new approaches to museum ethics: codes, values and case ...€¦ · dr. janet marstine school of...
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![Page 1: New Approaches to Museum Ethics: Codes, Values and Case ...€¦ · Dr. Janet Marstine School of Museum Studies University of Leicester . New Museum Ethics: Ethics as Discourse •Central](https://reader034.vdocuments.us/reader034/viewer/2022042318/5f0779277e708231d41d2822/html5/thumbnails/1.jpg)
New Approaches to Museum
Ethics: Codes, Values and
Case Studies
Dr. Janet Marstine
School of Museum Studies
University of Leicester
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New Museum Ethics: Ethics as
Discourse
• Central to all areas of museum work
• Contingent upon changing social,
political, technological and economic
terrain
• Intellectual inquiry
• Social practice
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21st-Century Museum Ethics:
Ordinary Ethics
• Embraces ‘ordinary’ ethics
– We all engage with ethics on a daily basis
– Leverages this experience so ethics not
just purview of ‘experts’ but participatory,
consultative
– Allows for divergent viewpoints of diverse
stakeholders to be heard
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New Museum Ethics
• Influence of post-modern theory;
applied ethics; critical museology
• Transparency, self-reflexivity towards
processes and authority of museums
• Deconstructing issues of power and
the distribution of resources
• Social responsibility at heart
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New Museum Ethics
• Ethics codes function in conjunction
with values and principles and with
interdisciplinary case studies to create
ethics discourse
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Christie’s auction of Northampton Museum Egyptian sculpture Sekhemka, July 2014, for £15 million
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Picketing outside Science Museum,
London, protesting budget cuts to education and visitor services
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20st-Century Museum Ethics as a
Code-Driven Approach
• Rules for individual conduct in
professional practice
• Skill development and standard
setting
• Distinguishes public service from
personal gain and political interests
•
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20st-Century Museum Ethics as a
Code-Driven Approach
• Echoes legal documents in tone and
intent
• Focuses on decrees, prohibitions to
control behavior
• Static, fixed
• Authoritarian; voice of moral certainty
• Reactive: ‘do no harm’ sensibility
• Based on ‘consensus’ by ‘experts’
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Codes: Complexities and Contradictions
• Speak in universal terms with little acknowledgment of
– Diverse and ever-shifting cultural and international contexts
– Conflicting codes and conventions (national, international, museum, governing body, discipline-based)
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MA Code of Ethics (last revised
2007)
• Not organic: with analysis can see
ghosts of earlier iterations
– Trace back to original Code of Conduct
for Museum Curators
• Impact: focus on collections over
people
– Property over relationships
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MA Code of Ethics (last revised
2007)
Dominated by language of coercion:
– Account
– Avoid
– Adhere
– Comply
– Decline
– Refuse
– Reject
– Report
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Museums Association Code of
Ethics
• 24 pages
• Requires glossary
• Encourages passive approach to ethics – Go-to resource when hit major trouble
– Does not provide the kind of resource practitioners need to recognize and analyse the ethical dimensions of issues they encounter on a routine basis
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Rethinking the MA Ethics Code:
Addressing the Social Role of
Museums • Recognise moral
agency of museums
• Shaped by MA policy
document ‘Museums
Change Lives’
• Museums have
capacity and
responsibility to be
socially purposeful
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The 3 spheres of ethics discourse
Ethics
discourse
Values
and
principles
Case
studies
Ethics
codes
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Ethics Codes: A Prescriptive Set
of Rules for How to Behave Benefits
• Provides clear
guidelines in
specific situations
• Distinguish public
service from
personal gain and
political interest
Challenges
• Reliance on jargon
• Does not address ‘why’;
• Rules formed by the few
on the many
• Defines practice as
unchanging and
universal
• Focuses on collections
over people
• Tends to be used in
extreme one-off
situations and forgotten
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A Living, Breathing Ethics Code?
• Informed by:
– on-going processes of revision;
– participatory practices leveraging
ordinary ethics;
– principles of moral agency
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Values/Principles: Set of Ideals to
Aspire to (eg Integrity, Fairness)
Benefits
• Positive and
inclusive
• Can provide
guidance for action
• Challenges
common
assumptions and
status quo
Challenges
• Abstraction makes them
difficult to translate into
practice and contested
in terms of implications
• Do not reflect the
complexities of the
application of these
ideals in diverse cultural
and international
contexts
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Case Studies: Analysing a
Specific Ethics Issue in Context Benefits
• Invites discourse on how to resolve the dilemma
• Practical and relevant: connected to ordinary ethics
• Can generate diverse interdisciplinary perspectives and understandings
• Constructive conflict helps overcome polarised positions
Challenges
• Can lack clear
guidance, frameworks
or structure
• How they may apply to
other circumstances
may not be apparent
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Case Studies: Analysing a
Specific Ethics Issue in Context Benefits
• Invites discourse on how to resolve the dilemma
• Practical and relevant
• Accessible to diverse stakeholders
• Can generate diverse interdisciplinary perspectives and understandings
• Constructive conflict helps overcome polarised positions
Challenges
• Can lack clear
guidance, frameworks
or structure
• How they may apply to
other circumstances
may not be apparent
![Page 22: New Approaches to Museum Ethics: Codes, Values and Case ...€¦ · Dr. Janet Marstine School of Museum Studies University of Leicester . New Museum Ethics: Ethics as Discourse •Central](https://reader034.vdocuments.us/reader034/viewer/2022042318/5f0779277e708231d41d2822/html5/thumbnails/22.jpg)
Artists interventions as an ethics
strategy
• Attempt to change existing conditions
in museums
• Whether outside museum as guerrilla
tactic
• Or inside museum as commission
• Exploit tensions of margin/core to
advance ethics discourse
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The threat of destruction: Anapheles mosquito, as
photographed for Ansuman Biswas’ Manchester
Hermit, 2009
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Visitor-Generated Content, Ordinary Ethics
and Museum Policy/Practice
• Visitor generated content captures the beauty and power of ordinary ethics through collective conversations
• Ordinary ethics as expressed through social media can help shape museum ethics policy and practice
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Relational Collecting at the Manchester
Museum: Trees, 2013
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