvest Home,
or Harvest Thanksgiving. During harvest es-
tivals in Britain, people bring in ood rom
the garden or arm. The ood is oten distrib-
uted among the poor and senior citizens o
the local community.
In the USA and Canada, the estival is set
in November and has become a national
holiday known as Thanksgiving. In North
America it has become a national secular
holiday with religious origins, but in Britainit remains a church estival giving thanks to
God or the harvest.
Harvest is rom an Anglo-Saxon word
haerfestwhich meant autumn. It then
came to reer to the season or reaping and
gathering grain and other grown products.
The ull moon nearest the autumnal equi-
nox is called the harvest moon. So in ancient
traditions harvest estivals were traditionally
held on or near the Sunday o the harvest
moon. This moon is the ull moon which
alls in the month o September.
An early harvest estival used to be cel-
ebrated at the beginning o the harvest
season on August rst, and was called lam-
mas, meaning loa mass. Farmers made
loaves o bread rom the resh wheat crop.
These were given to the local church as the
communion bread during a special service
thanking God or the harvest.
Early settlers took the idea o harvest
thanksgiving to North America. The most a-
m o u s one is
the har- v e sT h a n k s - giving
held by the Pilgrim
athers in 1621.
No wa da ys the esti
val is held at the end o har
vest which varies in dierent
parts o Britain. Sometimes
n e i g h b o u r i n g churches wil
set the Harvest Fest iva l on
diferent Sundays so that people can
attend each others thanksgivings.
Farmers celebrat- ed the end o theharvest with a big meal called a harvest sup
per. Some churches and villages still have a
harvest supper.
The modern British tradition o celebrat
ing Harvest Festival in churches began in
1843, when the Reverend Robert Hawke
invited parishioners to a special thanksgiv
ing service at his church at Morwenstow in
Cornwall. Victorian hymns such as Come
ye thankul people, come, and All things
bright and beautiul helped popularise his
idea o harvest estival and spread the an-
nual custom o decorating churches with
home-grown produce or the Harvest Fes
tival service.
In the early days, there were ceremonies
and rituals at the beginning as well as at the
end o the harvest.
In the west o England the ceremony o
Crying The Neck was practiced. Today it is
still re-enacted annually by the Old Corn
wall Society.n
beach festival in Mukah, Sarawak
Did you think a day for giving thanksstarted with the Pilgrims? Nosirree.Celebrations of successful harvests areas old as the history of mankind.
enean harvest festival circa 500 B.C.E.
y knew how to party.
Harvest Festival poster detail from theRed River Valley Sugar Beet Museum
Crookston, Minnesota
ng the Neck Festival painting,wall. The neck refers to thek below the crown of grain.
T
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20Copyright 2006 Si lva Int ernatio nal , Inc. All right s res erved. Available exclusiv ely at www.Sil vaM et hod.com
At last! Many of us have asked Nelda to write her memories of the early days of Silva classes, working with Jos
Silva, and some of her classic graduate success stories
For those who have been fortunate to attend a class with
Nelda Sheets, the iconic rst Silva instructor Jos cer
tied, youve heard some of these stories, and many
grads all over the world have heard them second
hand as instructors have used the classic stories
to illustrate the successful use of Silva tech
niques. Now you can get these wonderfu
stories straight from the woman who
lived them!
Neldas memories of the early
days, when our founder was
building the presentation one
class at a time, are invaluable
to Silva instructors, and will
be an interesting insight for
anyone who wants to peek
into the past to learn how
the classes came to be.
Stock #9543$16.95
Required reading for every
graduate and grad-to beSilvaBooksWORLDS IN YOUR HANDS
Silva StoriesMy Adventures and Life-Changing Journeys with the Silva Method
Nelda Sheets
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El Mtodo Silva de
Control MentalJos Silva y Philip Miele
El Mtodo Silva de Control Men-tal es un sistema de meditacindinmica para el hombre modernoque vive en medio de las tensiones,el ritmo acelerado de la actividad,la dispersion mental y una seriede malos hbitos que ha desarrol-lado en l la civilizacin occidentaldel ultimo tercio de este siglo.Jos Silva descubri su mtodomientras trabajaba con grupos denios mexicano-norteamericanos
en la dcada de 1950. Susecreto consiste en llevar alindividuo al descubrimiento deniveles profundos de su propio
yo, donde radican fuentesde energia squica, mental yfsica, que prticamente sehan vuelto infructuosos por lasupercialidad del modo de viviral que ha ido acostumbrndose elhombre.
A sabiendas o sin darsecuenta, el hombre occidental
T, El SanadorJos Silva y Robert B. Stone
En T, El Sanador, primerlibro sobre el Mtodo Silvatraducido y publicadontegramente en Espaa, JosSilva expone las pautas de sumtodo y da instruccionesdetalladas para llevar a caboalgunas de sus aplicacionesms destacadas, como sonlas que tienen que ver con lapropia salud y con la de losdems.
Stock #9038SP $14.95
Crear un GenioJos Silva y Robert B. Stone
En esta obra, Jos Silva yRobert Stone se acercan a
las mejores cualidades queestn presentes en todosnosotros y abordan el modode poder desarrollarlasen nosotros mismos y ennuestros hijos, tanto si es-tos ya han nacido como si elembarazo actualmente no esms que un proyecto.
Los principios y las tcnicasampliamente conocidas delMtodo Silva, se aplican eneste libro a la educacin
y el aprendizaje, as comoen su anterior obra, Tu,el sanador, se diriganfundamentalmente aldesarrollo de la salud.
Stock #9076SP $13.95
Recuperar La SaludStephanie Matthews-Simonnton, O. Carl Simonton y
James L. Creighton
Nuestras reacciones individuales derespuesta al estrs y otros factoresemocionales pueden contribuir aldesdencadenamiento y progreso delcncer u otras enfermedadesal igualque una actitud positiva, un sistemapositivo de creancias y una mayorautoestima contribuyen no slo a lasupervivencia sino que hacen que la
vida gane en color y calidad.
Stock #9070SP $13.95
moderno busca a tientas unaplenitud de su ser que siente queexiste. El mtodo Silva conrmasus sospechas y le muestrael camino para recuperar esa
valiosa porcin de su propio yo.Instituciones educativas
de todos los niveles, empresasequipos deportivos. mdicos yartistas famosos demuestran consu experiencia comprobada en smismo, en los alumnos, en el personal de ventas o en los pacientesque las personas que aprenden a
vivir y actuar desde un nivel dconciencia ms profundo acrecientan sus facultades mentalesde comprensin, memoria y cre
atividad. Se libran --sin necesidadde atencin mdicade trastornossicos crnicos como dolores decabeza, disminucin de la capacidad visual o auditiva, insomnios yotros padecimientos sicosomticos. Ademas, multiplican susrecursos interiores y exteriorespara resolver todo clase de problemas y llevar una vida personal ysocial ms plena y satisfactoria.
Stock #9020SP $12.95
Libros en espaol
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Graduates, please
share your success
story with us.
Your story may help change a
persons life
We have found that success stories
inspire and motivate others. Your
story may contain examples of the
same kind of situation that the new
student has. Your story gives some-
one an idea of how they can use the
Silva Method to find solutions in
health, relationships, parenting,
business, creativity, sports, stress
management, better grades in
school and more.
For every story we publish in Sil-
vaNews or use in the program at
the 2006 convention, well send to
you a Silva Method Review CD set.
Here is what we want you to do:
In your story include the follow-
ing: Name of your instructor,
when and where you took the Silva
Method, the specific Silva Method
technique you used, the specific
problem you had and the results of
using the technique.
At bottom of story write the fol-
lowing, I give Silva International
Inc. permission to publish and oth-
erwise use this story to promote the
Silva Method. Add your signature.
Write your story and send it to:
Nelda Sheets
SilvaNews Editor
1700 Deep Wood Drive
Round Rock, Texas 78681
or email:
Enclose a color photograph of
yourself if possible. Additional
photos or artwork are also wel-
come.
Include your mailing address,
email address, your instructors
name and where you participated
in a Silva class.
Instructors are eligible, but wont
be given preferential treatment.
YourSilvaSu
ccess Story