next week: what’s news?...life: drawings from direct observa-tions of what is seen. this shows...

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NEXT WEEK: NEXT WEEK: WHAT’S NEWS? YOU’VE probably done and seen many examples of drawings – a form of two- dimensional visual arts made by applying a medium to create an image form or shape on a surface to represent something. Some drawings are of things you see in real life while others are abstract. Artists and draftsmen can use different techniques and various pieces of equipment. Just like anything you learn, drawing involves applying some basic principles and techniques and practising them to improve. Let’s find out more so you can learn how to draw it. LIFE: drawings from direct observa- tions of what is seen. This shows something that resembles actual true life, real concrete objects you come across in daily life. Examples are still life and portraits. EMOTIVE: drawings that express feelings, emotions or ideas. Cartoons are examples of this. ANALYTIC: drawings used as a way to represent, dissect and understand subjects. often used in science. SKETCHES: drawings that are usual- ly rough and rapidly executed. These freehand drawings are not intended as a finished work but are used to explain or think through a problem. TECHNICAL: drawings or plans that communicate how something functions or is to be constructed. PERSPECTIVE: drawings that give the illusion of space and dis- tance by showing volume, space, light, horizon, surface and scale. WHEN considering the overall composition of a drawing you need to understand the different elements that should be used. Focal point: A primary centre of interest (or focus) in a drawing. Overlapping: The visual separation of a draw- ing into foreground, middle ground, and distant space by overlapping (or layering) objects. Negative space: The space within your draw- ing not occupied by a focal point, important subject, or area of interest. Lines: The tools used to guide the viewer through the different elements of a drawing. Balance: A stable arrangement of subjects within a composition. Contrast: Extremes of light and dark values that create shapes and pat- terns in your composition. Proportion: The amount of space allocated to the various components. PRACTISE the “Upside Down’’ drawing technique to awaken the right side of your brain. When you turn an image upside down you are making it abstract or unrecognisable. This forces you to draw what you see. Blending: Fusing two or more lines. Draftsman: A person skilled in drawing/drafting. Line: The most basic drawing tool. A line has length, width, tone and texture. Texture: Describes the quality of an object. Tone: Refers to lightness or darkness of an area. FEELING artistic? Drawing can be a great way to express your creativity. It’s a powerful tool. With only a few materials and some basic skills you can make marks on a piece of paper and the artist inside you will emerge. To help organise, arrange and combine objects within a drawing space, try using some of these techniques. Hatching: Use parallel lines drawn closely together to create tone Cross hatching: Use hatching in two or more different directions one across the other Stippling: Dots produce tone or texture Shapes: Use basic shapes like cubes, spheres, cylinders, cones to represent objects Lines: Use different lines like circles, scrib- bles and contours to add effect Shading: Vary the tones for light and dark Blending: Soften or spread drawing strokes. Materials Anything that can make a mark can be used. The most commonly used are: graphite pen- cils; pens, ink, coloured pencils, crayons, charcoal, chalk, pastels, sanguine and felt tip markers. Draw on paper, cardboard, plastic, leather, canvas, stone and wood. NIE ONLINE GO TO your newspaper’s website (the address on the front page). Look for the NiE logo. Our NiE webpage has information about APN’s New- spapers in Educa- tion. User: Paul.Stuart Time: 07-08-2011 16:50 Product: SCN PubDate: .Bank Zone: All Edition: Main Page: nie draw Color: C M Y K

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Page 1: NEXT WEEK: WHAT’S NEWS?...LIFE: drawings from direct observa-tions of what is seen. This shows something that resembles actual true life, real concrete objects you come across in

NEXT WEEK:NEXT WEEK: WHAT’S NEWS?

YOU’VE probably done and seen many examples of drawings – a form of two-dimensional visual arts made by applying a medium to create an image form orshape on a surface to represent something. Some drawings are of things you seein real life while others are abstract. Artists and draftsmen can use different

techniques and various pieces of equipment. Just like anything you learn, drawinginvolves applying some basic principles and techniques and practising them toimprove. Let’s find out more so you can learn how to draw it.

◗ LIFE: drawings from direct observa-tions of what is seen. This showssomething that resembles actual truelife, real concrete objects you comeacross in daily life. Examples are stilllife and portraits.◗ EMOTIVE: drawings that expressfeelings, emotions or ideas. Cartoonsare examples of this.◗ ANALYTIC: drawings used as a wayto represent, dissect and understandsubjects. often used in science.◗ SKETCHES: drawings that are usual-

ly rough and rapidly executed.These freehand drawings are notintended as a finished work but areused toexplain or think through a problem.◗ TECHNICAL: drawings or plansthat communicate how somethingfunctions or is to be constructed.◗ PERSPECTIVE: drawings that givethe illusion of space and dis-tance by showing volume,space, light, horizon, surfaceand scale.

WHEN considering the overall composition of adrawing you need to understand the differentelements that should be used.◗ Focal point: A primary centre of interest (orfocus) in a drawing.◗ Overlapping: The visual separation of a draw-ing into foreground, middle ground, and distantspace by overlapping (or layering) objects.◗ Negative space: The space within your draw-ing not occupied by a focal point, importantsubject, or area of interest.◗ Lines: The tools used to guide the viewerthrough the different elements of a drawing.◗ Balance: A stable arrangement of subjects

within a composition.◗ Contrast: Extremes of light and darkvalues that create shapes and pat-terns in your composition.◗ Proportion: The amount of spaceallocated to the various components.

PRACTISE the “Upside Down’’ drawing techniqueto awaken the right side of your brain. When

you turn an image upside down you aremaking it abstract or unrecognisable.This forces you todraw what you see.

◗ Blending: Fusing two or more lines.◗ Draftsman: A person skilled indrawing/drafting.◗ Line: The most basic drawing tool.A line has length, width, tone andtexture.

◗ Texture: Describes the quality of anobject.◗ Tone: Refers to lightness ordarkness of an area.

FEELING artistic? Drawing can be a great wayto express your creativity. It’s a powerful tool.With only a few materials and some basicskills you can make marks on a piece of paperand the artist inside you will emerge.To help organise, arrange and combine

objects within a drawing space, try usingsome of these techniques.◗ Hatching: Use parallel lines drawn closelytogether to create tone◗ Cross hatching: Use hatching in two or moredifferent directions one across the other◗ Stippling: Dots produce tone or texture◗ Shapes: Use basic shapes like cubes,spheres, cylinders, cones to represent objects◗ Lines: Use different lines like circles, scrib-bles and contours to add effect◗ Shading: Vary the tones for light and dark◗ Blending: Soften or spread drawing strokes.

MaterialsAnything that can make a mark can be used.The most commonly used are: graphite pen-cils; pens, ink, coloured pencils,crayons, charcoal, chalk, pastels,sanguine and felt tip markers. Draw onpaper, cardboard, plastic, leather,canvas, stone and wood.

NIE ONLINEGO TO your newspaper’s website(the address on thefront page). Lookfor the NiE logo.Our NiE webpagehas informationabout APN’s New-spapers in Educa-tion.

User: Paul.Stuart Time: 07-08-2011 16:50 Product: SCN PubDate: .Bank Zone: All Edition: Main Page: nie draw Color: CMYK