Narrative Storyboard

Shot 1 –

Narrative shot

Two shot

Oblique angle

Medium shot

Focus on the female’s facial expression.

‘Let me hit you with that one ride, hit you with that one ride. So let me tell you that one line, me and you forever like whatever the weather.’

Shot 2 –

Narrative shot

Two shot

Oblique angle

Medium shot

Focus on the male’s facial expression.

‘Cause I’m down, yeah I’m down for ya. Give you all my time and Imma ride for ya.’

Shot 3 –

Narrative shot

Two shot

Tracking shot

Long shot

Oblique angle

‘So what you doing? What you saying? Taking off where we left.’

Shot 4 –

Narrative shot

Two shot

Oblique angle

Tracking shot

Long shot

‘Yeah I know that you’ve been waiting, I know that you’ve been playing’

Shot 5 –

Narrative Shot

Two shot

Long shot

Oblique angle

The couple argue.

‘Yeah, I know that you’ve been playing this game before. But times have changed, man. They’re more like a war.’

Shot 6 –

Narrative shot

Two shot

Close up shot

Oblique angle

The couple begin to exchange words, we can see their facial expressions, showing they’re annoyed.

‘She said you’re different to the other guys, they don’t really know me, like they’re in it for a minute, then they fade away like Kobe.’

Shot 7 –

Narrative shot

Long shot

Oblique angle

The male walks away.

‘Let me hit you with that one ride, hit you with that one ride. Come on, baby, one try. Let me love you long time. Sippin’ on some fine wine. Blingin’ on the hotline. I’ll never put you on the frontline.’

Shot 8 –

Narrative shot

Long shot

High angle shot

‘Cause what’s mine is yours, and what’s yours is mine, and you don’t need to make sure, nah. And I can tell you’re a diamond even when I feel the pressure, it’s just me and you forever.’

Shot 9 –

Two shot

Medium shot

Oblique angle

Couple meet up to discuss their issues.

‘Can’t lie I’m moving sideways, all up in my feelings and it still ain’t making sense. I don’t want it to be tense. I don’t want it to be awkward.’

Shot 10 –

Two shot

Medium shot

Oblique angle

Couple resolve their problems.

‘But I feel it deep within, let’s be undercover lovers. Let’s be undercover lovers.’

Shot 11 –

Two shot

Long Shot

High angle

The couple are seen back together again.

‘‘Let me hit you with that one ride, hit you with that one ride. Come on, baby, one try. Let me love you long time. Sippin’ on some fine wine. Blingin’ on the hotline. I’ll never put you on the frontline.’