nazar look, Şubat/february 2011, sayî/issue: 2

TOMRÎĞA KÎRÎM TATARLARÎÑ TURUŞ-MAMURIYET MEĞMUWASÎATTITUDE AND CULTURE MAGAZINE OF DOBRUDJA’S CRIMEAN TATARS

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Subat/February 2011Sene/Year: 1Sayî/Issue: 22/2011

S.16 S.18 S.19 S.27

Eşmîrza Oysullî

UnutmaEşref Şemi-zade

UyanAbdulhalik Uygur

Buwun ğelí - işaret, sebep, teşhis, tedaviyDr. Mollağihan - articular rheumatism specialist

P.6 P.12 P.11 P.10

Yazcite - Tatar Songs, a project by Hanna Turonek and Paweł Betley

Taking Crimea Photo Exhibition by Alban Kakulya

The map of Romania's Tatar deportation from Micro-Scythia (Dobrudja)

Romanian academic environment hiding under the EU's carpet the garbage thrown by Romania in the Balkans

,

LET XINJIANGdream

SÎRASÎ TANÎLSÎN

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ŞÎNĞA'NÎÑMisunderstanding the oppressed Uyghurs of Xinjiang 22 migrant Uyghurs turned over to the United States by bounty hunters in Pakistan were detained at Guantánamo Bay since 2002.By 2008, they were no longer considered enemy combatants but their relocation encountered difficulties. The United States has not accepted any of the innocent detainees. In the end s0me of them have been released to Switzerland, Palau, Bermuda and Albania.

Nazar Look 3

4Mamuriyet kaberlerí

6Yazcite - Tatar Songs, a project by Hanna Turonek and Paweł Betley

10Romanian academic environment hiding under the EU's carpet the garbage thrown by Romania in the Balkans

11The map of Romania’s Tatar deportation from Micro-Scythia (Dobrudja)

12Taking Crimea Photo Exhibition by Alban Kakulya

14Photoshop

16Eşmîrza Oysullî

17Medeniyet dersí

18Unutma: Eşref Şemi-zade

19Uyan: Abdulhalik Uygur

20Tatarlar (II): Gúner Akmolla

24Kadînlar ulkasî - Molla Abbas Franseviy (II): Ismail Gaspîralî

26Atalar sózí - akîlnîñ kózí

27Buwun ğelíne tedaviy: Dr. Mollağihan - articular rheumatism specialist

ÍŞÍNDEKÍLERCONTENTS

BAŞ KABÎMÎZDAON THE COVER Hanna Turonek Photo/Resím: Tomasz Swiadczynski

NAZAR LOOK

Tomrîğa Kîrîm Tatarlarîñ turuş-mamuriyet meğmuwasî

Attitude and culture magazine of Dobrudja’s Crimean Tatars ISSN: [email protected] FOUNDER & EDITOR-IN-CHIEFBAŞ-NAŞIR Taner Murat COMPUTER GRAPHICSSAYAR SÎZGAĞÎSÎ Elif AbdulHakaan Kalila (Hakan Calila) CREATIVE CONSULTANTSESER KEÑEŞÇÍSÍ Gúner Akmolla

Copyright reverts back to contributors upon publication.The full issue is available for viewing online from the Nazar - Look website.For submission guidelines and further information, please stop bywww.nazar-look.com

CONTRIBUTORSMEMBALAR Aydîn Şemi-zadeBorasan Ahmet (Borasan Ametov)Ioana Grecu, dreamstime.comJon Helgason, dreamstime.comTomasz SwiadczynskiQHAVasiliy Koval, dreamstime.comZoï Environment Network

Ğenevre, 15.01.2011 - Ğenevre Imaginaid Galerisinde 4 şubat 2011'de helwetiyelí resímğí we gázeteğí Alban Kakulya'nîñ "Taking Crimea" ("Kîrîmnî almak") atlî resím sergísí aşîlağak.

Sergí Alban Kakulya'nîñ Kîrîmga yapkan ğolşîlîgînda alîp toplagan resímlerínden ibarettír we Zoï Environment Network yagîndan tertíplengendír.

Sergí 12 martkaşîk kalkka aşîk kalağaktîr.

Ankara, 07.01.2011 (QHA) - Kîrîm Túrklerí we Yardîmlaşma Dernegí'ñ tertíplemesínde aytuwlî Kîrîm kalk oyînlarî we şarkîlarî takîmî Kîrîm Ansamblî koşaksîz programî "Kîrîm Tatar Múzik we Dans Keşesí"ñ síptí kósteríşínde Ankara'da, Milliy Egítím Şura Salonînda kalknî ayakka tursatîp alkîşlattî.

Kîrîm Ansamblî Grubî Bayrak, Kîrîmlî Ğígítler, Tîm Tîm, Bakçesaray Kaytarmasî we Kîna Ğakma bír-bírínden gúzel oyînlarî man, Rîza Yusuf ezberlegen manzúmelerí men, Server Kakura ğîrlarî man, Dilaver Osman, Asiye Sale bír de Emine Mustafa dúrkúlerí men, şarkîlarî man tolî-tolî salonnî kúyğanlandîrdîlar.

Aşadakî programîna kóre oşak ayînda Kîrîm Ansamblî Túrkiye'ní dolaşîp kósteríşleríne dewam ettí: 7-8 oşak Ankara, 11 oşak Ğeyhan, 13 oşak Nevşehir, 15 oşak Konya, 16 oşak Polatlî, 19 oşak Kîrîkkale, 21 oşak Tekirdak, 22 oşak Koğaeli, 23 oşak Gebze, 25 oşak Bandîrma, 28 oşak Izmir, 29 oşak Istanbul.

Akmesğit (Simferopol) 12.01.2011 (QHA) - Nesíl dergísí, Akmesğit’íñ Ukrayna Múzikal Tiyatrosînda tertíplegen tórení men 2010 yîlînda túrlí-túrlí alanlarda başaruwlî bolgan Kîrîm Tatarlarîna ódíller dagîttî.

Program sîrasînda SMS ğolî man 5109 numarasîna ğíberílgen oylarîna kóre bellí bolgan Yîlîñ Kariyerí, Yîlîñ Tiğariy Markasî, "Nesíl" Bala Fotografî Yarîşmasî, Yîlîñ Koşagî, Yîlîñ Kelín Entárísí alanlarînda kazanganlarga ódíller dagîtîldî.

Yîlîñ Kariyerí alanînda Kîrîm Tatar Milliy Meğlisí I-ínğí Başkan Yardîmğîsî Refat Çubar (Refat Çubarov), Yîlîñ Markasî alanînda “Vega” şirketí başkanî Erlan Ablaziz (Erlan Ablazizov), “Nesíl” Fotograf Yarîşmasî alanînda bír yaşîndakî Yakup ísmínde bala kazanîp şîktî.

Kîrîm Ózerk Ğumhuriyetí Súrgúnden Kaytkan Vatandaşlar we Etnik Ílíşkíler Komitesí Başkanî Edem Dudak'îñ (Edem Dudakov) maddiy destegí men yapîlgan program kapsamînda ateş kósteríşí we konser yapîldî. Konserde, Ğemile Ansamblî, Elzara Batal (Elzara Batalova), Hayat Ansamblî, Dilara Mahmut (Dilara Mahmudova), Zera Kağîkay (Zera Kağîkayeva), Ernes Pîrtîh (Ernes Pîrtîhov), Sevil Memet (Sevil Memetova), Ğaşlîk Ansamblî, Aliye, DJ Bebek, Nariman Baliç kibí aytuwlî Kîrîm Tatar sanatşîlarî sahne aldî.

Kîrîm Ózerk Ğumhuriyetí Kaberleşme Komitesí Başkan Yardîmğîsî Şevket Memet (Şevket Memetov) we Kîrîm Múhendislík we Pedagojiy Úniversitesí Rektorî Prof. Dr. Fevziy Yakup (Fevzi Yakubov) kaberleşme destegí sawladîlar, Kîrîm milletvekillerí Enver Abdurrahim (Enver Abduraimov) ve Remziy Iliyas (Remzi İlyasov), programîñ reklam sponsorlarî boldîlar. Program sunuğulugun Kîrîm Tatar Akademik, Múzikal we Drama Tiyatrosî artistlerí Ellina Mustafa (Ellina Mustafayeva) we Eskender Islam (Eskender Islamov) yaptîlar.

Nara Nariman (Nara Narimanova) – Osman Bayramaliy (Osman Bayramaliyev)

Kóstenğe, 15.01.2011 - Kóstenğe Yazarlar Bírlígí kazak şayirí Mihay Eminesku'nî

(Mihai Eminescu) añgan bír şiir kúní tertípledí.

Programga tatar yazuwğîlarîmîz da dawetiye alîp koşîldîlar. Eminesku'nuñ eserlerínden tatarğa kaytarmasîndan Gúner Akmolla we túrúkşe kaytarmasîndan Nermin Hoğa-Susam okîp toplantîga ayîrî bír renk berdíler.

Akmesğit, 19.01.2011 (QHA) - Akmesğit Etnografiy Múzesínde Kîrîm Ózerk Ğumhuriyetíñ kuruluşuñ 20-ínğí yîlkaytîmînda “Kóp îrklî Kîrîm” atlî sergísí aşîldî.

Kîrîm Ózerk Ğumhuriyetí, 20 oşak 1991 yapîlgan ilan we Kîrîm'îñ ózerlígín belletken referendum soñîşlarî esasînda Ukrayna

Mamuriyet kaberlerí

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4 Nazar Look www.nazar-look.com

Parlamentosîn (O kaytîmda Ukrayna Soviyet Sosyalist Ğumhuriyetí Parlamentosî) 12 şubat 1991 tewúkesínde algan “Kîrîm Ózerk Soviyet Sosyalist Ğumhuriyetín Kaytarîp Akelme” kararî man kurulgan edí.

Kîrîm Ózerk Ğumhuriyetí Súrgúnden Kaytkan Vatandaşlar we Etnik Ílíşkíler Komitesín katkîları man tertíplengen sergíge sóz konîsî komiteníñ başkan yardîmğîsî Emine Avamil (Emine Avamileva), múze múdúrí Yuriy Laptev, Etnik Uyum Teşkilatî Başkanî Vladimir Kazarin, Kîrîm Almanlar Dernegí Başkanî Yuriy Gempel katîldîlar.

Sergíde, múzede saklangan we Kîrîm’da yaşagan kalklarîñ kúndelík hayatîndan karelerin yer algan fotograflar, Kîrîm Ózerk Ğumhuriyetí’ñ simbollarî we başaruwlî Kîrîm sakinlerine berílgen Kîrîm Ózerk Ğumhuriyetí’ñ rozetlerí yer aldî.

Kîrîm Ózerk Ğumhuriyetí’ñ kuruluşuñ 20-ínğí yîlkaytîmîna yapîlgan programlar, Kîrîm Parlamentosîñ 27 aralîk 2010 tewúkesínde alînîp 588 numaralî kararîna kóre yapîla.

Nara nariman (Nara Narimanova) – Osman Bayramaliy (Osman Bayramaliyev)

Istanbul, 12.01.2011 - Yrd. Doç. Dr. Nedim Bakîrğî’nîñ Kómen Yayînlarîndan şîkkan "Kîrîm Tatar Masallarî" atlî kitabî Túrúk okuwğlarî man tabîşa.

Eserde sayîlgan 50 Kîrîm Tatar masalîn látin hárflerí (Túrkiye Túrkçesí elifbesí) we Túrkiye Túrkçesíne aktarîmî tabîla. Bondan ayîrî kitabîñ başînda masallarîñ inğeleme bólímí mevğut.

2010 senesíñ soñînda ğayînlangan 554 sayifalîk karton kapaklî kitap internet kitapşîlarînda satîlmaga başladî.

Kezlew (Yevpatoriya), 11.01.2011 (QHA) – Kezlew’de ballarîñ şekken resímlerí “Mením Ukraynam” we “Kîrîm-Mením Gúzel Yerím” konîlî sergísínde yer aldî.Kezlew Belediyesíñ bergen bílgísíne kóre sergíde, kasabada tabîlgan bútún mekteplerín we Rovesnik (Yaşît) Bala Sanat Merkezíñ Pozitif Stúdiyosî úyrenğíleríñ yapkan manzara we serbest konîlî fotograflar yer aldî. Sergíden ewel ğaş fotografşîlar juriyge yúzlerğe fotograf ğíberdí. Juriy, bonlarîñ arasîndan eñ árúwlerín ayîrîp sergíge saldî.

Juriyníñ kararî man sayîlağak kazanganlarga túrlí ódíller beríleğek, kazanganlar “Bízím Ukrayna” atlî Ukrayna resím sergísíne katîlmaga hakk eteğekler. 27 aralîkta başlagan we 14 oşakka kadar dewam eteğek sergíníñ sponsorî Blik Fotograf Merkezí boldî.

Çingiz Súliyman (Çingiz Súleymanova) - Osman Bayramaliy (Osman Bayramaliyev)

Ankara, 20.01.2011 (QHA) - Kîrîm Túrklerí we Yardîmlaşma Dernegí'ñ tertíplemesínde 20 oşak 2011 perşembe kúní “Altîndak Belediyesí Hamamóní sóyleşilerí – Oşak 2011” programı íşínde “Kîrîm Tatar Şiir ve Edebiyat Kúní” yer aldî.

Programda destanlarî, manilerí, ğîrlarî, gazellerí, koşmalarî, hikayelerí, romanlarî man Kîrîm Tatar Edebiyatî anlatîldî.

Program Altîndak Belediyesí Tarihiy Kabakşî Konagînda yapîldî.

Akmesğit (Simferopol), 13.01.2011

(QHA) – Kîrîm Ressamlar Úyúnde 12 oşakta ballarîñ yapkan resímlerí yer algan bír sergí aşîldî. Sergí, Akmesğit Sanat Mektebíñ kuruluşuñ 65-ínğí yîlkaytîmî múnasebetí men tertíplendí. Mektebíñ sergísínde túrlí yîllarda bo okîlda okîgan ballarîñ yapkan 50x70 çm ebatînda 114 adet we 50x40 çm ebatînda 12 resím yer aldî. Sergíge, Ukrayna Ğumhurbaşkanî Dayimiy Kîrîm Temsílğísí Vekílí Viktor Plakida katîldî. Sergí, 26 oşakka kadar dewam eteğek.

1944 yîlînda kurulgan mektepke şo anda 350 bala okîy. Okîlda egítím kórgen úyrenğíleríñ eserlerí Hindistan, Kúba, Fas, Sudan, Súriye, Ğezayir, Afganîstan, Kamboğiya, Yugoslaviye, Danimarka, Helwetiye, Hollanda, Breziliye, Kanada gibi dúniyanîn bírkóp ulkasînda sergílengen edí.

Evelina Iliyas (Evelina Ilyasova) - Osman Bayramaliy (Osman Bayramaliyev)

Nazar Look 5www.nazar-look.com


MUZYKA TATARSKAYazcite1.Kipczak2.Yazcite

3.W nurtach Nietupy4.Stepowy quodlibet

5.Krejzolka6.Dary króla Sobieskiego

7.Spacer Tatara8.Opowiesci ze Zlotej Ordy

9.Bunt Lipków10.Piesn o Sokólskich Wzgórzach

11.Orientalny szlak12.Poranek w Kruszynianach

13.Wolojka tatarska

a project by Hanna Turonek & Paweł Betley

Yazcite - a studio music project brought into existence by Hanna Turonek and Paweł Betley. The music draws much of its inspiration from the old chants of the Tatars. The melodies are derived mainly from the regions of Kazan and Ufa, however there are self-created melodies inspired by Tatar music as well.

Yazcite-TATAR SONGS

The idea for recording the album came into our minds, as it often happens by chance, while we were checking the sounds of bamboo flutes at Paweł Betley’s ZTUDIO. I had brought these flutes from Japan, so as the route from Tokyo to Warsaw runs through Kazan and Ufa, the Tatar melodies so widely known to the local community came with me in my luggage.

The music on this album is not to be typecast nor classified by me into any genres or styles. There are as many genres of Tatar music as many Tatar communities spread all over the world.

Polish people do associate the Tatars mainly with the violent and wild tribe plundering the country and making its inhabitants prisoners. Nonetheless their significant presence on Polish lands is a 600 year-old tradition. In modern-day Poland they are widely known as the heroes fighting for the country’s independence and also in the military service by the rulers of The Kingdom of Lithuania, and later on by the King Jan III Sobieski in the 16th century.

Today this ethnic group numbering about 5,000 live mostly in Podlasie (Podlachia) region near Białystok and Sokółka. Two small villages, Kruszyniana and Bahoniki, create

climate that has by no means a unique and rarefied atmosphere in the scope of whole country. They constitute the Mecca of the Polish Orient. There on Tatar trails you can come across the oldest mosques from the 18th and 19th centuries, historic cementaries, and original Tatar yurtas.

The music on this album has been arranged in a modern way, yet with the application of traditional instruments used not only in Tatar chants, such as: jew’s harp, surnay, suka and fidel-both folk string instruments, oud, tar, bamboo flutes from the Japanese island of Okinawa, dizi flutes, duduk, hulusi, frame drum, darabuka and every kind of instruments found ad hoc by Paweł Betley for the production needs. So, an empty Coca-cola bottle, a plywood lid, a desk-tidy and a large bunch of keys were converted into proper musical instruments.

The album consists of 13 compositions which have been given special titles enabling listeners to enter the unique world of Asian melodies and bringing you closer to a brief outline of Tatar history on Polish lands. The only genuine and exotically sounding title is “Yazcite” which means “The chant of Spring”. The rest of titles have been made up, and even our own historical ideologies have been invented too (wolojka tatarska).

Hanna Turonek – flutes, dizi, hulusi, surnay, kubyzPawel Betley – frame drum, darabuka, percussion instruments, jew’s harpBeata Klatka – vocalMaria Pomianowska – suka and fidelMateusz Szemraj – Arab lute, Persian luteTytus Wojnowicz – duduk


Paweł Betley

Pawel Betley is talented artist, a multi-instrumentalist, composer and record producer. After graduating the Fryderyk Chopin University of Music in Warsaw, in prof. E. Gajewska’a flute class, he won the competition for the position of 1st flautist of The Polish Radio Symphony Orchestra with a place of business at Myśliwiecka Street. Nevertheless, working with the Symphony Orchestra does not satisfy a young, creative, full of great ideas person, so in 1991 he is employed in marketing.

At the beginning Pawel participates in Radio Zet’s projects, then together with Andrzej Wojciechowski, they establish Zet Studio, which realizes over 1000 radio advertisements a year. This is first experience as a composer, the practical training of advertising at the beginning, then turned into art.

In the middle of 90s, together with a group of friends, they create Ztudio and introduce new offer: TV advertisement assuing that its role at the market will be growing. Ztudio is running rapidly. Hunderds of projects, lots of social actions, compilimg music films, spectacles, CDs of well-known artists (a beautiful New Year’s Eve CD of Anna Maria Jopek „Dzisiaj w Betlejem” should be mentioned as well as songs of Patrycja Kosiarewicz).

Pawel works with many advertising agencies such as: Ad Fabryka, Adah Advertising, BBDO, DDB Warsaw, Designe Direct, Esene, Garaż, Grey, G7, Just, JWT Poland, Lowe GGK, McCann Ericsson, Memo, Publicis, PZL, Wunderman, production companies such as Banana Split, Cut Cut, Dynamo Film, Easy Hell Production, Film Republic, Graffiti Film, Opus Film, OTO Studio Filmowe, Pro Production, as well as Alien FX, Badi Badi, Edipresse, ITI Ciemna, Multikino, Lunapark, ODEON, ORKA Film, Sony, Televisor, TVN Style, TVN Turbo.

Hanna Turonek

Hanna Turonek is a graduate of the Fryderyk Chopin Academy of Music in Warsaw, in the flute class of Prof. Elżbieta Gajewska(1989). She developed her skills by taking part in the International Flute Symposium in Freiburg im Breisgau with such famous artists as Jean-Pierre Rampal, Robert Aitken, and Aurele Nicolet(February 1987), and the Interpretation Master Classes in Duszniki-Zdrój taught by Prof. Jerzy Mrozik and Peter Ode(July 1988).

She is a prize-winner of Polish and international music competitions:- November 1987 - V. Bucchi Competition in Rome - special mention- April 1988 - M. Canals Competition in Barcelona - honorary diploma- September 1988 - First Competition in Duino(Italy) - medal/special

prize- March 1989 - First Flute Competition in Kraków - third prizeIn 1987, while still an above-average student of the Academy of Music

Hanna was invited to work with the Sinfonia Varsovia orchestra by its director, Franciszek Wybrańczyk. This collaboration resulted in the artist receiving the title of musician-soloist of the orchestra.

Hanna Turonek performs concerts at home and abroad, playing chamber, solo, and orchestra works. She has given concerts in almost all of Europe, in Asia, North and South America, and Australia, appearing with such great artistic personalities as Lord Yehudi Menuhin, Krzysztof Penderecki, Charles Dutoix, Mstislav Rostropovich, Jerzy Maksymiuk, Jacek Kasprzyk, Jerzy Semkow, Marc Minkowski.

As a soloist she has taken part in many major music festivals: Berliner Bach-Tage(1991), Musiktage Quakenbruck(1993), Festival de Musique in Strasbourg(1998), MDR Musiksommer in Leipzig(1998), Warsaw Autumn(1987, 1988, 1990, 1992), Sinfonia Varsovia For Its City(2004), La Folle Journee de Nantes(2006).

Also as a soloist, she has performed with the Baroque orchestra Concerto Avenna, the Koszalin Philharmonic Orchestra, Słupsk Chamber Orchestra, Białystok Chamber Orchestra, Świętokrzyska Philharmonic, and Sinfonia Varsovia.

Hanna specializes in the piccolo, among other works playing the concertos of A. Vivaldi from Op. 10.(Il gardellino, La Tampesta di Mare, La Notte, and others). She was the first Polish piccolo player to perform U.S. composer Lowell Liebermann's Concerto for Piccolo and Orchestra Op. 50. The premiere, which took place on 13 April 2007 during the Świętokrzyskie Music Days in Kielce, was conducted by Jan Miłosz Zarzycki.

As an orchestra musician she has worked with the National Philharmonic Orchestra, Polish Radio Orchestra in Warsaw, Philharmonie der Nationen, Menuhin Festival Orchestra, Penderecki Festival Orchestra as well as the Polish Chamber Orchestra and Sinfonietta Cracovia.

She has recorded solo flute music for Polish Radio and Television in Warsaw.

Invited many times to take part in recordings Hanna has been a session musician not only for classical music but also lighter music forms. She has featured in the recordings of Michał Bajor, Tytus Wojnowicz, Piotr Jackson Wolski, Janusz Skowron, Natalia Kukulska.

Hanna is a co-founder of the Classic Fun Quintet, a wind instrument quintet composed of Sinfonia Varsovia soloists. The group released a CD in 2003 with arrangements of the most popular works of classical music.

She has played in the Baroque ensemble Ensamble de Narol founded by Tytus Wojnowicz since 2004, and recorded a CD with them.

Together with Barbara Witkowska, she forms the Duo Estrella.

June 2005 saw the release of Hanna Turonek's solo album for Paris Music, featuring works by E. Sielicki, D. Żebrowski, Z. Bagiński and a work dedicated to her personally, M. Hertel's Concertino for Flute and Chamber Orchestra.

For Naxos, she has recorded A. Panufnik's Hommage à Chopin - Five Pieces for Flute and String Orchestra with the Polish Chamber Orchestra conducted by Mariusz Smolij.

In 2008 together with other flutist prof.Elzbieta Gajewska she formed a CD with 3 flute duets by F.Lessel as a programme from the series “Forgotten Polish Music”.

Since 2005 Hanna Turonek has been teaching orchestra studies at the Chopin Academy of Music in Warsaw.

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Q&A with Hanna Turonek

Why do you do music?

It is very simply…because I like it! Music allow me to live as I dreamed when I was a child. Thanks music I can travel around the world to play concerts, I get to know many different, unconventional people, I force myself to discover things hide deep in my mind, I have to develop my skills and invent new abilitys every time not to be backwards, because a lot of capable young people came every day towards us. But first of all I do music because I think I wouldn’t like to go to work every day, I hate repetitiveness in my professional life! Of course I am working a lot of. If I have “hot time” full of jobs I am able to play for example over a month without any stop. But after I rest and I do other things. My profession demands and requires still to be in form so I have to care about my musical condition.

What do you want people to know about you as an artist?

In my environment everybody know me as a flutist playing in classical orchestra Sinfonia Varsovia, my pupils know me as a flute teacher as well, but my own wish is to know me now as an artist/creator of my completely new project, different so far then my real job as a musician. On my CD Yazcite I play tatar music on etnical instruments like bamboo flutes, zurna, jaw’s harp, chinese hulusi, dizi and first of all on…bamboo original broom made on Okinawa island. Beside good looking broom really plays!! This project is very important for me because I invented it myself and created together with my best friend Pawel Betley- a composer, arranger and multiinstrumentalist. He helped me as he could. He showed me ways of compose music and best using of instruments in it. He recorded and produced everything. He gave me his time and talent. He was a Very Important Person watching over this project! I will always thank him for it. Beside Pawel and me there were also other musician playing and singing. Beata Klatka, Mateusz Szemraj, Tytus Wojnowicz and Maria Pomianowska- the most folk musician among us. She is a specialist on strings instruments. She reconstructed a polish old instrument using between XVII-XIX century called suka bilgorajska.

More information about me on the webside: www.sinfoniavarsovia.org. You can click my name and read my artistic cv.

What would you tell someone new to classical music about the best way to approach it?

The classical music has one’s own rules. It is very important how we interpret musical works. Perform should be accurate with tradition. It takes a lot of time to explore how people played for example 300 years ago…it is very need to have creative imagination and open mind. Musicians still looking for new solutions how to play. They reconstruct old instruments, they change tempo and character in musical works because it seems to them it is the best way, they find invisible details in music as well. Each artist want to be first in his artistic efforts and not follow or imitate somebody else. But there is one thing common for all musicians: good atmosphere among people and best spirit on the stage during each concert.

Which do you prefer, concerts or working in the studio?

Absolutely concerts! Although still travelling there and back can be sometimes tiring but concerts excited me much more. Nothing replace alive public with heartfelt reaction after playing. Artists need to prove their efforts every time. If we create something mainly we desire to show it to others. Not always we have opportunity or possibility, but if there is any we open our heart and mind for other inventions. It is like drugs, like bad habit…still more and more… On a

stage there is a magic atmosphere where musicians understand each other by sounds…each perform is only one of its kind…even then if not

everything is clear, concert can be interesting. The arts, this same

music, doesn’t ought to be perfect, because then become a computer work and we don’t know where to strive for? Competition requires perfection, stage needs a spirit. Usually the first take in studio is the best. It seems to be a concert. But after all there is always something what we could do better.

How long are you on the road?

My longest concert tour lasted eight months with only two days off at home! I was with my orchestra Sinfonia Varsovia under Yehudi Menuhin. I can not say now how many performances we had but I remember we were playing nearly every day and in different parts of Europe. It was changing only the language, the concert hall and the weather. One day I performed music in Oulu (Finland) and the other I swam in the see on Majorka island. Sinfonia Varsovia was a favourite Menuhin’s orchestra in the 15 last years of his life. We have played with him as a conductor numerous concerts in the world. Thanks to him I visited many countries like Australia, both Americas, Malaysia, Taiwan, Japan and hole Europe, I had the chance to play

and at the same to listen to fantastic soloists, I had the chance to communicate with real art!

Do you have a website with sample songs or a demo CD? Do you promote your music on YouTube?

I am not a good manager for myself especially as it is about putting important things in internet. Of course I can organize my solo concerts but I have not my private webside, I am afraid. Maybe I didn’t need it so far…But you can listen to sample from my new album on the http://www.empik.com/muzyka-tatarska-yazcite,prod58305592,muzyka-p and buy my tatar CD Yazcite on the webside of a record company www.soliton.pl

I still learn so maybe in nearest days I put some excerpts on You Tube!

How does your family life come into play with your professional life?

It is very private question and difficult to explain… anyway I have 11-years old son Alan who hate when I am going out. He is even angry when I dress up home to try a new concert wearing on. He always say that my best looking is when I wear old home clothes! But he loves music very much and he loves to be on my concerts. It does not happen too often because daily he is going to school and normally he couldn’t go with me where we would wish. There are very difficult moments for me when I have to go for longer then one week. Fortunatelly long trips doesn’t happen so often now.

What kind of music do you listen in your car?

For 7 years I hadn’t TV home and I have not any car radio! When I drive I like silence around me. I am then together with my thoughts and very often I speak with somebody who I imagin beside me... I make plans for the future in the car. This is my private space of course if I drive alone. But generally I listen to different music. Sometimes it is barrock, often chorall music, very often world music inspired by etnical tradition. I avoid pop music with predominance of electronic instruments.

What do you do when you’re not doing music?

Many prosaic actions…I mean I take care of my son… But actually I always do music because when I check his trompet or guitar lessons (he plays both) I practice with him! When I have completely free time I go to my summer house being in the forest and I charge a battery for the nearest future.

What profession other than your own would you like to attempt?

I have some ideas, but I have not a time to carry it out. First I would like to have my own artistic agency doing great musical projects. I am

so long time in this business that I know how to do it. I am open for people and I think I would be good, but I am to lazy to realize it, I am afraid. My second profession would be making and produce music. During work on record Yazcite I watched how quick and easy Pawel Beltey produce a CD. After that I have bought a computer program for compose. It is really not so difficult but requires a lot of practice…after imagination, ideas, abilitys, luck etc….

And third, the last profession or hobby: if I said before I have a summer house in the forest. When I am there I usually make fruit or herb liqueurs. I have my own receips and each year make experiments with ingredients. Everybody who tasted it told me nice.

Do you believe art should serve a political purpose or remain neutral?

It depends on political purpose but in our times art should remain neutral! Generally it is not so easy because people always notice others by nationality prism, political options, religious affiliation, I am afraid. Artists should be over any political connections. The Arts ought to break any racial and ethical prejudice. I believe that is so. Thanks art people can

present other side of any nation and show cultural aspect of it.

What are your plans for the future? Do you have plans for another recording project?

I am not sure if I can give my plans away… It depends who will read this interview.

All my plans on the nearest future concering flutist education. I’d like to record

one CD with flute little works for beginners. In Poland there is not any music examples for children who start play the flute. There is a lot of CDs with “difficult” pieces for adult flutists who play and understand music, with sonatas, concerts with orchestra, flute chamber music, but nobody doesn’t care of very young flutists so far.

Next recording plan: a CD with orchestral excerpts for piccolo flute together with handbook and commentary on this work.

And if I have enough power I’d like to make a CD with native songs of the north-east of Poland. There are eight nationalities living in this region: Polish, Belorussian, Ukrainian, Russian, Lithuanian, Tatar, Jew and Gypsy. For this project I have not yet any ideas……is only in my mind….

Beside my recording plans I hope to play concerts with orchestra Sinfonia Varsovia around the world and be good teacher for my pupils.


Saw bol, Hanna!

Late last year authors Ana Maria Munteanu, Elena Maria Necula, Adina Bocai and Sorina Asan launched their book "Armonia etnică în regiunea de Sud-Est a României - Balanţă interculturală, coabitare şi climat" (The Ethnic Harmony in Southeast Romania - Intercultural Balance, Cohabitation and Climate) published by Ex Ponto in Constanta, Romania. What a generous title! Let's browse the book and see what its contains. Some old interviews... Some so-called statistical data... Romania, EU and the protection of ethnic minorities... A lot of pictures... Quality prints, full-colored book, A4, 210 pages... We smell it. Ooo, smells like EU funds!

As long as the subject is "the ethnic harmony in southeast Romania" and author Ana Maria Munteanu is a lecturer at the Ovidius University in Constanta, a university that seems to be specialized in Dobrudja’s history falsification, let's see now what the book should contain and we could not find inside:

THIS BOOK CONTAINS NO WORD ON:- the long period of lack of political rights for Tatars after the annexation of Dobrudja to Romania in 1877.- injustices, pressures, violations committed by Romanian officials against the Tatar majority population.

- permanent humiliation of Tatars by the enrollment in the army where they were forced to eat pork, by systematic building of churches on the main streets while mosques were allowed only on side-streets, etc.- deliberate killing of Tatars by sending them in the front line without the appropriate war equipment (see battle of Tutrakan, WWI)- the alliance between the Romanian authorities and the Bulgarian committee partizans in order to enable them to commit atrocities in Romania, in the Tatar population.- plowing hundreds of Muslim cemeteries, dissolvving hundreds of Tatar villages, colonization of the region with population from Romania and Greece.- systematic changing the old Tatar toponimy.- prohibiting education in Tatar language.- Tatar deportation from Dobrudja- Gypsy deportation- Jew deportation

Romanians think that by accepting them in UE Europeans tacitly approved the theft that governs Romania. Seasoned thieves, Romanians are trying to show us the lack of ethnic conflict in Dobrudja as ethnic harmony.

After they have humiliated the Tartars for nearly 150 years Romanian thieves are now trying to steal even the virtues of the Tatar people, the tolerance and the patience. By showing us the absence of violent responses from the Tartars to the xenophobic actions of the Romanians as ethnic harmony in Dobrudja authors want to hide Romanian’s xenophobia, they want to hide the deprivation of property and rights, the killing, the exile and assimilation of Tatars, authors want to hide under the EU’s carpet the garbage thrown by Romania in the Balkans .

Romanian academic environment hiding under the EU's carpet the garbage thrown by Romania in the Balkans

Before you throw this book away, think again.It is rubbish, you are right, but even so

Don't Bin It, Recycle It! 10 Nazar Look www.nazar-look.com

The map of Romania’s Tatar deportation fromMicro-Scythia (Dobrudja)

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Q & A

Taking Crimea Photo Exhibition by Alban Kakulya

Geneva 18 January 2011 - Alban Kakulya, a renowned Swiss photographer, travelled to Crimea where he documented the environment and life of its inhabitants, including the resettled Crimean Tatars, The exceptional and moving images are presented in an exhibition titled ‘Taking Crimea’, which runs from February 4 until March 12, 2011 at the Imaginaid Gallery, 28 rue des Grottes, Geneva.

The Crimean peninsula is located in the Southern Ukraine, bordering the Northern shores of the Black Sea. Its mild climate, beautiful countryside and fertile soils made it a much-desired place to settle and may be among the reasons for the numerous wars fought here over the centuries. The last of them, the Second World War, also formally ended here, in the resort town of Yalta where Roosevelt, Churchill and Stalin met to discuss the future of Europe.

“Taking Crimea” is also telling the story of the Crimea Tatars, a Turkic ethic group who lived in Crimea for centuries. After the WWII the Crimean Tatars were deported by the communist regime under the pretext of alleged collaboration with the Nazis during the Nazi occupation of the Crimea. About 200 000 people were brought to Central Asia, mostly Uzbekistan, and almost half of them died during transport or within the first year, mostly from starvation. After the break-up of the Soviet Union, the Crimean Tatars were invited to return to their homeland. There, they still face prejudice and discrimination. To claim their right to the land, they scatter the landscape with little, uninhabitable, houses at the size of toilet cabins to show their presence.

On the southwestern tip of Crimea is the Port of Sevastopol. It hosted the infamous Black Sea Fleet once founded by Potemkin. Today, the Russian military use the port as a naval base. The unique geographic location and navigation conditions of the city's harbours make Sevastopol a strategically important naval point but also an issue of imminent actuality in Ukrainian politics when it comes to allowing Russian military forces being stationed in the country.

The exhibition of Alban Kakulya’s “Taking Crimea” offers a glimpse into the society and environment of Crimea today, a place ridden by war and injustice, and yet beautiful.

This photo reportage, was commissioned by Zoi

Environment Network, a non-profit environmental communication agency based in Geneva. It is linked to the United Nation’s efforts to address environment and security issues. It is also subject of a photo book titled “Taking Land” which will be presented at the vernissage on February 3, 18.30 h, at Imaginaid.

Why are you a photographer?I do not really know why I am a photographer, maybe because some day I understood that I was not that good at drawing ? Maybe because photography can lead to many different directions. You can be a journalist and a photographer, you can be an artist, or you can work in the fashion industry. Photography gives many opportunities. In short, photography is a good opportunity to discover the world and the people. I like photography as much for what it gives as for what it is.

www.albankakulya.com

Alban Kakulya is an award-winning Swiss photographer, most notable for his photo documentary East of a New Eden together with Yann Mingard in 2009.

Taking Land is available for sale at:- Photo8 for 24.99 £ http://store.foto8.com/ecom-emailfriend/TakingLand_Kakulya.html- Imaginaid Gallery in Geneva

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Alban Kakulya: ”Art has a mission, this misson is to question society, to make people evolve and think further.”


How did you first get into photography?In an art school, during a preparatory year in which students were invited to discover different artistic ways of expression.Was there a clear moment when you knew that it was time to take pictures professionally or was it a gradual transition?This was a gradual transition.

Do you remember your first photography sale?Not really, I remember my first published photographs. It was an underwater photo series published in a professional magazine.What type of camera do you use most?The type of camera depends on the type of photographs. But I discovered unexpected fields of application and freedom with digital cameras.What is your favorite lens?My favorite lens depends on what I photograph. Anyway, I only have two lenses per camera, a 35mm and a 80mm (or the correspondent for medium format), I can do almost anything I want with these two.How does your family life come into play with your professional life?I very much like to involve my family in my projects and it is quite often that, either my daughter or my girlfriend, are posing for me. I also depict part of my intimate life in some of my projects.Do you believe that film photography will in the end be totally replaced by digital photography?Yes, more or less in the same way as CDs and later MP3 replaced vinyls. There are still some vinyls here and there but most users, even professionals, go digital.Do you prefer using film cameras over digital?Digital photography opened a much wider field of possibilities. For the freedom it gives, I would go for digital.What profession other than your own would you like to attempt?I am already learning to work with horses with my girlfriend who is a psychologist specialized in therapy in relation with horses. I very much like the contact with animals, especially horses.How has technology influenced your work?Technology has always been a mean to facilitate

people’s life. It continues to be true today. Technology is opening vast areas of freedom. I personally feel much more free than ever before. I dare to shoot much more complicated scenes than I would have ever tried before.Do you have a ritual you follow before each new shoot is started?I don’t think so.What photo do you have hanging in your living room?None.Do you have a tip for beginner photographers that will help them improve their photography?Look for pleasure.What is the most important thing a new photographer should be aware of?Being happy doing his job. If he/she feels no special excitement, then it is maybe better to think about something else to do.Have you ever censored your work for fear of offending someone?Yes, it is very easy to carry a bad image of something or somebody. A photographer has an important responsibility in not taking sides, especially when he/she works as a reporter.Do you think it is important to specialize in one area of photography?It again depends on each person. I am personally not for specialization, but people will quickly put you into a category. If you work once for an architecture magazine, only architects will contact you. You really have to make you own advertisement if you wish to work in different fields. Don’t wait for a fashion magazine to call you. Create your own «fake» fashion campaign and show it around. Only then people will realize that you can do something else.What is your secret weapon?Light should be the secret weapon of all photographers.Do you believe art should serve a political purpose or remain neutral?This is a very difficult and interesting question. I do not think art can remain neutral, but I do not think art should serve a political message. Art is imbedded in political and social life. Art that remains neutral has no interest, it is just decorative and to me, decoration is not art. Art has a mission, this misson is to question society, to make people evolve and think further. Art shouldn’t serve a political message neither, art is not here to serve, it is here to question, to provoke a reflection.In an ideal situation I would be in the same publication with the following photographers/journalists:There are too many interesting people for me to choose one or two. All right, if I have to say somebody, I would say Arundhati Roy.What are you conquering next?Confidence from a horse.


Saw bol, Alban!

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Oñma-pítme, Karaşay, kóp yaşama sen, múftí! Kîrîmnîñ başî kóp tuwulBolsa-bolsa beş mîrza.Bútún Kîrîm atîndanOlar şegerler imza.Kîrîmnîñ başî múftí bolsa,Úş ğewap man kayîrdî.Oñmasîn da pítmesín,Tíríliy bízní ayîrdî.Eskadron úçún el koyîp,Bírer medal taktîñîz.Efendíler, azdîñîz,Kîrîmnîñ ğanîn ğaktîñîz.Ne aytmaga bílmiymen,Uluñ, kîzîñ alsînlar.Patşa bergen medalnîKabíríñe salsînlar.Ğennetten dama isteme,Ğehennem úşún ázír bol.Kalknîñ ğanîn ğaktîñîz,Ğewabîna ázír bol.Ğamíge barsa yalan man,Şo yalan man kaytağak.Ólewuysa bo hînzîr,Kabrínde ne aytağak?Horladîñîz síz bízní,Oñmay-ósmiy kalîñîz.Şo medalnîñ ústúneŞápke de tílep alîñîz.Şápkení kíyseñ başîñaMuratîña ğetersíñ.Kalknîñ hakkîn aşadîñ,Endí ka-típ ódersíñ?Şewre-çetí – gúl-bakşa,Limonîn alîp kokladîñ.Oñma-pítme, Karaşay,Ortalîknî bokladîñ!Oñma-bitme, Karaşay,Kóp yaşama sen, múftí!Yígírím bírde ğaşlarîmîz,Sízden sebep yer óptí.Ber pîştawnî kolîna,Ğesaret etíp at-almaz.

Kayda barsa, o hînzîrGúnasîndan ğat-almaz.Karaşaynî AlibeyArabadan túşúrttí.Traktirníñ íşíndeKótek bírem píşírttí.Alibeyníñ torînîBastî-sóktí kózíne.İygí tokat wurdularKaraşaynîñ ózíne.Traktirníñ íşínde,Çay işkende tutuldî.Nasibí bar, KaraşayÓlmiy-ğetmiy kurtuldî.Haram emşek emízgen,Karaşaynîñ anasî.Alí beyim saw bolsînO - Kîrîmnîñ babasî!Sabîr etsín Karaşay,Aççalmanday atlatîr.Ekí kózín Alibey,Ğumurduk man patlatîr.Delíğan man zewk súrúp,Sen dúnyada ne kórdíñ?Pîkarege, óksízgeKayîr etíp ne berdíñ?Gúbernator, Karaşay,Ekísí de bír dinde.Grafdayîn bír "baba"Kerek eken bo kúnde.Şo divannîñ kapîsîKeşe-kúndúz aşîlmay.Grafdayîn bír "baba"Bo Kîrîmga "tabîlmay".Graftan kalgan bír ul bar,O da ğaşlîk eteğek.O general bolganşîk,Basîmîzga ğeteğek.Eşmîrza dep añsañîz,Kardaşîm dep sayarman.Bo yîrlarnî tîñlañîz,Gúbernaga ğayarman.Bo Kîrîmnîñ babasîMen bellesem, beş mîrza.Bo yîrlarnî şîkargan,Oysullî sokîr Eşmîrza.

Bo Kîrîmda kíşí yok, soldatlîkka keteğek Bo Kîrîmda kíşí yok,Soldatlîkka keteğek.Alagaşnî kórdíñ mí?Başîmîzga ğeteğek.Sóz aytmaga bolmaysîñ,Kóz aldîñda daragaş.Boldî endí bolağak,Otka ğansîn alagaş.Ğolga şîksam, toñaman,Ayagîm-kolîm ğalañgaş.Harap ettí Kîrîmnî,Otka ğansîn alagaş.Ğanîm, anam, karasî,Onbaşî neşín bakîra?Golova ğúre úy-saytînPyankege şakîra.Takatîm kettí belímden,Úyúm nasîl hakklayîm?Ğanîm, balam, ketíñíz,Endí ka-típ saklayîm?Íşíme sîygan ballarîm,Dúnyaga sîymadî.Asker ketmiy ğîladî,Kózyaşlarîn tîymadî.Azbardan şîksa şîbîrşîp,Óríşke sîymay mallarî.Kîzîl bilet kolînda –Salte baynîñ ballarî.Ayakka etík tíktíler,Bogîrdagîn tar etíp.Soldat aldî padíşa,Anaylarnî zar etíp.Árúw Kîrîm ğaşlarîSîktîrmaşnî kíy-almay."Vstavay, soldat" degende,Kózyaşlarîn tîy-almay.Kazarmanîñ kapîsînAylana da ğúremíz.Kazanînda kaynagan,Domîz etín kóremíz.Kóp ğalbardîk bayarga,Slága bízní ğíbermiy.Ne rastkelse aşaymîz,O da bízge elvermiy.Ğañî ay tuwar ğaltîrap,Taleke kelír şaltîrap.Zabitlerníñ aldîndaBíz turamîz kaltîrap. Ğanîm, balam, ketíñíz, soldat bolîp kalmañîz

Ğoldan altîn tapsañ,Egílíp sakîn almañîz.Ğanîm, balam, ketíñíz,Soldat bolîp kalmañîz.Şamdan çîkar alağa,Tarak bilen tokuñîz.Çaresiní tapsañîz,Ğanîm, balam, okîñîz.Sízler ğawga dúşmansîz,Elge heş bermeñíz.Boş-boşîna síz, ballar,Ayak kagîp ğúrmeñíz.Suwî şerbet Kîrîmnîñ,Topragî onîñ altîndan.Mením ğanîm alînsînAnayîmnîñ aldîndan.Kîrîm degen iygí yer,Kaytîp kene kórgeydík.Anam, babam úşúmúz

Bíz bír yerde ólgeydík.Rumelí degen "iygí yer",Sîñîrdaşî Dayîrdîr.Kaytîñîz, balam, Kîrîmga,Inşalla, soñî kayîrdîr.At talimí bek kîyîn,Eğel kaza başîma.Ne yapayîm, yazîlganKara yazî başîma.Ólewuysak, bo yerdeMezarîmîz ğabîlmaz.Artîmdan ğîlay kalmaga,Kardaşlarîm tabîlmaz.Gúbernator, Karaşay –Ekisí de bír dinde.Olar da bízní kîynadîlar,Bonday awur bír kúnde. Hálímízní sorasañ, kayîrga kaldî kúnúmúz Bo Rusiye kúnúndeTek saklandî dínímíz.Hálímízní sorasañ,Kayîrga kaldî kúnúmúz.Ayagîm-kolîm ğalañgaç,Ğolga şîksam, toñaman.Eşím-dostîm kórgende,Bír laf etíp oñaman.Temíz kîlabdan bolmasa,Kapik bersem kaytanga.Hakkikiy tarih bîzîla,Uydurula şaytanga.Sadaka, kayîr heş yok,Zor fakîrnîñ hállerí.Kúflense de, anbargaSîymay ğatkan mallarî.Yaltadan mínseñ poştaga,Peterburgga ğetersíñ.Murat etseñ, padíşa,Ne bolsa da etersíñ.Bo fîrînnîñ íşíndeBízím aşlar píşe mí?Kîrîmnîñ kalkîn aglatmak,Şanîñîzga túşe mí!?Dúnya-dúnya bolmadî,Yawm-beter kún-kúnden.Bo Kîrîm bek nasipsíz,Ílíşíp tura bír kîl man.Imperator babañîz,Kîrîmnî nasîl túzettí?Alganî man kolîna,Ğamílerní túzettí.Túrlí yakşî şiylerden,Bízler urba kíymedík.Bútún ómír boyînğa,Kún ğarîgî kórmedík.Eger ketsek Kîrîmdan,Bír taleke ğegermíz.Ólewuysak ka-termíz?Bíz hasretlík şegermíz.Suwî şerbet Kîrîmnîñ,Topragî da altîndan.Kímí ğurttan ayrîldî,Kímí ewlat, kadîndan.Ólewuysak bo yerde,Ne bolîr bízím hálímíz?Ústúmúzge ot píter,Ğoytîlîr bízím kabrímíz.Azî kettí Kîrîmnîñ,Azizler míndan awuşur.Ólmegen kul, inşalla,Hasretíne kawuşur.

Eşmîrza kart 1803 senesí Kerç rayonîñ Oysul kóyínde, pîkare korantasînda tuwa. Fakîr ómír geşírgen bo istidatlî keday kóy-kóyden ğúrúp, ózí uydurgan ğîrlarnî ğîrlay. Onîñ ğîrlarî çarlîkka, eziyetke karşî dogrîltîlgandîr.

Eşmîrzanîñ iğadî yazuwlî tuwul da, awuzdan-awuzga awuşuw netiğesínde kalk arasînda keñíş darkagandîr. Onîñ yîrlarî Kîrîmnîñ şól taraflarînda we Kerç adasînda yaşagan Kîrîm Tatarlar arasînda saklanîp kaldîlar.

Eşmîrza kartnîñ kózí kórmiy edí. Onî elínden ğetep ğúrgenler. Onday aliyğenap insanlardan bírsí Kîrîmnîñ Argîmak-Elí kóyínden Kulmambet Bekmambet bolîp, soñîndan onîñ ózí de bellí folklorğî, masal aytuwğî bolîp yetíştí. Eşmîrza kartnîñ ekseriy şiirlerí onîñ awuzundan yazîlîp alîngandîr.

Ğenkten ewel Eşmîrza kedaynîñ yaratîğîlîgî man A.S. Puşkin atîna Kîrîm Tatar tílí we edebiyatî ilmiy-tedkikat institutî ograştî. 1940 senesí institut folklorğî Bakî Gaziyevníñ "Kalk şayirí Eşmîrza" atlî kitabîn neşir ettí. Bo kitapka Eşmîrza kart hakkînda makaleler men barabar, kedaynîñ şiirlerínden de kírsetíldí.

Hiğrette neşir etílgen "Edebiyat krestomasiyasî" (Taşkent, 1971) kitabîna Eşmîrza kartnîñ "Soldatlîk hakkînda" serlevalî şiirí kírsetíldí.

Eşmîrza kart 1883 senesí vefat etken.

Eşmîrza Oysullî


Nazar Look 17www.nazar-look.com Nazar Look 17

Medeniyet dersíDulce et decorum est pro patria mori

Pro patria mori est dulce et decorum

Ata ğurtí úşún tatlî, gúzeldír ólím Tek ğanîm vatanga, bolsîn şeker eğelím

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Unutma!

Bízler kórgen horlîklarnîTúşúnde hem kórmegen,Bízler íşken çaymaçanîñLezzetíní bílmegen,Bír awuş kan íşúwğílerBúgún gene kan istiy,"Men yaşayîm, men oynayîm,Sen ómírlík şegíş" - diy. Hey, afatlî boranlardaŞatallangan ğaş ğúrek,Tamîrîñda kaynap turganKara kannî kurutma!Kan íşúwğí azgînlarnîñKalkka bergen azabîn,Ómírbilla bagîşlama,Ómírbilla unutma!

1956 s.

Hey, afatlî boranlardaŞatallangan ğaş ğúrek,Tamîrîñda kaynap turganKara kannî kurutma!Kan íşúwğí azgînlarnîñKalkka bergen azabîn,Ómírbilla bagîşlama,Ómírbilla unutma! Unutma sen o kargîşlî,Kanlî súrgún yîllarîn,Şeher, kóyler, úyler íşíAyazlarga tolganîn.Úş yaşînda kúlgí nedír,Oyîn nedír unutupBiñlep-biñlep sabiylerníñĞolda ğetím kalganîn...


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UR

Uyan!

Kózíñní geñíş aşîp etrapka bak,Óz istikbalîñ hakkînda oylan uzak.Ketse koldan bo ganimet, pîrsatî,Keleğek úşún íşíñ şîltak, íşíñ şîltak. Ağînîr góñílím saga, hey Uygurum,Arkadaşîm, kardaşîm, bír tuwganîm.Kúyúnúp hálíñe tursatsam sení,Añlamaysîñ zatiy neler bolganîn?! Keleğek bír-gún, sen peşman kelersíñ,Sóz manasîna şo wakît ğetersíñ."Way" deseñ şo wakît sayîlmay kalîr,O zaman, Uygur, sózge hakk berersíñ.

1921-Yîl, Turpan

Hey, pakîr Uygur, uyan, yukuñ yeter,Sende mal yok, endí ketse ğan keter.Bo ólímden ózíñní kutarmasañ,Ah, seníñ hálíñ píter, hálíñ píter. Tur! dedím, başîñ kóter, yukuñnî aş!Rakibníñ başîn kesíp kanîn şaş!Kóz aşîp etrapka eger bakmasañ,Ólseñ armanda, bír kún yok ilaş. Zaten ğansîzga uşadî teníñ,Şoga yok mî heş te ólímden gamîñ?Şakîrsam kîbîrdamadan ğatasîñ,Uyanmay ólgen mí şo seníñ betíñ?


Gúner Akmolla (Ghiuner Acmola)

Tatarlar

Odanîñ tóríndekí patta ğatkan loksa, arada-bír başîn kóteríp kundaklangan balasîna karay, kolîn uzatîp sîypay, "bebiyím, bebiyím" dep. Ğún tóşek astînda, ğún ğórkan ústúnde, sîğak ama hawalî oda, kúnbatarga karay, balaban kapîdan kelgen-ketkenlerní kóstertíp. Aydînlîk, kúneş bol-bol kíreğek, ama ğawunlî kúnlerde kórínmiy. Şo arada, azbarîñ íşíndekí sesler karîştî, kabarîştî, tanîgan sesler men yabanğî sesler bírleşíp, sankem Sarîgóllí Kavlamet akay keldí dep túşúndí Şeripe. Ekewí bír yaşta bolalar ama Fazîl ondan ekí yaş balaban bolganî úşún o da koğasîñ dogmîşî bolganî úşún, Şeripe ya akay dep ayta ya da Şelebí dep ayta, bolay kóstere o eskíden kalgan húrmetín "akay" yagîna. Bír dakka geşmeden hağíníñ sesí tuyuldî azbarda:

- Koş keldíñ, Kavlamet, koş keldíñ, sen de Oriye de koş sepa keldíñíz! Ula, bílíp keldíñíz mí? Tuyup mî? Búgún bízde mújde bar, mújde!

Arabadan kagînîp, sílkíníp túşken ğolşîlarnî hağí Fazîl man Ómer kuşaklap, óbíp, úyge kírsettíler, hayatîñ íşí toldî dawuşka, olarîñ sesleríne merak etken loksa, zor dayana bakîrmadan "men de barman" dep.

Tuyunganday etíp, kapîdan kírdí Oriye, ğaş kelínşek, kolî man kîzî

Hakime'nî kuşaklap Bír ses ústúnde bakîrdî, loksanî kuşaklap ánaw bír kolî man, óptí, balaşîknî aşîp, sîypalap:

- Şeripe totay, árúwsíñ mí? Ka ne balay, ul mî, kîz mî? O, kîzga uşay, bír de tumalak betí bar!

Dep, óbe yuklagan balanî. Şaliy şalî şáşínden taygan, katipe şalî ğerge túşken, ózí sekíre kunagîndan. Şeripe`níñ añlayîşîna kóre o kunak sáde "bebiy" kunagî tuwul: ústúndekí şabuwlî entárí bír zíl kibí belínden ekíge kesúwlî, aşasî klin, astarlî; ğeplerí bar, hem de balaban ğeplerí bar; hîrkasî

ğeñlí, moynîndan kapalî túymelerí men; íşíndekí keten kólmek az bír kóríne, yakasî, ğenlerí, oyalî bolganî úşún; aşa betíne kíyílgen uzun donîñ oyasî terakay kóríne. Bonday kibar kíyíngen kelínşeklerge dep şalîngan, her halde:

"Şamalağa kaptan parşasî, şal ne kerek,

Bíz mínda bolgan sora, kalk ne kerek... "

Akaylarîñ yakînda bo odaga kírmiyğekleríñ bílíp, zekiy kózlerí men aktara odanî, ğengesí Şeripe`den lafsîz bílmege ístep neday geşken dogîrmasî, neday şímdíkí hálí, balasî ne, hepísíne bírden merak etíp, ğaşlîgîn sabîrsîzlîgî man...

Bolarnî anlaganday bolîp onîñ bakîşlarîndan, Şeripe, bírkaş yaş balaban bolganî úşún, penğírení kóstere, tîşardan murunlarî yapîşkan ğamga, ekí kardaşî, Munire men Ebílğapar, karap turalar íşkerge, olarga hem abay hem abla bolgan Şeripe`ge. Zaten bútún ğemaát kórgen toyînda, o ekí óksízín etegíne ğabîşîp ğúrgenlerín, merhametlí apakaylar ğîlaşîp ketírgenler akîllarîna analarîn, babalarîn, ağînîklî ólímlerín, ğaş-ğaş yaşlarînda.

Şeripe, tatarğada "f"-nî "p" etken ádetke kóre, úylengende hağí Fazîl`ga 14 ha tarla ketírgen, eñ yakşî topraklardan çúnkú Azaplar o zamanlar biñden fazla nufuslî kóy, zapt ete edí yakîn 35.000 ha tarla, sáde tatarlarîñkî bolîp, kalgan boşlîklarnî otlatmak úşún kereklílerní saymadan, hem de kóyde heş bír yabanğî millet bolmadan, sáde kîrîmtatarlarî óz ádetlerí men yaşay edíler. Kîzîl-Murat kóyínden kóşíp, Vefa Çelebiy, Şeripe`níñ babasî, topraklarîn árúw etíp kóbiyte, Fazîl'nî da íşkíyew alîp zengínleşeler.

Bollîk hem de yakînlîk insanlarga karşî kóríne tura, úyleríndekí tertípten añlaşîlîp, etkenlerínden de, bolganlar,

(II)


zaman man milletke ğayîlîp. Bazî bír sertlenmesí bola hağíníñ, sebeplí ya da sebepsíz, insanlîk hálí dep geşebílersíñ. Şeripe ğúregínde kin tutmay, sabîrlî, ánaw Kazantîptekî keríşleríñ sabîrîn unutmadan saklay, ewlatlarîn babaga karşî húrmet men óstírmege meragîn añlata Moterem`níñ terbiyesí men, şímdí bo ğañî tuwgan kîzî man da, aynî bolîr. Onîñ úşún, heş şaşmay Oriye`níñ aytkanlarîna, aktarmasîna:

- Allaga şúkúr, Oriye, kîzîm boldî, ulnîñ katîna bír kîz ewlat kerek edí, taa? Yarîn hoğa keleğek atîn atamaga, Senya dep túşúndúm, eger hağí razî bolsa.

- Vay, Şeripe totay, ne árúw aytasîñ, Senya bolsîn atî, salgan yerínden bolîp tursun, neşín ístemesín hağí bo atnî? Kîrîm'da bo at bek kóp bar eken dep ayta edíler kartanaylar... Túrkiye`de de eşíttím barîn. Sen kaydan aldîñ?

Tamam bolay konîşkanda, íşkerge hağí kírdí, arkasînda kóríngenler, kózlerí aşaga tuşuk, Ómer men Kavlamet, ekísí de bír-bírínden taa yalşak, kapîdan kírmeden loksanîñ kátírín soradîlar. Analîgîn kîymetín bek bíler bízím millet!

- Şeripe, nedaysîñ, kaşan kelsín hoğa atîn atamaga?

- Endí kelse árúw bolîr, hağí, sen bílersín oyagîn, sáde atîn neday túşúndúñ?

- Bír aytağagîn bar bolsa, ayt, dep ğewap berdí hağí, bírden sesín kîskartîp, "way şo apakaylar, herşiyge karîşalar" degendiy etíp.

- Eger sen de razî bolsañ, men Senya`ga túşúndúm, Kîrîm'da kalgan tizemíñ atî...

- Degeníñ bolîr, Şeripe, dep hağí Fazîl kapînî ğabağak boldî arkasî man şîgîp odadan, illa aradan iteşíp kírdíler, egíz kozîday, óksíz dogmîşlarî, Munire men Ebílğapar. Bebiyge kollarîn uzatîp:

- Aynanayîm ekemden, dep, ekísíde bír seste, bír dawuşta.

- Aynanayîm ekelerímden, kelíñíz, kóríñíz, dedí Şeripe ağîp, súyúp, kíşkene kardaşlarîn. Abay yok mî? dep te, olarnî karagan apakaynî anîdî.

- O da ístedí ama, hağí babaydan korktî, "ne karaysîn sen mínda" dese, katermen, dedí. Penğíreden kóríp kettí.

Oriye'nî kórgen kîz bala, utansîradî, kîzardî, esmer kelgen şaylî kîz, Munire.

Ózí ózíne ğesaret alîp, kuşakladî mísapírní, kolîn óptí, artîndan ul bala da kol alîp turdî arka ğerínde.

Munire`níñ batigíñ astînda sîkî órílgen şáşlerí ekí ğîlanday kîymîlday, ózí de, tírí mí-tírí, Oriye'ní kórgeníne kuwanganî belleníp tura. Bala beşígíñ katîna, ğerge tíz şógíp otîrdî. Her ne-gadar igílík men karalîp ósseler de şo ekí óksíz, kózlerínde bír mîgayma ízí kalgan, bír dert kutugî bolgan olarîn kíşkene kózlerí; bo balaban dúnyada onlarîñ turuşlarî bíle ayta ki şáresíz dertlerí bar! Onlar kaárlí turalar ayilede! Munire sabiy, kúlgende bíle kózleríñ ğaşka tolganîn tuymay kala, óksízlígín şartlarîn ğen-almay. Ebílğapar kardaşî, "erkekmen" dep, sert davrana tura, o da mulayimleşíp, moynîn kîsa bír yakka, konîşmadan dakkalarğa, sáátlerğe, kúnlerğe... Yabanğî kóríşíne karasak, ust-baş yakşî, betlerí kîzargan árúw aştan, tok tamaktan, temíz we ikballî ballar.

Heş bír zaman sert laf aytmadî olarga hağí. Şímdí Oriye men Şeripe añlatkanda o da kósterdí meraklî ekenín bílmege alay şiylerní, konîşmasa da kózlerí bíldíre duygularîn tógerekleníp. Bo arada, bala ğîlayîm ettí, taze loksa emşek bermege ograştî, katîndakî sútní pílğandan rutlap.

- Kímísí bír aşamşak bola, dedí karap Oriye, mením kîzîm bek îşta man eme emşekní.

- Munire, aket mínaw kadení, sútke totîrsîn Pakize-tay, teran da kaymak salsîn, dedí Şeripe. Kelgen mísapírlerge de şalt kaymaklî kawe yasasînlar!

Tatasîn emírlerín kunak man algan hem etken Munire, sekíríp şîktî kapîdan, hayatta otîrîp añlatkan akaylarga heş karamadan, ğuwurdî aşkana betíne, ekí sekírmede şamîrnî atlap taş ústúne basîp, bír nefeste aytîp kazanşî tatayga oga berílgen tílekní:

- Tatam ayttî, balaban pílğanga sút sal, bír de kaymak, sora kawe yasa mísapírlerge. Ayaklarîñ uşundan aylanîp şîktî şalt man-şalt aşkanadan bír seste bakîrîp:

- Ğapar, kaydasîn? Kel oynayîk, bebiy bolîp!


Tínewúngí bulutlar kóterílíp, kalk endí ğúrmege başlap, azbarlarînda we komîşîlarînda, kóyge óyle bír ğanlî hawa bermekte ki ğawunuñ sebebínden gerí kalgan íşler etílíp pítmege yakîn. Ğawunuñ toktalmasîn tuyup, haywanlar da ğanlandî. Şalaş mallesíñ başînda, taa Karaómer ğolîna yakîn, tuwar súrúsí kóríne. Oyaklarga karap turgan Munire eşítmiy kaldî azbarlarîndakî zuw-şuwnî, zaten ozí de ğawunlî kúnlerde tuya sessízlík, moñlîk, dalgînlîk. Bír de kóp hatîrawlar kele akîlîna, karîşîp, bír-bírínden ayîrîlmadan... Kóy kenarînda kórílgen tuwarlar onî kuwanta, akşam yakîn eken, dep. Eñ súygen zewukî tuwar aldîna şîgîp sîyîrlarnî bír de ógízlerní úyge aydamak!

Artîk, banaa ketken ebanay ağele-ağele keliyatîr, loksasîñ katînda turmaga, hele mísapír kelgende. Kóy, bílíngeníndiy, óz hayatîn ilerlete, íşler píte-pítmiy, yarîn da Alla`nîñ kúní dep tatarlar sabîrlî bolîp kúnlerní-keşelerní atlatalar, umit men, duwa man. Kóy óz hayatîn şolay yaşay, ğawunlî-kúneşlí kúnlerní, sîrasî man geşíríp kóz aldîndan, ğeníp herbír ğamannî. Sáde Ómírzade ebanay, unutmadan ádetlerní, balaban temírní saldî kapînîñ artîna, ğañî tuwgan balanî nazardan-yamandan kóríp.

Amayîlnî şu satte ketíríp yastîgînîñ ústúne, başîn katîna kondîrdî, duwa upurup, onga-solga upurup.

- Akşamga atî atalağak bolsa, bíz balanî ázírliyík, şímdí akşam bolîr dep bardî hağíge. Kaber beríldí mí hoğaga? Akaylar şakîrîldî mî? Hağí Fazîl'îñ karşîlîgîn beklemeden kettí aşkanaga, kírmezden evvel kapîdan bakîrdî:

- Akîz, Pakize, akşamga atîn atarlar, sen yemeklerní ázírlep otîr, şímdí akşam bolganîn tuymay kalîrsîn! Bo kíşíler wakîtlîlar, kóp akraba-îruw bar olarda, oga kóre ázírlenermíz, taa! Taze loksalar da kelírler ádetní bílíp, tamam bíz de, diyğegím hağí de kalmayğak ya evvelkíníñ ádetí?

Ebanay óz başîna órsenliy. Pakize, yemeklerge usta apakay, úş seneden bertlí bo ğurtta kîzmet etíp herkezíñ ístegín bílíp,

ádetlerní tutup, kîzganîn tuydurmayğak boldî bo sólemşek ebanayga; íşínden "o ebanaylîgîn bílsín, men aşlarîmnî bílermen", dedí ama oga karşî kúler yúz men, peştímalîna kollarîn súrtúp, konîştî şolay:

- Árúwsúñ mí, Ómírzade-t'tay, úydekíler árúw mí? Ballar, torînlar, îruwlar, ğúmle men?

Bo gúzel karşîlamaga sesín tîmdî ebanay, eskíden toplangan elemlerí (kím ístemez háğíníñ úyúnde aş píşírmege?), attî bír yakka bolganlarnî, kúler yúz men konîşîp:

- Saw bol, árúwler şúkúr, ğúmle men! Ózíñ árúwsúñ mí, Pakize? Úydekíler árúwler mí?

- Şúkúr Allaga, árúwmúz; bír yaktan illa igílík kele, zor kúnler unutula, herşiy kîsmetke baylî. Bere-bere Alla da ne-gadar bereğek, ózín ğabalamasañ?

- Yaa, men de şonî ayta edím, Pakize! Alla bersín dep otîrmayğaksîñ, mîna hağîday şalîşağaksîn, ğerden turganda awuşuña toprak alîp turağaksîn! Onîñ úşún, bíz balanî şímdíden ázír etiyík, tuzlamasî-kakmasî ne bolağak onîñ?

- Sen bízge kaáretme, ebanay tatay! Ána, bír toklî soyîldî, etíñ bolsa kalganî kolay. Pakla otta kaynay, botkasî şo yerde píşer! Ánaw kapîda kím bar?

Karasalar, kapîda, íşke karap bekliy óz başîna, bír ğaş bala, arkasîndan kor-almaysîn kím ekenín. "Ey!" dep bakîrdî Pakize, "Kímsíñ şo? Ne karaysîñ?"

Bala aylandî ses kelgen yagîna, ózín kósteríp apakaylarga:

- Mení kaweğí akay ğîberdí, teran kawe men, hem de sorayîm, búgún mí atalağak balanîñ atî? Men Kîyasman, kawede şalîşaman.

- A-a-a! Sen ekensíñ, taa! Bíz sení arkadan tanîy-almadîk... Akşamga atî atalağak, tínewún tuwgan balaga erte-erte bolağak herşiy, árúw ya, erte-ğan bolîp óssín. Ber maga kawení.

Tatarlar

(II)


Bo kóyde yaşagan tatarlar, Kîrîm`dan kóşkende, ádetlerínde eñ kîymetlí eşya bílíp şonlarnî tutkanlar akîllarînda ki "bír adîm deñíştírmeden", sene-sene, nesil-nesil bílíngen ádetler yasalağak; ketírílgenler bo kúnlerge kadar, hem de ózlerí yaşaganî kadar gúzel ádetlerí de vatanlarîndakîsînday tutulağak, bellí bírşiy. Tíl, ádet, medeniyet, bo úşewí milletní ğoytîlmaktan korar! Bír balanîñ atîn salganda, tatarğasî ataganda, babasîñ yagîndan, eger saw bolsalar, kartbabasî, o bolmasa soyîñ eñ kartî ayta o atnî, hem de atî salîngan bola. Her kóy ózíne kóre ádet kurgan. Bílíngení de şo: kartka húrmet, akay yagîna saygî, gúrúltúsúz íş beğeríp, bala óstíríp, kart karap, dúnyanîñ malîna-múlkúne sahip şîkmak. Kolay mî eken, kelín bol da sen balaban ğurtka, bír ómír kelíp geşken kíşílerge, bír súrúw kabarîp ósken haywanlarga? Bollîk bolîr, şalîşsañ! Sáde ğolda, Kîrîm`dan kaşkanda, ne-gadar sîyîr, tayşîk, bîzaw ólgen, seneler geşíp ğerlerí tolmagan; beş yaşînda kaz bagîp, altîda atka míníp, dokîzda kezya sogîp çalîşkanlar bar bolmak úşún, "mal biyitmek úşún ballarîna". "Tuwgan balanî ğettí kór" degen anaylar, şímdí bolîr bo kundak masîmî, ğetken kîz, úyken toylar yasap bízge... Ekserí, eskí atlarnî, kayday Kantemír, Ğantemír, kuvvetlí bolsîn dep ullarga ataganlar ya da din bakîmîndan Mustafa'day atlarnî saylaganlar; evvelden Meriyem anamîzîñ atîn da, supuluk dep kîzlarga láyîklaganlar. Oglan bolsîn, kîskayaklî bolsîn, aynî ğolnî tutkanlar ejdatlarîmîz. Kuran`dan, tarihten, şanlî kíşíleríñ, batîrlarîñ atlarîn unutmaganlar, Ğengis Han`dan başlap Timur Lenkke kadar. Tatarlîk olay yaşatîlgan... Bonday túşúnğeler men Şeripe turayîm ettí ğatkan ğerínden ama odaga kírdí komşîsî Patme-abay, peştímalîn íşínde oralgan bír tokîma peşkír men, bír kella, ortakarar parşa şeker men, onlarnî beríp óptí loksanî, balanî kórdí, konîşmasîn toktatmadan:

- Aynanayîm kîzîmdan, kímge uşay şo? ğevapnî bírewden beklemeden, atîn ne salağaksîñ, kaday? dedí.

- Taa bek bellí tuwul ama eger kartlar razî bolsalar, men ístiymen Kîrîm`dakî tiyzemíñ atîn, Senya'nî salmaga.

- Alla, ne bar da razî bolmasînlar boga? Bízde bek bolmay onday redetmekler, Şeripe kelín! Kart-kurtka bírşiy demez, madem ki sen bo atnî ayîrgansîñ kîzîña.

Ána, húrmet etíp soradî dermen men, eñ kart sen barsîn dep Zaat akayga, o da boldî der, aslînda bírkaş kún aldînda konîştîk bír ekí at túşúnup, ulga-kîzga hep şonday akrabalarga-îruwlarga yakînlatîp.

Niyet o, pazlasî bolsa zarar yok dep razî bolîrmîz hepísíne de...

Asîl ózín túşúnğelerín tuydurmadan toktadî. Oriye de túşúngen Kîrîm`da ğîlay kalgan halalarîna, Mensuluw bolsîn atî dep, eger ózlerí başkasîna túşúngen bolsalar aytmamîz heşbírşiy, dep. Olay bír karar alganlar karî-koğa úylerínde. "Hem sen bîlmatlî bolîp şîkma" degen oga Kavlamet. Boga tatarlar "katír" degenler, yakînîñ katírín kîrmay yaşamak mabetlíkte, kímge tiyer?

Ebanay kíşkene şîlapşînî alîp kírdí íşkerge, artîk balanî ğuwağak-tuzlayğak:

- Şeripe, ayt sen Umanye men Şakine`ge, seníñ odañnî tízsínler-ázírlesínler seníñ gúzel çiyízleríñ men, sandîkta tutkanda ne payda olardan, men bo yagîn ózím beğerermen. Alîp balanî aytmaga başladî:

"Saw bolsîn, bay bolsîn Kîsmetí kelíp taşsînAkîllî bír kîz bolsînBek zengín bayga barsîn!"

Bo sózlerní aytîp kaderín ayîrgansoñ, ebanay tuzlî suw man bebiyní ğuwdî, o bebiyde bek bír sabîrlî bolîp turdî suwnî mî súyeğek yoksa sabîr taşnî mî ozağak, diye bílírsíñ karap turuşta!

Sarîp biyaz tokîma kundakka, "Ellam"-nî okîp, nazar tiymesín dep tukurup, mañnayîna belge yasap, saldî balaşîknî abiysíñ ósken beşígíne. Sîypalap-sîypalap surtken soñ onî, tuzlangan tokîma testímalnî ğuwdî ebanay, şaykadî, turmadan duwalar aytîp, "ğay şonî, kurugawuysun" dep te, uzattî Munire`ge. Şalt apakay, hem de şaltlîgî bolmasa, ebanaylîgî da bolmaz edí, taa?

(dewamî keleğekke)


Bír hayliyden soñ bízge aşamaga kurma, sút, ótmek we suw berdíler. Yorgînlîk we góñíl raátsízlíkten sebep aşka ragbet bolmadî. Lákin dewelerímíz vakaadan memnun edíler. Çúnkí, toktamadan şaynanîp ğata edíler.

Keşe Malikeden kaber keldí. At patlatîp kelgen asker kîz Malikesíñ emrín biñbaşî kart kadînga bírliy-bírliy ayttî. Bo ulkanîñ tílínde bek kóp lúgat-î Arabiy we kelimeler bolganîndan bír dereğege kadar sózlerí añlaşîla edí.

Bízní raát etíp sabaga kadar dîkkat man karawullap saba erte alîp kelmek emrí keldí. Refiklerím Fransîzlarga bo kaberní biyan etkenímde bír-bíríne karaştîlar. Lákin topşî Martin kóp kaygîrmak bílmegenínden látifege tutundî:

- Sanetermen efendíler, hálímíz bek yaman tuwuldur. Malike bízní húrmetliyğektír. Ertege kórúşsek betí kara Malike bízní begeneğektír... Begense ziyan etmez ya!

- Ziyan etíp n'íşliyğek edí, dedí Jan. Bonlar insan aşagan wahşiyler tuwul. Lákin Malike degeníñíz kara ğanavar sení topşîlîgîña ya da múritlígíñe húrmet eteğeklerden tuwuldur. Anğak bízler húsn-iy ğemal bír kadînga etken húrmetímízden bír húrmet kóstereğektír. Bízler de kadînlarnî akîlîndan, ílímínden ziyade ğemalîn kîdîrganîmîzday bízím ğemalîmîzga kóre húrmet etíleğektír. Balaban iftiharlî húrmet... Látife máálí tuwul arkadaşlar. Hálímízden múzakere etíp şáremízní fikir,

başîmîznî kurtarmaga ğol karayîk. Jan'îñ hakkî bar. Hálímízden bahsetsek taa yakşî bolîr, dedí múhendis Mark. Bo ğoldaş korkî we havf ne bolganîn bílmegen bír ğesur bolganîndan sózní unutup múşaverege tutunduk.

Abdulla Dariy'ní şakîrîp bo karíp ulkadan ótírí bazî malúmat ístedím. Bonîñ degeníne kóre elge túşken esír erlerín bo kadînlar heş azat etmeden haremge alîp súygúlí ete ekenler. Boga yaramaganlarnî íşçí, aşçî we şalgîğî ete ekenler. Haremge súygúlí alîngan erlerní mahsus beslep, ğúyrúk ğaratîr gibí ğaratîp kullanmak ádet-iy mekruhelerí eken!

Ama bo usulga erler kóp çîdamay az zamanda telef bola eken. Maldar kadînlar we memureler haremde úş-beş súygúlí tutkanlarîndan elge túşen esírlerní heş gerí kaytarmaylar. Çúnkí kerek bolalar. Abdulla Dariy'níñ zannîna kóre bízlerní kara Malike óz haremíne alağagî memul eken. Yetíşmesín almaga! Bízler gibí biyaz we húsn-iy ğemal súygúlúsí yok eken. Korkmañîz, sízlerní kafeste kuş gibí tutar we ileríde belkí kurtulmaga Kuday bír şáre berír.

- Bízler bonday bolsak seníñ óz hálíñ ne bolîr? dedím.

- Men kart kíşí, hem mínda zenğiy erler az tuwuldur. Maga kîzmetşílík nasip bolağagîna şúphe yoktîr. Hem sanetermen sízlerge kîzmetşí hem terğúman bolîrman; Çúnkí Malike hazretlerí ğúmleñíz men sózleşme, ğilvelenme íster... Tíl bílmiysíñíz.

Bo ifadelerní Fransîzlarga biyan etkenímde ğúmlesí hálímízin múşkil bolganîna kaniy bolîp mazlum we mahzun boldîlar.

Ismail Gaspîralî (Ismail Gasprinskiy)

[ 2 ]

21 Awustos 1890 / 18 Muharrem 1308, Sayî: 29,

s. 1-2

Kadînlar Ulkasî-Molla Abbas Franseviy (II)


- Parij we Dagîstan man yemín etermen bo Abdulla Dariy bízní satkandîr... Kum boranîndan istifade etíp bízlerní bo ulkaga túşúrdí, ama sabîr kîl itoglî, bír kún ğewap berírsíñ... dep Martin hayliy aytkanî hálde tabip Jan dedí:

- Tur birader, ğewap almaga taa wakît kóp kóríne. Başîmîznî kurtarmak úşún elden ne keleğek şonî múzakere etiyík.

Hayliy múşavereden soñ kararîmîz şo boldî ke ara-sîra ózíne tuydurmadan Abdulla Dariy'den we gayrîlardan bo ğiwarîñ ğollarîn úyrenmelí. Múmkún hile we şáreler men bír bírímízden ayrîlmamaga we eşiyalarnî bermemege kayret etmelí. Çúnkí Martin'iñ tedarik etken silagî, tabibíñ eğzalarî we darularî we Mark'îñ alet-iy núğúmiyelerí kurtulmamîzga bayis bolağak şiylerdendír. Bo şiyler elde kalmasa hálímíz karaptîr. Ileríde ne hálde bolağagîmîz malúm bolmaganîndan múşaverede ka-típ turağagîmîz bílíngen soñ tamam múşavere we húkmeteğek boldîk.

Saba kún tuwmaz burun bútún kerwanîmîz karawul man ğolga şîgîp Malikeníñ mekáanîna yollandîk. Ğolîmîz bazî kurmalîktan, bazî aşîk togaylîktan geşe edí. Rast kelgen íşçíler we çobanlar hep kadîn kîz edí, er kíşí kórínmiy edí. Bízím kadînlar gibí bo ulkanîñ erlerí ğurttan, haneden şîkmaganlarî zahir edí. Bír ekí er kíşí rast kelgen bolsa da betlerí mestur demek órtílí bolîp etrafka hafiyen kóz ata edíler. Bízím kadînlar ózlerín kóstermiy gízlí karaganlarî gibí bo karíp ulkasîñ erlerí dahiy betlerín kóstermeden bet perdesí şetínden dúniyanî siyrete edíler... Ağaba bízlerge dahiy ğaşmak man perde ihsan etíleğek mí?

Rast kelgen kómír gibí kap-kara kadîn kîzlar bízlerge edepsízğe kóz salganlarîndan karawullar bonlarnî súngí agaşî ya kamşî man edepke dawet ete edíler. Bízím taraflarda edepsíz bír adam, kadîn-kîz kórgende ka-típ karasa bo kara şaytanlar da bízge bonday etíp karay edíler.

- Bo neday ulka, kayday ádetler bo, ya Abdulla? dedím. Dórt kitapta bolmagan maada Buda we Konfuçiy mezhebínde dahiy bonday bidat ádetler yoktîr. Bonlarnî ka-típ kîrîp pítírmedíler. Ka-típ imanga

ketírmedíler?

- Ey Seyit, bo memleket kum deriyasîñ eñ şet, eñ amansîz we álem-iy insaniyden bek uzak tabîla. Bondan kóp adamîñ kaberí bírem yoktîr. Bír de rivayet bola, eñ balaban ğinler we periyler bonlarnî himaye we muhafaza ete ekenler. Boga kóre bo ğiwarda tabîlgan bedeviyler ulkaga yakîn bírem kelmiyler. Kadînlar da ulkalarîndan şîgîp uzakka ketmiy. Eñ balaban íşlerí ğol ğoyîp adaşkan kerwanlarnî tutup esír eterler. Bírewúñ kaberí bolmaz. Kumda telef boldîlar sanetílír... tarifín Abdulla'dan añladîm.

Bír sáát yarîm ğol ğúrúp búyúk bír togaylîkka şîktîk. Kúneş ziyasînda gúmúş gibí parlak ufak bír suw geştík. Aldda şeher mí, karye mí, ne bolsa da binalar kóríndí. Yetíşkende kórdík ke terek we şîbîktan órme we balçıîk man sîlanîp agarîlgan we ústlerí kamîş ya kurma dallarî man órtílíp yapîlgan bír we ekí kat ğurtlar we haneler eken. Gayrî bír túrlí bina letafet we intizam kórílmegenínden ulka sanayiy we húnerden bi-behre bolgan binalarîndan we otîrîşlarîndan istihraç ettík. Kayday bolsa Kadînlar Ulkasî'ñ Malikesí ikamet etken mahal bolîp atî "Badbur?" óz tílllerínğe "Malike Hanesí" demek eken.

Badbur'uñ íşíne kírgenímízde şaytan gibí kap-kara we ekser şîpalak ehalisí bízní temaşa etíp haneleríñ kapî-penğere makamînda bolgan teşíklerínden karap tura edíler. Ileríde bír yerden de tabl we bakîr taslarîñ dawuşî-seslerí şîga başladî. Malike dayiresíñ muzikasî, şalgîsî eken ya bízlere selamlîk, ya Malike'ge hoşlîk úşún tabl we tas kakkanlarî ístihraç etíldí. Bo bedbahtlarîñ da resm-iy saltanat ádetlerí bar eken, yetíşmesínler etmege.

Kerwanîmîznî çit terek azbarga kírgízdíler. Bo azbarîñ íşínde bír ekí bab, ekí kat haneler we çoban şalaşî gibí bír niğe binalar taa bar edí. Binalar aldînda bír súrúw silaklî şáşlerí kuş kanatlarî man ziynetlengen kadînlar we ekí tarafta silaklî asker kîzlar bar edí. Etrafka kóz taşlaganda kórdík ke azbarîñ herbír kazîgîna dewe, sîyîr, koy, insan başlarî geşíríp salganlar. Ziynet-iy letafet we saltanat eken.

Her hálde Malikeniñ sarayînda, mekáanînda edík. Bakalîm kara gúzelden ne muwamele bolağak.

(dewamî keleğekke)


Adam adam man aytîşîp, haywan haywan man koklaşîp tabîşîr.

Ak akşa kara kúnge.

Akay ğokta koraz da Súliyman paşa.

Aketme eşegíñ pazarga, ya "kuyrugî uzun", ya "kuyrugî kîska" derler.

Akîl akîldan óskín.

Akîl yaşta tuwul, başta.

Akîlsîz dostîñ bolganşîk akîlsîz dúşmanîñ bolsîn.

Akmasa da tama.

Alağa kargada alağagîñ bolsîn.

Alet işler er maktanîr.

Alîşkan kuturgandan beter.

Alma píş, awuzuma túş.

Alma terekten uzak túşmez.

Almaga bílgen bolsañ bermege de bíl.

Aw suwlanmay balîk tutulmaz.

Awurmagan başka ğawluk baylama.

Atalar sózí - akîlnîñ kózí

Keriç yarîmadasîatalar sózlerí be aytîmlarî


Buwun ğelíne ilaj şîkmay taaMillet ğelíne derman tabîlaTur-almay Kîrîm óz ayagîndaKîrîm'ga Sen Bír Kitap Bagîşla! Ismail GasprinskiyatînaKîrîm Tatar Kútúpkanesíne YARDÎMÎÑNÎ TIYSET Samokişa 8SimferopolUkrayna, Kîrîm, 95011 www.kitaphane.crimea.ua

Constanta, RomaniaDr.Mollağihan

articular rheumatism specialist

symptoms, causes, diagnosis, treatment

Kóstenğe, RumaniyeDr.Mollağihan

buwun ğelí uzmanî

işaret, sebep, teşhis, tedaviy

Vernissage jeudi 3 février 2011, dès 18h30Exposition du 4 février au 12 mars 2011

Imaginaid Galerie, 8 rue des Grottes1201 Genève, Suisse

Alban KakulyaTakiлg Cяiмєa

Zoï Environment Networkis pleased to announce thepublication of Taking Land, aphotobook from AlbanKakulya produced by ZoïEnvironment Network andpublished by Photo8 inJanuary 2011.

Together with ImaginaidGalerie in Geneva, Zoï alsopresents the exhibitionAlban Kakulya - TakingCrimea, showing fromFebruary 4 to March 12,2011.

nazar look, Şubat/february 2011, sayî/issue: 2

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