ÑÅÂ Ò ÎÏÎ ËÈÑ seuthopolis -...

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Ñ Å Â Ò Î Ï Î Ë È Ñ S E U T H O P O L I S

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Ñ Å Â Ò Î Ï Î Ë È Ñ

S E U T H O P O L I S

Ñ Å Â Ò Î Ï Î Ë È Ñ

S E U T H O P O L I S

Ñúäúðæàíèå:

Ñåâòîïîëèñ â Äîëèíàòà íà òðàêèéñêèòå âëàäåòåëèÏëàí íà Ñåâòîïîëèñ îò ²V â. ïð.í.å

Ñíèìêè îò ïðîó÷âàíåòî íà ÑåâòîïîëèñÑåâòîïîëèñ ïîä âîäèòå íà ÿçîâèð Êîïðèíêà

Îáù ïîãëåä êúì àðõåîëîãè÷åñêèÿ êîìïëåêñ ÑåâòîïîëèñÑåâòîïîëèñ - ïëàí íà ãðàäà ñ îãðàæäàùàòà ñòðóêòóðà

Ñåâòîïîëèñ â öåíòúðà íà ÿç. Êîïðèíêà - ôîòîìîíòàæèÐàçðåç íà îãðàæäàùàòà ñòðóêòóðà

Èçãëåä êúì ãðàäà Ñåâòîïîëèñ îò ðèíãàÑåâòîïîëèñ âå÷åð

12335677811

Contents:

Seuthopolis in the Valley of the thracian rulersPlan of Seuthopolis from the 4th c. BCPhotos from Seuthopolis’s excavationsSeuthopolis under the waters of the Koprinka damGeneral view of the archaeological complex SeuthopolisSeuthopolis - plan of the town and the new surrounding structureSeuthopolis in the centre of Koprinka dam - photomontagesSection through the surrounding structureView of Seuthopolis from the ringSeuthopolis at night

Ïðîåêò : © Òèëåâ Àðõèòåêòè ÎÎÄÄîö. ä-ð àðõ. Æåêî Òèëåâ - ãëàâåí ïðîåêòàíò, àðõ. Ìàðèàíà Ñúðáîâà, àðõ. Äèì÷î Òèëåâ

Ãðàôè÷åí äèçàéí è âèçóàëèçàöèè : © Òèëåâ Àðõèòåêòè ÎÎÄ è © Äàéíàìåèò ÎÎÄ

Project : © Tilev Architects LtdProf. Ph.D. Arch. Jeko Tilev - leading designer, Arch. Mariana Sarbova, Arch. Dimtcho Tilev

Graphic design and visualization : © Òilev Architects Ltd and © Dynamate Ltd

ÿç. Êîïðèíêà

Ñåâòîïîëèñ

ð.Òóíäæà

ð.Òóíäæà

ð.Ëåøíèöà

ð.Ãàáðîâíèöà

Êàçàíëúê

Êîïðèíêà

Åíèíà

ßñåíîâî

Ñêîáåëåâî

Øèïêà

Êðúí

Øåéíîâî

Êàçàíëúøêà ãðîáíèöà

Ðà÷åâà ìîãèëà

Ñàðàôîâà ìîãèëà

Ñâåòèöàòà

Îñòðóøà

Ãîëÿìà êîñìàòêà

Õåëâåöèÿ

Ãðèôîíèòå

Øóøìàíåö

Ñàøîâà ìîãèëà

Ãîëÿìà àðñåíàëêà

Ìîðîçîâî

Âèäåí

Äîëíî Ñàõðàíå

Äóíàâöè

Koprinka dam

Sevtopolis

Tundzha river

Tundzha river

Leshnitza river

Gabrovnitza river

Kazanluk

Koprinka

Enina

Yasenovo

Skobelevo

Shipka

Krun

Sheinovo

The tomb of Kazanluk

Racheva mogila

Sarafova mogila

Svetitsata

Ostrusha

Goliama kosmatka

Helvetia

The gryphons

Shushmatets

Sashova mogila

Goliama arsenalka

Morozovo

Viden

Dolno Sahrane

Dunavtzi

1Ñåâòîïîëèñ â Äîëèíàòà íà òðàêèéñêèòå âëàäåòåëè

Seuthopolis in the Valley of the thracian rulers

Êîíòóð íà ðèíãà

Ïðåäãðàäèå

Ïðåäãðàäèå

Òîíçîñ (ð.Òóíäæà)

ð.Ãîëÿìà âàðîâèòèöà

1

2

Boundary of the ring

Suburb

Suburb

Tonzos (Tundzha river)

Golyama varovititza river

Âúòðåøåí ãðàä

Âúíøåí ãðàä

Ãëàâíà óëèöà

Ãë

àâíà

óë

èö

à

Àãîðà

Äâîðåö

Ñåâåðíà âðàòà

Ñåâåðíà êóëà

Òúðæåñòâåíà çàëà

Ñâåòèëèùå íà âåëèêèòå ñàìîòðàêèéñêè áîãîâå

Çàïàäíà âðàòà

Èçòî÷íà ñòåíà

Çàïàäíà êóëà

1

1

2

2

Internal town

External town

Main street

Main

str

eet

Agora

Palace

Northern gate

Northern tower

Official hall

Sanctuary of the great samotracian gods

Western gate

Eastern wall

Western tower

Ñâåòèëèùå íà áîã ÄèîíèñSanctuary of Dionysus

2Ïëàí íà Ñåâòîïîëèñ îò ²V â. ïð.í.å.

Plan of Seuthopolis from the 4th c. BC

Ñåâòîïîëèñ, ãðàäúò íà Ñåâò ²²², ñòîëèöà íà Îäðèñêàòà äúðæàâà îò êðàÿ íà ²V - íà÷àëîòî íà ²²² â. ïð.í.å. å ðàçêðèò è ïðîó÷åí ïðåç 1948 - 54 ã. ïðèèçãðàæäàíåòî íà ÿçîâèð Êîïðèíêà äî ãðàä Êàçàíëúê. Òîâà å ïúðâèÿò è íàé-äîáðå çàïàçåí òðàêèéñêè ãðàä â äíåøíà Áúëãàðèÿ, çà ñúæàëåíèåîñòàíàë íà äúíîòî íà ÿçîâèðà ñëåä íàïúëâàíåòî ìó. Äîïóñíàòàòà ãðåøêà ïî âðåìåòî íà èñòîðè÷åñêèÿ è íàöèîíàëåí íèõèëèçúì äíåñ ìîæå äàáúäå ïîïðàâåíà è Ñåâòîïîëèñ äà áúäå âúðíàò â ñúêðîâèùíèöàòà íà ñâåòîâíîòî êóëòóðíî íàñëåäñòâî.

Seuthopolis, the city of the Thracian king Seuthes the IIIrd, and the capital of the ancient state of Odrissia, (end of IV c. BC.) was discovered and exploredin 1948 - 1954 during the construction of the Koprinca dam. Unfortunately, after the dam was filled with water the first and the best preserved Thracian cityin modern Bulgaria remained on the bottom of the artificial lake. This mistake, from the times of historical and national nihilism, can be corrected today andSeuthopolis can be returned into the treasure house of world cultural heritage.

3

Ñíèìêè îò ïðîó÷âàíåòî íà Ñåâòîïîëèñ

Photos from Seuthopolis’s excavationsÑåâòîïîëèñ ïîä âîäèòå íà ÿçîâèð Êîïðèíêà

Seuthopolis under the waters of the Koprinka dam

Ïðîåêòúò çà åêñïîíèðàíå íà Ñåâòîïîëèñ ïðåäëàãà âúçìîæíîñòòà ãðàäúò äà áúäå íàïúëíî ðàçêðèò, êîíñåðâèðàí, ÷àñòè÷íîðåñòàâðèðàí è ïîñòîÿííî äîñòúïåí. ×ðåç ïðîåêòà ñå ðåàëèçèðà èçêëþ÷èòåëíàòà èñòîðè÷åñêà, îáðàçîâàòåëíà, êóëòóðíà èòóðèñòè÷åñêà ñòîéíîñò íà Ñåâòîïîëèñ â óíèêàëíà àðõèòåêòóðíà ñòðóêòóðà è ïðèðîäíà ñðåäà.

Àíòè÷íèÿò ãðàä ñå îòâîþâà îò ÿçîâèðà ÷ðåç âúòðåøíà êðúãëà ÿçîâèðíà ñòåíà, òàêà ÷å ñå ïîëó÷àâà ñâîåîáðàçåí êëàäåíåö, íàäúíîòî íà êîéòî êàòî íà ñöåíà å ïðåäñòàâåíà èñòîðè÷åñêàòà ïèåñà "Ñåâòîïîëèñ". Ïðèáëèæàâàéêè ñå ñ ëîäêà îòêúì áðåãà,Ñåâòîïîëèñ îñòàâà àáñîëþòíî ñêðèò çà ïîãëåäà, êàòî ñå âèæäà åäèíñòâåíî îãðàæäàùèÿò ïðúñòåí. Íî ãëåäêàòà îò ñòåíàòà êúìãðàäà ïðåäèçâèêâà íåâåðîÿòíè âïå÷àòëåíèÿ è óñåùàíèÿ ñúñ ñâîÿòà âñåîáõâàòíîñò, ðàêóðñ è îòïðàâíà òî÷êà îò ãðàíèöàòà ìåæäóìèíàëî è íàñòîÿùå. Âúçìîæíîñòòà äà ðàçãëåæäàø ãðàäà îò âèñî÷èíà 20 ìåòðà ïîçâîëÿâà âúçïðèåìàíåòî ìó öÿëîñòíî, à íåôðàãìåíòàðíî - åäíà èçêëþ÷èòåëíà âúçìîæíîñò çà ðàçêîïêè îò òàêúâ ìàùàá. Âïå÷àòëåíèåòî ñå îáîãàòÿâà ïðè äâèæåíèåòî ñïàíîðàìíèòå àñàíñüîðè, êîèòî îòâåæäàò äî ñàìèòå ðàçêîïêè çà èíäèâèäóàëíî èëè ãðóïîâî ðàçãëåæäàíå.

The project for exhibiting Seuthopolis suggests the possibility to uncover, preserve and partially reconstruct the city while making itpublicly accessible. Through the project the exceptional historical, educational, cultural and tourist value of Seuthopolis is realized in aunique architectural structure in the natural environment.

The ancient city is taken back from the water through a circular dam wall, resembling a well on the bottom of which, as on a stage, ispresented the historical epic of Seuthopolis. Approaching the surrounding ring by boat from the shore Seuthopolis is completely hiddenfor the eye. But the view from the wall is breathtaking - with its scale, comprehensiveness and unique point of view; from the boundarybetween past and present. The possibility to see the city from the height of 20 meters allows the perception of its entirety - anexceptional possibility for excavations of such a scale. The movement with the panoramic elevators providing access to the ground levelfurther enriches this impression.

4

5Îáù ïîãëåä êúì ìóçåéíî-òóðèñòè÷åñêè êîìïëåêñ Ñåâòîïîëèñ

General view of the cultural-touristic complex Seuthopolis

1

2

2

Âúòðåøåí ãðàä

Âúíøåí ãðàä

Ãëàâíà óëèöà

Ãë

àâíà

óë

èö

à

Àãîðà

Äâîðåö

Ñåâåðíà âðàòà

Ñåâåðíà êóëà

Òúðæåñòâåíà çàëà

Ñâåòèëèùå íà âåëèêèòå ñàìîòðàêèéñêè áîãîâå

Çàïàäíà âðàòà

Èçòî÷íà ñòåíà

Çàïàäíà êóëà

1

1

2

2

Internal town

External town

Main street

Main

str

eet

Agora

Palace

Northern gate

Northern tower

Official hall

Sanctuary of the great samotracian gods

Western gate

Eastern wall

Western tower

Ñâåòèëèùå íà áîã ÄèîíèñSanctuary of Dionysus

6Ñåâòîïîëèñ - ïëàí íà ãðàäà ñ îãðàæäàùàòà ñòðóêòóðà

Seuthopolis - plan of the town and the new surrounding structure

Ðèíãúò íà îãðàæäàùàòà ñòåíà èìà íåóòðàëíà (àáñîëþòíà ïî îòíîøåíèå íà âðåìåòî è ïðîñòðàíñòâîòî) êðúãëà ôîðìà ñ âúíøåíäèàìåòúð 420 ìåòðà, êîÿòî å îïèñàíà îêîëî ïåòîúãúëíèÿ â ïëàí ãðàä. Ðèíãúò êàòî ñúâðåìåííà àðõèòåêòóðíà íàìåñà èìàñìèñúë íà ãðàíèöà - ìåæäó ìèíàëî è íàñòîÿùå, èñòîðèÿ è äåéñòâèòåëíîñò, ñóøà è âîäà, ãîðå è äîëó. Òîé ðàçäåëÿ ãðàäàÑåâòîïîëèñ îò âñè÷êî íàîêîëî, êàòî åäíîâðåìåííî ãî ñâúðçâà ñ âîäàòà è îêîëíèÿ ïåéçàæ â êà÷åñòâåíî íîâà àðõèòåêòóðà. Òÿåêñïîíèðà, îöåíÿâà è ïðåîñìèñëÿ èñòîðèÿòà ÷ðåç ñúâðåìåííè ôîðìè è ôóíêöèè. Òàêà àðõèòåêòóðíàòà ðàìêà íà îçåëåíåíàòàñòåíà ñå ïðåâðúùà â îáúðíàòà íàîïàêè òðàêèéñêà ìîãèëà, ñúõðàíèëà â ñåáå ñè ãðàäà Ñåâòîïîëèñ.

The ring of the surrounding wall has a neutral (absolute in relation to time and space) circular form with an outside diameter of 420meters, circumscribed around the pentagon shape of the ancient city. The ring as contemporary architectural intervention has themeaning of a boundary - between past and present, history and contemporaneity, land and water, up and down. It both separates andintegrates the city of Seuthopolis with the surrounding environment in a new architectural synthesis. It exhibits, assesses and rethinkshistory through its contemporary form and function. The architectural frame of the green wall is transformed in an inverted Thraciantumulus, containing and preserving in itself the city of Seuthopolis.

7

Ñåâòîïîëèñ â öåíòúðà íà ÿç. Êîïðèíêà - ôîòîìîíòàæè

Seuthopolis in the centre of Koprinka dam - photomontagesÐàçðåç íà îãðàæäàùàòà ñòðóêòóðà

Section through the surrounding structure

8Èçãëåä êúì ãðàäà Ñåâòîïîëèñ îò ðèíãà

View of Seuthopolis from the ring

Îãðàæäàùàòà ñòåíà îñúùåñòâÿâà ôóíêöèîíàëíàòà èíòåãðàöèÿ íà àíòè÷íèÿ Ñåâòîïîëèñ â óíèêàëåí òóðèñòè÷åñêè êîìïëåêñ.Ïðúñòåíúò å êåé çà ïðèñòèãàùèòå ëîäêè è êîðàá÷åòà. Òîâà å åäíà îæèâåíà óëèöà, ïàðê, ïðèñòàíèùå, ïàíîðàìíà àëåÿ. Òîé ùåáúäå íàñèòåí ñ ìíîæåñòâî îáñëóæâàùè åëåìåíòè - ðåñòîðàíòè, êàôåíåòà, ìàãàçèíè, àòåëèåòà, ïóíêòîâå çà íàåìàíå íàâåëîñèïåäè è ëîäêè è ò.í. è ñëóæè çà ðàçíîîáðàçíè ôîðìè íà ðåêðåàöèÿ, ñïîðò, ðèáîëîâ.  ïðúñòåíà-ñòåíà ñà ðàçïîëîæåíèêîíôåðåíòíè çàëè, ðåñòîðàíòè ñ ãëåäêà êúì ãðàäà è ÿçîâèðà, õîòåëñêè êîìïëåêñ, îáñëóæâàùè îôèñè, ìåäèöèíñêî îáñëóæâàíå,ïîìåùåíèÿ è åëåìåíòè íà òåõíè÷åñêàòà èíôðàñòðóêòóðà. Áîãàòî îçåëåíåíèòå òåðàñè ïðåâðúùàò àíñàìáúëà â ïàðê "âèñÿùèãðàäèíè" ñ ìåñòà çà îòäèõ, öâåòíè ïëîùè, îòêðèòè èçëîæáè. Òàêà îôîðìåí, Ñåâòîïîëèñ ïîëó÷àâà ñòàòóò è êà÷åñòâà íàíàöèîíàëåí è ñâåòîâåí êóëòóðíî-èñòîðè÷åñêè öåíòúð ñ âúçìîæíîñòè çà ðàçíîîáðàçíè ìåæäóíàðîäíè ïðîÿâè - ñèìïîçèóìè,èçëîæáè, êîíöåðòè, ôåñòèâàëè è äð.Ïîäîáíà ìóçåéíà ñòðóêòóðà èìà åñòåñòâåíî ïðàâî íà ñúùåñòâóâàíå â åäèí ðàéîí, íåâåðîÿòíî áîãàò íà àðõåîëîãè÷íè èïðèðîäíè äàäåíîñòè. Óíèêàëíèÿò íà÷èí çà åêñïîíèðàíå íà åäèíñòâåíèÿ äîáðå çàïàçåí òðàêèéñêè ãðàä ãî ïðåâðúùà âêóëìèíàöèÿ íà êóëòóðíèòå ìàðøðóòè â Êàçàíëúøêàòà äîëèíà. Ñìèñëîâî è âðåìåâî ñâúðçàí ñ Äîëèíàòà íà òðàêèéñêèòå öàðå,îñåÿíà ñ áåçáðîéíè ïîãðåáàëíè ìîãèëè, õðàìîâå è áëÿñêàâè ñúêðîâèùà, êóëòóðíî-èñòîðè÷åñêèÿò êîìïëåêñ "Ñåâòîïîëèñ" ùåóâåëè÷è êóëòóðíèÿ, òóðèñòè÷åñêè è ñòîïàíñêè ïîòåíöèàë íà ðàéîíà è ñòðàíàòà è ùå ñå ïðåâúðíå â åìáëåìà íà áîãàòî ìèíàëî,òâîð÷åñêè ïîòåíöèàë è ðåàëèçèðàíî áúäåùå.

The surrounding wall integrates the ancient city of Seuthopolis in a unique modern tourist complex. The ring is a pier for boats and smallships, an animated street, a park, a panoramic walkway. It will be filled with many programmatic elements - restaurants, cafes, shops,rent a bike points, various recreational, sports and fishing facilities. In the ring-wall are housed museum, conference halls, restaurantswith view to the city and the dam, hotel complex, service offices, medical offices, elements of the technical infrastructure, etc. Thelandscaped terraces convert the wall into a park with hanging gardens, places for recreation, flower parterres, open-air exhibitions. Thecity of Seuthopolis receives the status and qualities of a national and world historical and cultural center with the possibilities for hostingvarious national and international cultural activities - symposia, exhibitions, concerts, festivals, etc.Museums structure like that can naturally exist in a region so rich with archeological and natural treasures. The unique way of exhibitingthe only well preserved Thracian city will turn it into the culmination of the cultural and historical routes in the valley of Kazanlak.Connected with the valley of the Thracian rulers, with its tumuluses, temples and treasures, the historical and cultural complex ofSeuthopolis will enrich the cultural, tourist and economic potential of the region and the country and will become an emblem of the richpast, creative potential and realized future.

9

À âå÷åð ñâåòåùèÿò îðåîë, ñ êîéòîêîìïëåêñúò ùå ñå âúçïðèåìà îò áðåãà íàôîíà íà îêîëíèòå ïëàíèíè è íåáåòî, ùåïîêàçâà, ÷å Ñåâòîïîëèñ å âúçêðúñíàë è âå÷åå ÷àñò îò íàñ è Êîñìîñà.

At night the shining aureole visible from theshores, on the background of the water, thesurrounding mountains and the sky will showthat the city of Seuthopolis is reborn, present

10

11Ñåâòîïîëèñ âå÷åð

Seuthopolis at night

ÒÈËÅÂ ÀÐÕÈÒÅÊÒÈ

Ñ òà ð à ï ë à í è í à 2 0Ñ î ô è ÿ 1 5 0 4ò å ë . 0 2 9 4 4 1 1 3 8ô à ê ñ 0 2 8 4 3 5 6 8 [email protected]