my magical attic: cinema center in matadero design by
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HOME ARCHITECTURE INTERIOR DESIGN TRAVEL
January 12, 2013
CINEMA CENTER IN MATADERO DESIGN BY CHURTICHAGA & QUADRA SALCEDO
ACINEMA CENTER IN MATADERO LAGAZPI - MADRID
DESIGN BY CHURTICHAGA & QUADRA SALCEDO ARCHITECT
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ABOUT ME - GUL KILIC
I may work as a freelanceArchitect. I graduated YıldızTechnical Univers i ty Is tanbul ,Turkey. I prepare al l thepresantation by mysel f. Thisblog is my magical attic. Bloginclude that I a l ready col lectedand wi l l col lect time by timepast to future. Some of theminfluence me with their story ,other fascinate me charm ofcolour, some is bents me di fferof des ign. Some of them comeinto my l i fe a l l the fascinatingcontex together that fusedifferent concept with thereimagination and presantation.They al l take part enjoyableplace in my memory l ibrary tobe as metaphor. Some of them Ialready forgot but when I seenthem that make me in goodspiri ts . Other is unforgettable.Some of them connect before tonow that make to come newpeople in our l i fe with newstories . Dream and real i ty fusesin l i fe. Al l of them take part inthis blog that I love.I share a l l the knowledge of art,architecture, interior des ign,industria l des ign, people’ s s toryetc… without profess ionaldoubt. After a l l this progress ,my magical attic wi l l improve,get rich, increase and multiplywhen new comer join us day byday as our universe.Please you may not hes itate tocontact me. I may prefer to hearyour idea that you could sharewith me your own work or other's people work.
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CINEMA CENTER IN MATADERO LAGAZPI - MADRID DESIGN BY CHURTICHAGA & QUADRA SALCEDO ARCHITECTWhen architects and designers are called in to redesign a space that already exists for a specific reasonand their goal is to reinvent that space for an entirely different use, professionals are faced with a dualityof responsibility and potential. In order to respect what once was and bring truth and beauty to thespace that is without time or purpose, the task at hand becomes visceral. Questions arise as to how wewant people to feel in this space. How can this space envelop the senses and become functional in itsnew incarnation while retaining its inherent beauty?These questions emerged when churtichaga+quadra salcedo (ch+qs) architects commenced on theirproject to turn an old slaughterhouse in Legazpi, Madrid into a public cinema center. Their imaginationwould become their guide to tie in the past with the present and the raw emotion with the practical. Thepublic cinema center is a huge complex made up of several connecting buildings, housing a film archive, afilm and television studio, offices, two cinemas, a canteen and a summer film patio.The designer had the following three inspirations to draw from when creating the design: The magicalbacklight and contrast of the films, a childhood fascination with basketry and weaving, and technicalhuman infinite geometries. And as one looks at the finished project, it is easy to spot these threedynamics at work. Dark gray slats of pine wood that shape the walls, ceilings and floors create a cleardistinction of the new space from the jagged exposed bricks of the old slaughterhouse. This clever use ofmaterials provides room for both, the history of the old slaughterhouse to coexist with the sleek newdesign and the new beginnings of a modern cinema center. The marvel is how these potentially harshand intense materials manage to never overwhelm but look rather Zen and clean.The dark gray pine wood acts as a backdrop where the designer let his memory and imagination come tolife. His childhood fascination with basketry comes alive and influences the lighting as “floating figures”and “huge vibrant baskets” that occupy the open main spaces. The Archive Area is covered by a“permeable basket” that works as a gigantic lamp that one can walk through and on top of. It filters lightand is constructed of what seems to be an infinite number of woven orange hoses (actual conventionalindustrial irrigation hoses). The main room is illuminated in orange by another floating basket that fadesinto the darkness, with only the black surface remaining when a movie begins playing. In the smallprojection room, the basket weaves once again through a black space and only when a window opens tolet in natural light, can one see the intricate work and brilliant concept at play.The Matadero promises to be a great attraction and public gathering space, a centerpiece project of anurban renewal effort to bring cultural and art programs to southern urban Madrid.
http://www.yatzer.com/Public-Cinema-Center-Matadero-de-Legazpi-Madridhttp://www.chqs.net/project-tipo-76.htm#
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Posted by GUL KILIC at 3:30 PM
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Born in Madrid in 1967, graduated from Escuela Técnica Superior de Arquitectura de Madrid,1992.In 1995 he founded with Cayetana de la Quadra-Salcedo the Office CHURTICHAGA+QUADRA-SALCEDOarchitects. Focused mainly in Public Buildings , they have won several national and internationalcompetitions and his work have been awarded and published in national and international publicationsand books. The work of the office is focused on the intimate relation between physical and unphysicalaspects, trying to understand architecture as a sensorial interface, as an atmosphere between the manand the environment.He has been Design Studio Professor at the School of Architecture of Madrid from 2003 to 2008.Since 2008, he is Associate Dean of IE School of Architecture and Director for UndergraduateArchitecture Studies.He has lectured at prestigious institutions in USA, UK, Germany, Norway, India, Portugal, Spain,Argentina, Italy…Among the distinctions are MIES VAN DER ROHE prizes (selected), ENOR International Young ArchitectsPrize (1st. Prize)., PREMIO COMUNIDAD DE MADRID (1st. Prize), PREMIO BIGMAT (1st. Prize).
http://www.chqs.net/people.htm
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