nicolaus d. wright portfolio

Nicolaus D. [email protected]|objects|processes

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Reformulating periphery cities by imagining new visions for orphaned highway infrastructures.

A proposal for USDOT investment to be designated for the improvement of the United Sates Numbered Highway System such that this historic and locally specific transportation network be re-visioned/ re-invented to act as a supportive armature for the healthy development of town centers within the expansive edges of major metropolitan areas.

infrastructure systems phasing

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extant corridor condition

standard transit development integrated infrastructure development

functional zone section sequence

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2009

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excavation

contamination

vacuum dredging

containment

phytoremediation

tidal oyster bed : productive bioremediation

contaminant

leechate plume

soil

groundwater

tidal water

opportunistic & adaptiveremediation processes

land/water interface transformation

The Red Barn

1900

2000

2100

LDR Channelization

Boeing

Crowley Marine Services

Duwamish River GreenwayGateway Park

MTCLA &CRCLA Remediation

Green Industry

SoSea HCTPacific HSRail

Constructed EstuaryUrban Nurseries

Airfield Residential Development

Industrial

Agricultural

EcologicalSlip 4 Site

anaylsis & investigation excavation of ‘hot’ sites

existing land/water interface condition at crowley/slip 4 site, Seattle WA contemporarylower duwamish river valley

historic

site & region programmatic change over time

The problem of redeveloping brownfield sites is often that the remediation process acts as a narrative break between the historic pattern and the future possibilities of the site. By incorporating the remediation process into the development methodology the resulting changes in the landscape are productively utilized for ecological and social benefit.

The case study site in the industrial area of the Lower Duwamish River Valley near Seattle was analyzed for its redevelopment potential and remediation need. The resultant plan for future development focuses on the opportunistic utilization of state and federal remediation requirements to drive development.

The Red Barn

1900

2000

2100

LDR Channelization

Boeing

Crowley Marine Services

Duwamish River GreenwayGateway Park

MTCLA &CRCLA Remediation

Green Industry

SoSea HCTPacific HSRail

Constructed EstuaryUrban Nurseries

Airfield Residential Development

Industrial

Agricultural

EcologicalSlip 4 Site

phytoremediation & riverbank dredging eco-industrial & landscape infrastructure development

linked pedestrian & hydrologic landscapesconstructed wetlands along slip bank

CAFEFORUMS

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LIVE

LIVEWORK

LIVEWORK

LIVEWORK

LIVEWORK

WORKLIVE

WORKLIVE

WORKLIVE

WORKWORKLIVE

EDUCATESTORAGE

SERVICE

DISPLAY & SALES

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program organization

context street morphologyand opportunity sites

context perspective

north elevation

A proposal for a prototype building form in Guangzhou, China to promote the generation of locally productive economic activities in the region. Recognizing that the strength and flexibility of the local economy is due to the open and accessible use of the hierarchy of street networks in the area, the building seeks to become a vertical street in which circulation and interaction is encouraged throughout. By organizing the building around a single large bandwidth circulation path the exchange of materials and knowledge is foregrounded as the primary activity of the building.

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CAFEFORUMSHAREDPRODUCTION

LIVELIVE

LIVELIVELIVELIVE LIVELIVEWORK

WORKWORKWORK WORK

WORKWORKWORKWORK LIVE

EDUCATESTORAGE

SERVICEDISPLAY & SALES

ground mezzanine mezzanineprimary typ. unit 02 typ. unit 03typ. unit 01 ground

transversesection

plandiagrams

transversesection

primary typ. unit 02typ. unit 01

ground mezzanine primary typ. unit 01 typ. unit 02 typ. unit 03

site plan main plan unit floor plan typological morphology

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transit node

green space

major highways

regional highway 99W

local arterials

local street grid

transit rail line

area of influence

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Tigard Corridor Noble Diagram

Problematic land use conditions that are the result of regional vehicular transportation corridors such as highway 99W through Tigard, Ore-gon have presented a rich environ-ment for analysis and planning.

By identifying potential development opportunities for urban systems such as green space, high capacity transit and rail corridors a vision for a revitalization plan has been put forth at the bequest of the city.

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99W

DURHAMCITY HALL

TIGARDCITY HALL

KING CITYCITY HALL

Bridgeport Village

Washington Square Mall

1m2 1m2green space analysis downtown development plan final phase modeltigard downtown noble diagram

tigard downtown development plan

75% commuting in for work

70% commuting out for work

53%

global & regional connection

transportation along 99W is currently defined by single user point to point vehicular traffic. the immediate loca-tion of place is lost in the frenzy of moving from home to work and back again. in this environment there is little opportunity for “the 3rd place” of the everyday.

the introduction of high capacity public transit along the corridor allows for a re-imaging of the corridor as a series of distinct station commu-nities strung out along it’s lentgh. each with it’s own unique identity.

currently the downtown of tigard is defined by the viaduct which passes over it and the main street with runs parellel to 99W. the downtown commercial area is largely underutilized and poor land use patterns, consistent with the corridor maintain.

by recognizing the distinch bound-aries of the converging water-sheds a clear edge condiction can be defined. the convergence of multiple types and scales of trans-portation infrasctructure is taken advantage of by linkind them into a multi-modal node.

downtown tigard crossroad on the valley floor

nicolaus d. wrightarch 584 hajo neis

summer2009 pdx

phase

1 : green expansion • fanno creek parkway & plaza

• non-profit / community arts center

• regional multi-use path

phase

2 : community infrastructure •linked HTC/WES transit station

• performance center

• year round farmers market

phase

3 : development formalization •completed station = axis mundi

• bar buildings wrapping viaduct

phase

4 : continued growth•expansion of development infill

• higher density housing on residential edge

99W transit corridor downtown bounded

recreation residential

commercialcivic

recreation residential

commercialcivic

GA

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south-north section east-west section

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east elevation

street entrance main stairwell & gallery library & stairwell/lightwell commons & dining hall

density and modenism:acknowledging the cultural forces of international perception and national identity the building program has been compacted as much as possible while creating shared spaces at a personal and communal scale. an aesthetic approach of acknowledging the shared valued of craftsmanship and expressive modernism inherent to both northwest and mexican modernism.

process axononometric

program

stairwell/lightwell arrangement

administrative

reception

kitchen

communal studio

scholar

artist

artistscholarscholarscholararchitecture

library

copy

libraryo�ce

kitchen

dining hall

scholar

scholarscholar

music

artist

architecture

pantry

artist

artist

1' 4.5"1' 4.5"100' 7.2"100' 7.2"

10’

gallery

exposition

cafe

preparatory

loading

porter

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Youth Craft Center

15th Ave.

17th Ave.

Mos

s St

reet

CCC vicinity plan1/32" = 1'

4 story

3 story

Moss Street Children's Center

parti

The community at large is welcomed by the open and tiered urban face de�ned by the frontage that rises o� of the street level on a series of stairs, ramps, and porches. This then de�nes a boundary between the center and the street, clarifying the distinct space of the institution.

The community and the craft center join in the major courtyard thereby inviting the adjacent institutions to utilize the commu-nity resources while providing an open social space for the students of the craft center.

A central entry plaza creates a point around which the various usage layers of the site are de�ned while allowing for an open social space in which the intersecting com-munities may participate together in the mission of the institution.

The core of the craft center as a service institution is de�ned by a closed minor courtyard which centralizes the activities of the educational program, thereby providing an internal and dedicated space for the func-tion of the craft center.

Occupying the central position on a block between educational institu-tions serving a complete range of youths, from the very young through the barely adult, the craft center strives to promote the speci�c social condition of it's primary users and engage the adjacent and local com-munity in the process of education.

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recieved program

>site program

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Youth Craft Center

15th Ave.

17th Ave.

Mos

s St

reet

YCC vicinity plan1/32" = 1'

4 story

3 story

Moss Street Children's Center

organizational scheme

Occupying the central position on a block between educational institutions serving a complete range of youths, from the very young through the barely adult, the craft center strives to promote the specific social condition of it's primary users and engage the adjacent and local community in the process of education.

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tiered frontage defines edge boundary

major courtyard for community gathering

e d u c a t i o n a l institution core

central plaza links disparate programs

urban dynamics

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circulation network landscape

East Elevation

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urban dynamics

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circulation landscape water retention

framing modelstructural bay

west elevation

SURPLUSCOMPONENTS

DROP-INMONUMENTS

MODULARUNITS replay+ + =

REPLAY is made from the leftover parts of the urban environment. REPLAY provokes creativity from the materials

of urban assembly. REPLAY is low-tech. REPLAY is nothing l ike a catalog playground, but i t is a lot l ike the city.

Bui ld the playground from surplus urban infrastructure components, stuff the edges with durable plants that birds and bugs love.

Recognize and Redef ine the Bui lding Blocks of the City.

Curate monumental objects for demonstrat ion and play, anchor hands-on educat ional programs.

Spectacle, Event, Surpr ise and Discovery.

Stock a steady stream of c lean hand-held mater ia ls for instant creat ive play.

Imaginat ion, Improvisat ion, Bui lding, Stacking, Dismant l ing, Rol l ing,

Pour ing, Wrapping and Recycl ing.

SURPLUSCOMPONENTS

DROP-INMONUMENTS

MODULARUNITS replay+ + =

REPLAY is made from the leftover parts of the urban environment. REPLAY provokes creativity from the materials

of urban assembly. REPLAY is low-tech. REPLAY is nothing l ike a catalog playground, but i t is a lot l ike the city.

Bui ld the playground from surplus urban infrastructure components, stuff the edges with durable plants that birds and bugs love.

Recognize and Redef ine the Bui lding Blocks of the City.

Curate monumental objects for demonstrat ion and play, anchor hands-on educat ional programs.

Spectacle, Event, Surpr ise and Discovery.

Stock a steady stream of c lean hand-held mater ia ls for instant creat ive play.

Imaginat ion, Improvisat ion, Bui lding, Stacking, Dismant l ing, Rol l ing,

Pour ing, Wrapping and Recycl ing.

DRAIN PIPES

K-RAILS

COBRA HEADS

LIGHT SAVING STANDARDS

DRAIN PIPES

K-RAILS

COBRA HEADS

structural componentsThe major structural e lements for REPLAY are sourced from the ATL Department of Publ ic Works: Surplus concrete pipes and jersey barr iers are re-used as wal ls, fences and planters. Stockpi led l ight poles and l ight standards are mounted throughout the playground for vert ical scale and overhead structural support . Reusing and reinterpret ing these over-scaled elements for bui ld ing the playground inspires new creat ive environmental re lat ionships.

RE-STRUCTURERE-CONSTRUCT

RE-PLANT

REFRESH RATE_ indef in i te permanent

SHIPPING CONTAINER

BOAT

SHED

CAR

PIANO

LOG

DROP-IN MONUMENTALS

RE-DISCOVER

RE-ASSEMBLE

REFRESH RATE_ monthly

REPLAY wi l l receive a changing program of large cast-off objects l ike shipping crates, boats, sheds, cars, pianos, logs for educat ional demonstrat ions and unstructured play. Each new Drop-In wi l l be an event unto i tsel f advert ised in advance to capture the spectacle of posit ioning by cranes. Each large object wi l l be securely mounted ut i l iz ing a combinat ion of pop-up ground f ixtures and overhead stabi l iz ing cables. These elements wi l l be refreshed on a monthly basis as a cont inual ly changing display.

REFRESH RATE_ dai ly

MODULAR PLAYABLES

CONTAINERS

WATER BOTTLES

MILK CRATES

TIRES

RE-CREATE

RE-USE

RE-CYCLE

A supply of c lean recycled or leftover mater ia ls l ike t i res, barrels, plast ic bott les, mi lk crates, geotext i le fabr ic, lef tover sod and landscape plants wi l l a lways be avai lable for group and indiv idual improvised play. Whether bui ld ing temporary structures and sculptures, channel ing and playing with water, digging and plant ing, or making birdhouses and bug traps, th is steady stream of mater ia ls wi l l form the basis for deep imaginat ion and a respect for the reduce/reuse/recycle ethos.

Existing Condit ions

Replay Solutions

SITE ANALYSIS

EXISTING SITE DIMENSIONS

TOPOGRAPHIC MODIFICATIONS SITE STRUCTURE WET PLAY VS. DRY PLAY

TREE LAYOUT TRADITIONAL PLAY STRUCTURE FALL ZONES

For safety, there is one point of entry for REPLAY. Parents have viewing areas on each end of the s i te to maximize playable space.

The si te would need to be graded f lat . This would be achieved by adding a seat-wal l and planter at the s idewalk. This would also require decks underneath the two oak trees.

The exist ing s i te dimensions are very smal l , which is one of the major restr ict ions of the s i te.

REPLAY wi l l keep two of the larger t rees on the si te. These serve as the anchor for the rest of the landscape.

Due to the restr ict ive nature of the s i te, t radi t ional p lay equipment would not f i t wi th their according fal l zones onto the s i te.

There are two di f ferent zones which of fer d i f ferent types of p lay. The darker orange represents the wet play. The pale orange represents the dry play.

60’

50’

75’

74’

50’37’

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To respond to a financially and spatially constrained brief for a playground at the center of Atlanta’s downtown, we devised a strategy of RE-play that would utilize a scaled series of reused and recycled elements. These elements formed a temporally and spatially dynamic environment in which children’s open-minded and imaginative approach to the world was given free reign and was displayed to the public.

A

A - ELEVATION

B - SECTION

C - SECTION

C B

TECHNICAL DRAWINGS

SITE PLAN

1

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5

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LIGHT POLE FOREST

DECK

WET-PARK

DRY-PARK

DRAINAGE PIPE CUBBIES

K-RAIL BUTTERFLY GARDEN

OAK TREE DECK

LIGHT POLE FOREST

HUMMINGBIRD GARDEN

rendering by haley waterson

rendering by haley waterson

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The commisioning of an temporary, artificial wetland with a constrained budget and installation period required that the methodologies of design and construction be tightly intertwined. To achieve a form that was simultaneously organic and fabricated we created a script which would randomly arrange the substrate building unit (hay bales) along a boundary constraint. By selecting for fitnes from the resultant iterations a dynamic form was found with belied the intentions of installation to refer to the natural form of wetlands while maintaining its integrity as a constructed environment.

1 - PLANTING AREA (SEE PLANTING PLAN)2 - FORMED SOIL BERMS (SEE SECTION)3 - GRAVEL LANDING SURFACE4 - 2 STEP WOOD STAIRS5 - ZIPLINE ANCHOR POST (12” DIAM. WOOD SPEC BY SUB)6 - 4’x4’x3’ CONCRETE POST FOOTING7 - JERSEY BARRIER8 - WATER FILLED AREA (SEE SECTION FOR DEPTH)9 - ZIPLINE CABLE (SPEC. BY SUB)10 - ZIPLINE STAY CABLES (SPEC. BY SUB)

18’-2”

64’-6”

300’-0”

5’-10” 15’-8” VIF

11’-3

”10

’-7”

8’-11”

8’-8”4’-8”

3’-5”

7’-1” 8’-7”

79’-3”

2’-0

”114’-8”

8’-5” VIF 45˚

8’-0”

68˚

CLCL

39’-2” 21’-4” 17’-11” 15’-7” 10’-0” 27’-3” 10’-4” 33’-2”

145’-2”

41’-3”

21’-1

1”7-

9

see detail 1

3’-6” variablesee plan

5’-6”

1’-0”

4’-0”

Berm Detail 1R R 2’

123

45

67

8

9

10

see detail 1

Juncus pallidus (alt. patens)

Carex tumulicola

Typha latifolia

Equisetum avarense

Iris douglasiana

(75) 5gal

(150) 1gal

(50) 1gal (50) 5gal

(25) 1gal

(25) 1gal

355 gal

Juncus pallidus@ 18” O.C.

51 gal

Iris douglasiana@ 18” O.C. 5

1 galIris douglasiana@ 18” O.C.

51 gal

Iris douglasiana@ 18” O.C.

155 gal

Typha latifolia@ 18” O.C.

155 gal


101 gal


101 gal


51 gal


55 gal


355 gal

Typha latifolia@ 18” O.C. 35

1 galCarex tumulicola@ 18” O.C.

251 gal

Carex tumulicola@ 18” O.C.

251 gal


101 gal

Equisetum avarense@ 18” O.C. 10

1 galEquisetum avarense@ 18” O.C.

51 gal

Equisetum avarense@ 18” O.C.

51 gal


51 gal


451 gal


251 gal


355 gal


PLANTING PLAN 1/16”=1’

LAYOUT PLAN 1/16”=1’

SAN JOSE BIENALE AIRPORT152 N. 3rd Street, #201San Jose, CA 95112

DATE

PROJECT

SCALE

DESCRIPTIONISSUE/REVISION RECORD

DATE

SHEET TITLE

SHEET NUMBER

SECTIONS 07/27/10

JULY 27, 2010

WETLAND PLAN

L.0

1/8" = 1'-0"

NOT FOR CONSTRUCTION

F L E T C H E R S T U D I OLANDSCAPE ARCHITECTURE + URBAN DESIGN415.431.78782339 3rd St #43 Suite 43R Floor 3RSF CA 94107


18’-2”

64’-6”

300’-0”

5’-10” 15’-8” VIF

11’-3

”10

’-7”

8’-11”

8’-8”4’-8”

3’-5”

7’-1” 8’-7”

79’-3”

2’-0

”

114’-8”

8’-5” VIF 45˚

8’-0”

68˚

CLCL

39’-2” 21’-4” 17’-11” 15’-7” 10’-0” 27’-3” 10’-4” 33’-2”

145’-2”

41’-3”

21’-1

1”7-

9

see detail 1


5’-6”

1’-0”

4’-0”


123

45

67

8

9

10

see detail 1


Carex tumulicola

Typha latifolia

Equisetum avarense

Iris douglasiana

(75) 5gal

(150) 1gal

(50) 1gal (50) 5gal

(25) 1gal

(25) 1gal

355 gal


51 gal



51 gal


155 gal


155 gal


101 gal


101 gal


51 gal


55 gal


355 gal



251 gal


251 gal


101 gal



51 gal


51 gal


51 gal


451 gal


251 gal


355 gal





DATE

PROJECT

SCALE


DATE

SHEET TITLE

SHEET NUMBER

SECTIONS 07/27/10

JULY 27, 2010

WETLAND PLAN

L.0

1/8" = 1'-0"




18’-2”

64’-6”

300’-0”

5’-10” 15’-8” VIF

11’-3

”10

’-7”

8’-11”

8’-8”4’-8”

3’-5”

7’-1” 8’-7”

79’-3”

2’-0

”

114’-8”

8’-5” VIF 45˚

8’-0”

68˚

CLCL

39’-2” 21’-4” 17’-11” 15’-7” 10’-0” 27’-3” 10’-4” 33’-2”

145’-2”

41’-3”

21’-1

1”7-

9

see detail 1


5’-6”

1’-0”

4’-0”


123

45

67

8

9

10

see detail 1


Carex tumulicola

Typha latifolia

Equisetum avarense

Iris douglasiana

(75) 5gal

(150) 1gal

(50) 1gal (50) 5gal

(25) 1gal

(25) 1gal

355 gal


51 gal



51 gal


155 gal


155 gal


101 gal


101 gal


51 gal


55 gal


355 gal



251 gal


251 gal


101 gal



51 gal


51 gal


51 gal


451 gal


251 gal


355 gal





DATE

PROJECT

SCALE


DATE

SHEET TITLE

SHEET NUMBER

SECTIONS 07/27/10

JULY 27, 2010

WETLAND PLAN

L.0

1/8" = 1'-0"



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Fletcher Studio constributed a complete site plan and water retention strategy to a competition entry for a building technology school in Morocco. In collaboration with Bureau E.A.S.T. architecture and TransSolar KlimaEngineering a range of microclimate strategies were deployed which integrated the built form with landscape through planted passively cooled interstitial courtyards and larger fabric shaded quads for building experiments and outdoor construction labs. The roofs and canopy structure collected all rain and fog water from the atmosphere and stored this in a covered reservour which where it was distributed for evaporative cooling in the buildings.

rendering by nenad katic

rendering by nenad katic

re�ection plane

the inversion of a corner in the “white cube” gallery was accomplished through careful reconstruction of existing building materials. the subtle intervention disturbs the purity of the gallery spatially rather than visually.

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~580xa space filling expandable form developed through the investigation of flexible materials parts brought to whole within a rigid modular system.

generative morphological system

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Jonathan Chesley Nicolaus D. Wright Tyler Polich

In ‘the triple point’, paper abandons its conventional role as the two dimensional recipient of medium. The installation draws

inspiration from the states of matter, interpreting the inherent qualities of paper through the lens of thermodynamics as solid, liquid and gas. The triple point is the state of equilibrium - a temperature and pressure at which the three substance phases coexist. The gallery space becomes host to this phenomena, a framework for exhibiting paper’s limitless potential and flexible properties.

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The Satin Bowerbird (Ptilonorhynchus violaceus) problematizes the vision of the human as the unique producer of art (homo artifex). This project sought to de/re/territorialize the bowerbird’s material production through the performative act of making a bower as a human becoming of the bowerbird. Further decontextualization was accomplished by moving the resultant “bowerbauen” from the pastoral location of it’s construction into the urban environment and then gallery site to enact a display performance.

individual gestalt forms

form generation via multiplication and rotational geometries

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investigation of organic/synthetic forms in collision

nicolaus d. wright portfolio

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