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Nineteenth-Century
PORTRAITS AND
SOCIETY
Source:
Hamilton, Peter, and Roger Hargreaves. The Beautiful and the Damned: The Creation
of Identity in Nineteenth-Century Photography. Burlington, VT: Lund Humphries, 2001.
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p. 6, fig. 8, Beautiful and Damned
Fratelli Alinari, Alinari ‘Sala di posa’ Portrait Studio, c. 1900.
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Anonymous, Tintype Studio, c. 1900.
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John Thomson, Traveling Photographer, c. 1876.
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Anonymous, Studio Portrait, c. 1870.
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p. 22, fig. 16, Beautiful and Damned
Camille Silvy, Miss B. Brook Hunt, 1861.
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p. 30, fig. 19-26, Beautiful and Damned
Top, L to R: Nadar, Sir George Scharf, 1867; Cundall, Downes & Co., Wilkie Collins, c. 1860; Maull
& Polybank, Richard Owen, c. 1861; John Watkins, Michael Faraday, c. 1861
Bottom, L to R: John Jabez Edwin Mayall, Benjamin Disraeli, c. 1861; John and Charles Watkins,
Thomas Carlyle, c. 1861; John and Charles Watkins, Charles Dickens, c. 1861
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p. 33, fig. 34-36, Beautiful and Damned
L to R: Alexander Bassano, Ellen Terry, Actress; Lord Charles Beresford; Cardinal Vaughan, n.d.
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Elliot & Fry, Colonel Cody,
known as Buffalo Bill, 1892.
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Napoleon Sarony, Oscar Wilde, 1882.
Herbert Barraud, Alfred Tennyson, 1888-1889.
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p. 8, fig. 10, Beautiful and Damned
W. & D. Downey, Gladys, Countess de
Grey, later Marchioness of Ripon, 1897.
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p. 39, fig. 40, Beautiful and Damned
Various, Celebrities in the Church,
Science, Literature and Art,
Photographic Groups of Eminent
Personages, c. 1867.
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21A.348 / CMS.835 Photography and TruthSpring 2008
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